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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58.1 108.8 82 it is the complementary color RGB 196.9 146.2 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58.1 108.8 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58.1 108.8 82 shade: RGB 63.1 108.8 77, RGB 80.1 126.8 96, RGB 97.1 144.8 115, RGB 114.1 162.8 134 and RGB 131.1 180.8 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58.1 108.8 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58.1 108.8 82 shade: RGB 58.1 108.8 82, RGB 41.1 90.8 63, RGB 24.1 72.8 44, RGB 7.1 54.8 25 and RGB 0 36.8 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58.1 108.8 82 shade: RGB 58 109 82, RGB 58 109 69, RGB 62 109 58, RGB 75 109 58 and RGB 89 109 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58.1 108.8 82 shade: RGB 58 109 82, RGB 58 109 96, RGB 58 108 109, RGB 58 95 109 and RGB 58 81 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58.1 108.8 82 shade matches the following richer shades: RGB 58 109 82, RGB 45 123 81, RGB 31 136 81, RGB 18 150 80 and RGB 4 163 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58.1 108.8 82 shade: RGB 58 109 82, RGB 72 95 83, RGB 86 82 84, RGB 99 68 85 and RGB 113 54 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58.1 108.8 82 shade: RGB 62 109 58, RGB 58 109 69, RGB 58 109 82, RGB 58 109 95 and RGB 58 109 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58.1 108.8 82 shade: RGB 30 55 42, RGB 44 82 62, RGB 58 109 82, RGB 73 136 102 and RGB 87 163 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58.1 108.8 82 shade: RGB 58.1 108.8 82, RGB 58 75 109 and RGB 109 62 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58.1 108.8 82 shade: RGB 58.1 108.8 82, RGB 82 58 109 and RGB 109 82 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58.1 108.8 82 shade: RGB 58.1 108.8 82, RGB 58 75 109, RGB 109 58 85 and RGB 109 92 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58.1 108.8 82 shade: RGB 58.1 108.8 82, RGB 58 60 109, RGB 109 58 85 and RGB 109 107 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

Complementary color

CMYK 0 / 26 / 12 / 23

HEX #C492AD

RGB 196.9 146.2 173

HSL 328.28, 0.3%, 0.67%

LAB 66.13, 23.32, -6.52

 

CMYK 42 / 0 / 29 / 57

HEX #3F6C4D

RGB 63.1 108.8 77

HSL 138.25, 0.27%, 0.34%

LAB 41.99, -23.37, 12.96

 

CMYK 37 / 0 / 24 / 50

HEX #507E60

RGB 80.1 126.8 96

HSL 140.43, 0.23%, 0.41%

LAB 49.11, -23.08, 11.81

 

CMYK 33 / 0 / 21 / 43

HEX #619073

RGB 97.1 144.8 115

HSL 142.52, 0.2%, 0.47%

LAB 56.06, -22.79, 10.76

 

CMYK 30 / 0 / 18 / 36

HEX #72A286

RGB 114.1 162.8 134

HSL 144.52, 0.21%, 0.54%

LAB 62.87, -22.53, 9.8

 

CMYK 27 / 0 / 15 / 29

HEX #83B499

RGB 131.1 180.8 153

HSL 146.44, 0.25%, 0.61%

LAB 69.54, -22.3, 8.92

 

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

CMYK 55 / 0 / 31 / 64

HEX #295A3F

RGB 41.1 90.8 63

HSL 146.44, 0.38%, 0.26%

LAB 34.56, -24.07, 11.03

 

CMYK 67 / 0 / 40 / 71

HEX #18482C

RGB 24.1 72.8 44

HSL 144.52, 0.5%, 0.19%

LAB 27.06, -24.11, 12.52

 

CMYK 87 / 0 / 54 / 79

HEX #073619

RGB 7.1 54.8 25

HSL 142.52, 0.77%, 0.12%

LAB 19.35, -23.66, 14.31

 

CMYK 100 / 0 / 84 / 86

HEX #002406

RGB 0 36.8 6

HSL 129.78, 1%, 0.07%

LAB 11.44, -21.12, 14.13

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 47 / 0 / 37 / 57

HEX #3A6D45

RGB 58 109 69

HSL 132.94, 0.31%, 0.33%

LAB 41.64, -26.71, 17.17

 

CMYK 43 / 0 / 47 / 57

HEX #3E6D3A

RGB 62 109 58

HSL 115.29, 0.31%, 0.33%

LAB 41.64, -27.33, 23.53

 

CMYK 31 / 0 / 47 / 57

HEX #4B6D3A

RGB 75 109 58

HSL 100, 0.31%, 0.33%

LAB 42.37, -22.56, 24.61

 

CMYK 18 / 0 / 47 / 57

HEX #596D3A

RGB 89 109 58

HSL 83.53, 0.31%, 0.33%

LAB 43.31, -16.87, 25.99

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 47 / 0 / 12 / 57

HEX #3A6D60

RGB 58 109 96

HSL 164.71, 0.31%, 0.33%

LAB 42.28, -20.6, 1.94

 

CMYK 47 / 1 / 0 / 57

HEX #3A6C6D

RGB 58 108 109

HSL 181.18, 0.31%, 0.33%

LAB 42.35, -16.52, -5.82

 

CMYK 47 / 13 / 0 / 57

HEX #3A5F6D

RGB 58 95 109

HSL 196.47, 0.31%, 0.33%

LAB 38.18, -9.08, -12.09

 

CMYK 47 / 26 / 0 / 57

HEX #3A516D

RGB 58 81 109

HSL 212.94, 0.31%, 0.33%

LAB 33.75, -0.48, -18.87

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 63 / 0 / 34 / 52

HEX #2D7B51

RGB 45 123 81

HSL 147.69, 0.46%, 0.33%

LAB 46.07, -34.27, 16.08

 

CMYK 77 / 0 / 40 / 47

HEX #1F8851

RGB 31 136 81

HSL 148.57, 0.63%, 0.33%

LAB 50.09, -42.29, 21.42

 

CMYK 88 / 0 / 47 / 41

HEX #129650

RGB 18 150 80

HSL 148.18, 0.79%, 0.33%

LAB 54.57, -49.23, 27.77

 

CMYK 98 / 0 / 52 / 36

HEX #04A34F

RGB 4 163 79

HSL 148.3, 0.95%, 0.33%

LAB 58.77, -54.78, 33.57

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 24 / 0 / 13 / 63

HEX #485F53

RGB 72 95 83

HSL 148.7, 0.14%, 0.33%

LAB 38.18, -11.45, 4.05

 

CMYK 0 / 5 / 2 / 66

HEX #565254

RGB 86 82 84

HSL 330, 0.02%, 0.33%

LAB 35.31, 2.05, -0.59

 

CMYK 0 / 31 / 14 / 61

HEX #634455

RGB 99 68 85

HSL 327.1, 0.19%, 0.33%

LAB 32.79, 16.32, -4.78

 

CMYK 0 / 52 / 25 / 56

HEX #713655

RGB 113 54 85

HSL 328.47, 0.35%, 0.33%

LAB 31.36, 30.08, -6.72

 

CMYK 43 / 0 / 47 / 57

HEX #3E6D3A

RGB 62 109 58

HSL 115.29, 0.31%, 0.33%

LAB 41.64, -27.33, 23.53

 

CMYK 47 / 0 / 37 / 57

HEX #3A6D45

RGB 58 109 69

HSL 132.94, 0.31%, 0.33%

LAB 41.64, -26.71, 17.17

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 47 / 0 / 13 / 57

HEX #3A6D5F

RGB 58 109 95

HSL 163.53, 0.31%, 0.33%

LAB 42.25, -20.85, 2.51

 

CMYK 47 / 0 / 0 / 57

HEX #3A6D6D

RGB 58 109 109

HSL 180, 0.31%, 0.33%

LAB 42.67, -17.07, -5.34

 

CMYK 45 / 0 / 24 / 78

HEX #1E372A

RGB 30 55 42

HSL 148.8, 0.29%, 0.17%

LAB 20.73, -13.31, 5.15

 

CMYK 46 / 0 / 24 / 68

HEX #2C523E

RGB 44 82 62

HSL 148.42, 0.3%, 0.25%

LAB 31.62, -18.84, 7.58

 

CMYK 47 / 0 / 25 / 57

HEX #3A6D52

RGB 58 109 82

HSL 148.24, 0.31%, 0.33%

LAB 41.92, -23.99, 9.85

 

CMYK 46 / 0 / 25 / 47

HEX #498866

RGB 73 136 102

HSL 147.62, 0.3%, 0.41%

LAB 51.82, -28.58, 12.07

 

CMYK 47 / 0 / 25 / 36

HEX #57A37B

RGB 87 163 123

HSL 148.42, 0.3%, 0.49%

LAB 61.35, -33.06, 13.61

 

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

CMYK 47 / 31 / 0 / 57

HEX #3A4B6D

RGB 58 75 109

HSL 220, 0.31%, 0.33%

LAB 31.89, 3.38, -21.76

 

CMYK 0 / 43 / 47 / 57

HEX #6D3E3A

RGB 109 62 58

HSL 4.71, 0.31%, 0.33%

LAB 31.81, 20.05, 11.34

 

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

CMYK 25 / 47 / 0 / 57

HEX #523A6D

RGB 82 58 109

HSL 268.24, 0.31%, 0.33%

LAB 29.22, 21.93, -25.79

 

CMYK 0 / 25 / 47 / 57

HEX #6D523A

RGB 109 82 58

HSL 28.24, 0.31%, 0.33%

LAB 37.1, 7.86, 18.42

 

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

CMYK 47 / 31 / 0 / 57

HEX #3A4B6D

RGB 58 75 109

HSL 220, 0.31%, 0.33%

LAB 31.89, 3.38, -21.76

 

CMYK 0 / 47 / 22 / 57

HEX #6D3A55

RGB 109 58 85

HSL 328.24, 0.31%, 0.33%

LAB 31.65, 26.3, -6.34

 

CMYK 0 / 16 / 47 / 57

HEX #6D5C3A

RGB 109 92 58

HSL 40, 0.31%, 0.33%

LAB 39.93, 1.81, 22.09

 

CMYK 47 / 0 / 25 / 57

HEX #3A6C52

RGB 58.1 108.8 82

HSL 148.28, 0.3%, 0.33%

LAB 41.85, -23.86, 9.76

 

CMYK 47 / 45 / 0 / 57

HEX #3A3C6D

RGB 58 60 109

HSL 237.65, 0.31%, 0.33%

LAB 27.4, 13.37, -28.83

 

CMYK 0 / 47 / 22 / 57

HEX #6D3A55

RGB 109 58 85

HSL 328.24, 0.31%, 0.33%

LAB 31.65, 26.3, -6.34

 

CMYK 0 / 2 / 47 / 57

HEX #6D6B3A

RGB 109 107 58

HSL 57.65, 0.31%, 0.33%

LAB 44.34, -6.97, 27.63

 

Description

Color code: RGB 58.1 108.8 82 | qconv.com Color code: RGB 58.1 108.8 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58.1 red, 108.8 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58.1 108.8 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 25 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 25% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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