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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 53 37 it is the complementary color RGB 198 202 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 53 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 53 37 shade: RGB 62 53 32, RGB 79 71 51, RGB 96 89 70, RGB 113 107 89 and RGB 130 125 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 53 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 53 37 shade: RGB 57 53 37, RGB 40 35 18, RGB 23 17 0, RGB 6 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 53 37 shade: RGB 56 52 36, RGB 56 46 36, RGB 56 41 36 and RGB 56 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 53 37 shade: RGB 56 52 36, RGB 54 56 36, RGB 49 56 36, RGB 44 56 36 and RGB 39 56 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 53 37 shade matches the following richer shades: RGB 56 52 36, RGB 63 56 29, RGB 70 61 21, RGB 78 65 14 and RGB 85 70 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 53 37 shade: RGB 56 52 36, RGB 48 47 44, RGB 41 43 51, RGB 33 38 59 and RGB 26 34 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 53 37 shade: RGB 56 41 36, RGB 56 47 36, RGB 56 52 36, RGB 54 56 36 and RGB 49 56 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 53 37 shade: RGB 6 5 4, RGB 31 28 20, RGB 56 52 36, RGB 81 75 53 and RGB 105 98 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 53 37 shade: RGB 57 53 37, RGB 36 56 36 and RGB 44 36 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 53 37 shade: RGB 57 53 37, RGB 36 56 52 and RGB 52 36 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 53 37 shade: RGB 57 53 37, RGB 36 56 36, RGB 36 40 56 and RGB 56 36 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 53 37 shade: RGB 57 53 37, RGB 36 56 42, RGB 36 40 56 and RGB 56 36 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

Complementary color

CMYK 9 / 7 / 0 / 15

HEX #C6CADA

RGB 198 202 218

HSL 228, 0.21%, 0.82%

LAB 81.46, 1.71, -8.41

 

CMYK 0 / 15 / 48 / 76

HEX #3E3520

RGB 62 53 32

HSL 42, 0.32%, 0.18%

LAB 22.57, 0.44, 14.71

 

CMYK 0 / 10 / 35 / 69

HEX #4F4733

RGB 79 71 51

HSL 42.86, 0.22%, 0.25%

LAB 30.42, -0.17, 13.28

 

CMYK 0 / 7 / 27 / 62

HEX #605946

RGB 96 89 70

HSL 43.85, 0.16%, 0.33%

LAB 37.97, -0.59, 12.04

 

CMYK 0 / 5 / 21 / 56

HEX #716B59

RGB 113 107 89

HSL 45, 0.12%, 0.4%

LAB 45.29, -0.92, 10.95

 

CMYK 0 / 4 / 17 / 49

HEX #827D6C

RGB 130 125 108

HSL 46.36, 0.09%, 0.47%

LAB 52.39, -1.19, 9.95

 

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

CMYK 0 / 13 / 55 / 84

HEX #282312

RGB 40 35 18

HSL 46.36, 0.38%, 0.11%

LAB 13.81, -0.74, 12.13

 

CMYK 0 / 26 / 100 / 91

HEX #171100

RGB 23 17 0

HSL 44.35, 1%, 0.05%

LAB 5.27, -0.02, 7.89

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 0 / 18 / 36 / 78

HEX #382E24

RGB 56 46 36

HSL 30, 0.22%, 0.18%

LAB 19.73, 2.7, 8.15

 

CMYK 0 / 27 / 36 / 78

HEX #382924

RGB 56 41 36

HSL 15, 0.22%, 0.18%

LAB 18.16, 6.11, 5.97

 

CMYK 0 / 36 / 36 / 78

HEX #382424

RGB 56 36 36

HSL 0, 0.22%, 0.18%

LAB 16.65, 9.54, 3.85

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 4 / 0 / 36 / 78

HEX #363824

RGB 54 56 36

HSL 66, 0.22%, 0.18%

LAB 22.79, -4.86, 12.25

 

CMYK 13 / 0 / 36 / 78

HEX #313824

RGB 49 56 36

HSL 81, 0.22%, 0.18%

LAB 22.33, -7.23, 11.56

 

CMYK 21 / 0 / 36 / 78

HEX #2C3824

RGB 44 56 36

HSL 96, 0.22%, 0.18%

LAB 21.91, -9.52, 10.92

 

CMYK 30 / 0 / 36 / 78

HEX #273824

RGB 39 56 36

HSL 111, 0.22%, 0.18%

LAB 21.53, -11.72, 10.34

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 0 / 11 / 54 / 75

HEX #3F381D

RGB 63 56 29

HSL 47.65, 0.37%, 0.18%

LAB 23.58, -1.38, 17.92

 

CMYK 0 / 13 / 70 / 73

HEX #463D15

RGB 70 61 21

HSL 48.98, 0.54%, 0.18%

LAB 25.84, -1.79, 25.43

 

CMYK 0 / 17 / 82 / 69

HEX #4E410E

RGB 78 65 14

HSL 47.81, 0.7%, 0.18%

LAB 27.93, -0.63, 31.3

 

CMYK 0 / 18 / 92 / 67

HEX #554607

RGB 85 70 7

HSL 48.46, 0.85%, 0.18%

LAB 30.22, -0.43, 36.36

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 0 / 2 / 8 / 81

HEX #302F2C

RGB 48 47 44

HSL 45, 0.04%, 0.18%

LAB 19.4, -0.23, 2.08

 

CMYK 20 / 16 / 0 / 80

HEX #292B33

RGB 41 43 51

HSL 228, 0.11%, 0.18%

LAB 17.64, 1.21, -5.46

 

CMYK 44 / 36 / 0 / 77

HEX #21263B

RGB 33 38 59

HSL 228.46, 0.28%, 0.18%

LAB 15.62, 4.23, -14.21

 

CMYK 61 / 48 / 0 / 74

HEX #1A2242

RGB 26 34 66

HSL 228, 0.43%, 0.18%

LAB 14.16, 7.62, -21.44

 

CMYK 0 / 27 / 36 / 78

HEX #382924

RGB 56 41 36

HSL 15, 0.22%, 0.18%

LAB 18.16, 6.11, 5.97

 

CMYK 0 / 16 / 36 / 78

HEX #382F24

RGB 56 47 36

HSL 33, 0.22%, 0.18%

LAB 20.05, 2.03, 8.59

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 4 / 0 / 36 / 78

HEX #363824

RGB 54 56 36

HSL 66, 0.22%, 0.18%

LAB 22.79, -4.86, 12.25

 

CMYK 13 / 0 / 36 / 78

HEX #313824

RGB 49 56 36

HSL 81, 0.22%, 0.18%

LAB 22.33, -7.23, 11.56

 

CMYK 0 / 17 / 33 / 98

HEX #060504

RGB 6 5 4

HSL 30, 0.2%, 0.02%

LAB 1.41, 0.12, 0.47

 

CMYK 0 / 10 / 35 / 88

HEX #1F1C14

RGB 31 28 20

HSL 43.64, 0.22%, 0.1%

LAB 10.35, -0.26, 5.98

 

CMYK 0 / 7 / 36 / 78

HEX #383424

RGB 56 52 36

HSL 48, 0.22%, 0.18%

LAB 21.67, -1.29, 10.78

 

CMYK 0 / 7 / 35 / 68

HEX #514B35

RGB 81 75 53

HSL 47.14, 0.21%, 0.26%

LAB 31.89, -1.43, 14.04

 

CMYK 0 / 7 / 34 / 59

HEX #696245

RGB 105 98 69

HSL 48.33, 0.21%, 0.34%

LAB 41.48, -2.15, 17.54

 

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

CMYK 36 / 0 / 36 / 78

HEX #243824

RGB 36 56 36

HSL 120, 0.22%, 0.18%

LAB 21.32, -12.97, 10.02

 

CMYK 21 / 36 / 0 / 78

HEX #2C2438

RGB 44 36 56

HSL 264, 0.22%, 0.18%

LAB 15.92, 8.78, -11.56

 

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

CMYK 36 / 0 / 7 / 78

HEX #243834

RGB 36 56 52

HSL 168, 0.22%, 0.18%

LAB 21.77, -9.08, -0.07

 

CMYK 7 / 36 / 0 / 78

HEX #342438

RGB 52 36 56

HSL 288, 0.22%, 0.18%

LAB 16.88, 11.97, -9.99

 

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

CMYK 36 / 0 / 36 / 78

HEX #243824

RGB 36 56 36

HSL 120, 0.22%, 0.18%

LAB 21.32, -12.97, 10.02

 

CMYK 36 / 29 / 0 / 78

HEX #242838

RGB 36 40 56

HSL 228, 0.22%, 0.18%

LAB 16.4, 2.86, -10.88

 

CMYK 0 / 36 / 0 / 78

HEX #382438

RGB 56 36 56

HSL 300, 0.22%, 0.18%

LAB 17.4, 13.6, -9.14

 

CMYK 0 / 7 / 35 / 78

HEX #393525

RGB 57 53 37

HSL 48, 0.21%, 0.18%

LAB 22.12, -1.3, 10.75

 

CMYK 36 / 0 / 25 / 78

HEX #24382A

RGB 36 56 42

HSL 138, 0.22%, 0.18%

LAB 21.47, -11.64, 6.24

 

CMYK 36 / 29 / 0 / 78

HEX #242838

RGB 36 40 56

HSL 228, 0.22%, 0.18%

LAB 16.4, 2.86, -10.88

 

CMYK 0 / 36 / 11 / 78

HEX #382432

RGB 56 36 50

HSL 318, 0.22%, 0.18%

LAB 17.14, 12.24, -5.33

 

Description

Color code: RGB 57 53 37 | qconv.com Color code: RGB 57 53 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 53 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 53 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 35 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 35% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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