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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 155 136 it is the complementary color RGB 198 100 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 155 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 57 155 136: RGB 62 155 131, RGB 79 173 150, RGB 96 191 169, RGB 113 209 188 and RGB 130 227 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 155 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 57 155 136: RGB 57 155 136, RGB 40 137 117, RGB 23 119 98, RGB 6 101 79 and RGB 0 83 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

Complementary color

CMYK 0 / 49 / 40 / 22

HEX #C66477

RGB 198 100 119

HSL 348.37, 0.46%, 0.58%

LAB 54.5, 40.93, 7.6

 

CMYK 60 / 0 / 15 / 39

HEX #3E9B83

RGB 62 155 131

HSL 164.52, 0.43%, 0.43%

LAB 58.14, -33.47, 4.43

 

CMYK 54 / 0 / 13 / 32

HEX #4FAD96

RGB 79 173 150

HSL 165.32, 0.37%, 0.49%

LAB 64.76, -33.54, 3.4

 

CMYK 50 / 0 / 12 / 25

HEX #60BFA9

RGB 96 191 169

HSL 166.11, 0.43%, 0.56%

LAB 71.29, -33.51, 2.47

 

CMYK 46 / 0 / 10 / 18

HEX #71D1BC

RGB 113 209 188

HSL 166.88, 0.51%, 0.63%

LAB 77.72, -33.43, 1.62

 

CMYK 43 / 0 / 9 / 11

HEX #82E3CF

RGB 130 227 207

HSL 167.63, 0.63%, 0.7%

LAB 84.06, -33.31, 0.82

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 71 / 0 / 15 / 46

HEX #288975

RGB 40 137 117

HSL 167.63, 0.55%, 0.35%

LAB 51.41, -32.75, 2.67

 

CMYK 81 / 0 / 18 / 53

HEX #177762

RGB 23 119 98

HSL 166.88, 0.68%, 0.28%

LAB 44.6, -32.01, 3.96

 

CMYK 94 / 0 / 22 / 60

HEX #06654F

RGB 6 101 79

HSL 166.11, 0.89%, 0.21%

LAB 37.68, -30.76, 5.48

 

CMYK 100 / 0 / 28 / 67

HEX #00533C

RGB 0 83 60

HSL 163.37, 1%, 0.16%

LAB 30.67, -28.58, 7.32

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 63 / 0 / 2 / 39

HEX #399C99

RGB 57 156 153

HSL 178.18, 0.46%, 0.42%

LAB 58.92, -28.94, -6.93

 

CMYK 63 / 8 / 0 / 39

HEX #398F9C

RGB 57 143 156

HSL 187.88, 0.46%, 0.42%

LAB 54.98, -21.46, -14.55

 

CMYK 63 / 19 / 0 / 39

HEX #397E9C

RGB 57 126 156

HSL 198.18, 0.46%, 0.42%

LAB 49.73, -12.22, -22.58

 

CMYK 63 / 29 / 0 / 39

HEX #396E9C

RGB 57 110 156

HSL 207.88, 0.46%, 0.42%

LAB 44.83, -2.86, -30.18

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 63 / 0 / 12 / 19

HEX #4CCEB5

RGB 76 206 181

HSL 168.46, 0.57%, 0.55%

LAB 75.46, -41.42, 1.95

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 64 / 0 / 11 / 79

HEX #13352F

RGB 19 53 47

HSL 169.41, 0.47%, 0.14%

LAB 19.6, -14.15, 0.05

 

CMYK 63 / 0 / 13 / 59

HEX #26685B

RGB 38 104 91

HSL 168.18, 0.46%, 0.28%

LAB 39.69, -24.3, 1.13

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 63 / 63 / 0 / 39

HEX #39399C

RGB 57 57 156

HSL 240, 0.46%, 0.42%

LAB 29.9, 31.31, -54.06

 

CMYK 0 / 38 / 63 / 39

HEX #9C6139

RGB 156 97 57

HSL 24.24, 0.46%, 0.42%

LAB 46.86, 19.98, 32.46

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 13 / 63 / 0 / 39

HEX #88399C

RGB 136 57 156

HSL 287.88, 0.46%, 0.42%

LAB 38.83, 48.74, -39.21

 

CMYK 0 / 13 / 63 / 39

HEX #9C8839

RGB 156 136 57

HSL 47.88, 0.46%, 0.42%

LAB 57.05, -2.15, 44.09

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 63 / 63 / 0 / 39

HEX #39399C

RGB 57 57 156

HSL 240, 0.46%, 0.42%

LAB 29.9, 31.31, -54.06

 

CMYK 0 / 63 / 51 / 39

HEX #9C394D

RGB 156 57 77

HSL 347.88, 0.46%, 0.42%

LAB 38.78, 42.89, 10.04

 

CMYK 0 / 0 / 63 / 39

HEX #9C9C39

RGB 156 156 57

HSL 60, 0.46%, 0.42%

LAB 62.63, -12.93, 50.11

 

CMYK 63 / 0 / 12 / 39

HEX #399B88

RGB 57 155 136

HSL 168.37, 0.46%, 0.42%

LAB 58.12, -33.15, 1.55

 

CMYK 44 / 63 / 0 / 39

HEX #57399C

RGB 87 57 156

HSL 258.18, 0.46%, 0.42%

LAB 32.6, 37.07, -49.56

 

CMYK 0 / 63 / 51 / 39

HEX #9C394D

RGB 156 57 77

HSL 347.88, 0.46%, 0.42%

LAB 38.78, 42.89, 10.04

 

CMYK 19 / 0 / 63 / 39

HEX #7E9C39

RGB 126 156 57

HSL 78.18, 0.46%, 0.42%

LAB 60.34, -25.7, 46.98

 

Description

Color code: RGB 57 155 136 | qconv.com Color code: RGB 57 155 136 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 155 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 155 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 12 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 12% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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