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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 149 203 it is the complementary color RGB 198 106 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 149 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 149 203 shade: RGB 62 149 198, RGB 79 167 217, RGB 96 185 236, RGB 113 203 255 and RGB 130 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 149 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 149 203 shade: RGB 57 149 203, RGB 40 131 184, RGB 23 113 165, RGB 6 95 146 and RGB 0 77 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 149 203 shade: RGB 57 148 202, RGB 57 109 202, RGB 57 70 202, RGB 83 57 202 and RGB 122 57 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 149 203 shade: RGB 57 148 202, RGB 57 109 202, RGB 57 70 202 and RGB 57 57 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 149 203 shade matches the following richer shades: RGB 57 148 202, RGB 37 154 222 and RGB 17 159 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 149 203 shade: RGB 57 148 202, RGB 77 143 182, RGB 98 138 162, RGB 118 133 141 and RGB 138 127 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 149 203 shade: RGB 57 202 178, RGB 57 188 202, RGB 57 149 202, RGB 57 110 202 and RGB 57 72 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 149 203 shade: RGB 37 102 140, RGB 45 125 172, RGB 57 148 202, RGB 90 166 211 and RGB 122 183 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 149 203 shade: RGB 57 149 203, RGB 139 57 202 and RGB 202 197 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 149 203 shade: RGB 57 149 203, RGB 202 57 149 and RGB 149 202 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 149 203 shade: RGB 57 149 203, RGB 139 57 202, RGB 202 110 57 and RGB 120 202 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 149 203 shade: RGB 57 149 203, RGB 183 57 202, RGB 202 110 57 and RGB 76 202 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

Complementary color

CMYK 0 / 46 / 74 / 22

HEX #C66A34

RGB 198 106 52

HSL 22.19, 0.58%, 0.49%

LAB 54.62, 32.46, 45.35

 

CMYK 69 / 25 / 0 / 22

HEX #3E95C6

RGB 62 149 198

HSL 201.62, 0.54%, 0.51%

LAB 58.6, -10.3, -32.9

 

CMYK 64 / 23 / 0 / 15

HEX #4FA7D9

RGB 79 167 217

HSL 201.74, 0.64%, 0.58%

LAB 65.21, -11.24, -33.18

 

CMYK 59 / 22 / 0 / 7

HEX #60B9EC

RGB 96 185 236

HSL 201.86, 0.79%, 0.65%

LAB 71.72, -11.99, -33.45

 

CMYK 56 / 20 / 0 / 0

HEX #71CBFF

RGB 113 203 255

HSL 201.97, 1%, 0.72%

LAB 78.14, -12.58, -33.7

 

CMYK 49 / 13 / 0 / 0

HEX #82DDFF

RGB 130 221 255

HSL 196.32, 1%, 0.75%

LAB 83.8, -18.33, -24.96

 

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

CMYK 78 / 29 / 0 / 28

HEX #2883B8

RGB 40 131 184

HSL 202.08, 0.64%, 0.44%

LAB 52, -7.88, -35.3

 

CMYK 86 / 32 / 0 / 35

HEX #1771A5

RGB 23 113 165

HSL 201.97, 0.76%, 0.37%

LAB 45.23, -5.99, -34.93

 

CMYK 96 / 35 / 0 / 43

HEX #065F92

RGB 6 95 146

HSL 201.86, 0.92%, 0.3%

LAB 38.37, -3.51, -34.47

 

CMYK 100 / 39 / 0 / 50

HEX #004D7F

RGB 0 77 127

HSL 203.62, 1%, 0.25%

LAB 31.44, -0.17, -33.87

 

CMYK 72 / 27 / 0 / 21

HEX #3994CA

RGB 57 148 202

HSL 202.34, 0.58%, 0.51%

LAB 58.33, -9.11, -35.58

 

CMYK 72 / 46 / 0 / 21

HEX #396DCA

RGB 57 109 202

HSL 218.48, 0.58%, 0.51%

LAB 47.07, 14.31, -53.43

 

CMYK 72 / 65 / 0 / 21

HEX #3946CA

RGB 57 70 202

HSL 234.62, 0.58%, 0.51%

LAB 36.96, 39.14, -69.83

 

CMYK 59 / 72 / 0 / 21

HEX #5339CA

RGB 83 57 202

HSL 250.76, 0.58%, 0.51%

LAB 36.04, 49.97, -71.27

 

CMYK 40 / 72 / 0 / 21

HEX #7A39CA

RGB 122 57 202

HSL 266.9, 0.58%, 0.51%

LAB 40.13, 56.21, -64.42

 

CMYK 72 / 27 / 0 / 21

HEX #3994CA

RGB 57 148 202

HSL 202.34, 0.58%, 0.51%

LAB 58.33, -9.11, -35.58

 

CMYK 72 / 46 / 0 / 21

HEX #396DCA

RGB 57 109 202

HSL 218.48, 0.58%, 0.51%

LAB 47.07, 14.31, -53.43

 

CMYK 72 / 65 / 0 / 21

HEX #3946CA

RGB 57 70 202

HSL 234.62, 0.58%, 0.51%

LAB 36.96, 39.14, -69.83

 

CMYK 72 / 72 / 0 / 21

HEX #3939CA

RGB 57 57 202

HSL 240, 0.58%, 0.51%

LAB 34.11, 46.88, -74.52

 

CMYK 72 / 27 / 0 / 21

HEX #3994CA

RGB 57 148 202

HSL 202.34, 0.58%, 0.51%

LAB 58.33, -9.11, -35.58

 

CMYK 83 / 31 / 0 / 13

HEX #259ADE

RGB 37 154 222

HSL 202.05, 0.74%, 0.51%

LAB 60.59, -7.62, -43.26

 

CMYK 93 / 34 / 0 / 5

HEX #119FF2

RGB 17 159 242

HSL 202.13, 0.9%, 0.51%

LAB 62.78, -4.31, -50.85

 

CMYK 72 / 27 / 0 / 21

HEX #3994CA

RGB 57 148 202

HSL 202.34, 0.58%, 0.51%

LAB 58.33, -9.11, -35.58

 

CMYK 58 / 21 / 0 / 29

HEX #4D8FB6

RGB 77 143 182

HSL 202.29, 0.42%, 0.51%

LAB 56.68, -9.46, -26.77

 

CMYK 40 / 15 / 0 / 36

HEX #628AA2

RGB 98 138 162

HSL 202.5, 0.26%, 0.51%

LAB 55.46, -7.47, -17.11

 

CMYK 16 / 6 / 0 / 45

HEX #76858D

RGB 118 133 141

HSL 200.87, 0.09%, 0.51%

LAB 54.61, -3.67, -6.15

 

CMYK 0 / 8 / 12 / 46

HEX #8A7F79

RGB 138 127 121

HSL 21.18, 0.07%, 0.51%

LAB 53.99, 3.09, 4.76

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB2

RGB 57 202 178

HSL 170.07, 0.58%, 0.51%

LAB 73.76, -43.29, 1.03

 

CMYK 72 / 7 / 0 / 21

HEX #39BCCA

RGB 57 188 202

HSL 185.79, 0.58%, 0.51%

LAB 70.25, -30.07, -17.26

 

CMYK 72 / 26 / 0 / 21

HEX #3995CA

RGB 57 149 202

HSL 201.93, 0.58%, 0.51%

LAB 58.63, -9.67, -35.11

 

CMYK 72 / 46 / 0 / 21

HEX #396ECA

RGB 57 110 202

HSL 218.07, 0.58%, 0.51%

LAB 47.35, 13.68, -52.98

 

CMYK 72 / 64 / 0 / 21

HEX #3948CA

RGB 57 72 202

HSL 233.79, 0.58%, 0.51%

LAB 37.42, 37.9, -69.07

 

CMYK 74 / 27 / 0 / 45

HEX #25668C

RGB 37 102 140

HSL 202.14, 0.58%, 0.35%

LAB 40.88, -7.19, -26.87

 

CMYK 74 / 27 / 0 / 33

HEX #2D7DAC

RGB 45 125 172

HSL 202.2, 0.59%, 0.43%

LAB 49.74, -8.09, -31.9

 

CMYK 72 / 27 / 0 / 21

HEX #3994CA

RGB 57 148 202

HSL 202.34, 0.58%, 0.51%

LAB 58.33, -9.11, -35.58

 

CMYK 57 / 21 / 0 / 17

HEX #5AA6D3

RGB 90 166 211

HSL 202.31, 0.58%, 0.59%

LAB 65.08, -10.53, -30.03

 

CMYK 44 / 16 / 0 / 14

HEX #7AB7DB

RGB 122 183 219

HSL 202.27, 0.57%, 0.67%

LAB 71.64, -10.22, -24.23

 

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

CMYK 31 / 72 / 0 / 21

HEX #8B39CA

RGB 139 57 202

HSL 273.93, 0.58%, 0.51%

LAB 42.28, 59.35, -60.83

 

CMYK 0 / 2 / 72 / 21

HEX #CAC539

RGB 202 197 57

HSL 57.93, 0.58%, 0.51%

LAB 77.75, -14.21, 66.59

 

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

CMYK 0 / 72 / 26 / 21

HEX #CA3995

RGB 202 57 149

HSL 321.93, 0.58%, 0.51%

LAB 49.07, 64.59, -18.23

 

CMYK 26 / 0 / 72 / 21

HEX #95CA39

RGB 149 202 57

HSL 81.93, 0.58%, 0.51%

LAB 75.41, -38.17, 63.03

 

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

CMYK 31 / 72 / 0 / 21

HEX #8B39CA

RGB 139 57 202

HSL 273.93, 0.58%, 0.51%

LAB 42.28, 59.35, -60.83

 

CMYK 0 / 46 / 72 / 21

HEX #CA6E39

RGB 202 110 57

HSL 21.93, 0.58%, 0.51%

LAB 56.09, 32.21, 44.61

 

CMYK 41 / 0 / 72 / 21

HEX #78CA39

RGB 120 202 57

HSL 93.93, 0.58%, 0.51%

LAB 73.89, -48.52, 61.01

 

CMYK 72 / 27 / 0 / 20

HEX #3995CB

RGB 57 149 203

HSL 202.19, 0.58%, 0.51%

LAB 58.67, -9.33, -35.61

 

CMYK 9 / 72 / 0 / 21

HEX #B739CA

RGB 183 57 202

HSL 292.14, 0.58%, 0.51%

LAB 48.58, 68.19, -50.35

 

CMYK 0 / 46 / 72 / 21

HEX #CA6E39

RGB 202 110 57

HSL 21.93, 0.58%, 0.51%

LAB 56.09, 32.21, 44.61

 

CMYK 62 / 0 / 72 / 21

HEX #4CCA39

RGB 76 202 57

HSL 112.14, 0.58%, 0.51%

LAB 72.28, -60.83, 58.86

 

Description

Color code: RGB 57 149 203 | qconv.com Color code: RGB 57 149 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 149 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 149 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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