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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57.3 108.4 143 it is the complementary color RGB 197.7 146.6 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57.3 108.4 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57.3 108.4 143 shade: RGB 62.3 108.4 138, RGB 79.3 126.4 157, RGB 96.3 144.4 176, RGB 113.3 162.4 195 and RGB 130.3 180.4 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57.3 108.4 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57.3 108.4 143 shade: RGB 57.3 108.4 143, RGB 40.3 90.4 124, RGB 23.3 72.4 105, RGB 6.3 54.4 86 and RGB 0 36.4 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57.3 108.4 143 shade: RGB 57 108 142, RGB 57 85 142, RGB 57 62 142, RGB 75 57 142 and RGB 98 57 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57.3 108.4 143 shade: RGB 57 108 142, RGB 57 85 142, RGB 57 62 142 and RGB 57 57 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57.3 108.4 143 shade matches the following richer shades: RGB 57 108 142, RGB 41 111 158, RGB 25 114 174 and RGB 8 117 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57.3 108.4 143 shade: RGB 57 108 142, RGB 73 105 126, RGB 89 101 110, RGB 105 98 94 and RGB 121 95 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57.3 108.4 143 shade: RGB 57 142 131, RGB 57 131 142, RGB 57 108 142, RGB 57 85 142 and RGB 57 62 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57.3 108.4 143 shade: RGB 33 63 83, RGB 45 85 113, RGB 57 108 142, RGB 68 130 172 and RGB 92 150 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57.3 108.4 143 shade: RGB 57.3 108.4 143, RGB 108 57 142 and RGB 142 142 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57.3 108.4 143 shade: RGB 57.3 108.4 143, RGB 142 57 108 and RGB 108 142 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57.3 108.4 143 shade: RGB 57.3 108.4 143, RGB 108 57 142, RGB 142 91 57 and RGB 91 142 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57.3 108.4 143 shade: RGB 57.3 108.4 143, RGB 134 57 142, RGB 142 91 57 and RGB 65 142 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

Complementary color

CMYK 0 / 26 / 43 / 22

HEX #C59270

RGB 197.7 146.6 112

HSL 24.22, 0.43%, 0.61%

LAB 64.87, 14.89, 25.84

 

CMYK 55 / 21 / 0 / 46

HEX #3E6C8A

RGB 62.3 108.4 138

HSL 203.46, 0.38%, 0.39%

LAB 43.77, -6.8, -21.11

 

CMYK 49 / 19 / 0 / 38

HEX #4F7E9D

RGB 79.3 126.4 157

HSL 203.63, 0.33%, 0.46%

LAB 50.84, -7.25, -21.37

 

CMYK 45 / 18 / 0 / 31

HEX #6090B0

RGB 96.3 144.4 176

HSL 203.79, 0.34%, 0.53%

LAB 57.76, -7.58, -21.63

 

CMYK 42 / 17 / 0 / 24

HEX #71A2C3

RGB 113.3 162.4 195

HSL 203.94, 0.41%, 0.6%

LAB 64.53, -7.84, -21.9

 

CMYK 39 / 16 / 0 / 16

HEX #82B4D6

RGB 130.3 180.4 214

HSL 204.09, 0.51%, 0.68%

LAB 71.17, -8.05, -22.18

 

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

CMYK 68 / 27 / 0 / 51

HEX #285A7C

RGB 40.3 90.4 124

HSL 204.09, 0.51%, 0.32%

LAB 36.54, -5.4, -23.91

 

CMYK 78 / 31 / 0 / 59

HEX #174869

RGB 23.3 72.4 105

HSL 203.94, 0.64%, 0.25%

LAB 29.14, -4.1, -23.66

 

CMYK 93 / 37 / 0 / 66

HEX #063656

RGB 6.3 54.4 86

HSL 203.79, 0.86%, 0.18%

LAB 21.54, -2.1, -23.35

 

CMYK 100 / 46 / 0 / 74

HEX #002443

RGB 0 36.4 67

HSL 207.4, 1%, 0.13%

LAB 13.78, 1.28, -22.81

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 60 / 40 / 0 / 44

HEX #39558E

RGB 57 85 142

HSL 220.24, 0.43%, 0.39%

LAB 36.59, 7.91, -34.78

 

CMYK 60 / 56 / 0 / 44

HEX #393E8E

RGB 57 62 142

HSL 236.47, 0.43%, 0.39%

LAB 30.08, 23.14, -45.21

 

CMYK 47 / 60 / 0 / 44

HEX #4B398E

RGB 75 57 142

HSL 252.71, 0.43%, 0.39%

LAB 30.34, 30.22, -44.71

 

CMYK 31 / 60 / 0 / 44

HEX #62398E

RGB 98 57 142

HSL 268.94, 0.43%, 0.39%

LAB 32.87, 35.82, -40.51

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 60 / 40 / 0 / 44

HEX #39558E

RGB 57 85 142

HSL 220.24, 0.43%, 0.39%

LAB 36.59, 7.91, -34.78

 

CMYK 60 / 56 / 0 / 44

HEX #393E8E

RGB 57 62 142

HSL 236.47, 0.43%, 0.39%

LAB 30.08, 23.14, -45.21

 

CMYK 60 / 60 / 0 / 44

HEX #39398E

RGB 57 57 142

HSL 240, 0.43%, 0.39%

LAB 28.77, 26.45, -47.33

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 74 / 30 / 0 / 38

HEX #296F9E

RGB 41 111 158

HSL 204.1, 0.59%, 0.39%

LAB 44.67, -5.43, -31.66

 

CMYK 86 / 34 / 0 / 32

HEX #1972AE

RGB 25 114 174

HSL 204.16, 0.75%, 0.39%

LAB 46.04, -2.98, -38.92

 

CMYK 96 / 38 / 0 / 25

HEX #0875BE

RGB 8 117 190

HSL 204.07, 0.92%, 0.39%

LAB 47.61, 0.47, -45.71

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 42 / 17 / 0 / 51

HEX #49697E

RGB 73 105 126

HSL 203.77, 0.27%, 0.39%

LAB 42.8, -5.69, -15.34

 

CMYK 19 / 8 / 0 / 57

HEX #59656E

RGB 89 101 110

HSL 205.71, 0.11%, 0.39%

LAB 42.09, -2.45, -6.62

 

CMYK 0 / 7 / 10 / 59

HEX #69625E

RGB 105 98 94

HSL 21.82, 0.06%, 0.39%

LAB 42.07, 2, 3.27

 

CMYK 0 / 21 / 36 / 53

HEX #795F4E

RGB 121 95 78

HSL 23.72, 0.22%, 0.39%

LAB 42.46, 7.94, 13.75

 

CMYK 60 / 0 / 8 / 44

HEX #398E83

RGB 57 142 131

HSL 172.24, 0.43%, 0.39%

LAB 53.87, -28.26, -1.8

 

CMYK 60 / 8 / 0 / 44

HEX #39838E

RGB 57 131 142

HSL 187.76, 0.43%, 0.39%

LAB 50.75, -19.42, -12.84

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 60 / 40 / 0 / 44

HEX #39558E

RGB 57 85 142

HSL 220.24, 0.43%, 0.39%

LAB 36.59, 7.91, -34.78

 

CMYK 60 / 56 / 0 / 44

HEX #393E8E

RGB 57 62 142

HSL 236.47, 0.43%, 0.39%

LAB 30.08, 23.14, -45.21

 

CMYK 60 / 24 / 0 / 67

HEX #213F53

RGB 33 63 83

HSL 204, 0.43%, 0.23%

LAB 25.27, -4.46, -15.46

 

CMYK 60 / 25 / 0 / 56

HEX #2D5571

RGB 45 85 113

HSL 204.71, 0.43%, 0.31%

LAB 34.49, -4.99, -20.28

 

CMYK 60 / 24 / 0 / 44

HEX #396C8E

RGB 57 108 142

HSL 204, 0.43%, 0.39%

LAB 43.58, -6.44, -23.82

 

CMYK 60 / 24 / 0 / 33

HEX #4482AC

RGB 68 130 172

HSL 204.23, 0.43%, 0.47%

LAB 52.03, -7.11, -28.27

 

CMYK 52 / 21 / 0 / 25

HEX #5C96BE

RGB 92 150 190

HSL 204.49, 0.43%, 0.55%

LAB 59.71, -7.65, -26.57

 

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

CMYK 24 / 60 / 0 / 44

HEX #6C398E

RGB 108 57 142

HSL 276, 0.43%, 0.39%

LAB 34.12, 38.43, -38.43

 

CMYK 0 / 0 / 60 / 44

HEX #8E8E39

RGB 142 142 57

HSL 60, 0.43%, 0.39%

LAB 57.46, -11.65, 44.17

 

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

CMYK 0 / 60 / 24 / 44

HEX #8E396C

RGB 142 57 108

HSL 324, 0.43%, 0.39%

LAB 37.41, 41.93, -11.81

 

CMYK 24 / 0 / 60 / 44

HEX #6C8E39

RGB 108 142 57

HSL 84, 0.43%, 0.39%

LAB 54.9, -26.12, 40.61

 

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

CMYK 24 / 60 / 0 / 44

HEX #6C398E

RGB 108 57 142

HSL 276, 0.43%, 0.39%

LAB 34.12, 38.43, -38.43

 

CMYK 0 / 36 / 60 / 44

HEX #8E5B39

RGB 142 91 57

HSL 24, 0.43%, 0.39%

LAB 43.55, 17.29, 28.04

 

CMYK 36 / 0 / 60 / 44

HEX #5B8E39

RGB 91 142 57

HSL 96, 0.43%, 0.39%

LAB 53.88, -32.68, 39.18

 

CMYK 60 / 24 / 0 / 44

HEX #396C8F

RGB 57.3 108.4 143

HSL 204.22, 0.43%, 0.39%

LAB 43.76, -6.28, -24.14

 

CMYK 6 / 60 / 0 / 44

HEX #86398E

RGB 134 57 142

HSL 294.35, 0.43%, 0.39%

LAB 37.75, 45.42, -32.45

 

CMYK 0 / 36 / 60 / 44

HEX #8E5B39

RGB 142 91 57

HSL 24, 0.43%, 0.39%

LAB 43.55, 17.29, 28.04

 

CMYK 54 / 0 / 60 / 44

HEX #418E39

RGB 65 142 57

HSL 114.35, 0.43%, 0.39%

LAB 52.69, -41.2, 37.5

 

Description

Color code: RGB 57.3 108.4 143 | qconv.com Color code: RGB 57.3 108.4 143 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57.3 red, 108.4 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57.3 108.4 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 24 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 24% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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