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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57.1 54.8 65 it is the complementary color RGB 197.9 200.2 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57.1 54.8 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57.1 54.8 65 shade: RGB 62.1 54.8 60, RGB 79.1 72.8 79, RGB 96.1 90.8 98, RGB 113.1 108.8 117 and RGB 130.1 126.8 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57.1 54.8 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57.1 54.8 65 shade: RGB 57.1 54.8 65, RGB 40.1 36.8 46, RGB 23.1 18.8 27 and RGB 6.1 0.8 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57.1 54.8 65 shade: RGB 55 53 63, RGB 58 53 63, RGB 61 53 63, RGB 63 53 63 and RGB 63 53 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57.1 54.8 65 shade: RGB 55 53 63 and RGB 53 53 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57.1 54.8 65 shade matches the following richer shades: RGB 55 53 63, RGB 50 43 73, RGB 45 34 82, RGB 40 24 92 and RGB 34 15 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57.1 54.8 65 shade: RGB 55 53 63, RGB 60 62 54, RGB 66 72 44, RGB 71 81 35 and RGB 76 91 25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57.1 54.8 65 shade: RGB 53 56 63, RGB 53 53 63, RGB 55 53 63, RGB 58 53 63 and RGB 61 53 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57.1 54.8 65 shade: RGB 16 15 18, RGB 36 34 41, RGB 55 53 63, RGB 75 72 86 and RGB 94 90 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57.1 54.8 65 shade: RGB 57.1 54.8 65, RGB 63 53 59 and RGB 55 63 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57.1 54.8 65 shade: RGB 57.1 54.8 65, RGB 63 55 53 and RGB 53 63 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57.1 54.8 65 shade: RGB 57.1 54.8 65, RGB 63 53 59, RGB 61 63 53 and RGB 53 63 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57.1 54.8 65 shade: RGB 57.1 54.8 65, RGB 63 53 56, RGB 61 63 53 and RGB 53 63 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

Complementary color

CMYK 1 / 0 / 5 / 21

HEX #C5C8BE

RGB 197.9 200.2 190

HSL 73.53, 0.09%, 0.77%

LAB 80.24, -2.63, 4.81

 

CMYK 0 / 12 / 3 / 76

HEX #3E363C

RGB 62.1 54.8 60

HSL 317.26, 0.06%, 0.23%

LAB 23.89, 4.33, -2.07

 

CMYK 0 / 8 / 0 / 69

HEX #4F484F

RGB 79.1 72.8 79

HSL 300.95, 0.04%, 0.3%

LAB 31.74, 3.95, -2.74

 

CMYK 2 / 7 / 0 / 62

HEX #605A62

RGB 96.1 90.8 98

HSL 284.17, 0.04%, 0.37%

LAB 39.28, 3.63, -3.37

 

CMYK 3 / 7 / 0 / 54

HEX #716C75

RGB 113.1 108.8 117

HSL 271.46, 0.04%, 0.44%

LAB 46.57, 3.35, -3.96

 

CMYK 4 / 7 / 0 / 47

HEX #827E88

RGB 130.1 126.8 136

HSL 261.52, 0.04%, 0.52%

LAB 53.66, 3.09, -4.53

 

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

CMYK 13 / 20 / 0 / 82

HEX #28242E

RGB 40.1 36.8 46

HSL 261.52, 0.11%, 0.16%

LAB 15.28, 3.83, -5.49

 

CMYK 14 / 30 / 0 / 89

HEX #17121B

RGB 23.1 18.8 27

HSL 271.46, 0.18%, 0.09%

LAB 6.52, 3.98, -4.87

 

CMYK 24 / 90 / 0 / 97

HEX #060008

RGB 6.1 0.8 8

HSL 284.17, 0.82%, 0.02%

LAB 0.67, 2.39, -2.24

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 8 / 16 / 0 / 75

HEX #3A353F

RGB 58 53 63

HSL 270, 0.09%, 0.23%

LAB 23.01, 4.51, -5.44

 

CMYK 3 / 16 / 0 / 75

HEX #3D353F

RGB 61 53 63

HSL 288, 0.09%, 0.23%

LAB 23.33, 5.76, -4.94

 

CMYK 0 / 16 / 0 / 75

HEX #3F353F

RGB 63 53 63

HSL 300, 0.09%, 0.23%

LAB 23.54, 6.6, -4.59

 

CMYK 0 / 16 / 5 / 75

HEX #3F353C

RGB 63 53 60

HSL 318, 0.09%, 0.23%

LAB 23.44, 5.92, -2.73

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 16 / 16 / 0 / 75

HEX #35353F

RGB 53 53 63

HSL 240, 0.09%, 0.23%

LAB 22.52, 2.47, -6.23

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 32 / 41 / 0 / 71

HEX #322B49

RGB 50 43 73

HSL 254, 0.26%, 0.23%

LAB 19.59, 11.07, -17.54

 

CMYK 45 / 59 / 0 / 68

HEX #2D2252

RGB 45 34 82

HSL 253.75, 0.41%, 0.23%

LAB 17.04, 18.64, -27.7

 

CMYK 57 / 74 / 0 / 64

HEX #28185C

RGB 40 24 92

HSL 254.12, 0.59%, 0.23%

LAB 14.83, 27.44, -38.04

 

CMYK 66 / 85 / 0 / 60

HEX #220F65

RGB 34 15 101

HSL 253.26, 0.74%, 0.23%

LAB 13.36, 34.56, -46.47

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 3 / 0 / 13 / 76

HEX #3C3E36

RGB 60 62 54

HSL 75, 0.07%, 0.23%

LAB 25.78, -2.59, 4.63

 

CMYK 8 / 0 / 39 / 72

HEX #42482C

RGB 66 72 44

HSL 72.86, 0.24%, 0.23%

LAB 29.35, -7.89, 16.01

 

CMYK 12 / 0 / 57 / 68

HEX #475123

RGB 71 81 35

HSL 73.04, 0.4%, 0.23%

LAB 32.58, -12.05, 25.44

 

CMYK 16 / 0 / 73 / 64

HEX #4C5B19

RGB 76 91 25

HSL 73.64, 0.57%, 0.23%

LAB 36.15, -16.25, 34.55

 

CMYK 16 / 11 / 0 / 75

HEX #35383F

RGB 53 56 63

HSL 222, 0.09%, 0.23%

LAB 23.49, 0.47, -4.78

 

CMYK 16 / 16 / 0 / 75

HEX #35353F

RGB 53 53 63

HSL 240, 0.09%, 0.23%

LAB 22.52, 2.47, -6.23

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 8 / 16 / 0 / 75

HEX #3A353F

RGB 58 53 63

HSL 270, 0.09%, 0.23%

LAB 23.01, 4.51, -5.44

 

CMYK 3 / 16 / 0 / 75

HEX #3D353F

RGB 61 53 63

HSL 288, 0.09%, 0.23%

LAB 23.33, 5.76, -4.94

 

CMYK 11 / 17 / 0 / 93

HEX #100F12

RGB 16 15 18

HSL 260, 0.09%, 0.06%

LAB 4.48, 0.93, -1.46

 

CMYK 12 / 17 / 0 / 84

HEX #242229

RGB 36 34 41

HSL 257.14, 0.09%, 0.15%

LAB 13.7, 2.72, -4.33

 

CMYK 13 / 16 / 0 / 75

HEX #37353F

RGB 55 53 63

HSL 252, 0.09%, 0.23%

LAB 22.71, 3.28, -5.92

 

CMYK 13 / 16 / 0 / 66

HEX #4B4856

RGB 75 72 86

HSL 252.86, 0.09%, 0.31%

LAB 31.35, 4.46, -7.84

 

CMYK 13 / 17 / 0 / 58

HEX #5E5A6C

RGB 94 90 108

HSL 253.33, 0.09%, 0.39%

LAB 39.2, 5.58, -9.68

 

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

CMYK 0 / 16 / 6 / 75

HEX #3F353B

RGB 63 53 59

HSL 324, 0.09%, 0.23%

LAB 23.4, 5.7, -2.11

 

CMYK 13 / 0 / 16 / 75

HEX #373F35

RGB 55 63 53

HSL 108, 0.09%, 0.23%

LAB 25.64, -5.61, 5.02

 

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

CMYK 0 / 13 / 16 / 75

HEX #3F3735

RGB 63 55 53

HSL 12, 0.09%, 0.23%

LAB 23.82, 3.11, 2.54

 

CMYK 16 / 0 / 13 / 75

HEX #353F37

RGB 53 63 55

HSL 132, 0.09%, 0.23%

LAB 25.53, -6.02, 3.53

 

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

CMYK 0 / 16 / 6 / 75

HEX #3F353B

RGB 63 53 59

HSL 324, 0.09%, 0.23%

LAB 23.4, 5.7, -2.11

 

CMYK 3 / 0 / 16 / 75

HEX #3D3F35

RGB 61 63 53

HSL 72, 0.09%, 0.23%

LAB 26.17, -2.99, 5.85

 

CMYK 16 / 0 / 10 / 75

HEX #353F39

RGB 53 63 57

HSL 144, 0.09%, 0.23%

LAB 25.59, -5.56, 2.29

 

CMYK 12 / 16 / 0 / 75

HEX #393641

RGB 57.1 54.8 65

HSL 253.53, 0.09%, 0.23%

LAB 23.56, 3.44, -5.97

 

CMYK 0 / 16 / 11 / 75

HEX #3F3538

RGB 63 53 56

HSL 342, 0.09%, 0.23%

LAB 23.3, 5.06, -0.24

 

CMYK 3 / 0 / 16 / 75

HEX #3D3F35

RGB 61 63 53

HSL 72, 0.09%, 0.23%

LAB 26.17, -2.99, 5.85

 

CMYK 16 / 0 / 5 / 75

HEX #353F3C

RGB 53 63 60

HSL 162, 0.09%, 0.23%

LAB 25.68, -4.84, 0.45

 

Description

Color code: RGB 57.1 54.8 65 | qconv.com Color code: RGB 57.1 54.8 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57.1 red, 54.8 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57.1 54.8 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 16 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 16% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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