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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 62 53 it is the complementary color RGB 199 193 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 62 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 62 53 shade: RGB 61 62 48, RGB 78 80 67, RGB 95 98 86, RGB 112 116 105 and RGB 129 134 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 62 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 62 53 shade: RGB 56 62 53, RGB 39 44 34, RGB 22 26 15 and RGB 5 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 62 53 shade: RGB 57 63 54, RGB 60 63 54, RGB 62 63 54, RGB 63 62 54 and RGB 63 59 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 62 53 shade: RGB 57 63 54, RGB 55 63 54, RGB 54 63 56, RGB 54 63 58 and RGB 54 63 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 62 53 shade matches the following richer shades: RGB 57 63 54, RGB 54 73 44, RGB 51 82 35, RGB 48 92 25 and RGB 44 101 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 62 53 shade: RGB 57 63 54, RGB 60 54 63, RGB 63 44 73, RGB 67 35 82 and RGB 70 25 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 62 53 shade: RGB 62 63 54, RGB 60 63 54, RGB 57 63 54, RGB 55 63 54 and RGB 54 63 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 62 53 shade: RGB 17 19 16, RGB 37 41 35, RGB 57 63 54, RGB 77 86 73 and RGB 97 108 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 62 53 shade: RGB 56 62 53, RGB 54 63 62 and RGB 63 54 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 62 53 shade: RGB 56 62 53, RGB 54 57 63 and RGB 63 54 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 62 53 shade: RGB 56 62 53, RGB 54 63 62, RGB 60 54 63 and RGB 63 54 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 62 53 shade: RGB 56 62 53, RGB 54 62 63, RGB 60 54 63 and RGB 63 56 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

Complementary color

CMYK 1 / 4 / 0 / 21

HEX #C7C1CA

RGB 199 193 202

HSL 280, 0.08%, 0.77%

LAB 78.78, 3.75, -3.77

 

CMYK 2 / 0 / 23 / 76

HEX #3D3E30

RGB 61 62 48

HSL 64.29, 0.13%, 0.22%

LAB 25.72, -3.31, 8.49

 

CMYK 2 / 0 / 16 / 69

HEX #4E5043

RGB 78 80 67

HSL 69.23, 0.09%, 0.29%

LAB 33.48, -3.47, 7.4

 

CMYK 3 / 0 / 12 / 62

HEX #5F6256

RGB 95 98 86

HSL 75, 0.07%, 0.36%

LAB 40.96, -3.59, 6.43

 

CMYK 3 / 0 / 9 / 55

HEX #707469

RGB 112 116 105

HSL 81.82, 0.05%, 0.43%

LAB 48.2, -3.7, 5.55

 

CMYK 4 / 0 / 7 / 47

HEX #81867C

RGB 129 134 124

HSL 90, 0.04%, 0.51%

LAB 55.25, -3.8, 4.74

 

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

CMYK 11 / 0 / 23 / 83

HEX #272C22

RGB 39 44 34

HSL 90, 0.13%, 0.15%

LAB 17.22, -4.54, 5.76

 

CMYK 15 / 0 / 42 / 90

HEX #161A0F

RGB 22 26 15

HSL 81.82, 0.27%, 0.08%

LAB 8.51, -4.48, 6.2

 

CMYK 37 / 0 / 100 / 97

HEX #050800

RGB 5 8 0

HSL 82.5, 1%, 0.02%

LAB 1.86, -1.9, 2.75

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 5 / 0 / 14 / 75

HEX #3C3F36

RGB 60 63 54

HSL 80, 0.08%, 0.23%

LAB 26.1, -3.23, 5.09

 

CMYK 2 / 0 / 14 / 75

HEX #3E3F36

RGB 62 63 54

HSL 66.67, 0.08%, 0.23%

LAB 26.29, -2.35, 5.38

 

CMYK 0 / 2 / 14 / 75

HEX #3F3E36

RGB 63 62 54

HSL 53.33, 0.08%, 0.23%

LAB 26.06, -1.26, 5.07

 

CMYK 0 / 6 / 14 / 75

HEX #3F3B36

RGB 63 59 54

HSL 33.33, 0.08%, 0.23%

LAB 25.11, 0.68, 3.72

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 13 / 0 / 14 / 75

HEX #373F36

RGB 55 63 54

HSL 113.33, 0.08%, 0.23%

LAB 25.66, -5.4, 4.41

 

CMYK 14 / 0 / 11 / 75

HEX #363F38

RGB 54 63 56

HSL 133.33, 0.08%, 0.23%

LAB 25.64, -5.37, 3.04

 

CMYK 14 / 0 / 8 / 75

HEX #363F3A

RGB 54 63 58

HSL 146.67, 0.08%, 0.23%

LAB 25.7, -4.91, 1.81

 

CMYK 14 / 0 / 3 / 75

HEX #363F3D

RGB 54 63 61

HSL 166.67, 0.08%, 0.23%

LAB 25.79, -4.2, -0.04

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 26 / 0 / 40 / 71

HEX #36492C

RGB 54 73 44

HSL 99.31, 0.25%, 0.23%

LAB 28.72, -13.81, 15.01

 

CMYK 38 / 0 / 57 / 68

HEX #335223

RGB 51 82 35

HSL 99.57, 0.4%, 0.23%

LAB 31.49, -21.34, 23.79

 

CMYK 48 / 0 / 73 / 64

HEX #305C19

RGB 48 92 25

HSL 99.4, 0.57%, 0.23%

LAB 34.71, -28.49, 32.49

 

CMYK 56 / 0 / 84 / 60

HEX #2C6510

RGB 44 101 16

HSL 100.24, 0.73%, 0.23%

LAB 37.63, -34.46, 38.89

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 5 / 14 / 0 / 75

HEX #3C363F

RGB 60 54 63

HSL 280, 0.08%, 0.23%

LAB 23.53, 4.67, -4.64

 

CMYK 14 / 40 / 0 / 71

HEX #3F2C49

RGB 63 44 73

HSL 279.31, 0.25%, 0.23%

LAB 21.35, 15.1, -14.67

 

CMYK 18 / 57 / 0 / 68

HEX #432352

RGB 67 35 82

HSL 280.85, 0.4%, 0.23%

LAB 20.06, 24.62, -22.72

 

CMYK 24 / 73 / 0 / 64

HEX #46195C

RGB 70 25 92

HSL 280.3, 0.57%, 0.23%

LAB 19.1, 33.6, -30.93

 

CMYK 2 / 0 / 14 / 75

HEX #3E3F36

RGB 62 63 54

HSL 66.67, 0.08%, 0.23%

LAB 26.29, -2.35, 5.38

 

CMYK 5 / 0 / 14 / 75

HEX #3C3F36

RGB 60 63 54

HSL 80, 0.08%, 0.23%

LAB 26.1, -3.23, 5.09

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 13 / 0 / 14 / 75

HEX #373F36

RGB 55 63 54

HSL 113.33, 0.08%, 0.23%

LAB 25.66, -5.4, 4.41

 

CMYK 14 / 0 / 11 / 75

HEX #363F38

RGB 54 63 56

HSL 133.33, 0.08%, 0.23%

LAB 25.64, -5.37, 3.04

 

CMYK 11 / 0 / 16 / 93

HEX #111310

RGB 17 19 16

HSL 100, 0.09%, 0.07%

LAB 5.62, -1.39, 1.38

 

CMYK 10 / 0 / 15 / 84

HEX #252923

RGB 37 41 35

HSL 100, 0.08%, 0.15%

LAB 16.01, -3.24, 3.33

 

CMYK 10 / 0 / 14 / 75

HEX #393F36

RGB 57 63 54

HSL 100, 0.08%, 0.23%

LAB 25.84, -4.54, 4.67

 

CMYK 10 / 0 / 15 / 66

HEX #4D5649

RGB 77 86 73

HSL 101.54, 0.08%, 0.31%

LAB 35.43, -6.35, 6.38

 

CMYK 10 / 0 / 15 / 58

HEX #616C5C

RGB 97 108 92

HSL 101.25, 0.08%, 0.39%

LAB 44.29, -7.48, 7.55

 

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

CMYK 14 / 0 / 2 / 75

HEX #363F3E

RGB 54 63 62

HSL 173.33, 0.08%, 0.23%

LAB 25.82, -3.95, -0.65

 

CMYK 0 / 14 / 3 / 75

HEX #3F363D

RGB 63 54 61

HSL 313.33, 0.08%, 0.23%

LAB 23.78, 5.48, -2.9

 

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

CMYK 14 / 10 / 0 / 75

HEX #36393F

RGB 54 57 63

HSL 220, 0.08%, 0.23%

LAB 23.9, 0.2, -4.16

 

CMYK 0 / 14 / 10 / 75

HEX #3F3639

RGB 63 54 57

HSL 340, 0.08%, 0.23%

LAB 23.64, 4.6, -0.42

 

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

CMYK 14 / 0 / 2 / 75

HEX #363F3E

RGB 54 63 62

HSL 173.33, 0.08%, 0.23%

LAB 25.82, -3.95, -0.65

 

CMYK 5 / 14 / 0 / 75

HEX #3C363F

RGB 60 54 63

HSL 280, 0.08%, 0.23%

LAB 23.53, 4.67, -4.64

 

CMYK 0 / 14 / 13 / 75

HEX #3F3637

RGB 63 54 55

HSL 353.33, 0.08%, 0.23%

LAB 23.58, 4.18, 0.83

 

CMYK 10 / 0 / 15 / 76

HEX #383E35

RGB 56 62 53

HSL 100, 0.08%, 0.23%

LAB 25.39, -4.55, 4.69

 

CMYK 14 / 2 / 0 / 75

HEX #363E3F

RGB 54 62 63

HSL 186.67, 0.08%, 0.23%

LAB 25.53, -3.06, -1.74

 

CMYK 5 / 14 / 0 / 75

HEX #3C363F

RGB 60 54 63

HSL 280, 0.08%, 0.23%

LAB 23.53, 4.67, -4.64

 

CMYK 0 / 11 / 14 / 75

HEX #3F3836

RGB 63 56 54

HSL 13.33, 0.08%, 0.23%

LAB 24.17, 2.65, 2.36

 

Description

Color code: RGB 56 62 53 | qconv.com Color code: RGB 56 62 53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 62 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 62 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 15 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 15% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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