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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 162 152 it is the complementary color RGB 199 93 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 162 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 162 152 shade: RGB 61 162 147, RGB 78 180 166, RGB 95 198 185, RGB 112 216 204 and RGB 129 234 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 162 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 162 152 shade: RGB 56 162 152, RGB 39 144 133, RGB 22 126 114, RGB 5 108 95 and RGB 0 90 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 162 152 shade: RGB 55 163 153, RGB 55 163 124, RGB 55 163 95, RGB 55 163 66 and RGB 74 163 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 162 152 shade: RGB 55 163 153, RGB 55 144 163, RGB 55 115 163, RGB 55 86 163 and RGB 55 57 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 162 152 shade matches the following richer shades: RGB 55 163 153, RGB 38 181 167, RGB 20 198 182 and RGB 2 216 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 162 152 shade: RGB 55 163 153, RGB 73 145 138, RGB 91 127 124, RGB 109 110 110 and RGB 126 92 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 162 152 shade: RGB 55 163 95, RGB 55 163 123, RGB 55 163 152, RGB 55 145 163 and RGB 55 116 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 162 152 shade: RGB 34 101 95, RGB 45 132 124, RGB 55 163 153, RGB 69 191 179 and RGB 99 201 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 162 152 shade: RGB 56 162 152, RGB 66 55 163 and RGB 163 109 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 162 152 shade: RGB 56 162 152, RGB 152 55 163 and RGB 163 152 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 162 152 shade: RGB 56 162 152, RGB 66 55 163, RGB 163 55 66 and RGB 152 163 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 162 152 shade: RGB 56 162 152, RGB 98 55 163, RGB 163 55 66 and RGB 120 163 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

Complementary color

CMYK 0 / 53 / 48 / 22

HEX #C75D67

RGB 199 93 103

HSL 354.34, 0.49%, 0.57%

LAB 52.89, 43.15, 14.81

 

CMYK 62 / 0 / 9 / 36

HEX #3DA293

RGB 61 162 147

HSL 171.09, 0.45%, 0.44%

LAB 60.73, -32.78, -0.86

 

CMYK 57 / 0 / 8 / 29

HEX #4EB4A6

RGB 78 180 166

HSL 171.76, 0.4%, 0.51%

LAB 67.29, -32.99, -1.79

 

CMYK 52 / 0 / 7 / 22

HEX #5FC6B9

RGB 95 198 185

HSL 172.43, 0.47%, 0.57%

LAB 73.76, -33.09, -2.64

 

CMYK 48 / 0 / 6 / 15

HEX #70D8CC

RGB 112 216 204

HSL 173.08, 0.57%, 0.64%

LAB 80.13, -33.11, -3.42

 

CMYK 45 / 0 / 5 / 8

HEX #81EADF

RGB 129 234 223

HSL 173.71, 0.71%, 0.71%

LAB 86.42, -33.09, -4.15

 

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

CMYK 73 / 0 / 8 / 44

HEX #279085

RGB 39 144 133

HSL 173.71, 0.57%, 0.36%

LAB 54.1, -31.7, -2.67

 

CMYK 83 / 0 / 10 / 51

HEX #167E72

RGB 22 126 114

HSL 173.08, 0.7%, 0.29%

LAB 47.37, -30.78, -1.5

 

CMYK 95 / 0 / 12 / 58

HEX #056C5F

RGB 5 108 95

HSL 172.43, 0.91%, 0.22%

LAB 40.55, -29.36, -0.14

 

CMYK 100 / 0 / 16 / 65

HEX #005A4C

RGB 0 90 76

HSL 170.67, 1%, 0.18%

LAB 33.64, -27.09, 1.5

 

CMYK 66 / 0 / 6 / 36

HEX #37A399

RGB 55 163 153

HSL 174.44, 0.5%, 0.43%

LAB 61.05, -32.64, -3.79

 

CMYK 66 / 0 / 24 / 36

HEX #37A37C

RGB 55 163 124

HSL 158.33, 0.5%, 0.43%

LAB 60.3, -40.12, 11.42

 

CMYK 66 / 0 / 42 / 36

HEX #37A35F

RGB 55 163 95

HSL 142.22, 0.5%, 0.43%

LAB 59.74, -46.19, 26.57

 

CMYK 66 / 0 / 60 / 36

HEX #37A342

RGB 55 163 66

HSL 126.11, 0.5%, 0.43%

LAB 59.34, -50.67, 40.83

 

CMYK 55 / 0 / 66 / 36

HEX #4AA337

RGB 74 163 55

HSL 109.44, 0.5%, 0.43%

LAB 59.82, -47.27, 46.51

 

CMYK 66 / 0 / 6 / 36

HEX #37A399

RGB 55 163 153

HSL 174.44, 0.5%, 0.43%

LAB 61.05, -32.64, -3.79

 

CMYK 66 / 12 / 0 / 36

HEX #3790A3

RGB 55 144 163

HSL 190.56, 0.5%, 0.43%

LAB 55.49, -20.15, -17.82

 

CMYK 66 / 29 / 0 / 36

HEX #3773A3

RGB 55 115 163

HSL 206.67, 0.5%, 0.43%

LAB 46.6, -3.8, -31.54

 

CMYK 66 / 47 / 0 / 36

HEX #3756A3

RGB 55 86 163

HSL 222.78, 0.5%, 0.43%

LAB 38.04, 14.46, -45.11

 

CMYK 66 / 65 / 0 / 36

HEX #3739A3

RGB 55 57 163

HSL 238.89, 0.5%, 0.43%

LAB 30.36, 33.43, -57.56

 

CMYK 66 / 0 / 6 / 36

HEX #37A399

RGB 55 163 153

HSL 174.44, 0.5%, 0.43%

LAB 61.05, -32.64, -3.79

 

CMYK 79 / 0 / 8 / 29

HEX #26B5A7

RGB 38 181 167

HSL 174.13, 0.65%, 0.43%

LAB 66.71, -39.18, -3.3

 

CMYK 90 / 0 / 8 / 22

HEX #14C6B6

RGB 20 198 182

HSL 174.61, 0.82%, 0.43%

LAB 72.17, -43.73, -3.51

 

CMYK 99 / 0 / 9 / 15

HEX #02D8C4

RGB 2 216 196

HSL 174.39, 0.98%, 0.43%

LAB 77.94, -48.09, -2.6

 

CMYK 66 / 0 / 6 / 36

HEX #37A399

RGB 55 163 153

HSL 174.44, 0.5%, 0.43%

LAB 61.05, -32.64, -3.79

 

CMYK 50 / 0 / 5 / 43

HEX #49918A

RGB 73 145 138

HSL 174.17, 0.33%, 0.43%

LAB 55.59, -24.33, -3.24

 

CMYK 28 / 0 / 2 / 50

HEX #5B7F7C

RGB 91 127 124

HSL 175, 0.17%, 0.43%

LAB 50.52, -13.31, -2.47

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 0 / 27 / 25 / 51

HEX #7E5C5F

RGB 126 92 95

HSL 354.71, 0.16%, 0.43%

LAB 42.64, 14.4, 3.75

 

CMYK 66 / 0 / 42 / 36

HEX #37A35F

RGB 55 163 95

HSL 142.22, 0.5%, 0.43%

LAB 59.74, -46.19, 26.57

 

CMYK 66 / 0 / 25 / 36

HEX #37A37B

RGB 55 163 123

HSL 157.78, 0.5%, 0.43%

LAB 60.28, -40.35, 11.95

 

CMYK 66 / 0 / 7 / 36

HEX #37A398

RGB 55 163 152

HSL 173.89, 0.5%, 0.43%

LAB 61.02, -32.92, -3.27

 

CMYK 66 / 11 / 0 / 36

HEX #3791A3

RGB 55 145 163

HSL 190, 0.5%, 0.43%

LAB 55.79, -20.67, -17.35

 

CMYK 66 / 29 / 0 / 36

HEX #3774A3

RGB 55 116 163

HSL 206.11, 0.5%, 0.43%

LAB 46.91, -4.4, -31.07

 

CMYK 66 / 0 / 6 / 60

HEX #22655F

RGB 34 101 95

HSL 174.63, 0.5%, 0.26%

LAB 38.68, -22.39, -2.82

 

CMYK 66 / 0 / 6 / 48

HEX #2D847C

RGB 45 132 124

HSL 174.48, 0.49%, 0.35%

LAB 50.12, -27.55, -3.29

 

CMYK 66 / 0 / 6 / 36

HEX #37A399

RGB 55 163 153

HSL 174.44, 0.5%, 0.43%

LAB 61.05, -32.64, -3.79

 

CMYK 64 / 0 / 6 / 25

HEX #45BFB3

RGB 69 191 179

HSL 174.1, 0.49%, 0.51%

LAB 70.72, -36.33, -3.93

 

CMYK 51 / 0 / 4 / 21

HEX #63C9C0

RGB 99 201 192

HSL 174.71, 0.49%, 0.59%

LAB 74.97, -31.88, -4.63

 

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

CMYK 60 / 66 / 0 / 36

HEX #4237A3

RGB 66 55 163

HSL 246.11, 0.5%, 0.43%

LAB 30.72, 36.39, -56.93

 

CMYK 0 / 33 / 66 / 36

HEX #A36D37

RGB 163 109 55

HSL 30, 0.5%, 0.43%

LAB 50.69, 16.08, 38.19

 

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

CMYK 7 / 66 / 0 / 36

HEX #9837A3

RGB 152 55 163

HSL 293.89, 0.5%, 0.43%

LAB 41.3, 54.94, -39.34

 

CMYK 0 / 7 / 66 / 36

HEX #A39837

RGB 163 152 55

HSL 53.89, 0.5%, 0.43%

LAB 62.1, -7.86, 50.61

 

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

CMYK 60 / 66 / 0 / 36

HEX #4237A3

RGB 66 55 163

HSL 246.11, 0.5%, 0.43%

LAB 30.72, 36.39, -56.93

 

CMYK 0 / 66 / 60 / 36

HEX #A33742

RGB 163 55 66

HSL 353.89, 0.5%, 0.43%

LAB 39.43, 45.27, 18.05

 

CMYK 7 / 0 / 66 / 36

HEX #98A337

RGB 152 163 55

HSL 66.11, 0.5%, 0.43%

LAB 64.28, -18.42, 52.59

 

CMYK 65 / 0 / 6 / 36

HEX #38A298

RGB 56 162 152

HSL 174.34, 0.49%, 0.43%

LAB 60.74, -32.28, -3.69

 

CMYK 40 / 66 / 0 / 36

HEX #6237A3

RGB 98 55 163

HSL 263.89, 0.5%, 0.43%

LAB 33.93, 42.5, -51.58

 

CMYK 0 / 66 / 60 / 36

HEX #A33742

RGB 163 55 66

HSL 353.89, 0.5%, 0.43%

LAB 39.43, 45.27, 18.05

 

CMYK 26 / 0 / 66 / 36

HEX #78A337

RGB 120 163 55

HSL 83.89, 0.5%, 0.43%

LAB 62.05, -31.63, 49.57

 

Description

Color code: RGB 56 162 152 | qconv.com Color code: RGB 56 162 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 162 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 162 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 6 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 6% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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