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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56.7 92.6 51 it is the complementary color RGB 198.3 162.4 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56.7 92.6 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56.7 92.6 51 shade: RGB 61.7 92.6 46, RGB 78.7 110.6 65, RGB 95.7 128.6 84, RGB 112.7 146.6 103 and RGB 129.7 164.6 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56.7 92.6 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56.7 92.6 51 shade: RGB 56.7 92.6 51, RGB 39.7 74.6 32, RGB 22.7 56.6 13, RGB 5.7 38.6 0 and RGB 0 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56.7 92.6 51 shade: RGB 56 92 51, RGB 68 92 51, RGB 79 92 51, RGB 90 92 51 and RGB 92 83 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56.7 92.6 51 shade: RGB 56 92 51, RGB 51 92 56, RGB 51 92 67, RGB 51 92 79 and RGB 51 92 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56.7 92.6 51 shade matches the following richer shades: RGB 56 92 51, RGB 48 104 39, RGB 40 115 28, RGB 31 127 16 and RGB 23 138 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56.7 92.6 51 shade: RGB 56 92 51, RGB 65 81 62, RGB 73 69 74, RGB 82 57 85 and RGB 90 46 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56.7 92.6 51 shade: RGB 79 92 51, RGB 68 92 51, RGB 57 92 51, RGB 51 92 56 and RGB 51 92 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56.7 92.6 51 shade: RGB 24 39 21, RGB 40 65 36, RGB 56 92 51, RGB 73 119 65 and RGB 89 145 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56.7 92.6 51 shade: RGB 56.7 92.6 51, RGB 51 90 92 and RGB 92 51 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56.7 92.6 51 shade: RGB 56.7 92.6 51, RGB 51 57 92 and RGB 92 51 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56.7 92.6 51 shade: RGB 56.7 92.6 51, RGB 51 90 92, RGB 86 51 92 and RGB 92 53 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56.7 92.6 51 shade: RGB 56.7 92.6 51, RGB 51 78 92, RGB 86 51 92 and RGB 92 65 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

Complementary color

CMYK 3 / 20 / 0 / 20

HEX #C6A2CC

RGB 198.3 162.4 204

HSL 291.78, 0.29%, 0.72%

LAB 71.14, 20.52, -16.26

 

CMYK 33 / 0 / 50 / 64

HEX #3D5C2E

RGB 61.7 92.6 46

HSL 99.79, 0.34%, 0.27%

LAB 35.93, -21.04, 23.14

 

CMYK 29 / 0 / 41 / 57

HEX #4E6E41

RGB 78.7 110.6 65

HSL 101.97, 0.26%, 0.34%

LAB 43.23, -20.89, 21.79

 

CMYK 26 / 0 / 35 / 50

HEX #5F8054

RGB 95.7 128.6 84

HSL 104.26, 0.21%, 0.42%

LAB 50.34, -20.71, 20.53

 

CMYK 23 / 0 / 30 / 43

HEX #709267

RGB 112.7 146.6 103

HSL 106.65, 0.17%, 0.49%

LAB 57.28, -20.52, 19.37

 

CMYK 21 / 0 / 26 / 35

HEX #81A47A

RGB 129.7 164.6 122

HSL 109.15, 0.19%, 0.56%

LAB 64.07, -20.34, 18.28

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

CMYK 47 / 0 / 57 / 71

HEX #274A20

RGB 39.7 74.6 32

HSL 109.15, 0.4%, 0.21%

LAB 28.19, -22.34, 21.36

 

CMYK 60 / 0 / 77 / 78

HEX #16380D

RGB 22.7 56.6 13

HSL 106.65, 0.63%, 0.14%

LAB 20.42, -22.17, 22.62

 

CMYK 85 / 0 / 100 / 85

HEX #052600

RGB 5.7 38.6 0

HSL 111.14, 1%, 0.08%

LAB 12.36, -21.18, 17.87

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20.6 0

HSL 120, 1%, 0.04%

LAB 4.71, -9.63, 6.88

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 26 / 0 / 45 / 64

HEX #445C33

RGB 68 92 51

HSL 95.12, 0.29%, 0.28%

LAB 36.22, -17.43, 20.71

 

CMYK 14 / 0 / 45 / 64

HEX #4F5C33

RGB 79 92 51

HSL 79.02, 0.29%, 0.28%

LAB 37.03, -12.72, 21.91

 

CMYK 2 / 0 / 45 / 64

HEX #5A5C33

RGB 90 92 51

HSL 62.93, 0.29%, 0.28%

LAB 37.96, -7.77, 23.28

 

CMYK 0 / 10 / 45 / 64

HEX #5C5333

RGB 92 83 51

HSL 46.83, 0.29%, 0.28%

LAB 35.4, -1.49, 20.07

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 45 / 0 / 39 / 64

HEX #335C38

RGB 51 92 56

HSL 127.32, 0.29%, 0.28%

LAB 35.29, -23.03, 16.34

 

CMYK 45 / 0 / 27 / 64

HEX #335C43

RGB 51 92 67

HSL 143.41, 0.29%, 0.28%

LAB 35.52, -20.76, 9.98

 

CMYK 45 / 0 / 14 / 64

HEX #335C4F

RGB 51 92 79

HSL 160.98, 0.29%, 0.28%

LAB 35.83, -17.88, 2.99

 

CMYK 45 / 0 / 2 / 64

HEX #335C5A

RGB 51 92 90

HSL 177.07, 0.29%, 0.28%

LAB 36.17, -14.91, -3.36

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 54 / 0 / 63 / 59

HEX #306827

RGB 48 104 39

HSL 111.69, 0.45%, 0.28%

LAB 39.03, -32.35, 30.47

 

CMYK 65 / 0 / 76 / 55

HEX #28731C

RGB 40 115 28

HSL 111.72, 0.61%, 0.28%

LAB 42.45, -40.25, 39.14

 

CMYK 76 / 0 / 87 / 50

HEX #1F7F10

RGB 31 127 16

HSL 111.89, 0.78%, 0.28%

LAB 46.32, -47.26, 46.72

 

CMYK 83 / 0 / 97 / 46

HEX #178A04

RGB 23 138 4

HSL 111.49, 0.94%, 0.28%

LAB 49.94, -52.48, 52.22

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 20 / 0 / 23 / 68

HEX #41513E

RGB 65 81 62

HSL 110.53, 0.13%, 0.28%

LAB 32.61, -10.51, 9.15

 

CMYK 1 / 7 / 0 / 71

HEX #49454A

RGB 73 69 74

HSL 288, 0.03%, 0.28%

LAB 29.83, 2.77, -2.4

 

CMYK 4 / 33 / 0 / 67

HEX #523955

RGB 82 57 85

HSL 293.57, 0.2%, 0.28%

LAB 27.78, 16.62, -12.55

 

CMYK 7 / 53 / 0 / 62

HEX #5A2E61

RGB 90 46 97

HSL 291.76, 0.36%, 0.28%

LAB 26.71, 28.94, -21.95

 

CMYK 14 / 0 / 45 / 64

HEX #4F5C33

RGB 79 92 51

HSL 79.02, 0.29%, 0.28%

LAB 37.03, -12.72, 21.91

 

CMYK 26 / 0 / 45 / 64

HEX #445C33

RGB 68 92 51

HSL 95.12, 0.29%, 0.28%

LAB 36.22, -17.43, 20.71

 

CMYK 38 / 0 / 45 / 64

HEX #395C33

RGB 57 92 51

HSL 111.22, 0.29%, 0.28%

LAB 35.52, -21.77, 19.68

 

CMYK 45 / 0 / 39 / 64

HEX #335C38

RGB 51 92 56

HSL 127.32, 0.29%, 0.28%

LAB 35.29, -23.03, 16.34

 

CMYK 45 / 0 / 27 / 64

HEX #335C43

RGB 51 92 67

HSL 143.41, 0.29%, 0.28%

LAB 35.52, -20.76, 9.98

 

CMYK 38 / 0 / 46 / 85

HEX #182715

RGB 24 39 21

HSL 110, 0.3%, 0.12%

LAB 13.82, -10.92, 9.93

 

CMYK 38 / 0 / 45 / 75

HEX #284124

RGB 40 65 36

HSL 111.72, 0.29%, 0.2%

LAB 24.82, -16.5, 14.72

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 39 / 0 / 45 / 53

HEX #497741

RGB 73 119 65

HSL 111.11, 0.29%, 0.36%

LAB 45.62, -27.25, 24.81

 

CMYK 39 / 0 / 45 / 43

HEX #599150

RGB 89 145 80

HSL 111.69, 0.29%, 0.44%

LAB 55.02, -31.84, 28.77

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

CMYK 45 / 2 / 0 / 64

HEX #335A5C

RGB 51 90 92

HSL 182.93, 0.29%, 0.28%

LAB 35.57, -13.19, -5.49

 

CMYK 0 / 45 / 21 / 64

HEX #5C3349

RGB 92 51 73

HSL 327.8, 0.29%, 0.28%

LAB 27.09, 21.86, -5.58

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

CMYK 45 / 38 / 0 / 64

HEX #33395C

RGB 51 57 92

HSL 231.22, 0.29%, 0.28%

LAB 24.96, 7.75, -21.74

 

CMYK 0 / 45 / 38 / 64

HEX #5C3339

RGB 92 51 57

HSL 351.22, 0.29%, 0.28%

LAB 26.56, 19.29, 4.28

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

CMYK 45 / 2 / 0 / 64

HEX #335A5C

RGB 51 90 92

HSL 182.93, 0.29%, 0.28%

LAB 35.57, -13.19, -5.49

 

CMYK 7 / 45 / 0 / 64

HEX #56335C

RGB 86 51 92

HSL 291.22, 0.29%, 0.28%

LAB 27.07, 23.47, -18.17

 

CMYK 0 / 42 / 45 / 64

HEX #5C3533

RGB 92 53 51

HSL 2.93, 0.29%, 0.28%

LAB 26.91, 17.24, 8.75

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56.7 92.6 51

HSL 111.78, 0.29%, 0.28%

LAB 35.71, -22.19, 19.92

 

CMYK 45 / 15 / 0 / 64

HEX #334E5C

RGB 51 78 92

HSL 200.49, 0.29%, 0.28%

LAB 31.64, -6.01, -11.42

 

CMYK 7 / 45 / 0 / 64

HEX #56335C

RGB 86 51 92

HSL 291.22, 0.29%, 0.28%

LAB 27.07, 23.47, -18.17

 

CMYK 0 / 29 / 45 / 64

HEX #5C4133

RGB 92 65 51

HSL 20.49, 0.29%, 0.28%

LAB 30.14, 9.7, 13.17

 

Description

Color code: RGB 56.7 92.6 51 | qconv.com Color code: RGB 56.7 92.6 51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56.7 red, 92.6 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56.7 92.6 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 45 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 45% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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