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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56.7 92.6 246 it is the complementary color RGB 198.3 162.4 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56.7 92.6 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56.7 92.6 246 shade: RGB 61.7 92.6 241, RGB 78.7 110.6 255, RGB 95.7 128.6 255, RGB 112.7 146.6 255 and RGB 129.7 164.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56.7 92.6 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56.7 92.6 246 shade: RGB 56.7 92.6 246, RGB 39.7 74.6 227, RGB 22.7 56.6 208, RGB 5.7 38.6 189 and RGB 0 20.6 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56.7 92.6 246 shade: RGB 55 91 246, RGB 71 55 246, RGB 122 55 246, RGB 173 55 246 and RGB 224 55 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56.7 92.6 246 shade: RGB 55 91 246 and RGB 55 55 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56.7 92.6 246 shade matches the following richer shades: RGB 55 91 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56.7 92.6 246 shade: RGB 55 91 246, RGB 72 102 229, RGB 89 112 212, RGB 106 123 195 and RGB 123 133 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56.7 92.6 246 shade: RGB 55 195 246, RGB 55 144 246, RGB 55 93 246, RGB 68 55 246 and RGB 119 55 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56.7 92.6 246 shade: RGB 10 48 209, RGB 16 59 244, RGB 55 91 246, RGB 95 124 247 and RGB 134 156 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56.7 92.6 246 shade: RGB 56.7 92.6 246, RGB 246 55 246 and RGB 169 246 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56.7 92.6 246 shade: RGB 56.7 92.6 246, RGB 246 55 93 and RGB 93 246 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56.7 92.6 246 shade: RGB 56.7 92.6 246, RGB 246 55 246, RGB 246 208 55 and RGB 55 246 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56.7 92.6 246 shade: RGB 56.7 92.6 246, RGB 246 55 189, RGB 246 208 55 and RGB 55 246 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

Complementary color

CMYK 0 / 18 / 95 / 22

HEX #C6A209

RGB 198.3 162.4 9

HSL 48.62, 0.91%, 0.41%

LAB 68.06, 0.81, 70.18

 

CMYK 74 / 62 / 0 / 5

HEX #3D5CF1

RGB 61.7 92.6 241

HSL 229.66, 0.86%, 0.59%

LAB 45.8, 39.31, -77.59

 

CMYK 69 / 57 / 0 / 0

HEX #4E6EFF

RGB 78.7 110.6 255

HSL 229.14, 1%, 0.65%

LAB 52.01, 35.1, -75.24

 

CMYK 62 / 50 / 0 / 0

HEX #5F80FF

RGB 95.7 128.6 255

HSL 227.61, 1%, 0.69%

LAB 57.35, 26.66, -66.55

 

CMYK 56 / 43 / 0 / 0

HEX #7092FF

RGB 112.7 146.6 255

HSL 225.71, 1%, 0.72%

LAB 62.89, 19, -57.63

 

CMYK 49 / 35 / 0 / 0

HEX #81A4FF

RGB 129.7 164.6 255

HSL 223.29, 1%, 0.75%

LAB 68.54, 12.14, -48.61

 

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

CMYK 83 / 67 / 0 / 11

HEX #274AE3

RGB 39.7 74.6 227

HSL 228.82, 0.77%, 0.52%

LAB 39.53, 43.56, -80.01

 

CMYK 89 / 73 / 0 / 18

HEX #1638D0

RGB 22.7 56.6 208

HSL 229.02, 0.8%, 0.45%

LAB 33.18, 46.79, -79.59

 

CMYK 97 / 80 / 0 / 26

HEX #0526BD

RGB 5.7 38.6 189

HSL 229.23, 0.94%, 0.38%

LAB 27.12, 49.94, -78.52

 

CMYK 100 / 88 / 0 / 33

HEX #0014AA

RGB 0 20.6 170

HSL 232.73, 1%, 0.33%

LAB 21.67, 52.26, -76.23

 

CMYK 78 / 63 / 0 / 4

HEX #375BF6

RGB 55 91 246

HSL 228.69, 0.91%, 0.59%

LAB 45.56, 41.41, -80.8

 

CMYK 71 / 78 / 0 / 4

HEX #4737F6

RGB 71 55 246

HSL 245.03, 0.91%, 0.59%

LAB 39.11, 62.77, -91.39

 

CMYK 50 / 78 / 0 / 4

HEX #7A37F6

RGB 122 55 246

HSL 261.05, 0.91%, 0.59%

LAB 43.54, 68.04, -83.94

 

CMYK 30 / 78 / 0 / 4

HEX #AD37F6

RGB 173 55 246

HSL 277.07, 0.91%, 0.59%

LAB 49.82, 75.46, -73.41

 

CMYK 9 / 78 / 0 / 4

HEX #E037F6

RGB 224 55 246

HSL 293.09, 0.91%, 0.59%

LAB 57.3, 84.25, -60.96

 

CMYK 78 / 63 / 0 / 4

HEX #375BF6

RGB 55 91 246

HSL 228.69, 0.91%, 0.59%

LAB 45.56, 41.41, -80.8

 

CMYK 78 / 78 / 0 / 4

HEX #3737F6

RGB 55 55 246

HSL 240, 0.91%, 0.59%

LAB 38.2, 61.68, -92.94

 

CMYK 78 / 63 / 0 / 4

HEX #375BF6

RGB 55 91 246

HSL 228.69, 0.91%, 0.59%

LAB 45.56, 41.41, -80.8

 

CMYK 78 / 63 / 0 / 4

HEX #375BF6

RGB 55 91 246

HSL 228.69, 0.91%, 0.59%

LAB 45.56, 41.41, -80.8

 

CMYK 69 / 55 / 0 / 10

HEX #4866E5

RGB 72 102 229

HSL 228.54, 0.75%, 0.59%

LAB 47.67, 30.52, -67.78

 

CMYK 58 / 47 / 0 / 17

HEX #5970D4

RGB 89 112 212

HSL 228.78, 0.59%, 0.59%

LAB 50.06, 21.33, -54.26

 

CMYK 46 / 37 / 0 / 24

HEX #6A7BC3

RGB 106 123 195

HSL 228.54, 0.43%, 0.59%

LAB 53.14, 13.03, -39.61

 

CMYK 31 / 25 / 0 / 30

HEX #7B85B2

RGB 123 133 178

HSL 229.09, 0.26%, 0.59%

LAB 56.29, 7.02, -24.88

 

CMYK 78 / 21 / 0 / 4

HEX #37C3F6

RGB 55 195 246

HSL 196.02, 0.91%, 0.59%

LAB 73.87, -19.9, -35.61

 

CMYK 78 / 41 / 0 / 4

HEX #3790F6

RGB 55 144 246

HSL 212.04, 0.91%, 0.59%

LAB 59.35, 8.61, -58.46

 

CMYK 78 / 62 / 0 / 4

HEX #375DF6

RGB 55 93 246

HSL 228.06, 0.91%, 0.59%

LAB 46.04, 40.18, -80.02

 

CMYK 72 / 78 / 0 / 4

HEX #4437F6

RGB 68 55 246

HSL 244.08, 0.91%, 0.59%

LAB 38.92, 62.55, -91.71

 

CMYK 52 / 78 / 0 / 4

HEX #7737F6

RGB 119 55 246

HSL 260.1, 0.91%, 0.59%

LAB 43.22, 67.66, -84.47

 

CMYK 95 / 77 / 0 / 18

HEX #0A30D1

RGB 10 48 209

HSL 228.54, 0.91%, 0.43%

LAB 31.31, 51.65, -83.28

 

CMYK 93 / 76 / 0 / 4

HEX #103BF4

RGB 16 59 244

HSL 228.68, 0.91%, 0.51%

LAB 37.43, 57.41, -93.13

 

CMYK 78 / 63 / 0 / 4

HEX #375BF6

RGB 55 91 246

HSL 228.69, 0.91%, 0.59%

LAB 45.56, 41.41, -80.8

 

CMYK 62 / 50 / 0 / 3

HEX #5F7CF7

RGB 95 124 247

HSL 228.55, 0.9%, 0.67%

LAB 55.65, 26.67, -64.88

 

CMYK 46 / 37 / 0 / 2

HEX #869CF9

RGB 134 156 249

HSL 228.52, 0.91%, 0.75%

LAB 66.28, 16.32, -48.89

 

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

CMYK 0 / 78 / 0 / 4

HEX #F637F6

RGB 246 55 246

HSL 300, 0.91%, 0.59%

LAB 60.76, 88.31, -55.23

 

CMYK 31 / 0 / 78 / 4

HEX #A9F637

RGB 169 246 55

HSL 84.19, 0.91%, 0.59%

LAB 89.22, -49.87, 77.24

 

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

CMYK 0 / 78 / 62 / 4

HEX #F6375D

RGB 246 55 93

HSL 348.06, 0.91%, 0.59%

LAB 55.19, 72, 25.18

 

CMYK 62 / 0 / 78 / 4

HEX #5DF637

RGB 93 246 55

HSL 108.06, 0.91%, 0.59%

LAB 86.26, -71.93, 73.42

 

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

CMYK 0 / 78 / 0 / 4

HEX #F637F6

RGB 246 55 246

HSL 300, 0.91%, 0.59%

LAB 60.76, 88.31, -55.23

 

CMYK 0 / 15 / 78 / 4

HEX #F6D037

RGB 246 208 55

HSL 48.06, 0.91%, 0.59%

LAB 84.47, -1.2, 74.93

 

CMYK 78 / 0 / 78 / 4

HEX #37F637

RGB 55 246 55

HSL 120, 0.91%, 0.59%

LAB 85.5, -78.38, 72.43

 

CMYK 77 / 62 / 0 / 4

HEX #385CF6

RGB 56.7 92.6 246

HSL 228.62, 0.91%, 0.59%

LAB 46.01, 40.58, -80.07

 

CMYK 0 / 78 / 23 / 4

HEX #F637BD

RGB 246 55 189

HSL 317.91, 0.91%, 0.59%

LAB 58.04, 80.59, -27.27

 

CMYK 0 / 15 / 78 / 4

HEX #F6D037

RGB 246 208 55

HSL 48.06, 0.91%, 0.59%

LAB 84.47, -1.2, 74.93

 

CMYK 78 / 0 / 54 / 4

HEX #37F670

RGB 55 246 112

HSL 137.91, 0.91%, 0.59%

LAB 85.95, -72.88, 50.97

 

Description

Color code: RGB 56.7 92.6 246 | qconv.com Color code: RGB 56.7 92.6 246 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56.7 red, 92.6 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56.7 92.6 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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