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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56.1 90.8 118 it is the complementary color RGB 198.9 164.2 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56.1 90.8 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56.1 90.8 118 shade: RGB 61.1 90.8 113, RGB 78.1 108.8 132, RGB 95.1 126.8 151, RGB 112.1 144.8 170 and RGB 129.1 162.8 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56.1 90.8 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56.1 90.8 118 shade: RGB 56.1 90.8 118, RGB 39.1 72.8 99, RGB 22.1 54.8 80, RGB 5.1 36.8 61 and RGB 0 18.8 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56.1 90.8 118 shade: RGB 55 90 117, RGB 55 73 117, RGB 55 56 117, RGB 71 55 117 and RGB 87 55 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56.1 90.8 118 shade: RGB 55 90 117, RGB 55 73 117, RGB 55 56 117 and RGB 55 55 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56.1 90.8 118 shade matches the following richer shades: RGB 55 90 117, RGB 41 92 131, RGB 27 93 145 and RGB 13 95 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56.1 90.8 118 shade: RGB 55 90 117, RGB 69 88 103, RGB 83 87 89, RGB 97 85 75 and RGB 111 83 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56.1 90.8 118 shade: RGB 55 117 111, RGB 55 107 117, RGB 55 90 117, RGB 55 74 117 and RGB 55 57 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56.1 90.8 118 shade: RGB 29 47 61, RGB 42 68 89, RGB 55 90 117, RGB 68 112 145 and RGB 82 133 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56.1 90.8 118 shade: RGB 56.1 90.8 118, RGB 95 55 117 and RGB 115 117 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56.1 90.8 118 shade: RGB 56.1 90.8 118, RGB 117 55 90 and RGB 90 117 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56.1 90.8 118 shade: RGB 56.1 90.8 118, RGB 95 55 117, RGB 117 82 55 and RGB 78 117 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56.1 90.8 118 shade: RGB 56.1 90.8 118, RGB 113 55 117, RGB 117 82 55 and RGB 59 117 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

Complementary color

CMYK 0 / 17 / 31 / 22

HEX #C6A489

RGB 198.9 164.2 137

HSL 26.37, 0.36%, 0.66%

LAB 69.86, 8.77, 18.9

 

CMYK 46 / 20 / 0 / 56

HEX #3D5A71

RGB 61.1 90.8 113

HSL 205.66, 0.3%, 0.34%

LAB 37.18, -4.45, -16.06

 

CMYK 41 / 18 / 0 / 48

HEX #4E6C84

RGB 78.1 108.8 132

HSL 205.83, 0.26%, 0.41%

LAB 44.5, -4.73, -16.33

 

CMYK 37 / 16 / 0 / 41

HEX #5F7E97

RGB 95.1 126.8 151

HSL 205.97, 0.23%, 0.48%

LAB 51.61, -4.93, -16.62

 

CMYK 34 / 15 / 0 / 33

HEX #7090AA

RGB 112.1 144.8 170

HSL 206.11, 0.25%, 0.55%

LAB 58.55, -5.1, -16.92

 

CMYK 32 / 14 / 0 / 26

HEX #81A2BD

RGB 129.1 162.8 189

HSL 206.24, 0.31%, 0.62%

LAB 65.34, -5.25, -17.24

 

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

CMYK 61 / 26 / 0 / 61

HEX #274863

RGB 39.1 72.8 99

HSL 206.24, 0.43%, 0.27%

LAB 29.6, -3.58, -19.08

 

CMYK 72 / 32 / 0 / 69

HEX #163650

RGB 22.1 54.8 80

HSL 206.11, 0.57%, 0.2%

LAB 21.81, -2.6, -18.89

 

CMYK 92 / 40 / 0 / 76

HEX #05243D

RGB 5.1 36.8 61

HSL 205.97, 0.85%, 0.13%

LAB 13.71, -0.96, -18.71

 

CMYK 100 / 55 / 0 / 84

HEX #00122A

RGB 0 18.8 42

HSL 213.14, 1%, 0.08%

LAB 5.66, 2.14, -17.77

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 53 / 38 / 0 / 54

HEX #374975

RGB 55 73 117

HSL 222.58, 0.36%, 0.34%

LAB 31.49, 6.56, -27.43

 

CMYK 53 / 52 / 0 / 54

HEX #373875

RGB 55 56 117

HSL 239.03, 0.36%, 0.34%

LAB 26.52, 18.01, -35.33

 

CMYK 39 / 53 / 0 / 54

HEX #473775

RGB 71 55 117

HSL 255.48, 0.36%, 0.34%

LAB 27.73, 22.84, -33.32

 

CMYK 26 / 53 / 0 / 54

HEX #573775

RGB 87 55 117

HSL 270.97, 0.36%, 0.34%

LAB 29.52, 27.45, -30.35

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 53 / 38 / 0 / 54

HEX #374975

RGB 55 73 117

HSL 222.58, 0.36%, 0.34%

LAB 31.49, 6.56, -27.43

 

CMYK 53 / 52 / 0 / 54

HEX #373875

RGB 55 56 117

HSL 239.03, 0.36%, 0.34%

LAB 26.52, 18.01, -35.33

 

CMYK 53 / 53 / 0 / 54

HEX #373775

RGB 55 55 117

HSL 240, 0.36%, 0.34%

LAB 26.24, 18.68, -35.78

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 69 / 30 / 0 / 49

HEX #295C83

RGB 41 92 131

HSL 206, 0.52%, 0.34%

LAB 37.42, -3.72, -26.83

 

CMYK 81 / 36 / 0 / 43

HEX #1B5D91

RGB 27 93 145

HSL 206.44, 0.69%, 0.34%

LAB 38.03, -1.04, -34.39

 

CMYK 92 / 40 / 0 / 38

HEX #0D5F9F

RGB 13 95 159

HSL 206.3, 0.85%, 0.34%

LAB 39.2, 2.12, -40.95

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 33 / 15 / 0 / 60

HEX #455867

RGB 69 88 103

HSL 206.47, 0.2%, 0.34%

LAB 36.41, -3.27, -10.99

 

CMYK 7 / 2 / 0 / 65

HEX #535759

RGB 83 87 89

HSL 200, 0.03%, 0.34%

LAB 36.7, -1.14, -1.71

 

CMYK 0 / 12 / 23 / 62

HEX #61554B

RGB 97 85 75

HSL 27.27, 0.13%, 0.34%

LAB 37.02, 3.1, 7.63

 

CMYK 0 / 25 / 45 / 56

HEX #6F533D

RGB 111 83 61

HSL 26.4, 0.29%, 0.34%

LAB 37.67, 8.52, 17.39

 

CMYK 53 / 0 / 5 / 54

HEX #37756F

RGB 55 117 111

HSL 174.19, 0.36%, 0.34%

LAB 45.2, -21.56, -2.82

 

CMYK 53 / 9 / 0 / 54

HEX #376B75

RGB 55 107 117

HSL 189.68, 0.36%, 0.34%

LAB 42.17, -14.35, -10.94

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 53 / 37 / 0 / 54

HEX #374A75

RGB 55 74 117

HSL 221.61, 0.36%, 0.34%

LAB 31.79, 5.9, -26.95

 

CMYK 53 / 51 / 0 / 54

HEX #373975

RGB 55 57 117

HSL 238.06, 0.36%, 0.34%

LAB 26.8, 17.33, -34.88

 

CMYK 52 / 23 / 0 / 76

HEX #1D2F3D

RGB 29 47 61

HSL 206.25, 0.36%, 0.18%

LAB 18.5, -2.73, -11.16

 

CMYK 53 / 24 / 0 / 65

HEX #2A4459

RGB 42 68 89

HSL 206.81, 0.36%, 0.26%

LAB 27.7, -3.24, -15.57

 

CMYK 53 / 23 / 0 / 54

HEX #375A75

RGB 55 90 117

HSL 206.13, 0.36%, 0.34%

LAB 36.76, -4.32, -19.21

 

CMYK 53 / 23 / 0 / 43

HEX #447091

RGB 68 112 145

HSL 205.71, 0.36%, 0.42%

LAB 45.44, -5.34, -22.68

 

CMYK 53 / 23 / 0 / 32

HEX #5285AD

RGB 82 133 173

HSL 206.37, 0.36%, 0.5%

LAB 53.58, -5.49, -26.39

 

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

CMYK 19 / 53 / 0 / 54

HEX #5F3775

RGB 95 55 117

HSL 278.71, 0.36%, 0.34%

LAB 30.52, 29.86, -28.71

 

CMYK 2 / 0 / 53 / 54

HEX #737537

RGB 115 117 55

HSL 61.94, 0.36%, 0.34%

LAB 47.81, -10.21, 33.56

 

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

CMYK 0 / 53 / 23 / 54

HEX #75375A

RGB 117 55 90

HSL 326.13, 0.36%, 0.34%

LAB 32.37, 31.76, -8.36

 

CMYK 23 / 0 / 53 / 54

HEX #5A7537

RGB 90 117 55

HSL 86.13, 0.36%, 0.34%

LAB 45.87, -21.06, 30.78

 

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

CMYK 19 / 53 / 0 / 54

HEX #5F3775

RGB 95 55 117

HSL 278.71, 0.36%, 0.34%

LAB 30.52, 29.86, -28.71

 

CMYK 0 / 30 / 53 / 54

HEX #755237

RGB 117 82 55

HSL 26.13, 0.36%, 0.34%

LAB 38.01, 11.19, 21.59

 

CMYK 33 / 0 / 53 / 54

HEX #4E7537

RGB 78 117 55

HSL 97.74, 0.36%, 0.34%

LAB 45.11, -25.84, 29.68

 

CMYK 52 / 23 / 0 / 54

HEX #385A76

RGB 56.1 90.8 118

HSL 206.37, 0.36%, 0.34%

LAB 37.11, -4.21, -19.27

 

CMYK 3 / 53 / 0 / 54

HEX #713775

RGB 113 55 117

HSL 296.13, 0.36%, 0.34%

LAB 32.98, 35.37, -24.67

 

CMYK 0 / 30 / 53 / 54

HEX #755237

RGB 117 82 55

HSL 26.13, 0.36%, 0.34%

LAB 38.01, 11.19, 21.59

 

CMYK 50 / 0 / 53 / 54

HEX #3B7537

RGB 59 117 55

HSL 116.13, 0.36%, 0.34%

LAB 44.13, -32.52, 28.26

 

Description

Color code: RGB 56.1 90.8 118 | qconv.com Color code: RGB 56.1 90.8 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56.1 red, 90.8 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56.1 90.8 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 23 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 23% 0% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - WIDGE.de PKV Tarifwe...
Link: http://widge.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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