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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 72.8 166.4 it is the complementary color RGB 200 182.2 88.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 72.8 166.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 72.8 166.4 shade: RGB 60 72.8 161.4, RGB 77 90.8 180.4, RGB 94 108.8 199.4, RGB 111 126.8 218.4 and RGB 128 144.8 237.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 72.8 166.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 72.8 166.4 shade: RGB 55 72.8 166.4, RGB 38 54.8 147.4, RGB 21 36.8 128.4, RGB 4 18.8 109.4 and RGB 0 0.8 90.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 72.8 166.4 shade: RGB 55 72 164, RGB 67 55 164, RGB 96 55 164, RGB 126 55 164 and RGB 156 55 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 72.8 166.4 shade: RGB 55 72 164 and RGB 55 55 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 72.8 166.4 shade matches the following richer shades: RGB 55 72 164, RGB 37 60 182, RGB 19 48 200 and RGB 2 36 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 72.8 166.4 shade: RGB 55 72 164, RGB 73 84 147, RGB 90 96 129, RGB 108 109 111 and RGB 126 121 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 72.8 166.4 shade: RGB 55 132 164, RGB 55 102 164, RGB 55 73 164, RGB 66 55 164 and RGB 95 55 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 72.8 166.4 shade: RGB 34 45 103, RGB 45 59 134, RGB 55 72 164, RGB 68 88 193 and RGB 99 116 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 72.8 166.4 shade: RGB 55 72.8 166.4, RGB 164 55 161 and RGB 117 164 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 72.8 166.4 shade: RGB 55 72.8 166.4, RGB 164 55 73 and RGB 73 164 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 72.8 166.4 shade: RGB 55 72.8 166.4, RGB 164 55 161, RGB 164 146 55 and RGB 55 164 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 72.8 166.4 shade: RGB 55 72.8 166.4, RGB 164 55 128, RGB 164 146 55 and RGB 55 164 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

Complementary color

CMYK 0 / 9 / 56 / 22

HEX #C8B658

RGB 200 182.2 88.6

HSL 50.41, 0.5%, 0.57%

LAB 73.89, -5.49, 49.2

 

CMYK 63 / 55 / 0 / 37

HEX #3C48A1

RGB 60 72.8 161.4

HSL 232.43, 0.46%, 0.43%

LAB 34.57, 23.45, -49.73

 

CMYK 57 / 50 / 0 / 29

HEX #4D5AB4

RGB 77 90.8 180.4

HSL 231.99, 0.41%, 0.5%

LAB 41.75, 21.67, -49.39

 

CMYK 53 / 45 / 0 / 22

HEX #5E6CC7

RGB 94 108.8 199.4

HSL 231.57, 0.49%, 0.58%

LAB 48.78, 20.23, -49.08

 

CMYK 49 / 42 / 0 / 14

HEX #6F7EDA

RGB 111 126.8 218.4

HSL 231.17, 0.59%, 0.65%

LAB 55.67, 19.04, -48.83

 

CMYK 46 / 39 / 0 / 7

HEX #8090ED

RGB 128 144.8 237.4

HSL 230.79, 0.76%, 0.72%

LAB 62.44, 18.03, -48.62

 

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

CMYK 74 / 63 / 0 / 42

HEX #263693

RGB 38 54.8 147.4

HSL 230.79, 0.59%, 0.36%

LAB 27.42, 26.86, -52.9

 

CMYK 84 / 71 / 0 / 50

HEX #152480

RGB 21 36.8 128.4

HSL 231.17, 0.72%, 0.29%

LAB 20.2, 29.89, -52.94

 

CMYK 96 / 83 / 0 / 57

HEX #04126D

RGB 4 18.8 109.4

HSL 231.57, 0.93%, 0.22%

LAB 13.22, 33.16, -52.29

 

CMYK 100 / 99 / 0 / 65

HEX #00005A

RGB 0 0.8 90.4

HSL 239.47, 1%, 0.18%

LAB 6.89, 36.36, -50.2

 

CMYK 66 / 56 / 0 / 36

HEX #3748A4

RGB 55 72 164

HSL 230.64, 0.5%, 0.43%

LAB 34.25, 24.04, -51.83

 

CMYK 59 / 66 / 0 / 36

HEX #4337A4

RGB 67 55 164

HSL 246.61, 0.5%, 0.43%

LAB 30.89, 36.89, -57.25

 

CMYK 41 / 66 / 0 / 36

HEX #6037A4

RGB 96 55 164

HSL 262.57, 0.5%, 0.43%

LAB 33.77, 42.36, -52.44

 

CMYK 23 / 66 / 0 / 36

HEX #7E37A4

RGB 126 55 164

HSL 279.08, 0.5%, 0.43%

LAB 37.57, 48.98, -46.12

 

CMYK 5 / 66 / 0 / 36

HEX #9C37A4

RGB 156 55 164

HSL 295.6, 0.5%, 0.43%

LAB 41.97, 56.09, -38.84

 

CMYK 66 / 56 / 0 / 36

HEX #3748A4

RGB 55 72 164

HSL 230.64, 0.5%, 0.43%

LAB 34.25, 24.04, -51.83

 

CMYK 66 / 66 / 0 / 36

HEX #3737A4

RGB 55 55 164

HSL 240, 0.5%, 0.43%

LAB 29.97, 35.04, -58.8

 

CMYK 66 / 56 / 0 / 36

HEX #3748A4

RGB 55 72 164

HSL 230.64, 0.5%, 0.43%

LAB 34.25, 24.04, -51.83

 

CMYK 80 / 67 / 0 / 29

HEX #253CB6

RGB 37 60 182

HSL 230.48, 0.66%, 0.43%

LAB 31.81, 36.25, -66.58

 

CMYK 91 / 76 / 0 / 22

HEX #1330C8

RGB 19 48 200

HSL 230.39, 0.83%, 0.43%

LAB 30.45, 48.85, -79.44

 

CMYK 99 / 83 / 0 / 15

HEX #0224DA

RGB 2 36 218

HSL 230.56, 0.98%, 0.43%

LAB 30.25, 60.31, -90.25

 

CMYK 66 / 56 / 0 / 36

HEX #3748A4

RGB 55 72 164

HSL 230.64, 0.5%, 0.43%

LAB 34.25, 24.04, -51.83

 

CMYK 50 / 43 / 0 / 42

HEX #495493

RGB 73 84 147

HSL 231.08, 0.34%, 0.43%

LAB 37.6, 14, -36.15

 

CMYK 30 / 26 / 0 / 49

HEX #5A6081

RGB 90 96 129

HSL 230.77, 0.18%, 0.43%

LAB 41.41, 5.86, -19.18

 

CMYK 3 / 2 / 0 / 56

HEX #6C6D6F

RGB 108 109 111

HSL 220, 0.01%, 0.43%

LAB 46.01, 0.03, -1.25

 

CMYK 0 / 4 / 25 / 51

HEX #7E795E

RGB 126 121 94

HSL 50.63, 0.15%, 0.43%

LAB 50.59, -2.79, 15.53

 

CMYK 66 / 20 / 0 / 36

HEX #3784A4

RGB 55 132 164

HSL 197.61, 0.5%, 0.43%

LAB 51.83, -13.3, -24

 

CMYK 66 / 38 / 0 / 36

HEX #3766A4

RGB 55 102 164

HSL 214.13, 0.5%, 0.43%

LAB 42.76, 4.54, -38.19

 

CMYK 66 / 55 / 0 / 36

HEX #3749A4

RGB 55 73 164

HSL 230.09, 0.5%, 0.43%

LAB 34.51, 23.39, -51.4

 

CMYK 60 / 66 / 0 / 36

HEX #4237A4

RGB 66 55 164

HSL 246.06, 0.5%, 0.43%

LAB 30.81, 36.72, -57.39

 

CMYK 42 / 66 / 0 / 36

HEX #5F37A4

RGB 95 55 164

HSL 262.02, 0.5%, 0.43%

LAB 33.66, 42.15, -52.63

 

CMYK 67 / 56 / 0 / 60

HEX #222D67

RGB 34 45 103

HSL 230.43, 0.5%, 0.27%

LAB 20.81, 15.91, -35.6

 

CMYK 66 / 56 / 0 / 47

HEX #2D3B86

RGB 45 59 134

HSL 230.56, 0.5%, 0.35%

LAB 27.86, 20, -43.88

 

CMYK 66 / 56 / 0 / 36

HEX #3748A4

RGB 55 72 164

HSL 230.64, 0.5%, 0.43%

LAB 34.25, 24.04, -51.83

 

CMYK 65 / 54 / 0 / 24

HEX #4458C1

RGB 68 88 193

HSL 230.4, 0.5%, 0.51%

LAB 41.31, 26.14, -57.48

 

CMYK 51 / 43 / 0 / 20

HEX #6374CB

RGB 99 116 203

HSL 230.19, 0.5%, 0.59%

LAB 51.22, 18.06, -47.24

 

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

CMYK 0 / 66 / 2 / 36

HEX #A437A1

RGB 164 55 161

HSL 301.65, 0.5%, 0.43%

LAB 43.06, 57.5, -35.24

 

CMYK 29 / 0 / 66 / 36

HEX #75A437

RGB 117 164 55

HSL 85.87, 0.5%, 0.43%

LAB 62.18, -33.26, 49.65

 

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

CMYK 0 / 66 / 55 / 36

HEX #A43749

RGB 164 55 73

HSL 350.09, 0.5%, 0.43%

LAB 39.76, 46.15, 14.13

 

CMYK 55 / 0 / 66 / 36

HEX #49A437

RGB 73 164 55

HSL 110.09, 0.5%, 0.43%

LAB 60.11, -47.93, 46.81

 

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

CMYK 0 / 66 / 2 / 36

HEX #A437A1

RGB 164 55 161

HSL 301.65, 0.5%, 0.43%

LAB 43.06, 57.5, -35.24

 

CMYK 0 / 11 / 66 / 36

HEX #A49237

RGB 164 146 55

HSL 50.09, 0.5%, 0.43%

LAB 60.54, -4.18, 48.99

 

CMYK 66 / 0 / 65 / 36

HEX #37A43A

RGB 55 164 58

HSL 121.65, 0.5%, 0.43%

LAB 59.59, -51.97, 44.78

 

CMYK 67 / 56 / 0 / 35

HEX #3748A6

RGB 55 72.8 166.4

HSL 230.41, 0.5%, 0.43%

LAB 34.64, 24.39, -52.64

 

CMYK 0 / 66 / 22 / 36

HEX #A43780

RGB 164 55 128

HSL 319.82, 0.5%, 0.43%

LAB 41.51, 52.33, -17.66

 

CMYK 0 / 11 / 66 / 36

HEX #A49237

RGB 164 146 55

HSL 50.09, 0.5%, 0.43%

LAB 60.54, -4.18, 48.99

 

CMYK 66 / 0 / 45 / 36

HEX #37A45B

RGB 55 164 91

HSL 139.82, 0.5%, 0.43%

LAB 60, -47.3, 29.03

 

Description

Color code: RGB 55 72.8 166.4 | qconv.com Color code: RGB 55 72.8 166.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 72.8 green and 166.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 72.8 166.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 56 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 56% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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