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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 53 157 it is the complementary color RGB 200 202 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 53 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 53 157 shade: RGB 60 53 152, RGB 77 71 171, RGB 94 89 190, RGB 111 107 209 and RGB 128 125 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 53 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 53 157 shade: RGB 55 53 157, RGB 38 35 138, RGB 21 17 119, RGB 4 0 100 and RGB 0 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 53 157 shade: RGB 54 52 157, RGB 82 52 157, RGB 111 52 157, RGB 139 52 157 and RGB 157 52 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 53 157 shade: RGB 54 52 157 and RGB 52 52 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 53 157 shade matches the following richer shades: RGB 54 52 157, RGB 38 35 174, RGB 22 18 191 and RGB 5 2 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 53 157 shade: RGB 54 52 157, RGB 71 69 140, RGB 87 86 123, RGB 103 103 106 and RGB 119 120 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 53 157 shade: RGB 52 106 157, RGB 52 78 157, RGB 54 52 157, RGB 82 52 157 and RGB 110 52 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 53 157 shade: RGB 33 32 95, RGB 44 42 126, RGB 54 52 157, RGB 65 63 188 and RGB 93 91 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 53 157 shade: RGB 55 53 157, RGB 157 52 134 and RGB 92 157 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 53 157 shade: RGB 55 53 157, RGB 157 54 52 and RGB 52 157 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 53 157 shade: RGB 55 53 157, RGB 157 52 134, RGB 155 157 52 and RGB 52 157 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 53 157 shade: RGB 55 53 157, RGB 157 52 103, RGB 155 157 52 and RGB 52 157 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

Complementary color

CMYK 1 / 0 / 51 / 21

HEX #C8CA62

RGB 200 202 98

HSL 61.15, 0.5%, 0.59%

LAB 79.27, -14.86, 51.02

 

CMYK 61 / 65 / 0 / 40

HEX #3C3598

RGB 60 53 152

HSL 244.24, 0.48%, 0.4%

LAB 28.83, 32.98, -53.35

 

CMYK 55 / 58 / 0 / 33

HEX #4D47AB

RGB 77 71 171

HSL 243.6, 0.41%, 0.47%

LAB 36.03, 31.11, -53.05

 

CMYK 51 / 53 / 0 / 25

HEX #5E59BE

RGB 94 89 190

HSL 242.97, 0.44%, 0.55%

LAB 43.13, 29.5, -52.72

 

CMYK 47 / 49 / 0 / 18

HEX #6F6BD1

RGB 111 107 209

HSL 242.35, 0.53%, 0.62%

LAB 50.1, 28.13, -52.4

 

CMYK 44 / 45 / 0 / 11

HEX #807DE4

RGB 128 125 228

HSL 241.75, 0.66%, 0.69%

LAB 56.94, 26.95, -52.13

 

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

CMYK 72 / 75 / 0 / 46

HEX #26238A

RGB 38 35 138

HSL 241.75, 0.6%, 0.34%

LAB 21.76, 36.19, -56.37

 

CMYK 82 / 86 / 0 / 53

HEX #151177

RGB 21 17 119

HSL 242.35, 0.75%, 0.27%

LAB 14.91, 38.32, -55.68

 

CMYK 96 / 100 / 0 / 61

HEX #040064

RGB 4 0 100

HSL 242.4, 1%, 0.2%

LAB 8.53, 39.93, -53.9

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 48 / 67 / 0 / 38

HEX #52349D

RGB 82 52 157

HSL 257.14, 0.5%, 0.41%

LAB 31.08, 39.21, -52.66

 

CMYK 29 / 67 / 0 / 38

HEX #6F349D

RGB 111 52 157

HSL 273.71, 0.5%, 0.41%

LAB 34.54, 45.4, -46.89

 

CMYK 11 / 67 / 0 / 38

HEX #8B349D

RGB 139 52 157

HSL 289.71, 0.5%, 0.41%

LAB 38.51, 51.95, -40.29

 

CMYK 0 / 67 / 6 / 38

HEX #9D3493

RGB 157 52 147

HSL 305.71, 0.5%, 0.41%

LAB 40.78, 54.6, -30.47

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 67 / 67 / 0 / 38

HEX #34349D

RGB 52 52 157

HSL 240, 0.5%, 0.41%

LAB 28.43, 34.07, -57.08

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 78 / 80 / 0 / 32

HEX #2623AE

RGB 38 35 174

HSL 241.29, 0.67%, 0.41%

LAB 25.77, 48.18, -71.77

 

CMYK 88 / 91 / 0 / 25

HEX #1612BF

RGB 22 18 191

HSL 241.39, 0.83%, 0.41%

LAB 24.84, 59.61, -83.48

 

CMYK 98 / 99 / 0 / 18

HEX #0502D0

RGB 5 2 208

HSL 240.87, 0.98%, 0.41%

LAB 25.65, 67.54, -92.12

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 49 / 51 / 0 / 45

HEX #47458C

RGB 71 69 140

HSL 241.69, 0.34%, 0.41%

LAB 32.9, 20.96, -39.39

 

CMYK 29 / 30 / 0 / 52

HEX #57567B

RGB 87 86 123

HSL 241.62, 0.18%, 0.41%

LAB 38.04, 9.48, -20.74

 

CMYK 3 / 3 / 0 / 58

HEX #67676A

RGB 103 103 106

HSL 240, 0.01%, 0.41%

LAB 43.69, 0.63, -1.69

 

CMYK 1 / 0 / 26 / 53

HEX #777859

RGB 119 120 89

HSL 61.94, 0.15%, 0.41%

LAB 49.59, -5.9, 16.95

 

CMYK 67 / 32 / 0 / 38

HEX #346A9D

RGB 52 106 157

HSL 209.14, 0.5%, 0.41%

LAB 43.47, -1, -32.93

 

CMYK 67 / 50 / 0 / 38

HEX #344E9D

RGB 52 78 157

HSL 225.14, 0.5%, 0.41%

LAB 35.23, 17, -46.05

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 48 / 67 / 0 / 38

HEX #52349D

RGB 82 52 157

HSL 257.14, 0.5%, 0.41%

LAB 31.08, 39.21, -52.66

 

CMYK 30 / 67 / 0 / 38

HEX #6E349D

RGB 110 52 157

HSL 273.14, 0.5%, 0.41%

LAB 34.41, 45.17, -47.1

 

CMYK 65 / 66 / 0 / 63

HEX #21205F

RGB 33 32 95

HSL 240.95, 0.5%, 0.25%

LAB 16.42, 21.88, -37.48

 

CMYK 65 / 67 / 0 / 51

HEX #2C2A7E

RGB 44 42 126

HSL 241.43, 0.5%, 0.33%

LAB 22.65, 28.36, -47.35

 

CMYK 66 / 67 / 0 / 38

HEX #36349D

RGB 54 52 157

HSL 241.14, 0.5%, 0.41%

LAB 28.58, 34.36, -56.84

 

CMYK 65 / 66 / 0 / 26

HEX #413FBC

RGB 65 63 188

HSL 240.96, 0.5%, 0.49%

LAB 34.62, 39.66, -65.46

 

CMYK 54 / 55 / 0 / 22

HEX #5D5BC8

RGB 93 91 200

HSL 241.1, 0.5%, 0.57%

LAB 44.2, 31.21, -56.78

 

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

CMYK 0 / 67 / 15 / 38

HEX #9D3486

RGB 157 52 134

HSL 313.14, 0.5%, 0.41%

LAB 40.16, 52.52, -23.52

 

CMYK 41 / 0 / 67 / 38

HEX #5C9D34

RGB 92 157 52

HSL 97.14, 0.5%, 0.41%

LAB 58.64, -39.5, 46.74

 

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

CMYK 0 / 66 / 67 / 38

HEX #9D3634

RGB 157 54 52

HSL 1.14, 0.5%, 0.41%

LAB 37.94, 42.68, 24.61

 

CMYK 67 / 0 / 66 / 38

HEX #349D36

RGB 52 157 54

HSL 121.14, 0.5%, 0.41%

LAB 57.18, -50.51, 43.86

 

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

CMYK 0 / 67 / 15 / 38

HEX #9D3486

RGB 157 52 134

HSL 313.14, 0.5%, 0.41%

LAB 40.16, 52.52, -23.52

 

CMYK 1 / 0 / 67 / 38

HEX #9B9D34

RGB 155 157 52

HSL 61.14, 0.5%, 0.41%

LAB 62.79, -14.21, 52.37

 

CMYK 67 / 0 / 52 / 38

HEX #349D4B

RGB 52 157 75

HSL 133.14, 0.5%, 0.41%

LAB 57.42, -47.8, 34.08

 

CMYK 65 / 66 / 0 / 38

HEX #37359D

RGB 55 53 157

HSL 241.15, 0.5%, 0.41%

LAB 28.88, 33.88, -56.34

 

CMYK 0 / 67 / 34 / 38

HEX #9D3467

RGB 157 52 103

HSL 330.86, 0.5%, 0.41%

LAB 38.9, 48.23, -6.17

 

CMYK 1 / 0 / 67 / 38

HEX #9B9D34

RGB 155 157 52

HSL 61.14, 0.5%, 0.41%

LAB 62.79, -14.21, 52.37

 

CMYK 67 / 0 / 32 / 38

HEX #349D6A

RGB 52 157 106

HSL 150.86, 0.5%, 0.41%

LAB 57.93, -42.15, 18.13

 

Description

Color code: RGB 55 53 157 | qconv.com Color code: RGB 55 53 157 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 53 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 53 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 66 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 66% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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