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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 232 113 it is the complementary color RGB 200 23 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 232 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 232 113 shade: RGB 60 232 108, RGB 77 250 127, RGB 94 255 146, RGB 111 255 165 and RGB 128 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 232 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 232 113 shade: RGB 55 232 113, RGB 38 214 94, RGB 21 196 75, RGB 4 178 56 and RGB 0 160 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 232 113 shade: RGB 54 231 112, RGB 54 231 64, RGB 91 231 54, RGB 139 231 54 and RGB 187 231 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 232 113 shade: RGB 54 231 112, RGB 54 231 160, RGB 54 231 207, RGB 54 207 231 and RGB 54 159 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 232 113 shade matches the following richer shades: RGB 54 231 112 and RGB 36 249 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 232 113 shade: RGB 54 231 112, RGB 72 213 118, RGB 90 195 124, RGB 108 176 131 and RGB 126 158 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 232 113 shade: RGB 92 231 54, RGB 54 231 63, RGB 54 231 110, RGB 54 231 157 and RGB 54 231 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 232 113 shade: RGB 21 181 73, RGB 25 218 88, RGB 54 231 112, RGB 91 235 138 and RGB 128 240 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 232 113 shade: RGB 55 232 113, RGB 54 139 231 and RGB 231 54 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 232 113 shade: RGB 55 232 113, RGB 110 54 231 and RGB 231 110 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 232 113 shade: RGB 55 232 113, RGB 54 139 231, RGB 231 54 175 and RGB 231 145 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 232 113 shade: RGB 55 232 113, RGB 54 86 231, RGB 231 54 175 and RGB 231 198 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

Complementary color

CMYK 0 / 89 / 29 / 22

HEX #C8178E

RGB 200 23 142

HSL 319.66, 0.79%, 0.44%

LAB 45.42, 71.89, -19.64

 

CMYK 74 / 0 / 53 / 9

HEX #3CE86C

RGB 60 232 108

HSL 136.74, 0.79%, 0.57%

LAB 81.71, -68.21, 47.71

 

CMYK 69 / 0 / 49 / 2

HEX #4DFA7F

RGB 77 250 127

HSL 137.34, 0.95%, 0.64%

LAB 87.72, -69.03, 46.25

 

CMYK 63 / 0 / 43 / 0

HEX #5EFF92

RGB 94 255 146

HSL 139.38, 1%, 0.68%

LAB 89.85, -64.92, 39.91

 

CMYK 56 / 0 / 35 / 0

HEX #6FFFA5

RGB 111 255 165

HSL 142.5, 1%, 0.72%

LAB 90.6, -58.29, 31.6

 

CMYK 50 / 0 / 28 / 0

HEX #80FFB8

RGB 128 255 184

HSL 146.46, 1%, 0.75%

LAB 91.49, -50.97, 23.3

 

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

CMYK 82 / 0 / 56 / 16

HEX #26D65E

RGB 38 214 94

HSL 139.09, 0.7%, 0.49%

LAB 75.65, -66.88, 46.85

 

CMYK 89 / 0 / 62 / 23

HEX #15C44B

RGB 21 196 75

HSL 138.51, 0.81%, 0.43%

LAB 69.57, -65.06, 48.35

 

CMYK 98 / 0 / 69 / 30

HEX #04B238

RGB 4 178 56

HSL 137.93, 0.96%, 0.36%

LAB 63.47, -62.58, 49.67

 

CMYK 100 / 0 / 77 / 37

HEX #00A025

RGB 0 160 37

HSL 133.88, 1%, 0.31%

LAB 57.34, -59.15, 50.56

 

CMYK 77 / 0 / 52 / 9

HEX #36E770

RGB 54 231 112

HSL 139.66, 0.79%, 0.56%

LAB 81.35, -68.11, 45.38

 

CMYK 77 / 0 / 72 / 9

HEX #36E740

RGB 54 231 64

HSL 123.39, 0.79%, 0.56%

LAB 80.91, -73.45, 65.02

 

CMYK 61 / 0 / 77 / 9

HEX #5BE736

RGB 91 231 54

HSL 107.46, 0.79%, 0.56%

LAB 81.64, -67.49, 69.28

 

CMYK 40 / 0 / 77 / 9

HEX #8BE736

RGB 139 231 54

HSL 91.19, 0.79%, 0.56%

LAB 83.39, -54.07, 71.57

 

CMYK 19 / 0 / 77 / 9

HEX #BBE736

RGB 187 231 54

HSL 74.92, 0.79%, 0.56%

LAB 86, -36.73, 74.94

 

CMYK 77 / 0 / 52 / 9

HEX #36E770

RGB 54 231 112

HSL 139.66, 0.79%, 0.56%

LAB 81.35, -68.11, 45.38

 

CMYK 77 / 0 / 31 / 9

HEX #36E7A0

RGB 54 231 160

HSL 155.93, 0.79%, 0.56%

LAB 82.1, -59.59, 22.38

 

CMYK 77 / 0 / 10 / 9

HEX #36E7CF

RGB 54 231 207

HSL 171.86, 0.79%, 0.56%

LAB 83.15, -48.47, -0.76

 

CMYK 77 / 10 / 0 / 9

HEX #36CFE7

RGB 54 207 231

HSL 188.14, 0.79%, 0.56%

LAB 76.79, -30.77, -23.06

 

CMYK 77 / 31 / 0 / 9

HEX #369FE7

RGB 54 159 231

HSL 204.41, 0.79%, 0.56%

LAB 62.8, -5.62, -44.72

 

CMYK 77 / 0 / 52 / 9

HEX #36E770

RGB 54 231 112

HSL 139.66, 0.79%, 0.56%

LAB 81.35, -68.11, 45.38

 

CMYK 86 / 0 / 58 / 2

HEX #24F969

RGB 36 249 105

HSL 139.44, 0.95%, 0.56%

LAB 86.58, -76.55, 54.79

 

CMYK 77 / 0 / 52 / 9

HEX #36E770

RGB 54 231 112

HSL 139.66, 0.79%, 0.56%

LAB 81.35, -68.11, 45.38

 

CMYK 66 / 0 / 45 / 16

HEX #48D576

RGB 72 213 118

HSL 139.57, 0.63%, 0.56%

LAB 76.24, -58.14, 36.11

 

CMYK 54 / 0 / 36 / 24

HEX #5AC37C

RGB 90 195 124

HSL 139.43, 0.47%, 0.56%

LAB 71.32, -46.22, 26.7

 

CMYK 39 / 0 / 26 / 31

HEX #6CB083

RGB 108 176 131

HSL 140.29, 0.3%, 0.56%

LAB 66.43, -31.52, 16.41

 

CMYK 20 / 0 / 13 / 38

HEX #7E9E89

RGB 126 158 137

HSL 140.63, 0.14%, 0.56%

LAB 62.25, -15.45, 7.34

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 77 / 0 / 73 / 9

HEX #36E73F

RGB 54 231 63

HSL 123.05, 0.79%, 0.56%

LAB 80.9, -73.53, 65.36

 

CMYK 77 / 0 / 52 / 9

HEX #36E76E

RGB 54 231 110

HSL 138.98, 0.79%, 0.56%

LAB 81.33, -68.4, 46.29

 

CMYK 77 / 0 / 32 / 9

HEX #36E79D

RGB 54 231 157

HSL 154.92, 0.79%, 0.56%

LAB 82.04, -60.21, 23.86

 

CMYK 77 / 0 / 12 / 9

HEX #36E7CC

RGB 54 231 204

HSL 170.85, 0.79%, 0.56%

LAB 83.07, -49.25, 0.71

 

CMYK 88 / 0 / 60 / 29

HEX #15B549

RGB 21 181 73

HSL 139.5, 0.79%, 0.4%

LAB 64.71, -60.58, 43.66

 

CMYK 89 / 0 / 60 / 15

HEX #19DA58

RGB 25 218 88

HSL 139.59, 0.79%, 0.48%

LAB 76.71, -69.99, 50.79

 

CMYK 77 / 0 / 52 / 9

HEX #36E770

RGB 54 231 112

HSL 139.66, 0.79%, 0.56%

LAB 81.35, -68.11, 45.38

 

CMYK 61 / 0 / 41 / 8

HEX #5BEB8A

RGB 91 235 138

HSL 139.58, 0.78%, 0.64%

LAB 83.69, -59.4, 35.85

 

CMYK 47 / 0 / 32 / 6

HEX #80F0A4

RGB 128 240 164

HSL 139.29, 0.79%, 0.72%

LAB 86.8, -48.36, 27.07

 

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

CMYK 77 / 40 / 0 / 9

HEX #368BE7

RGB 54 139 231

HSL 211.19, 0.79%, 0.56%

LAB 57.09, 6.06, -53.77

 

CMYK 0 / 77 / 71 / 9

HEX #E73644

RGB 231 54 68

HSL 355.25, 0.79%, 0.56%

LAB 51.89, 66.84, 35.15

 

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

CMYK 52 / 77 / 0 / 9

HEX #6E36E7

RGB 110 54 231

HSL 258.98, 0.79%, 0.56%

LAB 40.77, 63.09, -80.07

 

CMYK 0 / 52 / 77 / 9

HEX #E76E36

RGB 231 110 54

HSL 18.98, 0.79%, 0.56%

LAB 60.25, 43.48, 51.71

 

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

CMYK 77 / 40 / 0 / 9

HEX #368BE7

RGB 54 139 231

HSL 211.19, 0.79%, 0.56%

LAB 57.09, 6.06, -53.77

 

CMYK 0 / 77 / 24 / 9

HEX #E736AF

RGB 231 54 175

HSL 318.98, 0.79%, 0.56%

LAB 54.79, 75.77, -24.38

 

CMYK 0 / 37 / 77 / 9

HEX #E79136

RGB 231 145 54

HSL 30.85, 0.79%, 0.56%

LAB 67.65, 25.46, 59.01

 

CMYK 76 / 0 / 51 / 9

HEX #37E871

RGB 55 232 113

HSL 139.66, 0.79%, 0.56%

LAB 81.68, -68.17, 45.32

 

CMYK 77 / 63 / 0 / 9

HEX #3656E7

RGB 54 86 231

HSL 229.15, 0.79%, 0.56%

LAB 43.08, 39.1, -76.43

 

CMYK 0 / 77 / 24 / 9

HEX #E736AF

RGB 231 54 175

HSL 318.98, 0.79%, 0.56%

LAB 54.79, 75.77, -24.38

 

CMYK 0 / 14 / 77 / 9

HEX #E7C636

RGB 231 198 54

HSL 48.81, 0.79%, 0.56%

LAB 80.54, -2.48, 71.15

 

Description

Color code: RGB 55 232 113 | qconv.com Color code: RGB 55 232 113 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 232 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 232 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 51 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 51% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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