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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 92.6 138.6 it is the complementary color RGB 201 162.4 116.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 92.6 138.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 92.6 138.6 shade: RGB 59 92.6 133.6, RGB 76 110.6 152.6, RGB 93 128.6 171.6, RGB 110 146.6 190.6 and RGB 127 164.6 209.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 92.6 138.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 92.6 138.6 shade: RGB 54 92.6 138.6, RGB 37 74.6 119.6, RGB 20 56.6 100.6, RGB 3 38.6 81.6 and RGB 0 20.6 62.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 92.6 138.6 shade: RGB 54 93 140, RGB 54 70 140, RGB 61 54 140, RGB 84 54 140 and RGB 107 54 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 92.6 138.6 shade: RGB 54 93 140, RGB 54 70 140 and RGB 54 54 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 92.6 138.6 shade matches the following richer shades: RGB 54 93 140, RGB 39 92 155, RGB 23 90 171 and RGB 7 89 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 92.6 138.6 shade: RGB 54 93 140, RGB 70 95 124, RGB 86 96 108, RGB 101 97 93 and RGB 117 99 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 92.6 138.6 shade: RGB 54 140 140, RGB 54 117 140, RGB 54 94 140, RGB 54 71 140 and RGB 60 54 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 92.6 138.6 shade: RGB 31 54 80, RGB 43 73 110, RGB 54 93 140, RGB 66 113 169 and RGB 87 134 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 92.6 138.6 shade: RGB 54 92.6 138.6, RGB 117 54 140 and RGB 128 140 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 92.6 138.6 shade: RGB 54 92.6 138.6, RGB 140 54 94 and RGB 94 140 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 92.6 138.6 shade: RGB 54 92.6 138.6, RGB 117 54 140, RGB 140 100 54 and RGB 77 140 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 92.6 138.6 shade: RGB 54 92.6 138.6, RGB 140 54 137, RGB 140 100 54 and RGB 54 140 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

Complementary color

CMYK 0 / 19 / 42 / 21

HEX #C9A274

RGB 201 162.4 116.4

HSL 32.62, 0.44%, 0.62%

LAB 69.23, 8.1, 29.27

 

CMYK 56 / 31 / 0 / 48

HEX #3B5C85

RGB 59 92.6 133.6

HSL 212.98, 0.39%, 0.38%

LAB 38.55, 0.59, -26.58

 

CMYK 50 / 28 / 0 / 40

HEX #4C6E98

RGB 76 110.6 152.6

HSL 212.9, 0.34%, 0.45%

LAB 45.78, -0.12, -26.63

 

CMYK 46 / 25 / 0 / 33

HEX #5D80AB

RGB 93 128.6 171.6

HSL 212.82, 0.32%, 0.52%

LAB 52.82, -0.66, -26.72

 

CMYK 42 / 23 / 0 / 25

HEX #6E92BE

RGB 110 146.6 190.6

HSL 212.75, 0.38%, 0.59%

LAB 59.71, -1.09, -26.84

 

CMYK 39 / 21 / 0 / 18

HEX #7FA4D1

RGB 127 164.6 209.6

HSL 212.69, 0.48%, 0.66%

LAB 66.45, -1.44, -26.99

 

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

CMYK 69 / 38 / 0 / 53

HEX #254A77

RGB 37 74.6 119.6

HSL 212.69, 0.53%, 0.31%

LAB 31.16, 2.44, -29.65

 

CMYK 80 / 44 / 0 / 61

HEX #143864

RGB 20 56.6 100.6

HSL 212.75, 0.67%, 0.24%

LAB 23.56, 4.27, -29.66

 

CMYK 96 / 53 / 0 / 68

HEX #032651

RGB 3 38.6 81.6

HSL 212.82, 0.93%, 0.17%

LAB 15.73, 6.95, -29.67

 

CMYK 100 / 67 / 0 / 75

HEX #00143E

RGB 0 20.6 62.6

HSL 220.26, 1%, 0.12%

LAB 7.91, 11.6, -29.19

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 61 / 50 / 0 / 45

HEX #36468C

RGB 54 70 140

HSL 228.84, 0.44%, 0.38%

LAB 31.94, 16.48, -40.99

 

CMYK 56 / 61 / 0 / 45

HEX #3D368C

RGB 61 54 140

HSL 244.88, 0.44%, 0.38%

LAB 28.18, 28.49, -47.04

 

CMYK 40 / 61 / 0 / 45

HEX #54368C

RGB 84 54 140

HSL 260.93, 0.44%, 0.38%

LAB 30.44, 33.56, -43.27

 

CMYK 24 / 61 / 0 / 45

HEX #6B368C

RGB 107 54 140

HSL 276.98, 0.44%, 0.38%

LAB 33.26, 39.32, -38.59

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 61 / 50 / 0 / 45

HEX #36468C

RGB 54 70 140

HSL 228.84, 0.44%, 0.38%

LAB 31.94, 16.48, -40.99

 

CMYK 61 / 61 / 0 / 45

HEX #36368C

RGB 54 54 140

HSL 240, 0.44%, 0.38%

LAB 27.62, 27.16, -47.98

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 75 / 41 / 0 / 39

HEX #275C9B

RGB 39 92 155

HSL 212.59, 0.6%, 0.38%

LAB 38.64, 5, -39.41

 

CMYK 87 / 47 / 0 / 33

HEX #175AAB

RGB 23 90 171

HSL 212.84, 0.76%, 0.38%

LAB 38.61, 10.9, -49.01

 

CMYK 96 / 52 / 0 / 27

HEX #0759BB

RGB 7 89 187

HSL 212.67, 0.93%, 0.38%

LAB 39.2, 17.2, -57.49

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 44 / 23 / 0 / 51

HEX #465F7C

RGB 70 95 124

HSL 212.22, 0.28%, 0.38%

LAB 39.48, -1.11, -19.23

 

CMYK 20 / 11 / 0 / 58

HEX #56606C

RGB 86 96 108

HSL 212.73, 0.11%, 0.38%

LAB 40.29, -1, -8.11

 

CMYK 0 / 4 / 8 / 60

HEX #65615D

RGB 101 97 93

HSL 30, 0.04%, 0.38%

LAB 41.38, 0.79, 2.84

 

CMYK 0 / 15 / 34 / 54

HEX #75634D

RGB 117 99 77

HSL 33, 0.21%, 0.38%

LAB 43.12, 3.67, 15.19

 

CMYK 61 / 0 / 0 / 45

HEX #368C8C

RGB 54 140 140

HSL 180, 0.44%, 0.38%

LAB 53.42, -25.28, -7.68

 

CMYK 61 / 16 / 0 / 45

HEX #36758C

RGB 54 117 140

HSL 196.05, 0.44%, 0.38%

LAB 46.18, -12.95, -18.63

 

CMYK 61 / 33 / 0 / 45

HEX #365E8C

RGB 54 94 140

HSL 212.09, 0.44%, 0.38%

LAB 39.04, 0.8, -29.71

 

CMYK 61 / 49 / 0 / 45

HEX #36478C

RGB 54 71 140

HSL 228.14, 0.44%, 0.38%

LAB 32.22, 15.81, -40.54

 

CMYK 57 / 61 / 0 / 45

HEX #3C368C

RGB 60 54 140

HSL 244.19, 0.44%, 0.38%

LAB 28.09, 28.29, -47.18

 

CMYK 61 / 33 / 0 / 69

HEX #1F3650

RGB 31 54 80

HSL 211.84, 0.44%, 0.22%

LAB 21.98, -0.05, -18.61

 

CMYK 61 / 34 / 0 / 57

HEX #2B496E

RGB 43 73 110

HSL 213.13, 0.44%, 0.3%

LAB 30.41, 1.15, -24.77

 

CMYK 61 / 34 / 0 / 45

HEX #365D8C

RGB 54 93 140

HSL 212.79, 0.44%, 0.38%

LAB 38.74, 1.43, -30.19

 

CMYK 61 / 33 / 0 / 34

HEX #4271A9

RGB 66 113 169

HSL 212.62, 0.44%, 0.46%

LAB 46.75, 1.58, -34.78

 

CMYK 54 / 29 / 0 / 25

HEX #5786BE

RGB 87 134 190

HSL 212.62, 0.44%, 0.54%

LAB 54.86, 0.4, -34.13

 

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

CMYK 16 / 61 / 0 / 45

HEX #75368C

RGB 117 54 140

HSL 283.95, 0.44%, 0.38%

LAB 34.63, 41.94, -36.33

 

CMYK 9 / 0 / 61 / 45

HEX #808C36

RGB 128 140 54

HSL 68.37, 0.44%, 0.38%

LAB 55.7, -16.96, 43.31

 

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

CMYK 0 / 61 / 33 / 45

HEX #8C365E

RGB 140 54 94

HSL 332.09, 0.44%, 0.38%

LAB 36.03, 40.78, -5.07

 

CMYK 33 / 0 / 61 / 45

HEX #5E8C36

RGB 94 140 54

HSL 92.09, 0.44%, 0.38%

LAB 53.39, -30.94, 40.09

 

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

CMYK 16 / 61 / 0 / 45

HEX #75368C

RGB 117 54 140

HSL 283.95, 0.44%, 0.38%

LAB 34.63, 41.94, -36.33

 

CMYK 0 / 29 / 61 / 45

HEX #8C6436

RGB 140 100 54

HSL 32.09, 0.44%, 0.38%

LAB 45.57, 10.89, 32.09

 

CMYK 45 / 0 / 61 / 45

HEX #4D8C36

RGB 77 140 54

HSL 103.95, 0.44%, 0.38%

LAB 52.51, -36.99, 38.86

 

CMYK 61 / 33 / 0 / 46

HEX #365C8A

RGB 54 92.6 138.6

HSL 212.62, 0.44%, 0.38%

LAB 38.54, 1.19, -29.64

 

CMYK 0 / 61 / 2 / 45

HEX #8C3689

RGB 140 54 137

HSL 302.09, 0.44%, 0.38%

LAB 37.88, 47.53, -29.12

 

CMYK 0 / 29 / 61 / 45

HEX #8C6436

RGB 140 100 54

HSL 32.09, 0.44%, 0.38%

LAB 45.57, 10.89, 32.09

 

CMYK 61 / 0 / 59 / 45

HEX #368C39

RGB 54 140 57

HSL 122.09, 0.44%, 0.38%

LAB 51.65, -43.32, 36.19

 

Description

Color code: RGB 54 92.6 138.6 | qconv.com Color code: RGB 54 92.6 138.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 92.6 green and 138.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 92.6 138.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 33 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 33% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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