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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 90 128 it is the complementary color RGB 201 165 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 90 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 90 128 shade: RGB 59 90 123, RGB 76 108 142, RGB 93 126 161, RGB 110 144 180 and RGB 127 162 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 90 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 90 128 shade: RGB 54 90 128, RGB 37 72 109, RGB 20 54 90, RGB 3 36 71 and RGB 0 18 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 90 128 shade: RGB 54 91 129, RGB 54 70 129, RGB 58 54 129, RGB 78 54 129 and RGB 99 54 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 90 128 shade: RGB 54 91 129, RGB 54 70 129 and RGB 54 54 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 90 128 shade matches the following richer shades: RGB 54 91 129, RGB 39 90 144, RGB 24 90 159 and RGB 10 90 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 90 128 shade: RGB 54 91 129, RGB 69 91 115, RGB 84 92 100, RGB 99 92 85 and RGB 114 92 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 90 128 shade: RGB 54 129 127, RGB 54 112 129, RGB 54 92 129, RGB 54 72 129 and RGB 57 54 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 90 128 shade: RGB 30 50 71, RGB 42 70 100, RGB 54 91 129, RGB 66 111 159 and RGB 83 132 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 90 128 shade: RGB 54 90 128, RGB 107 54 129 and RGB 122 129 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 90 128 shade: RGB 54 90 128, RGB 129 54 92 and RGB 92 129 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 90 128 shade: RGB 54 90 128, RGB 107 54 129, RGB 129 92 54 and RGB 77 129 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 90 128 shade: RGB 54 90 128, RGB 129 54 129, RGB 129 92 54 and RGB 54 129 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

Complementary color

CMYK 0 / 18 / 37 / 21

HEX #C9A57F

RGB 201 165 127

HSL 30.81, 0.41%, 0.64%

LAB 70.08, 7.91, 24.67

 

CMYK 52 / 27 / 0 / 52

HEX #3B5A7B

RGB 59 90 123

HSL 210.94, 0.35%, 0.36%

LAB 37.25, -1.32, -22.13

 

CMYK 46 / 24 / 0 / 44

HEX #4C6C8E

RGB 76 108 142

HSL 210.91, 0.3%, 0.43%

LAB 44.54, -1.85, -22.25

 

CMYK 42 / 22 / 0 / 37

HEX #5D7EA1

RGB 93 126 161

HSL 210.88, 0.27%, 0.5%

LAB 51.64, -2.25, -22.41

 

CMYK 39 / 20 / 0 / 29

HEX #6E90B4

RGB 110 144 180

HSL 210.86, 0.32%, 0.57%

LAB 58.56, -2.57, -22.6

 

CMYK 36 / 19 / 0 / 22

HEX #7FA2C7

RGB 127 162 199

HSL 210.83, 0.39%, 0.64%

LAB 65.34, -2.83, -22.81

 

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

CMYK 66 / 34 / 0 / 57

HEX #25486D

RGB 37 72 109

HSL 210.83, 0.49%, 0.29%

LAB 29.74, 0.14, -25.21

 

CMYK 78 / 40 / 0 / 65

HEX #14365A

RGB 20 54 90

HSL 210.86, 0.64%, 0.22%

LAB 22.04, 1.65, -25.17

 

CMYK 96 / 49 / 0 / 72

HEX #032447

RGB 3 36 71

HSL 210.88, 0.92%, 0.15%

LAB 14.04, 3.95, -25.16

 

CMYK 100 / 65 / 0 / 80

HEX #001234

RGB 0 18 52

HSL 219.23, 1%, 0.1%

LAB 6.15, 7.75, -24.4

 

CMYK 58 / 29 / 0 / 49

HEX #365B81

RGB 54 91 129

HSL 210.4, 0.41%, 0.36%

LAB 37.57, -1.15, -25.32

 

CMYK 58 / 46 / 0 / 49

HEX #364681

RGB 54 70 129

HSL 227.2, 0.41%, 0.36%

LAB 31.23, 12.53, -35.33

 

CMYK 55 / 58 / 0 / 49

HEX #3A3681

RGB 58 54 129

HSL 243.2, 0.41%, 0.36%

LAB 27.08, 24.15, -41.98

 

CMYK 40 / 58 / 0 / 49

HEX #4E3681

RGB 78 54 129

HSL 259.2, 0.41%, 0.36%

LAB 29.01, 28.9, -38.77

 

CMYK 23 / 58 / 0 / 49

HEX #633681

RGB 99 54 129

HSL 276, 0.41%, 0.36%

LAB 31.52, 34.52, -34.61

 

CMYK 58 / 29 / 0 / 49

HEX #365B81

RGB 54 91 129

HSL 210.4, 0.41%, 0.36%

LAB 37.57, -1.15, -25.32

 

CMYK 58 / 46 / 0 / 49

HEX #364681

RGB 54 70 129

HSL 227.2, 0.41%, 0.36%

LAB 31.23, 12.53, -35.33

 

CMYK 58 / 58 / 0 / 49

HEX #363681

RGB 54 54 129

HSL 240, 0.41%, 0.36%

LAB 26.76, 23.3, -42.52

 

CMYK 58 / 29 / 0 / 49

HEX #365B81

RGB 54 91 129

HSL 210.4, 0.41%, 0.36%

LAB 37.57, -1.15, -25.32

 

CMYK 73 / 38 / 0 / 44

HEX #275A90

RGB 39 90 144

HSL 210.86, 0.57%, 0.36%

LAB 37.4, 2.07, -34.75

 

CMYK 85 / 43 / 0 / 38

HEX #185A9F

RGB 24 90 159

HSL 210.67, 0.74%, 0.36%

LAB 37.86, 6.15, -43.08

 

CMYK 94 / 48 / 0 / 32

HEX #0A5AAE

RGB 10 90 174

HSL 210.73, 0.89%, 0.36%

LAB 38.61, 11.35, -50.8

 

CMYK 58 / 29 / 0 / 49

HEX #365B81

RGB 54 91 129

HSL 210.4, 0.41%, 0.36%

LAB 37.57, -1.15, -25.32

 

CMYK 40 / 21 / 0 / 55

HEX #455B73

RGB 69 91 115

HSL 211.3, 0.25%, 0.36%

LAB 37.82, -1.65, -16.28

 

CMYK 16 / 8 / 0 / 61

HEX #545C64

RGB 84 92 100

HSL 210, 0.09%, 0.36%

LAB 38.65, -1.25, -5.64

 

CMYK 0 / 7 / 14 / 61

HEX #635C55

RGB 99 92 85

HSL 30, 0.08%, 0.36%

LAB 39.52, 1.47, 5.03

 

CMYK 0 / 19 / 39 / 55

HEX #725C46

RGB 114 92 70

HSL 30, 0.24%, 0.36%

LAB 40.69, 5.57, 16.05

 

CMYK 58 / 0 / 2 / 49

HEX #36817F

RGB 54 129 127

HSL 178.4, 0.41%, 0.36%

LAB 49.52, -23.46, -5.91

 

CMYK 58 / 13 / 0 / 49

HEX #367081

RGB 54 112 129

HSL 193.6, 0.41%, 0.36%

LAB 44.17, -13.66, -15.14

 

CMYK 58 / 29 / 0 / 49

HEX #365C81

RGB 54 92 129

HSL 209.6, 0.41%, 0.36%

LAB 37.88, -1.77, -24.83

 

CMYK 58 / 44 / 0 / 49

HEX #364881

RGB 54 72 129

HSL 225.6, 0.41%, 0.36%

LAB 31.82, 11.19, -34.4

 

CMYK 56 / 58 / 0 / 49

HEX #393681

RGB 57 54 129

HSL 242.4, 0.41%, 0.36%

LAB 27, 23.93, -42.12

 

CMYK 58 / 30 / 0 / 72

HEX #1E3247

RGB 30 50 71

HSL 210.73, 0.41%, 0.2%

LAB 20.09, -0.9, -15.51

 

CMYK 58 / 30 / 0 / 61

HEX #2A4664

RGB 42 70 100

HSL 211.03, 0.41%, 0.28%

LAB 28.88, -0.71, -20.81

 

CMYK 58 / 29 / 0 / 49

HEX #365B81

RGB 54 91 129

HSL 210.4, 0.41%, 0.36%

LAB 37.57, -1.15, -25.32

 

CMYK 58 / 30 / 0 / 38

HEX #426F9F

RGB 66 111 159

HSL 210.97, 0.41%, 0.44%

LAB 45.68, -0.6, -30.61

 

CMYK 55 / 28 / 0 / 28

HEX #5384B7

RGB 83 132 183

HSL 210.6, 0.41%, 0.52%

LAB 53.77, -1.54, -31.84

 

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

CMYK 17 / 58 / 0 / 49

HEX #6B3681

RGB 107 54 129

HSL 282.4, 0.41%, 0.36%

LAB 32.59, 36.75, -32.85

 

CMYK 5 / 0 / 58 / 49

HEX #7A8136

RGB 122 129 54

HSL 65.6, 0.41%, 0.36%

LAB 51.96, -13.75, 39

 

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

CMYK 0 / 58 / 29 / 49

HEX #81365C

RGB 129 54 92

HSL 329.6, 0.41%, 0.36%

LAB 34.15, 36.79, -6.79

 

CMYK 29 / 0 / 58 / 49

HEX #5C8136

RGB 92 129 54

HSL 89.6, 0.41%, 0.36%

LAB 49.79, -26.42, 35.95

 

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

CMYK 17 / 58 / 0 / 49

HEX #6B3681

RGB 107 54 129

HSL 282.4, 0.41%, 0.36%

LAB 32.59, 36.75, -32.85

 

CMYK 0 / 29 / 58 / 49

HEX #815C36

RGB 129 92 54

HSL 30.4, 0.41%, 0.36%

LAB 42.14, 10.59, 27.64

 

CMYK 40 / 0 / 58 / 49

HEX #4D8136

RGB 77 129 54

HSL 101.6, 0.41%, 0.36%

LAB 48.94, -32.06, 34.75

 

CMYK 58 / 30 / 0 / 50

HEX #365A80

RGB 54 90 128

HSL 210.81, 0.41%, 0.36%

LAB 37.22, -0.86, -25.26

 

CMYK 0 / 58 / 0 / 49

HEX #813681

RGB 129 54 129

HSL 300, 0.41%, 0.36%

LAB 35.77, 42.99, -27.61

 

CMYK 0 / 29 / 58 / 49

HEX #815C36

RGB 129 92 54

HSL 30.4, 0.41%, 0.36%

LAB 42.14, 10.59, 27.64

 

CMYK 58 / 0 / 58 / 49

HEX #368136

RGB 54 129 54

HSL 120, 0.41%, 0.36%

LAB 47.94, -39.29, 33.33

 

Description

Color code: RGB 54 90 128 | qconv.com Color code: RGB 54 90 128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 90 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 90 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 30 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 30% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - http://www.f...
Link: http://www.fo-tom.com.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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