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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 72.8 186.4 it is the complementary color RGB 201 182.2 68.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 72.8 186.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 72.8 186.4 shade: RGB 59 72.8 181.4, RGB 76 90.8 200.4, RGB 93 108.8 219.4, RGB 110 126.8 238.4 and RGB 127 144.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 72.8 186.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 72.8 186.4 shade: RGB 54 72.8 186.4, RGB 37 54.8 167.4, RGB 20 36.8 148.4, RGB 3 18.8 129.4 and RGB 0 0.8 110.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 72.8 186.4 shade: RGB 54 73 186, RGB 71 54 186, RGB 106 54 186, RGB 142 54 186 and RGB 177 54 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 72.8 186.4 shade: RGB 54 73 186 and RGB 54 54 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 72.8 186.4 shade matches the following richer shades: RGB 54 73 186, RGB 35 59 205 and RGB 15 45 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 72.8 186.4 shade: RGB 54 73 186, RGB 73 87 166, RGB 93 100 147, RGB 112 114 128 and RGB 131 128 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 72.8 186.4 shade: RGB 54 144 186, RGB 54 109 186, RGB 54 74 186, RGB 69 54 186 and RGB 104 54 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 72.8 186.4 shade: RGB 35 48 122, RGB 45 60 154, RGB 54 73 186, RGB 77 95 203 and RGB 109 124 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 72.8 186.4 shade: RGB 54 72.8 186.4, RGB 186 54 179 and RGB 126 186 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 72.8 186.4 shade: RGB 54 72.8 186.4, RGB 186 54 74 and RGB 74 186 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 72.8 186.4 shade: RGB 54 72.8 186.4, RGB 186 54 179, RGB 186 166 54 and RGB 54 186 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 72.8 186.4 shade: RGB 54 72.8 186.4, RGB 186 54 140, RGB 186 166 54 and RGB 54 186 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

Complementary color

CMYK 0 / 9 / 66 / 21

HEX #C9B644

RGB 201 182.2 68.6

HSL 51.48, 0.55%, 0.53%

LAB 73.79, -6.44, 58.11

 

CMYK 67 / 60 / 0 / 29

HEX #3B48B5

RGB 59 72.8 181.4

HSL 233.24, 0.51%, 0.47%

LAB 36.03, 30.39, -59.29

 

CMYK 62 / 55 / 0 / 21

HEX #4C5AC8

RGB 76 90.8 200.4

HSL 232.86, 0.53%, 0.54%

LAB 43.02, 28.27, -58.98

 

CMYK 58 / 50 / 0 / 14

HEX #5D6CDB

RGB 93 108.8 219.4

HSL 232.5, 0.64%, 0.61%

LAB 49.93, 26.51, -58.65

 

CMYK 54 / 47 / 0 / 7

HEX #6E7EEE

RGB 110 126.8 238.4

HSL 232.15, 0.79%, 0.68%

LAB 56.72, 25.02, -58.34

 

CMYK 50 / 43 / 0 / 0

HEX #7F90FF

RGB 127 144.8 255

HSL 231.66, 1%, 0.75%

LAB 63.28, 23.03, -56.95

 

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

CMYK 78 / 67 / 0 / 34

HEX #2536A7

RGB 37 54.8 167.4

HSL 231.81, 0.64%, 0.4%

LAB 29.19, 34.23, -62.17

 

CMYK 87 / 75 / 0 / 42

HEX #142494

RGB 20 36.8 148.4

HSL 232.15, 0.76%, 0.33%

LAB 22.34, 37.32, -61.9

 

CMYK 98 / 85 / 0 / 49

HEX #031281

RGB 3 18.8 129.4

HSL 232.5, 0.95%, 0.26%

LAB 15.87, 40.18, -60.76

 

CMYK 100 / 99 / 0 / 57

HEX #00006E

RGB 0 0.8 110.4

HSL 239.57, 1%, 0.22%

LAB 10.2, 42.32, -57.98

 

CMYK 71 / 61 / 0 / 27

HEX #3649BA

RGB 54 73 186

HSL 231.36, 0.55%, 0.47%

LAB 36.17, 31.21, -61.78

 

CMYK 62 / 71 / 0 / 27

HEX #4736BA

RGB 71 54 186

HSL 247.73, 0.55%, 0.47%

LAB 32.97, 45.08, -66.97

 

CMYK 43 / 71 / 0 / 27

HEX #6A36BA

RGB 106 54 186

HSL 263.64, 0.55%, 0.47%

LAB 36.46, 50.69, -61.12

 

CMYK 24 / 71 / 0 / 27

HEX #8E36BA

RGB 142 54 186

HSL 280, 0.55%, 0.47%

LAB 41.11, 57.71, -53.36

 

CMYK 5 / 71 / 0 / 27

HEX #B136BA

RGB 177 54 186

HSL 295.91, 0.55%, 0.47%

LAB 46.35, 65.17, -44.67

 

CMYK 71 / 61 / 0 / 27

HEX #3649BA

RGB 54 73 186

HSL 231.36, 0.55%, 0.47%

LAB 36.17, 31.21, -61.78

 

CMYK 71 / 71 / 0 / 27

HEX #3636BA

RGB 54 54 186

HSL 240, 0.55%, 0.47%

LAB 31.73, 43, -69.05

 

CMYK 71 / 61 / 0 / 27

HEX #3649BA

RGB 54 73 186

HSL 231.36, 0.55%, 0.47%

LAB 36.17, 31.21, -61.78

 

CMYK 83 / 71 / 0 / 20

HEX #233BCD

RGB 35 59 205

HSL 231.53, 0.71%, 0.47%

LAB 33.76, 44.95, -76.87

 

CMYK 93 / 80 / 0 / 12

HEX #0F2DE1

RGB 15 45 225

HSL 231.43, 0.88%, 0.47%

LAB 32.73, 58.49, -90.13

 

CMYK 71 / 61 / 0 / 27

HEX #3649BA

RGB 54 73 186

HSL 231.36, 0.55%, 0.47%

LAB 36.17, 31.21, -61.78

 

CMYK 56 / 48 / 0 / 35

HEX #4957A6

RGB 73 87 166

HSL 230.97, 0.39%, 0.47%

LAB 39.56, 18.4, -44.42

 

CMYK 37 / 32 / 0 / 42

HEX #5D6493

RGB 93 100 147

HSL 232.22, 0.23%, 0.47%

LAB 43.58, 9.36, -26.64

 

CMYK 13 / 11 / 0 / 50

HEX #707280

RGB 112 114 128

HSL 232.5, 0.07%, 0.47%

LAB 48.31, 2.27, -7.95

 

CMYK 0 / 2 / 18 / 49

HEX #83806C

RGB 131 128 108

HSL 52.17, 0.1%, 0.47%

LAB 53.33, -2.49, 11.28

 

CMYK 71 / 23 / 0 / 27

HEX #3690BA

RGB 54 144 186

HSL 199.09, 0.55%, 0.47%

LAB 56.36, -12.75, -29.61

 

CMYK 71 / 41 / 0 / 27

HEX #366DBA

RGB 54 109 186

HSL 215, 0.55%, 0.47%

LAB 46, 8, -45.92

 

CMYK 71 / 60 / 0 / 27

HEX #364ABA

RGB 54 74 186

HSL 230.91, 0.55%, 0.47%

LAB 36.42, 30.57, -61.37

 

CMYK 63 / 71 / 0 / 27

HEX #4536BA

RGB 69 54 186

HSL 246.82, 0.55%, 0.47%

LAB 32.81, 44.81, -67.24

 

CMYK 44 / 71 / 0 / 27

HEX #6836BA

RGB 104 54 186

HSL 262.73, 0.55%, 0.47%

LAB 36.23, 50.33, -61.51

 

CMYK 71 / 61 / 0 / 52

HEX #23307A

RGB 35 48 122

HSL 231.03, 0.55%, 0.31%

LAB 23.26, 21.36, -43.85

 

CMYK 71 / 61 / 0 / 40

HEX #2D3C9A

RGB 45 60 154

HSL 231.74, 0.55%, 0.39%

LAB 29.72, 26.8, -53.17

 

CMYK 71 / 61 / 0 / 27

HEX #3649BA

RGB 54 73 186

HSL 231.36, 0.55%, 0.47%

LAB 36.17, 31.21, -61.78

 

CMYK 62 / 53 / 0 / 20

HEX #4D5FCB

RGB 77 95 203

HSL 231.43, 0.55%, 0.55%

LAB 44.34, 26.69, -58.35

 

CMYK 49 / 42 / 0 / 16

HEX #6D7CD5

RGB 109 124 213

HSL 231.35, 0.55%, 0.63%

LAB 54.52, 18.61, -47.62

 

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

CMYK 0 / 71 / 4 / 27

HEX #BA36B3

RGB 186 54 179

HSL 303.18, 0.55%, 0.47%

LAB 47.41, 66.01, -38.8

 

CMYK 32 / 0 / 71 / 27

HEX #7EBA36

RGB 126 186 54

HSL 87.27, 0.55%, 0.47%

LAB 69.34, -39.86, 57.63

 

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

CMYK 0 / 71 / 60 / 27

HEX #BA364A

RGB 186 54 74

HSL 350.91, 0.55%, 0.47%

LAB 43.61, 53.74, 19.38

 

CMYK 60 / 0 / 71 / 27

HEX #4ABA36

RGB 74 186 54

HSL 110.91, 0.55%, 0.47%

LAB 67.16, -55.93, 54.69

 

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

CMYK 0 / 71 / 4 / 27

HEX #BA36B3

RGB 186 54 179

HSL 303.18, 0.55%, 0.47%

LAB 47.41, 66.01, -38.8

 

CMYK 0 / 11 / 71 / 27

HEX #BAA636

RGB 186 166 54

HSL 50.91, 0.55%, 0.47%

LAB 68, -5.24, 57.72

 

CMYK 71 / 0 / 67 / 27

HEX #36BA3D

RGB 54 186 61

HSL 123.18, 0.55%, 0.47%

LAB 66.7, -59.46, 51.29

 

CMYK 71 / 61 / 0 / 27

HEX #3648BA

RGB 54 72.8 186.4

HSL 231.48, 0.55%, 0.47%

LAB 36.15, 31.49, -62.05

 

CMYK 0 / 71 / 25 / 27

HEX #BA368C

RGB 186 54 140

HSL 320.91, 0.55%, 0.47%

LAB 45.59, 60.34, -18.38

 

CMYK 0 / 11 / 71 / 27

HEX #BAA636

RGB 186 166 54

HSL 50.91, 0.55%, 0.47%

LAB 68, -5.24, 57.72

 

CMYK 71 / 0 / 46 / 27

HEX #36BA64

RGB 54 186 100

HSL 140.91, 0.55%, 0.47%

LAB 67.14, -54.29, 33.51

 

Description

Color code: RGB 54 72.8 186.4 | qconv.com Color code: RGB 54 72.8 186.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 72.8 green and 186.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 72.8 186.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 61 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 61% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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