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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 189 59 it is the complementary color RGB 201 66 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 189 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 189 59 shade: RGB 59 189 54, RGB 76 207 73, RGB 93 225 92, RGB 110 243 111 and RGB 127 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 189 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 189 59 shade: RGB 54 189 59, RGB 37 171 40, RGB 20 153 21, RGB 3 135 2 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 189 59 shade: RGB 53 190 58, RGB 85 190 53, RGB 122 190 53, RGB 159 190 53 and RGB 190 185 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 189 59 shade: RGB 53 190 58, RGB 53 190 95, RGB 53 190 132, RGB 53 190 169 and RGB 53 175 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 189 59 shade matches the following richer shades: RGB 53 190 58, RGB 34 210 40 and RGB 14 230 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 189 59 shade: RGB 53 190 58, RGB 73 171 77, RGB 93 151 95, RGB 113 131 113 and RGB 133 111 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 189 59 shade: RGB 122 190 53, RGB 85 190 53, RGB 53 190 58, RGB 53 190 94 and RGB 53 190 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 189 59 shade: RGB 35 126 39, RGB 44 158 48, RGB 53 190 58, RGB 80 205 84 and RGB 112 214 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 189 59 shade: RGB 54 189 59, RGB 53 158 190 and RGB 190 53 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 189 59 shade: RGB 54 189 59, RGB 58 53 190 and RGB 190 58 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 189 59 shade: RGB 54 189 59, RGB 53 158 190, RGB 190 53 186 and RGB 190 85 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 189 59 shade: RGB 54 189 59, RGB 53 117 190, RGB 190 53 186 and RGB 190 126 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

Complementary color

CMYK 0 / 67 / 2 / 21

HEX #C942C4

RGB 201 66 196

HSL 302.22, 0.56%, 0.52%

LAB 52.17, 67.91, -41.01

 

CMYK 69 / 0 / 71 / 26

HEX #3BBD36

RGB 59 189 54

HSL 117.78, 0.56%, 0.48%

LAB 67.72, -60.19, 55.15

 

CMYK 63 / 0 / 65 / 19

HEX #4CCF49

RGB 76 207 73

HSL 118.66, 0.58%, 0.55%

LAB 73.96, -61.14, 54.38

 

CMYK 59 / 0 / 59 / 12

HEX #5DE15C

RGB 93 225 92

HSL 119.55, 0.69%, 0.62%

LAB 80.15, -61.71, 53.32

 

CMYK 55 / 0 / 54 / 5

HEX #6EF36F

RGB 110 243 111

HSL 120.45, 0.85%, 0.69%

LAB 86.29, -62.03, 52.13

 

CMYK 50 / 0 / 49 / 0

HEX #7FFF82

RGB 127 255 130

HSL 121.41, 1%, 0.75%

LAB 90.62, -59.89, 48.74

 

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

CMYK 78 / 0 / 77 / 33

HEX #25AB28

RGB 37 171 40

HSL 121.34, 0.64%, 0.41%

LAB 61.37, -59.1, 53.63

 

CMYK 87 / 0 / 86 / 40

HEX #149915

RGB 20 153 21

HSL 120.45, 0.77%, 0.34%

LAB 55.06, -56.74, 53.24

 

CMYK 98 / 0 / 99 / 47

HEX #038702

RGB 3 135 2

HSL 119.55, 0.97%, 0.27%

LAB 48.7, -53.44, 51.5

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 55 / 0 / 72 / 25

HEX #55BE35

RGB 85 190 53

HSL 105.99, 0.56%, 0.48%

LAB 68.76, -54.67, 56.83

 

CMYK 36 / 0 / 72 / 25

HEX #7ABE35

RGB 122 190 53

HSL 89.78, 0.56%, 0.48%

LAB 70.33, -43.1, 58.92

 

CMYK 16 / 0 / 72 / 25

HEX #9FBE35

RGB 159 190 53

HSL 73.58, 0.56%, 0.48%

LAB 72.53, -28.93, 61.83

 

CMYK 0 / 3 / 72 / 25

HEX #BEB935

RGB 190 185 53

HSL 57.81, 0.56%, 0.48%

LAB 73.48, -13.43, 63.56

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 72 / 0 / 50 / 25

HEX #35BE5F

RGB 53 190 95

HSL 138.39, 0.56%, 0.48%

LAB 68.32, -56.71, 37.51

 

CMYK 72 / 0 / 31 / 25

HEX #35BE84

RGB 53 190 132

HSL 154.6, 0.56%, 0.48%

LAB 68.93, -49.85, 19.04

 

CMYK 72 / 0 / 11 / 25

HEX #35BEA9

RGB 53 190 169

HSL 170.8, 0.56%, 0.48%

LAB 69.79, -40.92, 0.14

 

CMYK 72 / 8 / 0 / 25

HEX #35AFBE

RGB 53 175 190

HSL 186.57, 0.56%, 0.48%

LAB 65.85, -27.86, -17.3

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 84 / 0 / 81 / 18

HEX #22D228

RGB 34 210 40

HSL 122.05, 0.72%, 0.48%

LAB 73.92, -71.18, 65.63

 

CMYK 94 / 0 / 90 / 10

HEX #0EE616

RGB 14 230 22

HSL 122.22, 0.89%, 0.48%

LAB 80.04, -78.81, 74.74

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 57 / 0 / 55 / 33

HEX #49AB4D

RGB 73 171 77

HSL 122.45, 0.4%, 0.48%

LAB 62.57, -48.13, 39.48

 

CMYK 38 / 0 / 37 / 41

HEX #5D975F

RGB 93 151 95

HSL 122.07, 0.24%, 0.48%

LAB 57.35, -30.94, 23.69

 

CMYK 14 / 0 / 14 / 49

HEX #718371

RGB 113 131 113

HSL 120, 0.07%, 0.48%

LAB 52.88, -10.26, 7.55

 

CMYK 0 / 17 / 1 / 48

HEX #856F84

RGB 133 111 132

HSL 302.73, 0.09%, 0.48%

LAB 49.52, 12.59, -8.31

 

CMYK 36 / 0 / 72 / 25

HEX #7ABE35

RGB 122 190 53

HSL 89.78, 0.56%, 0.48%

LAB 70.33, -43.1, 58.92

 

CMYK 55 / 0 / 72 / 25

HEX #55BE35

RGB 85 190 53

HSL 105.99, 0.56%, 0.48%

LAB 68.76, -54.67, 56.83

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 72 / 0 / 51 / 25

HEX #35BE5E

RGB 53 190 94

HSL 137.96, 0.56%, 0.48%

LAB 68.31, -56.86, 37.99

 

CMYK 72 / 0 / 31 / 25

HEX #35BE83

RGB 53 190 131

HSL 154.16, 0.56%, 0.48%

LAB 68.91, -50.07, 19.55

 

CMYK 72 / 0 / 69 / 51

HEX #237E27

RGB 35 126 39

HSL 122.64, 0.57%, 0.32%

LAB 46.21, -44.38, 38.38

 

CMYK 72 / 0 / 70 / 38

HEX #2C9E30

RGB 44 158 48

HSL 122.11, 0.56%, 0.4%

LAB 57.27, -53.04, 46.47

 

CMYK 72 / 0 / 69 / 25

HEX #35BE3A

RGB 53 190 58

HSL 122.19, 0.56%, 0.48%

LAB 67.94, -61.25, 53.81

 

CMYK 61 / 0 / 59 / 20

HEX #50CD54

RGB 80 205 84

HSL 121.92, 0.56%, 0.56%

LAB 73.55, -58.37, 49.17

 

CMYK 48 / 0 / 46 / 16

HEX #70D674

RGB 112 214 116

HSL 122.35, 0.55%, 0.64%

LAB 77.76, -49.6, 39.3

 

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

CMYK 72 / 17 / 0 / 25

HEX #359EBE

RGB 53 158 190

HSL 194.01, 0.56%, 0.48%

LAB 60.72, -19.15, -25.14

 

CMYK 0 / 72 / 45 / 25

HEX #BE3568

RGB 190 53 104

HSL 337.66, 0.56%, 0.48%

LAB 44.93, 57.75, 2.74

 

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

CMYK 69 / 72 / 0 / 25

HEX #3A35BE

RGB 58 53 190

HSL 242.19, 0.56%, 0.48%

LAB 32.18, 45.33, -70.67

 

CMYK 0 / 69 / 72 / 25

HEX #BE3A35

RGB 190 58 53

HSL 2.19, 0.56%, 0.48%

LAB 44.56, 52.29, 33.36

 

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

CMYK 72 / 17 / 0 / 25

HEX #359EBE

RGB 53 158 190

HSL 194.01, 0.56%, 0.48%

LAB 60.72, -19.15, -25.14

 

CMYK 0 / 72 / 2 / 25

HEX #BE35BA

RGB 190 53 186

HSL 301.75, 0.56%, 0.48%

LAB 48.31, 68.35, -41.43

 

CMYK 0 / 55 / 72 / 25

HEX #BE5535

RGB 190 85 53

HSL 14.01, 0.56%, 0.48%

LAB 49.13, 40.16, 38.54

 

CMYK 71 / 0 / 69 / 26

HEX #36BD3B

RGB 54 189 59

HSL 122.22, 0.56%, 0.48%

LAB 67.65, -60.65, 53.11

 

CMYK 72 / 38 / 0 / 25

HEX #3575BE

RGB 53 117 190

HSL 211.97, 0.56%, 0.48%

LAB 48.51, 4.35, -44.24

 

CMYK 0 / 72 / 2 / 25

HEX #BE35BA

RGB 190 53 186

HSL 301.75, 0.56%, 0.48%

LAB 48.31, 68.35, -41.43

 

CMYK 0 / 34 / 72 / 25

HEX #BE7E35

RGB 190 126 53

HSL 31.97, 0.56%, 0.48%

LAB 58.16, 18.27, 48.26

 

Description

Color code: RGB 54 189 59 | qconv.com Color code: RGB 54 189 59 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 189 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 189 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 69 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 69% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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