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Color name
RGB 54 108 107

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 108 107 it is the complementary color RGB 201 147 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 108 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 108 107 shade: RGB 59 108 102, RGB 76 126 121, RGB 93 144 140, RGB 110 162 159 and RGB 127 180 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 108 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 108 107 shade: RGB 54 108 107, RGB 37 90 88, RGB 20 72 69, RGB 3 54 50 and RGB 0 36 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 108 107 shade: RGB 55 109 108, RGB 55 109 93, RGB 55 109 78, RGB 55 109 64 and RGB 60 109 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 108 107 shade: RGB 55 109 108, RGB 55 95 109, RGB 55 80 109, RGB 55 66 109 and RGB 55 55 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 108 107 shade matches the following richer shades: RGB 55 109 108, RGB 41 122 120, RGB 28 135 133, RGB 15 148 146 and RGB 2 161 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 108 107 shade: RGB 55 109 108, RGB 68 95 95, RGB 81 82 82, RGB 94 69 69 and RGB 107 56 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 108 107 shade: RGB 55 109 78, RGB 55 109 92, RGB 55 109 107, RGB 55 96 109 and RGB 55 82 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 108 107 shade: RGB 27 54 53, RGB 41 81 80, RGB 55 109 108, RGB 68 136 135 and RGB 82 163 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 108 107 shade: RGB 54 108 107, RGB 64 55 109 and RGB 109 85 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 108 107 shade: RGB 54 108 107, RGB 107 55 109 and RGB 109 107 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 108 107 shade: RGB 54 108 107, RGB 64 55 109, RGB 109 55 56 and RGB 100 109 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 108 107 shade: RGB 54 108 107, RGB 80 55 109, RGB 109 55 56 and RGB 83 109 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

Complementary color

CMYK 0 / 27 / 26 / 21

HEX #C99394

RGB 201 147 148

HSL 358.89, 0.33%, 0.68%

LAB 66.08, 20.5, 7.5

 

CMYK 45 / 0 / 6 / 58

HEX #3B6C66

RGB 59 108 102

HSL 172.65, 0.29%, 0.33%

LAB 42.18, -18.19, -1.83

 

CMYK 40 / 0 / 4 / 51

HEX #4C7E79

RGB 76 126 121

HSL 174, 0.25%, 0.4%

LAB 49.3, -18.08, -2.6

 

CMYK 35 / 0 / 3 / 44

HEX #5D908C

RGB 93 144 140

HSL 175.29, 0.22%, 0.46%

LAB 56.25, -17.96, -3.3

 

CMYK 32 / 0 / 2 / 36

HEX #6EA29F

RGB 110 162 159

HSL 176.54, 0.22%, 0.53%

LAB 63.06, -17.84, -3.96

 

CMYK 29 / 0 / 1 / 29

HEX #7FB4B2

RGB 127 180 178

HSL 177.74, 0.26%, 0.6%

LAB 69.73, -17.72, -4.58

 

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

CMYK 59 / 0 / 2 / 65

HEX #255A58

RGB 37 90 88

HSL 177.74, 0.42%, 0.25%

LAB 34.82, -18, -4.18

 

CMYK 72 / 0 / 4 / 72

HEX #144845

RGB 20 72 69

HSL 176.54, 0.57%, 0.18%

LAB 27.33, -17.63, -3.22

 

CMYK 94 / 0 / 7 / 79

HEX #033632

RGB 3 54 50

HSL 175.29, 0.89%, 0.11%

LAB 19.59, -16.94, -2.07

 

CMYK 100 / 0 / 14 / 86

HEX #00241F

RGB 0 36 31

HSL 171.67, 1%, 0.07%

LAB 11.69, -14.45, -0.33

 

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 50 / 0 / 15 / 57

HEX #376D5D

RGB 55 109 93

HSL 162.22, 0.33%, 0.32%

LAB 42.06, -22.2, 3.42

 

CMYK 50 / 0 / 28 / 57

HEX #376D4E

RGB 55 109 78

HSL 145.56, 0.33%, 0.32%

LAB 41.69, -25.77, 11.9

 

CMYK 50 / 0 / 41 / 57

HEX #376D40

RGB 55 109 64

HSL 130, 0.33%, 0.32%

LAB 41.41, -28.59, 19.74

 

CMYK 45 / 0 / 50 / 57

HEX #3C6D37

RGB 60 109 55

HSL 114.44, 0.33%, 0.32%

LAB 41.49, -28.49, 25.01

 

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 50 / 13 / 0 / 57

HEX #375F6D

RGB 55 95 109

HSL 195.56, 0.33%, 0.32%

LAB 38.02, -9.89, -12.34

 

CMYK 50 / 27 / 0 / 57

HEX #37506D

RGB 55 80 109

HSL 212.22, 0.33%, 0.32%

LAB 33.25, -0.68, -19.66

 

CMYK 50 / 39 / 0 / 57

HEX #37426D

RGB 55 66 109

HSL 227.78, 0.33%, 0.32%

LAB 28.94, 8.49, -26.41

 

CMYK 50 / 50 / 0 / 57

HEX #37376D

RGB 55 55 109

HSL 240, 0.33%, 0.32%

LAB 25.71, 15.95, -31.53

 

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 66 / 0 / 2 / 52

HEX #297A78

RGB 41 122 120

HSL 178.52, 0.5%, 0.32%

LAB 46.64, -24.4, -6.09

 

CMYK 79 / 0 / 1 / 47

HEX #1C8785

RGB 28 135 133

HSL 178.88, 0.66%, 0.32%

LAB 51, -28.71, -7.28

 

CMYK 90 / 0 / 1 / 42

HEX #0F9492

RGB 15 148 146

HSL 179.1, 0.82%, 0.32%

LAB 55.44, -31.99, -8.21

 

CMYK 99 / 0 / 2 / 37

HEX #02A19E

RGB 2 161 158

HSL 178.87, 0.98%, 0.32%

LAB 59.86, -34.94, -8.45

 

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 28 / 0 / 0 / 63

HEX #445F5F

RGB 68 95 95

HSL 180, 0.17%, 0.32%

LAB 38.27, -9.96, -3.25

 

CMYK 1 / 0 / 0 / 68

HEX #515252

RGB 81 82 82

HSL 180, 0.01%, 0.32%

LAB 34.79, -0.4, -0.15

 

CMYK 0 / 27 / 27 / 63

HEX #5E4545

RGB 94 69 69

HSL 0, 0.15%, 0.32%

LAB 31.96, 10.75, 4.19

 

CMYK 0 / 48 / 47 / 58

HEX #6B3839

RGB 107 56 57

HSL 358.82, 0.31%, 0.32%

LAB 30.03, 22.66, 9.49

 

CMYK 50 / 0 / 28 / 57

HEX #376D4E

RGB 55 109 78

HSL 145.56, 0.33%, 0.32%

LAB 41.69, -25.77, 11.9

 

CMYK 50 / 0 / 16 / 57

HEX #376D5C

RGB 55 109 92

HSL 161.11, 0.33%, 0.32%

LAB 42.03, -22.45, 3.99

 

CMYK 50 / 0 / 2 / 57

HEX #376D6B

RGB 55 109 107

HSL 177.78, 0.33%, 0.32%

LAB 42.48, -18.41, -4.43

 

CMYK 50 / 12 / 0 / 57

HEX #37606D

RGB 55 96 109

HSL 194.44, 0.33%, 0.32%

LAB 38.34, -10.48, -11.85

 

CMYK 50 / 25 / 0 / 57

HEX #37526D

RGB 55 82 109

HSL 210, 0.33%, 0.32%

LAB 33.88, -1.95, -18.69

 

CMYK 50 / 0 / 2 / 79

HEX #1B3635

RGB 27 54 53

HSL 177.78, 0.33%, 0.16%

LAB 20.55, -10.58, -2.6

 

CMYK 49 / 0 / 1 / 68

HEX #295150

RGB 41 81 80

HSL 178.5, 0.33%, 0.24%

LAB 31.66, -14.35, -3.8

 

CMYK 50 / 0 / 1 / 57

HEX #376D6C

RGB 55 109 108

HSL 178.89, 0.33%, 0.32%

LAB 42.51, -18.13, -4.99

 

CMYK 50 / 0 / 1 / 47

HEX #448887

RGB 68 136 135

HSL 179.12, 0.33%, 0.4%

LAB 52.49, -21.7, -6.11

 

CMYK 50 / 0 / 1 / 36

HEX #52A3A2

RGB 82 163 162

HSL 179.26, 0.33%, 0.48%

LAB 62.17, -24.9, -7.11

 

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

CMYK 41 / 50 / 0 / 57

HEX #40376D

RGB 64 55 109

HSL 250, 0.33%, 0.32%

LAB 26.52, 18.42, -30.18

 

CMYK 0 / 22 / 50 / 57

HEX #6D5537

RGB 109 85 55

HSL 33.33, 0.33%, 0.32%

LAB 37.89, 5.69, 21.24

 

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

CMYK 2 / 50 / 0 / 57

HEX #6B376D

RGB 107 55 109

HSL 297.78, 0.33%, 0.32%

LAB 31.72, 31.83, -21.64

 

CMYK 0 / 2 / 50 / 57

HEX #6D6B37

RGB 109 107 55

HSL 57.78, 0.33%, 0.32%

LAB 44.29, -7.3, 29.23

 

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

CMYK 41 / 50 / 0 / 57

HEX #40376D

RGB 64 55 109

HSL 250, 0.33%, 0.32%

LAB 26.52, 18.42, -30.18

 

CMYK 0 / 50 / 49 / 57

HEX #6D3738

RGB 109 55 56

HSL 358.89, 0.33%, 0.32%

LAB 30.08, 23.97, 10.25

 

CMYK 8 / 0 / 50 / 57

HEX #646D37

RGB 100 109 55

HSL 70, 0.33%, 0.32%

LAB 44.12, -12.46, 28.84

 

CMYK 50 / 0 / 1 / 58

HEX #366C6B

RGB 54 108 107

HSL 178.89, 0.33%, 0.32%

LAB 42.11, -18.12, -4.98

 

CMYK 27 / 50 / 0 / 57

HEX #50376D

RGB 80 55 109

HSL 267.78, 0.33%, 0.32%

LAB 28.23, 23.21, -27.38

 

CMYK 0 / 50 / 49 / 57

HEX #6D3738

RGB 109 55 56

HSL 358.89, 0.33%, 0.32%

LAB 30.08, 23.97, 10.25

 

CMYK 24 / 0 / 50 / 57

HEX #536D37

RGB 83 109 55

HSL 88.89, 0.33%, 0.32%

LAB 42.84, -19.76, 26.98

 

Description

Color code: RGB 54 108 107 | qconv.com Color code: RGB 54 108 107 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 108 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 108 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 1 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 1% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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