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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 98 52 it is the complementary color RGB 202 157 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 98 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 98 52 shade: RGB 58 98 47, RGB 75 116 66, RGB 92 134 85, RGB 109 152 104 and RGB 126 170 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 98 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 98 52 shade: RGB 53 98 52, RGB 36 80 33, RGB 19 62 14, RGB 2 44 0 and RGB 0 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 98 52 shade: RGB 52 97 51, RGB 64 97 51, RGB 77 97 51, RGB 89 97 51 and RGB 97 92 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 98 52 shade: RGB 52 97 51, RGB 51 97 62, RGB 51 97 75, RGB 51 97 87 and RGB 51 94 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 98 52 shade matches the following richer shades: RGB 52 97 51, RGB 41 109 39, RGB 29 121 27, RGB 18 133 15 and RGB 6 145 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 98 52 shade: RGB 52 97 51, RGB 63 85 63, RGB 75 73 75, RGB 86 61 87 and RGB 98 49 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 98 52 shade: RGB 77 97 51, RGB 65 97 51, RGB 53 97 51, RGB 51 97 62 and RGB 51 97 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 98 52 shade: RGB 23 43 23, RGB 38 70 37, RGB 52 97 51, RGB 67 124 65 and RGB 81 151 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 98 52 shade: RGB 53 98 52, RGB 51 89 97 and RGB 97 51 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 98 52 shade: RGB 53 98 52, RGB 51 53 97 and RGB 97 51 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 98 52 shade: RGB 53 98 52, RGB 51 89 97, RGB 95 51 97 and RGB 97 59 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 98 52 shade: RGB 53 98 52, RGB 51 75 97, RGB 95 51 97 and RGB 97 72 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

Complementary color

CMYK 0 / 23 / 0 / 20

HEX #CA9DCB

RGB 202 157 203

HSL 298.7, 0.31%, 0.71%

LAB 70.16, 24.54, -17.14

 

CMYK 41 / 0 / 52 / 62

HEX #3A622F

RGB 58 98 47

HSL 107.06, 0.35%, 0.28%

LAB 37.55, -25.06, 24.55

 

CMYK 35 / 0 / 43 / 55

HEX #4B7442

RGB 75 116 66

HSL 109.2, 0.27%, 0.36%

LAB 44.77, -24.89, 23.18

 

CMYK 31 / 0 / 37 / 47

HEX #5C8655

RGB 92 134 85

HSL 111.43, 0.22%, 0.43%

LAB 51.82, -24.67, 21.89

 

CMYK 28 / 0 / 32 / 40

HEX #6D9868

RGB 109 152 104

HSL 113.75, 0.19%, 0.5%

LAB 58.7, -24.43, 20.69

 

CMYK 26 / 0 / 28 / 33

HEX #7EAA7B

RGB 126 170 123

HSL 116.17, 0.22%, 0.57%

LAB 65.45, -24.2, 19.58

 

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

CMYK 55 / 0 / 59 / 69

HEX #245021

RGB 36 80 33

HSL 116.17, 0.42%, 0.22%

LAB 29.97, -26.11, 22.9

 

CMYK 69 / 0 / 77 / 76

HEX #133E0E

RGB 19 62 14

HSL 113.75, 0.63%, 0.15%

LAB 22.36, -25.69, 24.19

 

CMYK 95 / 0 / 100 / 83

HEX #022C00

RGB 2 44 0

HSL 117.27, 1%, 0.09%

LAB 14.48, -24.6, 20.66

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 46 / 0 / 47 / 62

HEX #346133

RGB 52 97 51

HSL 118.7, 0.31%, 0.29%

LAB 36.96, -26.07, 21.47

 

CMYK 34 / 0 / 47 / 62

HEX #406133

RGB 64 97 51

HSL 103.04, 0.31%, 0.29%

LAB 37.62, -21.69, 22.44

 

CMYK 21 / 0 / 47 / 62

HEX #4D6133

RGB 77 97 51

HSL 86.09, 0.31%, 0.29%

LAB 38.49, -16.37, 23.72

 

CMYK 8 / 0 / 47 / 62

HEX #596133

RGB 89 97 51

HSL 70.43, 0.31%, 0.29%

LAB 39.43, -11.1, 25.1

 

CMYK 0 / 5 / 47 / 62

HEX #615C33

RGB 97 92 51

HSL 53.48, 0.31%, 0.29%

LAB 38.61, -4.54, 24.23

 

CMYK 46 / 0 / 47 / 62

HEX #346133

RGB 52 97 51

HSL 118.7, 0.31%, 0.29%

LAB 36.96, -26.07, 21.47

 

CMYK 47 / 0 / 36 / 62

HEX #33613E

RGB 51 97 62

HSL 134.35, 0.31%, 0.29%

LAB 37.12, -24.38, 15.19

 

CMYK 47 / 0 / 23 / 62

HEX #33614B

RGB 51 97 75

HSL 151.3, 0.31%, 0.29%

LAB 37.41, -21.54, 7.71

 

CMYK 47 / 0 / 10 / 62

HEX #336157

RGB 51 97 87

HSL 166.96, 0.31%, 0.29%

LAB 37.74, -18.51, 0.8

 

CMYK 47 / 3 / 0 / 62

HEX #335E61

RGB 51 94 97

HSL 183.91, 0.31%, 0.29%

LAB 37.06, -14.02, -6.38

 

CMYK 46 / 0 / 47 / 62

HEX #346133

RGB 52 97 51

HSL 118.7, 0.31%, 0.29%

LAB 36.96, -26.07, 21.47

 

CMYK 62 / 0 / 64 / 57

HEX #296D27

RGB 41 109 39

HSL 118.29, 0.47%, 0.29%

LAB 40.5, -36.48, 32.09

 

CMYK 76 / 0 / 78 / 53

HEX #1D791B

RGB 29 121 27

HSL 118.72, 0.64%, 0.29%

LAB 44.25, -44.86, 41.25

 

CMYK 86 / 0 / 89 / 48

HEX #12850F

RGB 18 133 15

HSL 118.47, 0.8%, 0.29%

LAB 48.18, -51.11, 48.55

 

CMYK 96 / 0 / 98 / 43

HEX #069103

RGB 6 145 3

HSL 118.73, 0.96%, 0.29%

LAB 52.17, -56.1, 54.16

 

CMYK 46 / 0 / 47 / 62

HEX #346133

RGB 52 97 51

HSL 118.7, 0.31%, 0.29%

LAB 36.96, -26.07, 21.47

 

CMYK 26 / 0 / 26 / 67

HEX #3F553F

RGB 63 85 63

HSL 120, 0.15%, 0.29%

LAB 33.8, -13.43, 10.17

 

CMYK 0 / 3 / 0 / 71

HEX #4B494B

RGB 75 73 75

HSL 300, 0.01%, 0.29%

LAB 31.28, 1.26, -0.9

 

CMYK 1 / 30 / 0 / 66

HEX #563D57

RGB 86 61 87

HSL 297.69, 0.18%, 0.29%

LAB 29.42, 16.04, -11.3

 

CMYK 1 / 51 / 0 / 61

HEX #623163

RGB 98 49 99

HSL 298.8, 0.34%, 0.29%

LAB 28.63, 30.25, -20.16

 

CMYK 21 / 0 / 47 / 62

HEX #4D6133

RGB 77 97 51

HSL 86.09, 0.31%, 0.29%

LAB 38.49, -16.37, 23.72

 

CMYK 33 / 0 / 47 / 62

HEX #416133

RGB 65 97 51

HSL 101.74, 0.31%, 0.29%

LAB 37.68, -21.3, 22.53

 

CMYK 45 / 0 / 47 / 62

HEX #356133

RGB 53 97 51

HSL 117.39, 0.31%, 0.29%

LAB 37.01, -25.72, 21.54

 

CMYK 47 / 0 / 36 / 62

HEX #33613E

RGB 51 97 62

HSL 134.35, 0.31%, 0.29%

LAB 37.12, -24.38, 15.19

 

CMYK 47 / 0 / 24 / 62

HEX #33614A

RGB 51 97 74

HSL 150, 0.31%, 0.29%

LAB 37.39, -21.77, 8.29

 

CMYK 47 / 0 / 47 / 83

HEX #172B17

RGB 23 43 23

HSL 120, 0.3%, 0.13%

LAB 15.34, -13.34, 10.55

 

CMYK 46 / 0 / 47 / 73

HEX #264625

RGB 38 70 37

HSL 118.18, 0.31%, 0.21%

LAB 26.52, -19.79, 16.27

 

CMYK 46 / 0 / 47 / 62

HEX #346133

RGB 52 97 51

HSL 118.7, 0.31%, 0.29%

LAB 36.96, -26.07, 21.47

 

CMYK 46 / 0 / 48 / 51

HEX #437C41

RGB 67 124 65

HSL 117.97, 0.31%, 0.37%

LAB 46.96, -31.65, 26.44

 

CMYK 46 / 0 / 48 / 41

HEX #51974F

RGB 81 151 79

HSL 118.33, 0.31%, 0.45%

LAB 56.53, -37.31, 31.13

 

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

CMYK 47 / 8 / 0 / 62

HEX #335961

RGB 51 89 97

HSL 190.43, 0.31%, 0.29%

LAB 35.42, -11.12, -8.84

 

CMYK 0 / 47 / 27 / 62

HEX #613347

RGB 97 51 71

HSL 333.91, 0.31%, 0.29%

LAB 27.75, 23.49, -3.19

 

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

CMYK 47 / 45 / 0 / 62

HEX #333561

RGB 51 53 97

HSL 237.39, 0.31%, 0.29%

LAB 24.04, 12.17, -26.45

 

CMYK 0 / 47 / 45 / 62

HEX #613335

RGB 97 51 53

HSL 357.39, 0.31%, 0.29%

LAB 27.2, 20.9, 7.95

 

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

CMYK 47 / 8 / 0 / 62

HEX #335961

RGB 51 89 97

HSL 190.43, 0.31%, 0.29%

LAB 35.42, -11.12, -8.84

 

CMYK 2 / 47 / 0 / 62

HEX #5F3361

RGB 95 51 97

HSL 297.39, 0.31%, 0.29%

LAB 28.55, 27.66, -19.02

 

CMYK 0 / 39 / 47 / 62

HEX #613B33

RGB 97 59 51

HSL 10.43, 0.31%, 0.29%

LAB 29.18, 15.75, 11.98

 

CMYK 46 / 0 / 47 / 62

HEX #356234

RGB 53 98 52

HSL 118.7, 0.31%, 0.29%

LAB 37.37, -26.05, 21.42

 

CMYK 47 / 23 / 0 / 62

HEX #334B61

RGB 51 75 97

HSL 208.7, 0.31%, 0.29%

LAB 30.88, -2.54, -15.77

 

CMYK 2 / 47 / 0 / 62

HEX #5F3361

RGB 95 51 97

HSL 297.39, 0.31%, 0.29%

LAB 28.55, 27.66, -19.02

 

CMYK 0 / 26 / 47 / 62

HEX #614833

RGB 97 72 51

HSL 27.39, 0.31%, 0.29%

LAB 32.73, 7.64, 16.72

 

Description

Color code: RGB 53 98 52 | qconv.com Color code: RGB 53 98 52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 98 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 98 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 47 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 47% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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