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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 96 48 it is the complementary color RGB 202 159 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 96 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 96 48 shade: RGB 58 96 43, RGB 75 114 62, RGB 92 132 81, RGB 109 150 100 and RGB 126 168 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 96 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 96 48 shade: RGB 53 96 48, RGB 36 78 29, RGB 19 60 10, RGB 2 42 0 and RGB 0 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 96 48 shade: RGB 53 95 48, RGB 65 95 48, RGB 78 95 48, RGB 91 95 48 and RGB 95 86 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 96 48 shade: RGB 53 95 48, RGB 48 95 56, RGB 48 95 68, RGB 48 95 81 and RGB 48 95 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 96 48 shade matches the following richer shades: RGB 53 95 48, RGB 44 107 36, RGB 34 118 25, RGB 25 130 13 and RGB 16 141 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 96 48 shade: RGB 53 95 48, RGB 62 83 59, RGB 71 72 71, RGB 80 60 82 and RGB 89 49 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 96 48 shade: RGB 78 95 48, RGB 66 95 48, RGB 53 95 48, RGB 48 95 55 and RGB 48 95 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 96 48 shade: RGB 22 40 20, RGB 38 68 34, RGB 53 95 48, RGB 68 122 62 and RGB 83 150 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 96 48 shade: RGB 53 96 48, RGB 48 91 95 and RGB 95 48 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 96 48 shade: RGB 53 96 48, RGB 48 53 95 and RGB 95 48 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 96 48 shade: RGB 53 96 48, RGB 48 91 95, RGB 89 48 95 and RGB 95 52 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 96 48 shade: RGB 53 96 48, RGB 48 77 95, RGB 89 48 95 and RGB 95 66 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

Complementary color

CMYK 2 / 23 / 0 / 19

HEX #CA9FCF

RGB 202 159 207

HSL 293.75, 0.33%, 0.72%

LAB 70.77, 24.2, -18.43

 

CMYK 40 / 0 / 55 / 62

HEX #3A602B

RGB 58 96 43

HSL 103.02, 0.38%, 0.27%

LAB 36.82, -24.63, 25.87

 

CMYK 34 / 0 / 46 / 55

HEX #4B723E

RGB 75 114 62

HSL 105, 0.3%, 0.35%

LAB 44.06, -24.5, 24.51

 

CMYK 30 / 0 / 39 / 48

HEX #5C8451

RGB 92 132 81

HSL 107.06, 0.24%, 0.42%

LAB 51.12, -24.31, 23.21

 

CMYK 27 / 0 / 33 / 41

HEX #6D9664

RGB 109 150 100

HSL 109.2, 0.2%, 0.49%

LAB 58.02, -24.1, 21.99

 

CMYK 25 / 0 / 29 / 34

HEX #7EA877

RGB 126 168 119

HSL 111.43, 0.22%, 0.56%

LAB 64.78, -23.89, 20.85

 

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

CMYK 54 / 0 / 63 / 69

HEX #244E1D

RGB 36 78 29

HSL 111.43, 0.46%, 0.21%

LAB 29.19, -25.73, 24.19

 

CMYK 68 / 0 / 83 / 76

HEX #133C0A

RGB 19 60 10

HSL 109.2, 0.71%, 0.14%

LAB 21.55, -25.23, 25.15

 

CMYK 95 / 0 / 100 / 84

HEX #022A00

RGB 2 42 0

HSL 117.14, 1%, 0.08%

LAB 13.64, -23.87, 19.56

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 32 / 0 / 49 / 63

HEX #415F30

RGB 65 95 48

HSL 98.3, 0.33%, 0.28%

LAB 36.97, -20.69, 23.35

 

CMYK 18 / 0 / 49 / 63

HEX #4E5F30

RGB 78 95 48

HSL 81.7, 0.33%, 0.28%

LAB 37.87, -15.24, 24.67

 

CMYK 4 / 0 / 49 / 63

HEX #5B5F30

RGB 91 95 48

HSL 65.11, 0.33%, 0.28%

LAB 38.94, -9.4, 26.21

 

CMYK 0 / 9 / 49 / 63

HEX #5F5630

RGB 95 86 48

HSL 48.51, 0.33%, 0.28%

LAB 36.56, -2.25, 23.37

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 49 / 0 / 41 / 63

HEX #305F38

RGB 48 95 56

HSL 130.21, 0.33%, 0.28%

LAB 36.17, -25.52, 17.48

 

CMYK 49 / 0 / 28 / 63

HEX #305F44

RGB 48 95 68

HSL 145.53, 0.33%, 0.28%

LAB 36.42, -23.03, 10.59

 

CMYK 49 / 0 / 15 / 63

HEX #305F51

RGB 48 95 81

HSL 162.13, 0.33%, 0.28%

LAB 36.76, -19.87, 3.06

 

CMYK 49 / 0 / 1 / 63

HEX #305F5E

RGB 48 95 94

HSL 178.72, 0.33%, 0.28%

LAB 37.15, -16.27, -4.41

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 59 / 0 / 66 / 58

HEX #2C6B24

RGB 44 107 36

HSL 113.24, 0.5%, 0.28%

LAB 39.88, -35.19, 32.88

 

CMYK 71 / 0 / 79 / 54

HEX #227619

RGB 34 118 25

HSL 114.19, 0.65%, 0.28%

LAB 43.31, -42.98, 41.1

 

CMYK 81 / 0 / 90 / 49

HEX #19820D

RGB 25 130 13

HSL 113.85, 0.82%, 0.28%

LAB 47.24, -49.36, 48.21

 

CMYK 89 / 0 / 99 / 45

HEX #108D02

RGB 16 141 2

HSL 113.96, 0.97%, 0.28%

LAB 50.88, -54.22, 53.32

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 25 / 0 / 29 / 67

HEX #3E533B

RGB 62 83 59

HSL 112.5, 0.17%, 0.28%

LAB 32.98, -13.48, 11.5

 

CMYK 1 / 0 / 1 / 72

HEX #474847

RGB 71 72 71

HSL 120, 0.01%, 0.28%

LAB 30.47, -0.63, 0.45

 

CMYK 2 / 27 / 0 / 68

HEX #503C52

RGB 80 60 82

HSL 294.55, 0.15%, 0.28%

LAB 28.24, 13.23, -9.91

 

CMYK 5 / 48 / 0 / 63

HEX #59315E

RGB 89 49 94

HSL 293.33, 0.31%, 0.28%

LAB 27.1, 26.17, -19.4

 

CMYK 18 / 0 / 49 / 63

HEX #4E5F30

RGB 78 95 48

HSL 81.7, 0.33%, 0.28%

LAB 37.87, -15.24, 24.67

 

CMYK 31 / 0 / 49 / 63

HEX #425F30

RGB 66 95 48

HSL 97.02, 0.33%, 0.28%

LAB 37.03, -20.29, 23.44

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 49 / 0 / 42 / 63

HEX #305F37

RGB 48 95 55

HSL 128.94, 0.33%, 0.28%

LAB 36.15, -25.71, 18.05

 

CMYK 49 / 0 / 29 / 63

HEX #305F43

RGB 48 95 67

HSL 144.26, 0.33%, 0.28%

LAB 36.4, -23.26, 11.17

 

CMYK 45 / 0 / 50 / 84

HEX #162814

RGB 22 40 20

HSL 114, 0.33%, 0.12%

LAB 14.05, -12.59, 10.88

 

CMYK 44 / 0 / 50 / 73

HEX #264422

RGB 38 68 34

HSL 112.94, 0.33%, 0.2%

LAB 25.75, -19.26, 17.12

 

CMYK 44 / 0 / 49 / 63

HEX #355F30

RGB 53 95 48

HSL 113.62, 0.33%, 0.28%

LAB 36.28, -25.23, 22.34

 

CMYK 44 / 0 / 49 / 52

HEX #447A3E

RGB 68 122 62

HSL 114, 0.33%, 0.36%

LAB 46.31, -30.85, 27.27

 

CMYK 45 / 0 / 50 / 41

HEX #53964B

RGB 83 150 75

HSL 113.6, 0.33%, 0.44%

LAB 56.25, -36.82, 32.88

 

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

CMYK 49 / 4 / 0 / 63

HEX #305B5F

RGB 48 91 95

HSL 185.11, 0.33%, 0.28%

LAB 35.86, -13.71, -6.95

 

CMYK 0 / 49 / 24 / 63

HEX #5F3048

RGB 95 48 72

HSL 329.36, 0.33%, 0.28%

LAB 26.78, 24.66, -5.33

 

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

CMYK 49 / 44 / 0 / 63

HEX #30355F

RGB 48 53 95

HSL 233.62, 0.33%, 0.28%

LAB 23.67, 10.64, -25.75

 

CMYK 0 / 49 / 44 / 63

HEX #5F3035

RGB 95 48 53

HSL 353.62, 0.33%, 0.28%

LAB 26.17, 21.85, 6.46

 

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

CMYK 49 / 4 / 0 / 63

HEX #305B5F

RGB 48 91 95

HSL 185.11, 0.33%, 0.28%

LAB 35.86, -13.71, -6.95

 

CMYK 6 / 49 / 0 / 63

HEX #59305F

RGB 89 48 95

HSL 292.34, 0.33%, 0.28%

LAB 26.92, 26.99, -20.33

 

CMYK 0 / 45 / 49 / 63

HEX #5F3430

RGB 95 52 48

HSL 5.11, 0.33%, 0.28%

LAB 27.02, 18.82, 10.96

 

CMYK 45 / 0 / 50 / 62

HEX #356030

RGB 53 96 48

HSL 113.75, 0.33%, 0.28%

LAB 36.62, -25.72, 22.77

 

CMYK 49 / 19 / 0 / 63

HEX #304D5F

RGB 48 77 95

HSL 202.98, 0.33%, 0.28%

LAB 31.26, -5.3, -13.92

 

CMYK 6 / 49 / 0 / 63

HEX #59305F

RGB 89 48 95

HSL 292.34, 0.33%, 0.28%

LAB 26.92, 26.99, -20.33

 

CMYK 0 / 31 / 49 / 63

HEX #5F4230

RGB 95 66 48

HSL 22.98, 0.33%, 0.28%

LAB 30.74, 10.09, 15.93

 

Description

Color code: RGB 53 96 48 | qconv.com Color code: RGB 53 96 48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 96 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 96 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 50 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 50% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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