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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 96 13 it is the complementary color RGB 202 159 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 96 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 96 13 shade: RGB 58 96 8, RGB 75 114 27, RGB 92 132 46, RGB 109 150 65 and RGB 126 168 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 96 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 96 13 shade: RGB 53 96 13, RGB 36 78 0, RGB 19 60 0, RGB 2 42 0 and RGB 0 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 96 13 shade: RGB 52 94 13, RGB 74 94 13, RGB 94 93 13, RGB 94 71 13 and RGB 94 49 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 96 13 shade: RGB 52 94 13, RGB 30 94 13, RGB 13 94 18, RGB 13 94 39 and RGB 13 94 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 96 13 shade matches the following richer shades: RGB 52 94 13 and RGB 52 103 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 96 13 shade: RGB 52 94 13, RGB 52 86 22, RGB 53 77 30, RGB 53 68 39 and RGB 53 60 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 96 13 shade: RGB 94 93 13, RGB 74 94 13, RGB 52 94 13, RGB 30 94 13 and RGB 13 94 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 96 13 shade: RGB 12 22 3, RGB 32 58 8, RGB 52 94 13, RGB 72 131 18 and RGB 92 167 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 96 13 shade: RGB 53 96 13, RGB 13 94 71 and RGB 94 13 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 96 13 shade: RGB 53 96 13, RGB 13 52 94 and RGB 94 13 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 96 13 shade: RGB 53 96 13, RGB 13 94 71, RGB 55 13 94 and RGB 94 13 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 96 13 shade: RGB 53 96 13, RGB 13 93 94, RGB 55 13 94 and RGB 94 14 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

Complementary color

CMYK 17 / 34 / 0 / 5

HEX #CA9FF2

RGB 202 159 242

HSL 271.08, 0.76%, 0.79%

LAB 72.07, 31.37, -35.62

 

CMYK 40 / 0 / 92 / 62

HEX #3A6008

RGB 58 96 8

HSL 85.91, 0.85%, 0.2%

LAB 36.52, -27.62, 40.5

 

CMYK 34 / 0 / 76 / 55

HEX #4B721B

RGB 75 114 27

HSL 86.9, 0.62%, 0.28%

LAB 43.67, -28.31, 41.26

 

CMYK 30 / 0 / 65 / 48

HEX #5C842E

RGB 92 132 46

HSL 87.91, 0.48%, 0.35%

LAB 50.66, -28.66, 40.76

 

CMYK 27 / 0 / 57 / 41

HEX #6D9641

RGB 109 150 65

HSL 88.94, 0.4%, 0.42%

LAB 57.51, -28.82, 39.76

 

CMYK 25 / 0 / 50 / 34

HEX #7EA854

RGB 126 168 84

HSL 90, 0.33%, 0.49%

LAB 64.23, -28.87, 38.6

 

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

CMYK 54 / 0 / 100 / 69

HEX #244E00

RGB 36 78 0

HSL 92.31, 1%, 0.15%

LAB 28.96, -28.23, 36.46

 

CMYK 68 / 0 / 100 / 76

HEX #133C00

RGB 19 60 0

HSL 101, 1%, 0.12%

LAB 21.47, -26.18, 29.13

 

CMYK 95 / 0 / 100 / 84

HEX #022A00

RGB 2 42 0

HSL 117.14, 1%, 0.08%

LAB 13.64, -23.87, 19.56

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 21 / 0 / 86 / 63

HEX #4A5E0D

RGB 74 94 13

HSL 74.81, 0.76%, 0.21%

LAB 36.91, -19.49, 39.82

 

CMYK 0 / 1 / 86 / 63

HEX #5E5D0D

RGB 94 93 13

HSL 59.26, 0.76%, 0.21%

LAB 38.27, -9.41, 41.65

 

CMYK 0 / 24 / 86 / 63

HEX #5E470D

RGB 94 71 13

HSL 42.96, 0.76%, 0.21%

LAB 31.61, 3.77, 35.81

 

CMYK 0 / 48 / 86 / 63

HEX #5E310D

RGB 94 49 13

HSL 26.67, 0.76%, 0.21%

LAB 25.58, 17.48, 30.3

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 68 / 0 / 86 / 63

HEX #1E5E0D

RGB 30 94 13

HSL 107.41, 0.76%, 0.21%

LAB 34.62, -35.84, 36.88

 

CMYK 86 / 0 / 81 / 63

HEX #0D5E12

RGB 13 94 18

HSL 123.7, 0.76%, 0.21%

LAB 34.26, -38.79, 34.63

 

CMYK 86 / 0 / 59 / 63

HEX #0D5E27

RGB 13 94 39

HSL 139.26, 0.76%, 0.21%

LAB 34.47, -36.21, 24.85

 

CMYK 86 / 0 / 35 / 63

HEX #0D5E3D

RGB 13 94 61

HSL 155.56, 0.76%, 0.21%

LAB 34.86, -31.73, 12.53

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 50 / 0 / 96 / 60

HEX #346704

RGB 52 103 4

HSL 90.91, 0.93%, 0.21%

LAB 38.62, -33.2, 43.24

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 40 / 0 / 74 / 66

HEX #345616

RGB 52 86 22

HSL 91.88, 0.59%, 0.21%

LAB 32.8, -24.38, 31.91

 

CMYK 31 / 0 / 61 / 70

HEX #354D1E

RGB 53 77 30

HSL 90.64, 0.44%, 0.21%

LAB 29.81, -18.51, 24.61

 

CMYK 22 / 0 / 43 / 73

HEX #354427

RGB 53 68 39

HSL 91.03, 0.27%, 0.21%

LAB 26.84, -12.18, 15.64

 

CMYK 12 / 0 / 20 / 76

HEX #353C30

RGB 53 60 48

HSL 95, 0.11%, 0.21%

LAB 24.33, -5.64, 6.45

 

CMYK 0 / 1 / 86 / 63

HEX #5E5D0D

RGB 94 93 13

HSL 59.26, 0.76%, 0.21%

LAB 38.27, -9.41, 41.65

 

CMYK 21 / 0 / 86 / 63

HEX #4A5E0D

RGB 74 94 13

HSL 74.81, 0.76%, 0.21%

LAB 36.91, -19.49, 39.82

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 68 / 0 / 86 / 63

HEX #1E5E0D

RGB 30 94 13

HSL 107.41, 0.76%, 0.21%

LAB 34.62, -35.84, 36.88

 

CMYK 86 / 0 / 82 / 63

HEX #0D5E11

RGB 13 94 17

HSL 122.96, 0.76%, 0.21%

LAB 34.26, -38.87, 35

 

CMYK 45 / 0 / 86 / 91

HEX #0C1603

RGB 12 22 3

HSL 91.58, 0.76%, 0.05%

LAB 5.95, -7, 7.55

 

CMYK 45 / 0 / 86 / 77

HEX #203A08

RGB 32 58 8

HSL 91.2, 0.76%, 0.13%

LAB 21.4, -19.73, 25.98

 

CMYK 45 / 0 / 86 / 63

HEX #345E0D

RGB 52 94 13

HSL 91.11, 0.76%, 0.21%

LAB 35.53, -28.8, 38.05

 

CMYK 45 / 0 / 86 / 49

HEX #488312

RGB 72 131 18

HSL 91.33, 0.76%, 0.29%

LAB 49.07, -37.58, 49.18

 

CMYK 45 / 0 / 86 / 35

HEX #5CA717

RGB 92 167 23

HSL 91.25, 0.76%, 0.37%

LAB 61.63, -45.45, 59.35

 

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

CMYK 86 / 0 / 24 / 63

HEX #0D5E47

RGB 13 94 71

HSL 162.96, 0.76%, 0.21%

LAB 35.09, -29.14, 6.73

 

CMYK 0 / 86 / 10 / 63

HEX #5E0D55

RGB 94 13 85

HSL 306.67, 0.76%, 0.21%

LAB 21.3, 42.66, -22.49

 

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

CMYK 86 / 45 / 0 / 63

HEX #0D345E

RGB 13 52 94

HSL 211.11, 0.76%, 0.21%

LAB 21.39, 3.8, -28.84

 

CMYK 0 / 86 / 45 / 63

HEX #5E0D34

RGB 94 13 52

HSL 331.11, 0.76%, 0.21%

LAB 19.7, 38.09, -2.21

 

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

CMYK 86 / 0 / 24 / 63

HEX #0D5E47

RGB 13 94 71

HSL 162.96, 0.76%, 0.21%

LAB 35.09, -29.14, 6.73

 

CMYK 41 / 86 / 0 / 63

HEX #370D5E

RGB 55 13 94

HSL 271.11, 0.76%, 0.21%

LAB 15, 36.45, -39.02

 

CMYK 0 / 86 / 62 / 63

HEX #5E0D24

RGB 94 13 36

HSL 342.96, 0.76%, 0.21%

LAB 19.2, 36.58, 8.45

 

CMYK 45 / 0 / 86 / 62

HEX #35600D

RGB 53 96 13

HSL 91.08, 0.76%, 0.21%

LAB 36.27, -29.34, 38.75

 

CMYK 86 / 1 / 0 / 63

HEX #0D5D5E

RGB 13 93 94

HSL 180.74, 0.76%, 0.21%

LAB 35.44, -21.55, -7.06

 

CMYK 41 / 86 / 0 / 63

HEX #370D5E

RGB 55 13 94

HSL 271.11, 0.76%, 0.21%

LAB 15, 36.45, -39.02

 

CMYK 0 / 85 / 86 / 63

HEX #5E0E0D

RGB 94 14 13

HSL 0.74, 0.76%, 0.21%

LAB 18.9, 34.98, 23.27

 

Description

Color code: RGB 53 96 13 | qconv.com Color code: RGB 53 96 13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 96 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 96 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 86 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 86% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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