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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 95 51 it is the complementary color RGB 202 160 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 95 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 95 51 shade: RGB 58 95 46, RGB 75 113 65, RGB 92 131 84, RGB 109 149 103 and RGB 126 167 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 95 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 95 51 shade: RGB 53 95 51, RGB 36 77 32, RGB 19 59 13, RGB 2 41 0 and RGB 0 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 95 51 shade: RGB 54 96 52, RGB 66 96 52, RGB 78 96 52, RGB 90 96 52 and RGB 96 91 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 95 51 shade: RGB 54 96 52, RGB 52 96 62, RGB 52 96 74, RGB 52 96 86 and RGB 52 95 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 95 51 shade matches the following richer shades: RGB 54 96 52, RGB 43 108 40, RGB 32 120 28, RGB 21 132 16 and RGB 10 144 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 95 51 shade: RGB 54 96 52, RGB 65 84 64, RGB 76 72 76, RGB 86 60 88 and RGB 97 48 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 95 51 shade: RGB 78 96 52, RGB 66 96 52, RGB 54 96 52, RGB 52 96 61 and RGB 52 96 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 95 51 shade: RGB 24 42 23, RGB 39 69 37, RGB 54 96 52, RGB 69 123 66 and RGB 84 150 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 95 51 shade: RGB 53 95 51, RGB 52 89 96 and RGB 96 52 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 95 51 shade: RGB 53 95 51, RGB 52 54 96 and RGB 96 52 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 95 51 shade: RGB 53 95 51, RGB 52 89 96, RGB 94 52 96 and RGB 96 58 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 95 51 shade: RGB 53 95 51, RGB 52 76 96, RGB 94 52 96 and RGB 96 72 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

Complementary color

CMYK 1 / 22 / 0 / 20

HEX #CAA0CC

RGB 202 160 204

HSL 297.27, 0.3%, 0.71%

LAB 70.91, 23.08, -16.57

 

CMYK 39 / 0 / 52 / 63

HEX #3A5F2E

RGB 58 95 46

HSL 105.31, 0.35%, 0.28%

LAB 36.52, -23.71, 23.83

 

CMYK 34 / 0 / 42 / 56

HEX #4B7141

RGB 75 113 65

HSL 107.5, 0.27%, 0.35%

LAB 43.78, -23.53, 22.46

 

CMYK 30 / 0 / 36 / 49

HEX #5C8354

RGB 92 131 84

HSL 109.79, 0.22%, 0.42%

LAB 50.86, -23.32, 21.18

 

CMYK 27 / 0 / 31 / 42

HEX #6D9567

RGB 109 149 103

HSL 112.17, 0.18%, 0.49%

LAB 57.78, -23.09, 19.99

 

CMYK 25 / 0 / 27 / 35

HEX #7EA77A

RGB 126 167 122

HSL 114.67, 0.2%, 0.57%

LAB 64.55, -22.87, 18.89

 

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

CMYK 53 / 0 / 58 / 70

HEX #244D20

RGB 36 77 32

HSL 114.67, 0.41%, 0.21%

LAB 28.87, -24.83, 22.14

 

CMYK 68 / 0 / 78 / 77

HEX #133B0D

RGB 19 59 13

HSL 112.17, 0.64%, 0.14%

LAB 21.19, -24.48, 23.43

 

CMYK 95 / 0 / 100 / 84

HEX #022900

RGB 2 41 0

HSL 117.07, 1%, 0.08%

LAB 13.22, -23.49, 19

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 31 / 0 / 46 / 62

HEX #426034

RGB 66 96 52

HSL 100.91, 0.3%, 0.29%

LAB 37.43, -20.23, 21.65

 

CMYK 19 / 0 / 46 / 62

HEX #4E6034

RGB 78 96 52

HSL 84.55, 0.3%, 0.29%

LAB 38.26, -15.26, 22.87

 

CMYK 6 / 0 / 46 / 62

HEX #5A6034

RGB 90 96 52

HSL 68.18, 0.3%, 0.29%

LAB 39.22, -9.96, 24.28

 

CMYK 0 / 5 / 46 / 62

HEX #605B34

RGB 96 91 52

HSL 53.18, 0.3%, 0.29%

LAB 38.23, -4.3, 23.16

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 46 / 0 / 35 / 62

HEX #34603E

RGB 52 96 62

HSL 133.64, 0.3%, 0.29%

LAB 36.82, -23.55, 14.8

 

CMYK 46 / 0 / 23 / 62

HEX #34604A

RGB 52 96 74

HSL 150, 0.3%, 0.29%

LAB 37.1, -20.94, 7.89

 

CMYK 46 / 0 / 10 / 62

HEX #346056

RGB 52 96 86

HSL 166.36, 0.3%, 0.29%

LAB 37.42, -17.94, 0.96

 

CMYK 46 / 1 / 0 / 62

HEX #345F60

RGB 52 95 96

HSL 181.36, 0.3%, 0.29%

LAB 37.41, -14.61, -5.25

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 60 / 0 / 63 / 58

HEX #2B6C28

RGB 43 108 40

HSL 117.35, 0.46%, 0.29%

LAB 40.23, -35.41, 31.3

 

CMYK 73 / 0 / 77 / 53

HEX #20781C

RGB 32 120 28

HSL 117.39, 0.62%, 0.29%

LAB 43.98, -43.87, 40.62

 

CMYK 84 / 0 / 88 / 48

HEX #158410

RGB 21 132 16

HSL 117.41, 0.78%, 0.29%

LAB 47.88, -50.4, 48.05

 

CMYK 93 / 0 / 97 / 44

HEX #0A9004

RGB 10 144 4

HSL 117.43, 0.95%, 0.29%

LAB 51.86, -55.51, 53.74

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 23 / 0 / 24 / 67

HEX #415440

RGB 65 84 64

HSL 117, 0.14%, 0.29%

LAB 33.64, -11.86, 9.34

 

CMYK 0 / 5 / 0 / 70

HEX #4C484C

RGB 76 72 76

HSL 300, 0.03%, 0.29%

LAB 31.1, 2.53, -1.79

 

CMYK 2 / 32 / 0 / 65

HEX #563C58

RGB 86 60 88

HSL 295.71, 0.19%, 0.29%

LAB 29.2, 16.9, -12.29

 

CMYK 3 / 52 / 0 / 61

HEX #613064

RGB 97 48 100

HSL 296.54, 0.35%, 0.29%

LAB 28.31, 30.7, -21.3

 

CMYK 19 / 0 / 46 / 62

HEX #4E6034

RGB 78 96 52

HSL 84.55, 0.3%, 0.29%

LAB 38.26, -15.26, 22.87

 

CMYK 31 / 0 / 46 / 62

HEX #426034

RGB 66 96 52

HSL 100.91, 0.3%, 0.29%

LAB 37.43, -20.23, 21.65

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 46 / 0 / 36 / 62

HEX #34603D

RGB 52 96 61

HSL 132.27, 0.3%, 0.29%

LAB 36.8, -23.75, 15.38

 

CMYK 46 / 0 / 24 / 62

HEX #346049

RGB 52 96 73

HSL 148.64, 0.3%, 0.29%

LAB 37.07, -21.17, 8.46

 

CMYK 43 / 0 / 45 / 84

HEX #182A17

RGB 24 42 23

HSL 116.84, 0.29%, 0.13%

LAB 15.02, -12.33, 10.14

 

CMYK 43 / 0 / 46 / 73

HEX #274525

RGB 39 69 37

HSL 116.25, 0.3%, 0.21%

LAB 26.22, -18.88, 15.89

 

CMYK 44 / 0 / 46 / 62

HEX #366034

RGB 54 96 52

HSL 117.27, 0.3%, 0.29%

LAB 36.74, -24.72, 20.63

 

CMYK 44 / 0 / 46 / 52

HEX #457B42

RGB 69 123 66

HSL 116.84, 0.3%, 0.37%

LAB 46.74, -30.38, 25.64

 

CMYK 44 / 0 / 46 / 41

HEX #549651

RGB 84 150 81

HSL 117.39, 0.3%, 0.45%

LAB 56.38, -35.63, 29.9

 

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

CMYK 46 / 7 / 0 / 62

HEX #345960

RGB 52 89 96

HSL 189.55, 0.3%, 0.29%

LAB 35.44, -11.14, -8.19

 

CMYK 0 / 46 / 25 / 62

HEX #603448

RGB 96 52 72

HSL 332.73, 0.3%, 0.29%

LAB 27.87, 22.66, -3.68

 

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

CMYK 46 / 44 / 0 / 62

HEX #343660

RGB 52 54 96

HSL 237.27, 0.3%, 0.29%

LAB 24.36, 11.43, -25.29

 

CMYK 0 / 46 / 44 / 62

HEX #603436

RGB 96 52 54

HSL 357.27, 0.3%, 0.29%

LAB 27.32, 19.99, 7.43

 

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

CMYK 46 / 7 / 0 / 62

HEX #345960

RGB 52 89 96

HSL 189.55, 0.3%, 0.29%

LAB 35.44, -11.14, -8.19

 

CMYK 2 / 46 / 0 / 62

HEX #5E3460

RGB 94 52 96

HSL 297.27, 0.3%, 0.29%

LAB 28.59, 26.51, -18.32

 

CMYK 0 / 40 / 46 / 62

HEX #603A34

RGB 96 58 52

HSL 8.18, 0.3%, 0.29%

LAB 28.8, 16.04, 10.79

 

CMYK 44 / 0 / 46 / 63

HEX #355F33

RGB 53 95 51

HSL 117.27, 0.3%, 0.29%

LAB 36.33, -24.74, 20.67

 

CMYK 46 / 21 / 0 / 62

HEX #344C60

RGB 52 76 96

HSL 207.27, 0.3%, 0.29%

LAB 31.22, -3.2, -14.6

 

CMYK 2 / 46 / 0 / 62

HEX #5E3460

RGB 94 52 96

HSL 297.27, 0.3%, 0.29%

LAB 28.59, 26.51, -18.32

 

CMYK 0 / 25 / 46 / 62

HEX #604834

RGB 96 72 52

HSL 27.27, 0.3%, 0.29%

LAB 32.63, 7.29, 15.94

 

Description

Color code: RGB 53 95 51 | qconv.com Color code: RGB 53 95 51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 95 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 95 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 46 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 46% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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