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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 92 85 it is the complementary color RGB 202 163 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 92 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 92 85 shade: RGB 58 92 80, RGB 75 110 99, RGB 92 128 118, RGB 109 146 137 and RGB 126 164 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 92 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 92 85 shade: RGB 53 92 85, RGB 36 74 66, RGB 19 56 47, RGB 2 38 28 and RGB 0 20 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 92 85 shade: RGB 52 91 84, RGB 52 91 73, RGB 52 91 63, RGB 52 91 53 and RGB 62 91 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 92 85 shade: RGB 52 91 84, RGB 52 87 91, RGB 52 77 91, RGB 52 66 91 and RGB 52 56 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 92 85 shade matches the following richer shades: RGB 52 91 84, RGB 41 102 91, RGB 29 114 99, RGB 17 125 106 and RGB 6 137 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 92 85 shade: RGB 52 91 84, RGB 64 79 76, RGB 75 68 69, RGB 87 56 62 and RGB 98 44 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 92 85 shade: RGB 52 91 63, RGB 52 91 73, RGB 52 91 84, RGB 52 87 91 and RGB 52 77 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 92 85 shade: RGB 22 38 35, RGB 37 64 60, RGB 52 91 84, RGB 67 117 108 and RGB 82 143 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 92 85 shade: RGB 53 92 85, RGB 53 52 91 and RGB 91 68 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 92 85 shade: RGB 53 92 85, RGB 84 52 91 and RGB 91 84 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 92 85 shade: RGB 53 92 85, RGB 53 52 91, RGB 91 52 59 and RGB 90 91 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 92 85 shade: RGB 53 92 85, RGB 64 52 91, RGB 91 52 59 and RGB 78 91 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

Complementary color

CMYK 0 / 19 / 16 / 21

HEX #CAA3AA

RGB 202 163 170

HSL 349.23, 0.27%, 0.72%

LAB 70.63, 15.45, 1.82

 

CMYK 37 / 0 / 13 / 64

HEX #3A5C50

RGB 58 92 80

HSL 158.82, 0.23%, 0.29%

LAB 36.24, -15.39, 3

 

CMYK 32 / 0 / 10 / 57

HEX #4B6E63

RGB 75 110 99

HSL 161.14, 0.19%, 0.36%

LAB 43.58, -15.15, 2.13

 

CMYK 28 / 0 / 8 / 50

HEX #5C8076

RGB 92 128 118

HSL 163.33, 0.16%, 0.43%

LAB 50.71, -14.96, 1.33

 

CMYK 25 / 0 / 6 / 43

HEX #6D9289

RGB 109 146 137

HSL 165.41, 0.15%, 0.5%

LAB 57.67, -14.79, 0.6

 

CMYK 23 / 0 / 5 / 36

HEX #7EA49C

RGB 126 164 156

HSL 167.37, 0.17%, 0.57%

LAB 64.47, -14.65, -0.1

 

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

CMYK 51 / 0 / 11 / 71

HEX #244A42

RGB 36 74 66

HSL 167.37, 0.35%, 0.22%

LAB 28.55, -15.84, 0.59

 

CMYK 66 / 0 / 16 / 78

HEX #13382F

RGB 19 56 47

HSL 165.41, 0.49%, 0.15%

LAB 20.72, -15.87, 1.68

 

CMYK 95 / 0 / 26 / 85

HEX #02261C

RGB 2 38 28

HSL 163.33, 0.9%, 0.08%

LAB 12.5, -15.99, 3.01

 

CMYK 100 / 0 / 55 / 92

HEX #001409

RGB 0 20 9

HSL 147, 1%, 0.04%

LAB 4.7, -7.98, 3.19

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 43 / 0 / 20 / 64

HEX #345B49

RGB 52 91 73

HSL 152.31, 0.27%, 0.28%

LAB 35.39, -18.51, 6.08

 

CMYK 43 / 0 / 31 / 64

HEX #345B3F

RGB 52 91 63

HSL 136.92, 0.27%, 0.28%

LAB 35.15, -20.77, 11.91

 

CMYK 43 / 0 / 42 / 64

HEX #345B35

RGB 52 91 53

HSL 121.54, 0.27%, 0.28%

LAB 34.94, -22.73, 17.69

 

CMYK 32 / 0 / 43 / 64

HEX #3E5B34

RGB 62 91 52

HSL 104.62, 0.27%, 0.28%

LAB 35.51, -19.15, 19.13

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 43 / 4 / 0 / 64

HEX #34575B

RGB 52 87 91

HSL 186.15, 0.27%, 0.28%

LAB 34.6, -11.44, -6.31

 

CMYK 43 / 15 / 0 / 64

HEX #344D5B

RGB 52 77 91

HSL 201.54, 0.27%, 0.28%

LAB 31.33, -5.39, -11.24

 

CMYK 43 / 27 / 0 / 64

HEX #34425B

RGB 52 66 91

HSL 218.46, 0.27%, 0.28%

LAB 27.8, 1.68, -16.67

 

CMYK 43 / 38 / 0 / 64

HEX #34385B

RGB 52 56 91

HSL 233.85, 0.27%, 0.28%

LAB 24.68, 8.41, -21.52

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 60 / 0 / 11 / 60

HEX #29665B

RGB 41 102 91

HSL 169.18, 0.43%, 0.28%

LAB 39.12, -22.62, 0.31

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 86 / 0 / 15 / 51

HEX #117D6A

RGB 17 125 106

HSL 169.44, 0.76%, 0.28%

LAB 46.75, -33.12, 2.3

 

CMYK 96 / 0 / 18 / 46

HEX #068971

RGB 6 137 113

HSL 169.01, 0.92%, 0.28%

LAB 50.83, -37.22, 4.09

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 19 / 0 / 4 / 69

HEX #404F4C

RGB 64 79 76

HSL 168, 0.1%, 0.28%

LAB 32.27, -6.61, -0.2

 

CMYK 0 / 9 / 8 / 71

HEX #4B4445

RGB 75 68 69

HSL 351.43, 0.05%, 0.28%

LAB 29.56, 3.17, 0.47

 

CMYK 0 / 36 / 29 / 66

HEX #57383E

RGB 87 56 62

HSL 348.39, 0.22%, 0.28%

LAB 27.3, 14.77, 1.94

 

CMYK 0 / 55 / 45 / 62

HEX #622C36

RGB 98 44 54

HSL 348.89, 0.38%, 0.28%

LAB 25.76, 25.57, 5.27

 

CMYK 43 / 0 / 31 / 64

HEX #345B3F

RGB 52 91 63

HSL 136.92, 0.27%, 0.28%

LAB 35.15, -20.77, 11.91

 

CMYK 43 / 0 / 20 / 64

HEX #345B49

RGB 52 91 73

HSL 152.31, 0.27%, 0.28%

LAB 35.39, -18.51, 6.08

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 43 / 4 / 0 / 64

HEX #34575B

RGB 52 87 91

HSL 186.15, 0.27%, 0.28%

LAB 34.6, -11.44, -6.31

 

CMYK 43 / 15 / 0 / 64

HEX #344D5B

RGB 52 77 91

HSL 201.54, 0.27%, 0.28%

LAB 31.33, -5.39, -11.24

 

CMYK 42 / 0 / 8 / 85

HEX #162623

RGB 22 38 35

HSL 168.75, 0.27%, 0.12%

LAB 13.7, -7.6, -0.16

 

CMYK 42 / 0 / 6 / 75

HEX #25403C

RGB 37 64 60

HSL 171.11, 0.27%, 0.2%

LAB 24.91, -11.4, -0.81

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 43 / 0 / 8 / 54

HEX #43756C

RGB 67 117 108

HSL 169.2, 0.27%, 0.36%

LAB 45.63, -19.2, -0.33

 

CMYK 43 / 0 / 8 / 44

HEX #528F84

RGB 82 143 132

HSL 169.18, 0.27%, 0.44%

LAB 55.18, -22.54, -0.34

 

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

CMYK 42 / 43 / 0 / 64

HEX #35345B

RGB 53 52 91

HSL 241.54, 0.27%, 0.28%

LAB 23.57, 11.46, -23.27

 

CMYK 0 / 25 / 43 / 64

HEX #5B4434

RGB 91 68 52

HSL 24.62, 0.27%, 0.28%

LAB 30.89, 7.47, 13.52

 

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

CMYK 8 / 43 / 0 / 64

HEX #54345B

RGB 84 52 91

HSL 289.23, 0.27%, 0.28%

LAB 27.01, 21.91, -17.64

 

CMYK 0 / 8 / 43 / 64

HEX #5B5434

RGB 91 84 52

HSL 49.23, 0.27%, 0.28%

LAB 35.62, -2.43, 19.74

 

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

CMYK 42 / 43 / 0 / 64

HEX #35345B

RGB 53 52 91

HSL 241.54, 0.27%, 0.28%

LAB 23.57, 11.46, -23.27

 

CMYK 0 / 43 / 35 / 64

HEX #5B343B

RGB 91 52 59

HSL 349.23, 0.27%, 0.28%

LAB 26.72, 18.54, 3.16

 

CMYK 1 / 0 / 43 / 64

HEX #5A5B34

RGB 90 91 52

HSL 61.54, 0.27%, 0.28%

LAB 37.67, -7.06, 22.33

 

CMYK 42 / 0 / 8 / 64

HEX #355C55

RGB 53 92 85

HSL 169.23, 0.27%, 0.28%

LAB 36.11, -15.69, -0.32

 

CMYK 30 / 43 / 0 / 64

HEX #40345B

RGB 64 52 91

HSL 258.46, 0.27%, 0.28%

LAB 24.64, 15, -21.5

 

CMYK 0 / 43 / 35 / 64

HEX #5B343B

RGB 91 52 59

HSL 349.23, 0.27%, 0.28%

LAB 26.72, 18.54, 3.16

 

CMYK 14 / 0 / 43 / 64

HEX #4E5B34

RGB 78 91 52

HSL 80, 0.27%, 0.28%

LAB 36.65, -12.45, 20.83

 

Description

Color code: RGB 53 92 85 | qconv.com Color code: RGB 53 92 85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 92 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 92 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 8 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 8% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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