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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 92 82 it is the complementary color RGB 202 163 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 92 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 92 82 shade: RGB 58 92 77, RGB 75 110 96, RGB 92 128 115, RGB 109 146 134 and RGB 126 164 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 92 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 92 82 shade: RGB 53 92 82, RGB 36 74 63, RGB 19 56 44, RGB 2 38 25 and RGB 0 20 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 92 82 shade: RGB 52 91 81, RGB 52 91 70, RGB 52 91 60, RGB 55 91 52 and RGB 65 91 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 92 82 shade: RGB 52 91 81, RGB 52 90 91, RGB 52 80 91, RGB 52 69 91 and RGB 52 59 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 92 82 shade matches the following richer shades: RGB 52 91 81, RGB 41 102 86, RGB 29 114 92, RGB 17 125 98 and RGB 6 137 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 92 82 shade: RGB 52 91 81, RGB 64 79 75, RGB 75 68 70, RGB 87 56 64 and RGB 98 44 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 92 82 shade: RGB 52 91 60, RGB 52 91 70, RGB 52 91 80, RGB 52 91 91 and RGB 52 80 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 92 82 shade: RGB 22 38 34, RGB 37 64 57, RGB 52 91 81, RGB 67 117 104 and RGB 82 143 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 92 82 shade: RGB 53 92 82, RGB 52 55 91 and RGB 91 65 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 92 82 shade: RGB 53 92 82, RGB 80 52 91 and RGB 91 80 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 92 82 shade: RGB 53 92 82, RGB 52 55 91, RGB 91 52 62 and RGB 91 88 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 92 82 shade: RGB 53 92 82, RGB 61 52 91, RGB 91 52 62 and RGB 82 91 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

Complementary color

CMYK 0 / 19 / 14 / 21

HEX #CAA3AD

RGB 202 163 173

HSL 344.62, 0.27%, 0.72%

LAB 70.71, 15.94, 0.28

 

CMYK 37 / 0 / 16 / 64

HEX #3A5C4D

RGB 58 92 77

HSL 153.53, 0.23%, 0.29%

LAB 36.16, -16.11, 4.75

 

CMYK 32 / 0 / 13 / 57

HEX #4B6E60

RGB 75 110 96

HSL 156, 0.19%, 0.36%

LAB 43.5, -15.86, 3.81

 

CMYK 28 / 0 / 10 / 50

HEX #5C8073

RGB 92 128 115

HSL 158.33, 0.16%, 0.43%

LAB 50.63, -15.64, 2.97

 

CMYK 25 / 0 / 8 / 43

HEX #6D9286

RGB 109 146 134

HSL 160.54, 0.15%, 0.5%

LAB 57.59, -15.46, 2.19

 

CMYK 23 / 0 / 7 / 36

HEX #7EA499

RGB 126 164 153

HSL 162.63, 0.17%, 0.57%

LAB 64.39, -15.3, 1.47

 

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

CMYK 51 / 0 / 15 / 71

HEX #244A3F

RGB 36 74 63

HSL 162.63, 0.35%, 0.22%

LAB 28.46, -16.67, 2.39

 

CMYK 66 / 0 / 21 / 78

HEX #13382C

RGB 19 56 44

HSL 160.54, 0.49%, 0.15%

LAB 20.63, -16.76, 3.58

 

CMYK 95 / 0 / 34 / 85

HEX #022619

RGB 2 38 25

HSL 158.33, 0.9%, 0.08%

LAB 12.41, -16.93, 5.03

 

CMYK 100 / 0 / 70 / 92

HEX #001406

RGB 0 20 6

HSL 138, 1%, 0.04%

LAB 4.64, -8.4, 4.33

 

CMYK 43 / 0 / 11 / 64

HEX #345B51

RGB 52 91 81

HSL 164.62, 0.27%, 0.28%

LAB 35.61, -16.5, 1.43

 

CMYK 43 / 0 / 23 / 64

HEX #345B46

RGB 52 91 70

HSL 147.69, 0.27%, 0.28%

LAB 35.31, -19.21, 7.83

 

CMYK 43 / 0 / 34 / 64

HEX #345B3C

RGB 52 91 60

HSL 132.31, 0.27%, 0.28%

LAB 35.08, -21.39, 13.66

 

CMYK 40 / 0 / 43 / 64

HEX #375B34

RGB 55 91 52

HSL 115.38, 0.27%, 0.28%

LAB 35.09, -21.82, 18.5

 

CMYK 29 / 0 / 43 / 64

HEX #415B34

RGB 65 91 52

HSL 100, 0.27%, 0.28%

LAB 35.7, -17.95, 19.42

 

CMYK 43 / 0 / 11 / 64

HEX #345B51

RGB 52 91 81

HSL 164.62, 0.27%, 0.28%

LAB 35.61, -16.5, 1.43

 

CMYK 43 / 1 / 0 / 64

HEX #345A5B

RGB 52 90 91

HSL 181.54, 0.27%, 0.28%

LAB 35.59, -13.19, -4.84

 

CMYK 43 / 12 / 0 / 64

HEX #34505B

RGB 52 80 91

HSL 196.92, 0.27%, 0.28%

LAB 32.31, -7.24, -9.76

 

CMYK 43 / 24 / 0 / 64

HEX #34455B

RGB 52 69 91

HSL 213.85, 0.27%, 0.28%

LAB 28.75, -0.29, -15.19

 

CMYK 43 / 35 / 0 / 64

HEX #343B5B

RGB 52 59 91

HSL 229.23, 0.27%, 0.28%

LAB 25.6, 6.36, -20.08

 

CMYK 43 / 0 / 11 / 64

HEX #345B51

RGB 52 91 81

HSL 164.62, 0.27%, 0.28%

LAB 35.61, -16.5, 1.43

 

CMYK 60 / 0 / 16 / 60

HEX #296656

RGB 41 102 86

HSL 164.26, 0.43%, 0.28%

LAB 38.98, -24, 3.16

 

CMYK 75 / 0 / 19 / 55

HEX #1D725C

RGB 29 114 92

HSL 164.47, 0.59%, 0.28%

LAB 42.87, -30.53, 5.07

 

CMYK 86 / 0 / 22 / 51

HEX #117D62

RGB 17 125 98

HSL 165, 0.76%, 0.28%

LAB 46.54, -35.34, 6.72

 

CMYK 96 / 0 / 25 / 46

HEX #068967

RGB 6 137 103

HSL 164.43, 0.92%, 0.28%

LAB 50.58, -39.91, 9.53

 

CMYK 43 / 0 / 11 / 64

HEX #345B51

RGB 52 91 81

HSL 164.62, 0.27%, 0.28%

LAB 35.61, -16.5, 1.43

 

CMYK 19 / 0 / 5 / 69

HEX #404F4B

RGB 64 79 75

HSL 164, 0.1%, 0.28%

LAB 32.24, -6.85, 0.39

 

CMYK 0 / 9 / 7 / 71

HEX #4B4446

RGB 75 68 70

HSL 342.86, 0.05%, 0.28%

LAB 29.59, 3.38, -0.14

 

CMYK 0 / 36 / 26 / 66

HEX #573840

RGB 87 56 64

HSL 344.52, 0.22%, 0.28%

LAB 27.37, 15.11, 0.71

 

CMYK 0 / 55 / 41 / 62

HEX #622C3A

RGB 98 44 58

HSL 344.44, 0.38%, 0.28%

LAB 25.87, 26.07, 2.75

 

CMYK 43 / 0 / 34 / 64

HEX #345B3C

RGB 52 91 60

HSL 132.31, 0.27%, 0.28%

LAB 35.08, -21.39, 13.66

 

CMYK 43 / 0 / 23 / 64

HEX #345B46

RGB 52 91 70

HSL 147.69, 0.27%, 0.28%

LAB 35.31, -19.21, 7.83

 

CMYK 43 / 0 / 12 / 64

HEX #345B50

RGB 52 91 80

HSL 163.08, 0.27%, 0.28%

LAB 35.58, -16.76, 2.01

 

CMYK 43 / 0 / 0 / 64

HEX #345B5B

RGB 52 91 91

HSL 180, 0.27%, 0.28%

LAB 35.92, -13.76, -4.35

 

CMYK 43 / 12 / 0 / 64

HEX #34505B

RGB 52 80 91

HSL 196.92, 0.27%, 0.28%

LAB 32.31, -7.24, -9.76

 

CMYK 42 / 0 / 11 / 85

HEX #162622

RGB 22 38 34

HSL 165, 0.27%, 0.12%

LAB 13.66, -7.9, 0.51

 

CMYK 42 / 0 / 11 / 75

HEX #254039

RGB 37 64 57

HSL 164.44, 0.27%, 0.2%

LAB 24.81, -12.23, 1.04

 

CMYK 43 / 0 / 11 / 64

HEX #345B51

RGB 52 91 81

HSL 164.62, 0.27%, 0.28%

LAB 35.61, -16.5, 1.43

 

CMYK 43 / 0 / 11 / 54

HEX #437568

RGB 67 117 104

HSL 164.4, 0.27%, 0.36%

LAB 45.52, -20.22, 1.89

 

CMYK 43 / 0 / 11 / 44

HEX #528F7F

RGB 82 143 127

HSL 164.26, 0.27%, 0.44%

LAB 55.04, -23.77, 2.33

 

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

CMYK 43 / 40 / 0 / 64

HEX #34375B

RGB 52 55 91

HSL 235.38, 0.27%, 0.28%

LAB 24.38, 9.09, -22

 

CMYK 0 / 29 / 43 / 64

HEX #5B4134

RGB 91 65 52

HSL 20, 0.27%, 0.28%

LAB 30.04, 9.36, 12.37

 

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

CMYK 12 / 43 / 0 / 64

HEX #50345B

RGB 80 52 91

HSL 283.08, 0.27%, 0.28%

LAB 26.5, 20.5, -18.47

 

CMYK 0 / 12 / 43 / 64

HEX #5B5034

RGB 91 80 52

HSL 43.08, 0.27%, 0.28%

LAB 34.42, 0, 18.18

 

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

CMYK 43 / 40 / 0 / 64

HEX #34375B

RGB 52 55 91

HSL 235.38, 0.27%, 0.28%

LAB 24.38, 9.09, -22

 

CMYK 0 / 43 / 32 / 64

HEX #5B343E

RGB 91 52 62

HSL 344.62, 0.27%, 0.28%

LAB 26.81, 19, 1.3

 

CMYK 0 / 3 / 43 / 64

HEX #5B5834

RGB 91 88 52

HSL 55.38, 0.27%, 0.28%

LAB 36.84, -4.83, 21.3

 

CMYK 42 / 0 / 11 / 64

HEX #355C52

RGB 53 92 82

HSL 164.62, 0.27%, 0.28%

LAB 36.02, -16.48, 1.41

 

CMYK 33 / 43 / 0 / 64

HEX #3D345B

RGB 61 52 91

HSL 253.85, 0.27%, 0.28%

LAB 24.33, 14.01, -22.01

 

CMYK 0 / 43 / 32 / 64

HEX #5B343E

RGB 91 52 62

HSL 344.62, 0.27%, 0.28%

LAB 26.81, 19, 1.3

 

CMYK 10 / 0 / 43 / 64

HEX #525B34

RGB 82 91 52

HSL 73.85, 0.27%, 0.28%

LAB 36.97, -10.68, 21.31

 

Description

Color code: RGB 53 92 82 | qconv.com Color code: RGB 53 92 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 92 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 92 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 11 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 11% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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