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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 8 59 it is the complementary color RGB 202 247 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 8 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 8 59 shade: RGB 58 8 54, RGB 75 26 73, RGB 92 44 92, RGB 109 62 111 and RGB 126 80 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 8 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 8 59 shade: RGB 53 8 59, RGB 36 0 40, RGB 19 0 21, RGB 2 0 2 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 8 59 shade: RGB 52 8 58, RGB 58 8 51, RGB 58 8 37, RGB 58 8 24 and RGB 58 8 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 8 59 shade: RGB 52 8 58, RGB 39 8 58, RGB 25 8 58, RGB 12 8 58 and RGB 8 8 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 8 59 shade matches the following richer shades: RGB 52 8 58 and RGB 57 3 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 8 59 shade: RGB 52 8 58, RGB 48 13 53, RGB 44 19 48, RGB 40 24 42 and RGB 36 29 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 8 59 shade: RGB 25 8 58, RGB 38 8 58, RGB 52 8 58, RGB 58 8 52 and RGB 58 8 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 8 59 shade: RGB 0 0 0, RGB 20 3 22, RGB 52 8 58, RGB 85 13 95 and RGB 118 18 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 8 59 shade: RGB 53 8 59, RGB 58 11 8 and RGB 8 58 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 8 59 shade: RGB 53 8 59, RGB 58 52 8 and RGB 8 58 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 8 59 shade: RGB 53 8 59, RGB 58 11 8, RGB 15 58 8 and RGB 8 55 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 8 59 shade: RGB 53 8 59, RGB 58 26 8, RGB 15 58 8 and RGB 8 40 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

Complementary color

CMYK 18 / 0 / 21 / 3

HEX #CAF7C4

RGB 202 247 196

HSL 112.94, 0.76%, 0.87%

LAB 93.04, -23.74, 19.87

 

CMYK 0 / 86 / 7 / 77

HEX #3A0836

RGB 58 8 54

HSL 304.8, 0.76%, 0.13%

LAB 11.55, 29.9, -16.79

 

CMYK 0 / 65 / 3 / 71

HEX #4B1A49

RGB 75 26 73

HSL 302.45, 0.49%, 0.2%

LAB 18.87, 30.24, -18.42

 

CMYK 0 / 52 / 0 / 64

HEX #5C2C5C

RGB 92 44 92

HSL 300, 0.35%, 0.27%

LAB 26.3, 29.68, -19.3

 

CMYK 2 / 44 / 0 / 56

HEX #6D3E6F

RGB 109 62 111

HSL 297.55, 0.28%, 0.34%

LAB 33.66, 28.88, -19.88

 

CMYK 3 / 38 / 0 / 49

HEX #7E5082

RGB 126 80 130

HSL 295.2, 0.24%, 0.41%

LAB 40.87, 28.05, -20.32

 

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

CMYK 10 / 100 / 0 / 84

HEX #240028

RGB 36 0 40

HSL 294, 1%, 0.08%

LAB 4.77, 23.92, -17.4

 

CMYK 10 / 100 / 0 / 92

HEX #130015

RGB 19 0 21

HSL 294.29, 1%, 0.04%

LAB 1.74, 9.05, -7.38

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 0 / 86 / 12 / 77

HEX #3A0833

RGB 58 8 51

HSL 308.4, 0.76%, 0.13%

LAB 11.36, 29.35, -14.91

 

CMYK 0 / 86 / 36 / 77

HEX #3A0825

RGB 58 8 37

HSL 325.2, 0.76%, 0.13%

LAB 10.61, 27.06, -5.72

 

CMYK 0 / 86 / 59 / 77

HEX #3A0818

RGB 58 8 24

HSL 340.8, 0.76%, 0.13%

LAB 10.1, 25.46, 3.42

 

CMYK 0 / 86 / 83 / 77

HEX #3A080A

RGB 58 8 10

HSL 357.6, 0.76%, 0.13%

LAB 9.76, 24.34, 11.12

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 33 / 86 / 0 / 77

HEX #27083A

RGB 39 8 58

HSL 277.2, 0.76%, 0.13%

LAB 8.22, 26.03, -25.22

 

CMYK 57 / 86 / 0 / 77

HEX #19083A

RGB 25 8 58

HSL 260.4, 0.76%, 0.13%

LAB 6.2, 22.4, -28.6

 

CMYK 79 / 86 / 0 / 77

HEX #0C083A

RGB 12 8 58

HSL 244.8, 0.76%, 0.13%

LAB 5.03, 18.98, -30.54

 

CMYK 86 / 86 / 0 / 77

HEX #08083A

RGB 8 8 58

HSL 240, 0.76%, 0.13%

LAB 4.79, 18.1, -30.94

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 11 / 95 / 0 / 75

HEX #390340

RGB 57 3 64

HSL 293.11, 0.91%, 0.13%

LAB 11.31, 33.8, -24.35

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 9 / 75 / 0 / 79

HEX #300D35

RGB 48 13 53

HSL 292.5, 0.61%, 0.13%

LAB 10.36, 24.55, -18.08

 

CMYK 8 / 60 / 0 / 81

HEX #2C1330

RGB 44 19 48

HSL 291.72, 0.43%, 0.13%

LAB 10.66, 18.47, -14

 

CMYK 5 / 43 / 0 / 84

HEX #28182A

RGB 40 24 42

HSL 293.33, 0.27%, 0.13%

LAB 11.08, 11.96, -9.01

 

CMYK 3 / 22 / 0 / 85

HEX #241D25

RGB 36 29 37

HSL 292.5, 0.12%, 0.13%

LAB 11.87, 5.3, -4.17

 

CMYK 57 / 86 / 0 / 77

HEX #19083A

RGB 25 8 58

HSL 260.4, 0.76%, 0.13%

LAB 6.2, 22.4, -28.6

 

CMYK 34 / 86 / 0 / 77

HEX #26083A

RGB 38 8 58

HSL 276, 0.76%, 0.13%

LAB 8.05, 25.8, -25.5

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 0 / 86 / 10 / 77

HEX #3A0834

RGB 58 8 52

HSL 307.2, 0.76%, 0.13%

LAB 11.42, 29.53, -15.54

 

CMYK 0 / 86 / 34 / 77

HEX #3A0826

RGB 58 8 38

HSL 324, 0.76%, 0.13%

LAB 10.65, 27.21, -6.4

 

CMYK 9 / 86 / 0 / 91

HEX #140316

RGB 20 3 22

HSL 293.68, 0.76%, 0.05%

LAB 2.45, 8.5, -7.02

 

CMYK 10 / 86 / 0 / 77

HEX #34083A

RGB 52 8 58

HSL 292.8, 0.76%, 0.13%

LAB 10.63, 29.16, -21.22

 

CMYK 11 / 86 / 0 / 63

HEX #550D5F

RGB 85 13 95

HSL 292.68, 0.76%, 0.21%

LAB 20.22, 42.46, -30.97

 

CMYK 10 / 86 / 0 / 49

HEX #761283

RGB 118 18 131

HSL 293.1, 0.76%, 0.29%

LAB 29.22, 54.42, -39.39

 

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

CMYK 0 / 81 / 86 / 77

HEX #3A0B08

RGB 58 11 8

HSL 3.6, 0.76%, 0.13%

LAB 10.23, 22.83, 12.6

 

CMYK 86 / 0 / 47 / 77

HEX #083A1F

RGB 8 58 31

HSL 147.6, 0.76%, 0.13%

LAB 20.74, -23.6, 12.28

 

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

CMYK 0 / 10 / 86 / 77

HEX #3A3408

RGB 58 52 8

HSL 52.8, 0.76%, 0.13%

LAB 21.48, -3.24, 26.71

 

CMYK 86 / 0 / 10 / 77

HEX #083A34

RGB 8 58 52

HSL 172.8, 0.76%, 0.13%

LAB 21.3, -17.59, -0.89

 

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

CMYK 0 / 81 / 86 / 77

HEX #3A0B08

RGB 58 11 8

HSL 3.6, 0.76%, 0.13%

LAB 10.23, 22.83, 12.6

 

CMYK 74 / 0 / 86 / 77

HEX #0F3A08

RGB 15 58 8

HSL 111.6, 0.76%, 0.13%

LAB 20.62, -25.7, 24.9

 

CMYK 86 / 5 / 0 / 77

HEX #08373A

RGB 8 55 58

HSL 183.6, 0.76%, 0.13%

LAB 20.4, -13.75, -6.3

 

CMYK 10 / 86 / 0 / 77

HEX #35083B

RGB 53 8 59

HSL 292.94, 0.76%, 0.13%

LAB 10.89, 29.62, -21.5

 

CMYK 0 / 55 / 86 / 77

HEX #3A1A08

RGB 58 26 8

HSL 21.6, 0.76%, 0.13%

LAB 13.57, 14.14, 17.16

 

CMYK 74 / 0 / 86 / 77

HEX #0F3A08

RGB 15 58 8

HSL 111.6, 0.76%, 0.13%

LAB 20.62, -25.7, 24.9

 

CMYK 86 / 31 / 0 / 77

HEX #08283A

RGB 8 40 58

HSL 201.6, 0.76%, 0.13%

LAB 14.82, -4.08, -14.87

 

Description

Color code: RGB 53 8 59 | qconv.com Color code: RGB 53 8 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 8 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 8 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 86 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 86% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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