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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 85 226 it is the complementary color RGB 202 170 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 85 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 85 226 shade: RGB 58 85 221, RGB 75 103 240, RGB 92 121 255, RGB 109 139 255 and RGB 126 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 85 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 85 226 shade: RGB 53 85 226, RGB 36 67 207, RGB 19 49 188, RGB 2 31 169 and RGB 0 13 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 85 226 shade: RGB 54 86 226, RGB 69 54 226, RGB 115 54 226, RGB 162 54 226 and RGB 208 54 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 85 226 shade: RGB 54 86 226 and RGB 54 54 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 85 226 shade matches the following richer shades: RGB 54 86 226 and RGB 36 74 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 85 226 shade: RGB 54 86 226, RGB 73 98 208, RGB 91 109 189, RGB 110 121 171 and RGB 128 133 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 85 226 shade: RGB 54 180 226, RGB 54 135 226, RGB 54 89 226, RGB 66 54 226 and RGB 112 54 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 85 226 shade: RGB 25 52 173, RGB 30 63 209, RGB 54 86 226, RGB 90 116 231 and RGB 126 147 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 85 226 shade: RGB 53 85 226, RGB 226 54 226 and RGB 157 226 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 85 226 shade: RGB 53 85 226, RGB 226 54 89 and RGB 89 226 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 85 226 shade: RGB 53 85 226, RGB 226 54 226, RGB 226 192 54 and RGB 54 226 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 85 226 shade: RGB 53 85 226, RGB 226 54 175, RGB 226 192 54 and RGB 54 226 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

Complementary color

CMYK 0 / 16 / 86 / 21

HEX #CAAA1D

RGB 202 170 29

HSL 48.9, 0.75%, 0.45%

LAB 70.45, -1.24, 68.56

 

CMYK 74 / 62 / 0 / 13

HEX #3A55DD

RGB 58 85 221

HSL 230.06, 0.71%, 0.55%

LAB 42.18, 36.59, -72.21

 

CMYK 69 / 57 / 0 / 6

HEX #4B67F0

RGB 75 103 240

HSL 229.82, 0.85%, 0.62%

LAB 48.87, 34.12, -72.01

 

CMYK 64 / 53 / 0 / 0

HEX #5C79FF

RGB 92 121 255

HSL 229.33, 1%, 0.68%

LAB 55.25, 30.67, -69.96

 

CMYK 57 / 45 / 0 / 0

HEX #6D8BFF

RGB 109 139 255

HSL 227.67, 1%, 0.71%

LAB 60.73, 22.79, -61.09

 

CMYK 51 / 38 / 0 / 0

HEX #7E9DFF

RGB 126 157 255

HSL 225.58, 1%, 0.75%

LAB 66.34, 15.7, -52.09

 

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

CMYK 83 / 68 / 0 / 19

HEX #2443CF

RGB 36 67 207

HSL 229.12, 0.7%, 0.48%

LAB 35.78, 40.85, -74.7

 

CMYK 90 / 74 / 0 / 26

HEX #1331BC

RGB 19 49 188

HSL 229.35, 0.82%, 0.41%

LAB 29.33, 44.11, -74.25

 

CMYK 99 / 82 / 0 / 34

HEX #021FA9

RGB 2 31 169

HSL 229.58, 0.98%, 0.34%

LAB 23.19, 47.19, -73.08

 

CMYK 100 / 91 / 0 / 41

HEX #000D96

RGB 0 13 150

HSL 234.8, 1%, 0.29%

LAB 17.87, 49.12, -70.33

 

CMYK 76 / 62 / 0 / 11

HEX #3656E2

RGB 54 86 226

HSL 228.84, 0.75%, 0.55%

LAB 42.66, 37.33, -74.28

 

CMYK 69 / 76 / 0 / 11

HEX #4536E2

RGB 69 54 226

HSL 245.23, 0.75%, 0.55%

LAB 36.73, 57.16, -84

 

CMYK 49 / 76 / 0 / 11

HEX #7336E2

RGB 115 54 226

HSL 261.28, 0.75%, 0.55%

LAB 40.85, 62.47, -77.07

 

CMYK 28 / 76 / 0 / 11

HEX #A236E2

RGB 162 54 226

HSL 277.67, 0.75%, 0.55%

LAB 46.73, 69.86, -67.24

 

CMYK 8 / 76 / 0 / 11

HEX #D036E2

RGB 208 54 226

HSL 293.72, 0.75%, 0.55%

LAB 53.53, 78.25, -55.91

 

CMYK 76 / 62 / 0 / 11

HEX #3656E2

RGB 54 86 226

HSL 228.84, 0.75%, 0.55%

LAB 42.66, 37.33, -74.28

 

CMYK 76 / 76 / 0 / 11

HEX #3636E2

RGB 54 54 226

HSL 240, 0.75%, 0.55%

LAB 35.82, 55.96, -85.54

 

CMYK 76 / 62 / 0 / 11

HEX #3656E2

RGB 54 86 226

HSL 228.84, 0.75%, 0.55%

LAB 42.66, 37.33, -74.28

 

CMYK 85 / 70 / 0 / 4

HEX #244AF5

RGB 36 74 245

HSL 229.09, 0.91%, 0.55%

LAB 41, 49.99, -87.76

 

CMYK 76 / 62 / 0 / 11

HEX #3656E2

RGB 54 86 226

HSL 228.84, 0.75%, 0.55%

LAB 42.66, 37.33, -74.28

 

CMYK 65 / 53 / 0 / 18

HEX #4962D0

RGB 73 98 208

HSL 228.89, 0.59%, 0.55%

LAB 45.23, 25.85, -59.79

 

CMYK 52 / 42 / 0 / 26

HEX #5B6DBD

RGB 91 109 189

HSL 228.98, 0.43%, 0.55%

LAB 48.05, 16.1, -44.27

 

CMYK 36 / 29 / 0 / 33

HEX #6E79AB

RGB 110 121 171

HSL 229.18, 0.27%, 0.55%

LAB 51.76, 8.37, -27.94

 

CMYK 16 / 13 / 0 / 40

HEX #808598

RGB 128 133 152

HSL 227.5, 0.1%, 0.55%

LAB 55.72, 2.26, -10.77

 

CMYK 76 / 20 / 0 / 11

HEX #36B4E2

RGB 54 180 226

HSL 196.05, 0.75%, 0.55%

LAB 68.69, -18.78, -32.78

 

CMYK 76 / 40 / 0 / 11

HEX #3687E2

RGB 54 135 226

HSL 211.74, 0.75%, 0.55%

LAB 55.69, 6.64, -53.22

 

CMYK 76 / 61 / 0 / 11

HEX #3659E2

RGB 54 89 226

HSL 227.79, 0.75%, 0.55%

LAB 43.39, 35.44, -73.09

 

CMYK 71 / 76 / 0 / 11

HEX #4236E2

RGB 66 54 226

HSL 244.19, 0.75%, 0.55%

LAB 36.53, 56.89, -84.34

 

CMYK 50 / 76 / 0 / 11

HEX #7036E2

RGB 112 54 226

HSL 260.23, 0.75%, 0.55%

LAB 40.53, 62.06, -77.61

 

CMYK 86 / 70 / 0 / 32

HEX #1934AD

RGB 25 52 173

HSL 229.05, 0.75%, 0.39%

LAB 28.59, 37.14, -66.54

 

CMYK 86 / 70 / 0 / 18

HEX #1E3FD1

RGB 30 63 209

HSL 228.94, 0.75%, 0.47%

LAB 34.87, 43.66, -77.36

 

CMYK 76 / 62 / 0 / 11

HEX #3656E2

RGB 54 86 226

HSL 228.84, 0.75%, 0.55%

LAB 42.66, 37.33, -74.28

 

CMYK 61 / 50 / 0 / 9

HEX #5A74E7

RGB 90 116 231

HSL 228.94, 0.75%, 0.63%

LAB 52.32, 25.37, -61.33

 

CMYK 47 / 38 / 0 / 7

HEX #7E93ED

RGB 126 147 237

HSL 228.65, 0.76%, 0.71%

LAB 62.86, 16.15, -47.74

 

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

CMYK 0 / 76 / 0 / 11

HEX #E236E2

RGB 226 54 226

HSL 300, 0.75%, 0.55%

LAB 56.39, 81.72, -51.19

 

CMYK 31 / 0 / 76 / 11

HEX #9DE236

RGB 157 226 54

HSL 84.07, 0.75%, 0.55%

LAB 82.82, -45.82, 71.34

 

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

CMYK 0 / 76 / 61 / 11

HEX #E23659

RGB 226 54 89

HSL 347.79, 0.75%, 0.55%

LAB 51.3, 66.54, 21.76

 

CMYK 61 / 0 / 76 / 11

HEX #59E236

RGB 89 226 54

HSL 107.79, 0.75%, 0.55%

LAB 80.06, -66.27, 67.73

 

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

CMYK 0 / 76 / 0 / 11

HEX #E236E2

RGB 226 54 226

HSL 300, 0.75%, 0.55%

LAB 56.39, 81.72, -51.19

 

CMYK 0 / 15 / 76 / 11

HEX #E2C036

RGB 226 192 54

HSL 48.14, 0.75%, 0.55%

LAB 78.54, -1.52, 69.13

 

CMYK 76 / 0 / 76 / 11

HEX #36E236

RGB 54 226 54

HSL 120, 0.75%, 0.55%

LAB 79.3, -72.67, 66.73

 

CMYK 77 / 62 / 0 / 11

HEX #3555E2

RGB 53 85 226

HSL 228.9, 0.75%, 0.55%

LAB 42.38, 37.85, -74.75

 

CMYK 0 / 76 / 23 / 11

HEX #E236AF

RGB 226 54 175

HSL 317.79, 0.75%, 0.55%

LAB 53.92, 74.61, -25.78

 

CMYK 0 / 15 / 76 / 11

HEX #E2C036

RGB 226 192 54

HSL 48.14, 0.75%, 0.55%

LAB 78.54, -1.52, 69.13

 

CMYK 76 / 0 / 53 / 11

HEX #36E26A

RGB 54 226 106

HSL 138.14, 0.75%, 0.55%

LAB 79.74, -67.31, 46.24

 

Description

Color code: RGB 53 85 226 | qconv.com Color code: RGB 53 85 226 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 85 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 85 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 62 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 62% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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