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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 84 229 it is the complementary color RGB 202 171 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 84 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 84 229 shade: RGB 58 84 224, RGB 75 102 243, RGB 92 120 255, RGB 109 138 255 and RGB 126 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 84 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 84 229 shade: RGB 53 84 229, RGB 36 66 210, RGB 19 48 191, RGB 2 30 172 and RGB 0 12 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 84 229 shade: RGB 52 83 229, RGB 68 52 229, RGB 116 52 229, RGB 164 52 229 and RGB 211 52 229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 84 229 shade: RGB 52 83 229 and RGB 52 52 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 84 229 shade matches the following richer shades: RGB 52 83 229 and RGB 33 71 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 84 229 shade: RGB 52 83 229, RGB 70 95 210, RGB 89 107 191, RGB 108 119 173 and RGB 126 131 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 84 229 shade: RGB 52 179 229, RGB 52 131 229, RGB 52 84 229, RGB 67 52 229 and RGB 114 52 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 84 229 shade: RGB 23 50 175, RGB 28 60 212, RGB 52 83 229, RGB 88 114 233 and RGB 125 145 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 84 229 shade: RGB 53 84 229, RGB 229 52 226 and RGB 155 229 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 84 229 shade: RGB 53 84 229, RGB 229 52 84 and RGB 84 229 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 84 229 shade: RGB 53 84 229, RGB 229 52 226, RGB 229 196 52 and RGB 52 229 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 84 229 shade: RGB 53 84 229, RGB 229 52 173, RGB 229 196 52 and RGB 52 229 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

Complementary color

CMYK 0 / 15 / 87 / 21

HEX #CAAB1A

RGB 202 171 26

HSL 49.43, 0.77%, 0.45%

LAB 70.7, -1.84, 69.46

 

CMYK 74 / 63 / 0 / 12

HEX #3A54E0

RGB 58 84 224

HSL 230.6, 0.73%, 0.55%

LAB 42.19, 38.27, -73.91

 

CMYK 69 / 58 / 0 / 5

HEX #4B66F3

RGB 75 102 243

HSL 230.36, 0.88%, 0.62%

LAB 48.85, 35.77, -73.72

 

CMYK 64 / 53 / 0 / 0

HEX #5C78FF

RGB 92 120 255

HSL 229.69, 1%, 0.68%

LAB 55, 31.28, -70.36

 

CMYK 57 / 46 / 0 / 0

HEX #6D8AFF

RGB 109 138 255

HSL 228.08, 1%, 0.71%

LAB 60.47, 23.38, -61.5

 

CMYK 51 / 39 / 0 / 0

HEX #7E9CFF

RGB 126 156 255

HSL 226.05, 1%, 0.75%

LAB 66.08, 16.28, -52.5

 

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

CMYK 83 / 69 / 0 / 18

HEX #2442D2

RGB 36 66 210

HSL 229.66, 0.71%, 0.48%

LAB 35.84, 42.54, -76.34

 

CMYK 90 / 75 / 0 / 25

HEX #1330BF

RGB 19 48 191

HSL 229.88, 0.82%, 0.41%

LAB 29.45, 45.75, -75.82

 

CMYK 99 / 83 / 0 / 33

HEX #021EAC

RGB 2 30 172

HSL 230.12, 0.98%, 0.34%

LAB 23.41, 48.68, -74.54

 

CMYK 100 / 92 / 0 / 40

HEX #000C99

RGB 0 12 153

HSL 235.29, 1%, 0.3%

LAB 18.2, 50.35, -71.64

 

CMYK 77 / 64 / 0 / 10

HEX #3453E5

RGB 52 83 229

HSL 229.49, 0.77%, 0.55%

LAB 42.11, 40.07, -76.88

 

CMYK 70 / 77 / 0 / 10

HEX #4434E5

RGB 68 52 229

HSL 245.42, 0.77%, 0.55%

LAB 36.63, 58.95, -85.88

 

CMYK 49 / 77 / 0 / 10

HEX #7434E5

RGB 116 52 229

HSL 261.69, 0.77%, 0.55%

LAB 40.94, 64.21, -78.63

 

CMYK 28 / 77 / 0 / 10

HEX #A434E5

RGB 164 52 229

HSL 277.97, 0.77%, 0.55%

LAB 46.98, 71.51, -68.51

 

CMYK 8 / 77 / 0 / 10

HEX #D334E5

RGB 211 52 229

HSL 293.9, 0.77%, 0.55%

LAB 53.99, 79.88, -56.85

 

CMYK 77 / 64 / 0 / 10

HEX #3453E5

RGB 52 83 229

HSL 229.49, 0.77%, 0.55%

LAB 42.11, 40.07, -76.88

 

CMYK 77 / 77 / 0 / 10

HEX #3434E5

RGB 52 52 229

HSL 240, 0.77%, 0.55%

LAB 35.68, 57.77, -87.49

 

CMYK 77 / 64 / 0 / 10

HEX #3453E5

RGB 52 83 229

HSL 229.49, 0.77%, 0.55%

LAB 42.11, 40.07, -76.88

 

CMYK 87 / 71 / 0 / 3

HEX #2147F7

RGB 33 71 247

HSL 229.35, 0.93%, 0.55%

LAB 40.48, 52.28, -89.74

 

CMYK 77 / 64 / 0 / 10

HEX #3453E5

RGB 52 83 229

HSL 229.49, 0.77%, 0.55%

LAB 42.11, 40.07, -76.88

 

CMYK 67 / 55 / 0 / 18

HEX #465FD2

RGB 70 95 210

HSL 229.29, 0.61%, 0.55%

LAB 44.43, 27.97, -62.23

 

CMYK 53 / 44 / 0 / 25

HEX #596BBF

RGB 89 107 191

HSL 229.41, 0.44%, 0.55%

LAB 47.5, 17.54, -46.32

 

CMYK 38 / 31 / 0 / 32

HEX #6C77AD

RGB 108 119 173

HSL 229.85, 0.28%, 0.55%

LAB 51.15, 9.55, -30.05

 

CMYK 18 / 15 / 0 / 40

HEX #7E839A

RGB 126 131 154

HSL 229.29, 0.12%, 0.55%

LAB 55.07, 3.19, -12.91

 

CMYK 77 / 22 / 0 / 10

HEX #34B3E5

RGB 52 179 229

HSL 196.95, 0.77%, 0.55%

LAB 68.48, -17.47, -34.75

 

CMYK 77 / 43 / 0 / 10

HEX #3483E5

RGB 52 131 229

HSL 213.22, 0.77%, 0.55%

LAB 54.68, 9.95, -56.52

 

CMYK 77 / 63 / 0 / 10

HEX #3454E5

RGB 52 84 229

HSL 229.15, 0.77%, 0.55%

LAB 42.35, 39.45, -76.49

 

CMYK 71 / 77 / 0 / 10

HEX #4334E5

RGB 67 52 229

HSL 245.08, 0.77%, 0.55%

LAB 36.57, 58.87, -85.99

 

CMYK 50 / 77 / 0 / 10

HEX #7234E5

RGB 114 52 229

HSL 261.02, 0.77%, 0.55%

LAB 40.72, 63.95, -79

 

CMYK 87 / 71 / 0 / 31

HEX #1732AF

RGB 23 50 175

HSL 229.34, 0.77%, 0.39%

LAB 28.27, 39.02, -68.26

 

CMYK 87 / 72 / 0 / 17

HEX #1C3CD4

RGB 28 60 212

HSL 229.57, 0.77%, 0.47%

LAB 34.46, 46.42, -79.78

 

CMYK 77 / 64 / 0 / 10

HEX #3453E5

RGB 52 83 229

HSL 229.49, 0.77%, 0.55%

LAB 42.11, 40.07, -76.88

 

CMYK 62 / 51 / 0 / 9

HEX #5872E9

RGB 88 114 233

HSL 229.24, 0.77%, 0.63%

LAB 51.83, 26.92, -63.26

 

CMYK 47 / 39 / 0 / 7

HEX #7D91EE

RGB 125 145 238

HSL 229.38, 0.77%, 0.71%

LAB 62.32, 17.38, -49.14

 

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

CMYK 0 / 77 / 1 / 10

HEX #E534E2

RGB 229 52 226

HSL 301.02, 0.77%, 0.55%

LAB 56.69, 82.83, -50.68

 

CMYK 32 / 0 / 77 / 10

HEX #9BE534

RGB 155 229 52

HSL 85.08, 0.77%, 0.55%

LAB 83.58, -47.9, 72.61

 

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

CMYK 0 / 77 / 63 / 10

HEX #E53454

RGB 229 52 84

HSL 349.15, 0.77%, 0.55%

LAB 51.56, 67.67, 25.21

 

CMYK 63 / 0 / 77 / 10

HEX #54E534

RGB 84 229 52

HSL 109.15, 0.77%, 0.55%

LAB 80.83, -68.49, 69.04

 

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

CMYK 0 / 77 / 1 / 10

HEX #E534E2

RGB 229 52 226

HSL 301.02, 0.77%, 0.55%

LAB 56.69, 82.83, -50.68

 

CMYK 0 / 14 / 77 / 10

HEX #E5C434

RGB 229 196 52

HSL 48.81, 0.77%, 0.55%

LAB 79.83, -2.38, 71.09

 

CMYK 77 / 0 / 76 / 10

HEX #34E537

RGB 52 229 55

HSL 121.02, 0.77%, 0.55%

LAB 80.2, -73.77, 67.29

 

CMYK 77 / 63 / 0 / 10

HEX #3554E5

RGB 53 84 229

HSL 229.43, 0.77%, 0.55%

LAB 42.39, 39.54, -76.43

 

CMYK 0 / 77 / 24 / 10

HEX #E534AD

RGB 229 52 173

HSL 318.98, 0.77%, 0.55%

LAB 54.17, 75.61, -24.2

 

CMYK 0 / 14 / 77 / 10

HEX #E5C434

RGB 229 196 52

HSL 48.81, 0.77%, 0.55%

LAB 79.83, -2.38, 71.09

 

CMYK 77 / 0 / 53 / 10

HEX #34E56C

RGB 52 229 108

HSL 138.98, 0.77%, 0.55%

LAB 80.66, -68.27, 46.41

 

Description

Color code: RGB 53 84 229 | qconv.com Color code: RGB 53 84 229 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 84 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 84 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 63 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 63% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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