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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 80 40 it is the complementary color RGB 202 175 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 80 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 80 40 shade: RGB 58 80 35, RGB 75 98 54, RGB 92 116 73, RGB 109 134 92 and RGB 126 152 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 80 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 80 40 shade: RGB 53 80 40, RGB 36 62 21, RGB 19 44 2, RGB 2 26 0 and RGB 0 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 80 40 shade: RGB 54 81 41, RGB 65 81 41, RGB 76 81 41, RGB 81 76 41 and RGB 81 65 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 80 40 shade: RGB 54 81 41, RGB 43 81 41, RGB 41 81 50, RGB 41 81 61 and RGB 41 81 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 80 40 shade matches the following richer shades: RGB 54 81 41, RGB 51 91 31, RGB 47 101 21, RGB 44 111 11 and RGB 40 121 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 80 40 shade: RGB 54 81 41, RGB 58 71 51, RGB 61 62 61, RGB 65 52 71 and RGB 68 42 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 80 40 shade: RGB 76 81 41, RGB 65 81 41, RGB 54 81 41, RGB 44 81 41 and RGB 41 81 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 80 40 shade: RGB 18 27 13, RGB 36 54 27, RGB 54 81 41, RGB 72 109 55 and RGB 91 136 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 80 40 shade: RGB 53 80 40, RGB 41 81 76 and RGB 81 41 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 80 40 shade: RGB 53 80 40, RGB 41 54 81 and RGB 81 41 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 80 40 shade: RGB 53 80 40, RGB 41 81 76, RGB 68 41 81 and RGB 81 41 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 80 40 shade: RGB 53 80 40, RGB 41 75 81, RGB 68 41 81 and RGB 81 48 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

Complementary color

CMYK 6 / 19 / 0 / 16

HEX #CAAFD7

RGB 202 175 215

HSL 280.5, 0.33%, 0.76%

LAB 74.9, 16.99, -16.57

 

CMYK 28 / 0 / 56 / 69

HEX #3A5023

RGB 58 80 35

HSL 89.33, 0.39%, 0.23%

LAB 31.25, -17.36, 23.61

 

CMYK 23 / 0 / 45 / 62

HEX #4B6236

RGB 75 98 54

HSL 91.36, 0.29%, 0.3%

LAB 38.72, -17.34, 22.26

 

CMYK 21 / 0 / 37 / 55

HEX #5C7449

RGB 92 116 73

HSL 93.49, 0.23%, 0.37%

LAB 45.97, -17.25, 20.97

 

CMYK 19 / 0 / 31 / 47

HEX #6D865C

RGB 109 134 92

HSL 95.71, 0.19%, 0.44%

LAB 53.03, -17.14, 19.76

 

CMYK 17 / 0 / 27 / 40

HEX #7E986F

RGB 126 152 111

HSL 98.05, 0.17%, 0.52%

LAB 59.92, -17.04, 18.65

 

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

CMYK 42 / 0 / 66 / 76

HEX #243E15

RGB 36 62 21

HSL 98.05, 0.49%, 0.16%

LAB 23.25, -18.82, 21.72

 

CMYK 57 / 0 / 95 / 83

HEX #132C02

RGB 19 44 2

HSL 95.71, 0.91%, 0.09%

LAB 15.19, -18.66, 20.89

 

CMYK 92 / 0 / 100 / 90

HEX #021A00

RGB 2 26 0

HSL 115.38, 1%, 0.05%

LAB 6.79, -13.11, 9.93

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 20 / 0 / 49 / 68

HEX #415129

RGB 65 81 41

HSL 84, 0.33%, 0.24%

LAB 32.19, -14.05, 21.42

 

CMYK 6 / 0 / 49 / 68

HEX #4C5129

RGB 76 81 41

HSL 67.5, 0.33%, 0.24%

LAB 33.1, -9.02, 22.75

 

CMYK 0 / 6 / 49 / 68

HEX #514C29

RGB 81 76 41

HSL 52.5, 0.33%, 0.24%

LAB 31.98, -3.65, 21.48

 

CMYK 0 / 20 / 49 / 68

HEX #514129

RGB 81 65 41

HSL 36, 0.33%, 0.24%

LAB 28.62, 3.21, 17.22

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 47 / 0 / 49 / 68

HEX #2B5129

RGB 43 81 41

HSL 117, 0.33%, 0.24%

LAB 30.78, -22.94, 19.36

 

CMYK 49 / 0 / 38 / 68

HEX #295132

RGB 41 81 50

HSL 133.5, 0.33%, 0.24%

LAB 30.85, -21.95, 13.98

 

CMYK 49 / 0 / 25 / 68

HEX #29513D

RGB 41 81 61

HSL 150, 0.33%, 0.24%

LAB 31.1, -19.5, 7.46

 

CMYK 49 / 0 / 12 / 68

HEX #295147

RGB 41 81 71

HSL 165, 0.33%, 0.24%

LAB 31.37, -16.92, 1.51

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 44 / 0 / 66 / 64

HEX #335B1F

RGB 51 91 31

HSL 100, 0.49%, 0.24%

LAB 34.57, -26.31, 29.5

 

CMYK 53 / 0 / 79 / 60

HEX #2F6515

RGB 47 101 21

HSL 100.5, 0.66%, 0.24%

LAB 37.78, -33.16, 37.29

 

CMYK 60 / 0 / 90 / 56

HEX #2C6F0B

RGB 44 111 11

HSL 100.2, 0.82%, 0.24%

LAB 41.1, -38.73, 43.48

 

CMYK 67 / 0 / 99 / 53

HEX #287901

RGB 40 121 1

HSL 100.5, 0.98%, 0.24%

LAB 44.42, -43.9, 48.49

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 18 / 0 / 28 / 72

HEX #3A4733

RGB 58 71 51

HSL 99, 0.16%, 0.24%

LAB 28.5, -9.65, 10.35

 

CMYK 2 / 0 / 2 / 76

HEX #3D3E3D

RGB 61 62 61

HSL 120, 0.01%, 0.24%

LAB 26.08, -0.65, 0.46

 

CMYK 8 / 27 / 0 / 72

HEX #413447

RGB 65 52 71

HSL 281.05, 0.15%, 0.24%

LAB 23.79, 10, -9.57

 

CMYK 16 / 48 / 0 / 68

HEX #442A51

RGB 68 42 81

HSL 280, 0.32%, 0.24%

LAB 21.87, 20.26, -19.2

 

CMYK 6 / 0 / 49 / 68

HEX #4C5129

RGB 76 81 41

HSL 67.5, 0.33%, 0.24%

LAB 33.1, -9.02, 22.75

 

CMYK 20 / 0 / 49 / 68

HEX #415129

RGB 65 81 41

HSL 84, 0.33%, 0.24%

LAB 32.19, -14.05, 21.42

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 46 / 0 / 49 / 68

HEX #2C5129

RGB 44 81 41

HSL 115.5, 0.33%, 0.24%

LAB 30.83, -22.58, 19.43

 

CMYK 49 / 0 / 40 / 68

HEX #295131

RGB 41 81 49

HSL 132, 0.33%, 0.24%

LAB 30.83, -22.15, 14.57

 

CMYK 33 / 0 / 52 / 89

HEX #121B0D

RGB 18 27 13

HSL 98.57, 0.35%, 0.08%

LAB 8.49, -7.36, 7.14

 

CMYK 33 / 0 / 50 / 79

HEX #24361B

RGB 36 54 27

HSL 100, 0.33%, 0.16%

LAB 20.41, -13.49, 14.67

 

CMYK 33 / 0 / 49 / 68

HEX #365129

RGB 54 81 41

HSL 100.5, 0.33%, 0.24%

LAB 31.41, -18.74, 20.29

 

CMYK 34 / 0 / 50 / 57

HEX #486D37

RGB 72 109 55

HSL 101.11, 0.33%, 0.32%

LAB 42.14, -24.15, 25.96

 

CMYK 33 / 0 / 49 / 47

HEX #5B8845

RGB 91 136 69

HSL 100.3, 0.33%, 0.4%

LAB 52.13, -28.41, 31.02

 

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

CMYK 49 / 0 / 6 / 68

HEX #29514C

RGB 41 81 76

HSL 172.5, 0.33%, 0.24%

LAB 31.53, -15.52, -1.45

 

CMYK 0 / 49 / 12 / 68

HEX #512947

RGB 81 41 71

HSL 315, 0.33%, 0.24%

LAB 22.97, 23.35, -10.63

 

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

CMYK 49 / 33 / 0 / 68

HEX #293651

RGB 41 54 81

HSL 220.5, 0.33%, 0.24%

LAB 22.67, 3.07, -18.15

 

CMYK 0 / 49 / 33 / 68

HEX #512936

RGB 81 41 54

HSL 340.5, 0.33%, 0.24%

LAB 22.31, 20.36, -0.04

 

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

CMYK 49 / 0 / 6 / 68

HEX #29514C

RGB 41 81 76

HSL 172.5, 0.33%, 0.24%

LAB 31.53, -15.52, -1.45

 

CMYK 16 / 49 / 0 / 68

HEX #442951

RGB 68 41 81

HSL 280.5, 0.33%, 0.24%

LAB 21.61, 20.91, -19.6

 

CMYK 0 / 49 / 43 / 68

HEX #51292E

RGB 81 41 46

HSL 352.5, 0.33%, 0.24%

LAB 22.06, 19.2, 5.08

 

CMYK 34 / 0 / 50 / 69

HEX #355028

RGB 53 80 40

HSL 100.5, 0.33%, 0.24%

LAB 30.99, -18.76, 20.33

 

CMYK 49 / 7 / 0 / 68

HEX #294B51

RGB 41 75 81

HSL 189, 0.33%, 0.24%

LAB 29.66, -10.51, -7.43

 

CMYK 16 / 49 / 0 / 68

HEX #442951

RGB 68 41 81

HSL 280.5, 0.33%, 0.24%

LAB 21.61, 20.91, -19.6

 

CMYK 0 / 41 / 49 / 68

HEX #513029

RGB 81 48 41

HSL 10.5, 0.33%, 0.24%

LAB 23.75, 14.13, 10.8

 

Description

Color code: RGB 53 80 40 | qconv.com Color code: RGB 53 80 40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 80 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 80 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 50 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 50% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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