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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 79 25 it is the complementary color RGB 202 176 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 79 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 79 25 shade: RGB 58 79 20, RGB 75 97 39, RGB 92 115 58, RGB 109 133 77 and RGB 126 151 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 79 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 79 25 shade: RGB 53 79 25, RGB 36 61 6, RGB 19 43 0, RGB 2 25 0 and RGB 0 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 79 25 shade: RGB 52 78 24, RGB 66 78 24, RGB 78 74 24, RGB 78 60 24 and RGB 78 46 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 79 25 shade: RGB 52 78 24, RGB 38 78 24, RGB 24 78 26, RGB 24 78 40 and RGB 24 78 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 79 25 shade matches the following richer shades: RGB 52 78 24, RGB 52 86 16 and RGB 53 94 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 79 25 shade: RGB 52 78 24, RGB 52 69 33, RGB 51 61 41, RGB 51 53 49 and RGB 51 45 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 79 25 shade: RGB 78 74 24, RGB 67 78 24, RGB 53 78 24, RGB 39 78 24 and RGB 24 78 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 79 25 shade: RGB 10 15 5, RGB 31 46 15, RGB 52 78 24, RGB 73 109 34 and RGB 94 140 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 79 25 shade: RGB 53 79 25, RGB 24 78 60 and RGB 78 24 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 79 25 shade: RGB 53 79 25, RGB 24 53 78 and RGB 78 24 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 79 25 shade: RGB 53 79 25, RGB 24 78 60, RGB 49 24 78 and RGB 78 24 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 79 25 shade: RGB 53 79 25, RGB 24 78 76, RGB 49 24 78 and RGB 78 24 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

Complementary color

CMYK 12 / 23 / 0 / 10

HEX #CAB0E6

RGB 202 176 230

HSL 268.89, 0.52%, 0.8%

LAB 75.65, 19.49, -23.59

 

CMYK 27 / 0 / 75 / 69

HEX #3A4F14

RGB 58 79 20

HSL 81.36, 0.6%, 0.19%

LAB 30.74, -18.37, 30.81

 

CMYK 23 / 0 / 60 / 62

HEX #4B6127

RGB 75 97 39

HSL 82.76, 0.43%, 0.27%

LAB 38.18, -18.69, 29.9

 

CMYK 20 / 0 / 50 / 55

HEX #5C733A

RGB 92 115 58

HSL 84.21, 0.33%, 0.34%

LAB 45.42, -18.81, 28.65

 

CMYK 18 / 0 / 42 / 48

HEX #6D854D

RGB 109 133 77

HSL 85.71, 0.27%, 0.41%

LAB 52.47, -18.84, 27.38

 

CMYK 17 / 0 / 36 / 41

HEX #7E9760

RGB 126 151 96

HSL 87.27, 0.22%, 0.48%

LAB 59.36, -18.83, 26.15

 

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

CMYK 41 / 0 / 90 / 76

HEX #243D06

RGB 36 61 6

HSL 87.27, 0.82%, 0.13%

LAB 22.74, -19.72, 28.29

 

CMYK 56 / 0 / 100 / 83

HEX #132B00

RGB 19 43 0

HSL 93.49, 1%, 0.08%

LAB 14.77, -18.43, 21.16

 

CMYK 92 / 0 / 100 / 90

HEX #021900

RGB 2 25 0

HSL 115.2, 1%, 0.05%

LAB 6.4, -12.31, 9.35

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 33 / 0 / 69 / 69

HEX #344E18

RGB 52 78 24

HSL 88.89, 0.53%, 0.2%

LAB 30.02, -20.13, 28

 

CMYK 15 / 0 / 69 / 69

HEX #424E18

RGB 66 78 24

HSL 73.33, 0.53%, 0.2%

LAB 31.05, -13.77, 29.42

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 0 / 23 / 69 / 69

HEX #4E3C18

RGB 78 60 24

HSL 40, 0.53%, 0.2%

LAB 26.5, 3.19, 24.76

 

CMYK 0 / 41 / 69 / 69

HEX #4E2E18

RGB 78 46 24

HSL 24.44, 0.53%, 0.2%

LAB 22.44, 12.24, 20.09

 

CMYK 33 / 0 / 69 / 69

HEX #344E18

RGB 52 78 24

HSL 88.89, 0.53%, 0.2%

LAB 30.02, -20.13, 28

 

CMYK 51 / 0 / 69 / 69

HEX #264E18

RGB 38 78 24

HSL 104.44, 0.53%, 0.2%

LAB 29.23, -25.66, 26.9

 

CMYK 69 / 0 / 67 / 69

HEX #184E1A

RGB 24 78 26

HSL 122.22, 0.53%, 0.2%

LAB 28.69, -29.71, 25.1

 

CMYK 69 / 0 / 49 / 69

HEX #184E28

RGB 24 78 40

HSL 137.78, 0.53%, 0.2%

LAB 28.89, -27.41, 17.38

 

CMYK 69 / 0 / 31 / 69

HEX #184E36

RGB 24 78 54

HSL 153.33, 0.53%, 0.2%

LAB 29.18, -24.28, 9.1

 

CMYK 33 / 0 / 69 / 69

HEX #344E18

RGB 52 78 24

HSL 88.89, 0.53%, 0.2%

LAB 30.02, -20.13, 28

 

CMYK 40 / 0 / 81 / 66

HEX #345610

RGB 52 86 16

HSL 89.14, 0.69%, 0.2%

LAB 32.75, -24.84, 34.38

 

CMYK 44 / 0 / 91 / 63

HEX #355E08

RGB 53 94 8

HSL 88.6, 0.84%, 0.2%

LAB 35.56, -28.66, 39.56

 

CMYK 33 / 0 / 69 / 69

HEX #344E18

RGB 52 78 24

HSL 88.89, 0.53%, 0.2%

LAB 30.02, -20.13, 28

 

CMYK 25 / 0 / 52 / 73

HEX #344521

RGB 52 69 33

HSL 88.33, 0.35%, 0.2%

LAB 27.01, -14.12, 19.5

 

CMYK 16 / 0 / 33 / 76

HEX #333D29

RGB 51 61 41

HSL 90, 0.2%, 0.2%

LAB 24.33, -8.52, 11.01

 

CMYK 4 / 0 / 8 / 79

HEX #333531

RGB 51 53 49

HSL 90, 0.04%, 0.2%

LAB 21.84, -1.78, 2.22

 

CMYK 11 / 21 / 0 / 78

HEX #332D39

RGB 51 45 57

HSL 270, 0.12%, 0.2%

LAB 19.54, 5.56, -6.65

 

CMYK 0 / 5 / 69 / 69

HEX #4E4A18

RGB 78 74 24

HSL 55.56, 0.53%, 0.2%

LAB 30.84, -5.55, 29.51

 

CMYK 14 / 0 / 69 / 69

HEX #434E18

RGB 67 78 24

HSL 72.22, 0.53%, 0.2%

LAB 31.13, -13.3, 29.53

 

CMYK 32 / 0 / 69 / 69

HEX #354E18

RGB 53 78 24

HSL 87.78, 0.53%, 0.2%

LAB 30.09, -19.7, 28.09

 

CMYK 50 / 0 / 69 / 69

HEX #274E18

RGB 39 78 24

HSL 103.33, 0.53%, 0.2%

LAB 29.28, -25.3, 26.97

 

CMYK 69 / 0 / 69 / 69

HEX #184E18

RGB 24 78 24

HSL 120, 0.53%, 0.2%

LAB 28.67, -29.97, 26.12

 

CMYK 33 / 0 / 67 / 94

HEX #0A0F05

RGB 10 15 5

HSL 90, 0.5%, 0.04%

LAB 3.77, -2.99, 3.53

 

CMYK 33 / 0 / 67 / 82

HEX #1F2E0F

RGB 31 46 15

HSL 89.03, 0.51%, 0.12%

LAB 16.89, -12.88, 17.59

 

CMYK 33 / 0 / 69 / 69

HEX #344E18

RGB 52 78 24

HSL 88.89, 0.53%, 0.2%

LAB 30.02, -20.13, 28

 

CMYK 33 / 0 / 69 / 57

HEX #496D22

RGB 73 109 34

HSL 88.8, 0.52%, 0.28%

LAB 41.95, -26.15, 36.5

 

CMYK 33 / 0 / 69 / 45

HEX #5E8C2C

RGB 94 140 44

HSL 88.75, 0.52%, 0.36%

LAB 53.3, -31.84, 44.5

 

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

CMYK 69 / 0 / 23 / 69

HEX #184E3C

RGB 24 78 60

HSL 160, 0.53%, 0.2%

LAB 29.33, -22.71, 5.5

 

CMYK 0 / 69 / 5 / 69

HEX #4E184A

RGB 78 24 74

HSL 304.44, 0.53%, 0.2%

LAB 19.09, 32.34, -18.72

 

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

CMYK 69 / 32 / 0 / 69

HEX #18354E

RGB 24 53 78

HSL 207.78, 0.53%, 0.2%

LAB 21.17, -1.77, -18.56

 

CMYK 0 / 69 / 32 / 69

HEX #4E1835

RGB 78 24 53

HSL 327.78, 0.53%, 0.2%

LAB 18.05, 28.73, -5.71

 

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

CMYK 69 / 0 / 23 / 69

HEX #184E3C

RGB 24 78 60

HSL 160, 0.53%, 0.2%

LAB 29.33, -22.71, 5.5

 

CMYK 37 / 69 / 0 / 69

HEX #31184E

RGB 49 24 78

HSL 267.78, 0.53%, 0.2%

LAB 14.71, 25.07, -28.7

 

CMYK 0 / 69 / 46 / 69

HEX #4E182A

RGB 78 24 42

HSL 340, 0.53%, 0.2%

LAB 17.65, 27.23, 1.5

 

CMYK 33 / 0 / 68 / 69

HEX #354F19

RGB 53 79 25

HSL 88.89, 0.52%, 0.2%

LAB 30.45, -20.13, 27.98

 

CMYK 69 / 0 / 3 / 69

HEX #184E4C

RGB 24 78 76

HSL 177.78, 0.53%, 0.2%

LAB 29.82, -17.91, -4.04

 

CMYK 37 / 69 / 0 / 69

HEX #31184E

RGB 49 24 78

HSL 267.78, 0.53%, 0.2%

LAB 14.71, 25.07, -28.7

 

CMYK 0 / 69 / 67 / 69

HEX #4E181A

RGB 78 24 26

HSL 357.78, 0.53%, 0.2%

LAB 17.21, 25.6, 12.3

 

Description

Color code: RGB 53 79 25 | qconv.com Color code: RGB 53 79 25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 79 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 79 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 68 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 68% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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