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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 75 173 it is the complementary color RGB 202 180 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 75 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 75 173 shade: RGB 58 75 168, RGB 75 93 187, RGB 92 111 206, RGB 109 129 225 and RGB 126 147 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 75 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 75 173 shade: RGB 53 75 173, RGB 36 57 154, RGB 19 39 135, RGB 2 21 116 and RGB 0 3 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 75 173 shade: RGB 53 75 172, RGB 63 53 172, RGB 95 53 172, RGB 127 53 172 and RGB 159 53 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 75 173 shade: RGB 53 75 172 and RGB 53 53 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 75 173 shade matches the following richer shades: RGB 53 75 172, RGB 35 63 190 and RGB 16 52 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 75 173 shade: RGB 53 75 172, RGB 71 86 154, RGB 89 98 135, RGB 107 109 117 and RGB 125 121 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 75 173 shade: RGB 53 138 172, RGB 53 106 172, RGB 53 75 172, RGB 63 53 172 and RGB 94 53 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 75 173 shade: RGB 33 47 109, RGB 43 61 140, RGB 53 75 172, RGB 68 92 198 and RGB 100 119 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 75 173 shade: RGB 53 75 173, RGB 172 53 170 and RGB 122 172 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 75 173 shade: RGB 53 75 173, RGB 172 53 75 and RGB 75 172 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 75 173 shade: RGB 53 75 173, RGB 172 53 170, RGB 172 150 53 and RGB 53 172 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 75 173 shade: RGB 53 75 173, RGB 172 53 134, RGB 172 150 53 and RGB 53 172 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

Complementary color

CMYK 0 / 11 / 59 / 21

HEX #CAB452

RGB 202 180 82

HSL 49, 0.53%, 0.56%

LAB 73.42, -3.99, 51.81

 

CMYK 65 / 55 / 0 / 34

HEX #3A4BA8

RGB 58 75 168

HSL 230.73, 0.49%, 0.44%

LAB 35.52, 24.02, -52.16

 

CMYK 60 / 50 / 0 / 27

HEX #4B5DBB

RGB 75 93 187

HSL 230.36, 0.45%, 0.51%

LAB 42.63, 22.12, -51.84

 

CMYK 55 / 46 / 0 / 19

HEX #5C6FCE

RGB 92 111 206

HSL 230, 0.54%, 0.58%

LAB 49.62, 20.58, -51.53

 

CMYK 52 / 43 / 0 / 12

HEX #6D81E1

RGB 109 129 225

HSL 229.66, 0.66%, 0.65%

LAB 56.47, 19.3, -51.26

 

CMYK 48 / 40 / 0 / 4

HEX #7E93F4

RGB 126 147 244

HSL 229.32, 0.84%, 0.73%

LAB 63.21, 18.23, -51.04

 

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

CMYK 77 / 63 / 0 / 40

HEX #24399A

RGB 36 57 154

HSL 229.32, 0.62%, 0.37%

LAB 28.47, 27.65, -55.23

 

CMYK 86 / 71 / 0 / 47

HEX #132787

RGB 19 39 135

HSL 229.66, 0.75%, 0.3%

LAB 21.35, 30.82, -55.2

 

CMYK 98 / 82 / 0 / 55

HEX #021574

RGB 2 21 116

HSL 230, 0.97%, 0.23%

LAB 14.46, 34.2, -54.52

 

CMYK 100 / 97 / 0 / 62

HEX #000361

RGB 0 3 97

HSL 238.14, 1%, 0.19%

LAB 8.38, 37.2, -52.16

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 63 / 69 / 0 / 33

HEX #3F35AC

RGB 63 53 172

HSL 245.04, 0.53%, 0.44%

LAB 30.83, 40.07, -62.17

 

CMYK 45 / 69 / 0 / 33

HEX #5F35AC

RGB 95 53 172

HSL 261.18, 0.53%, 0.44%

LAB 33.89, 45.42, -57.04

 

CMYK 26 / 69 / 0 / 33

HEX #7F35AC

RGB 127 53 172

HSL 277.31, 0.53%, 0.44%

LAB 37.91, 51.93, -50.35

 

CMYK 8 / 69 / 0 / 33

HEX #9F35AC

RGB 159 53 172

HSL 293.45, 0.53%, 0.44%

LAB 42.61, 59.05, -42.56

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 69 / 69 / 0 / 33

HEX #3535AC

RGB 53 53 172

HSL 240, 0.53%, 0.44%

LAB 30.11, 38.75, -63.38

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 82 / 67 / 0 / 25

HEX #233FBE

RGB 35 63 190

HSL 229.16, 0.69%, 0.44%

LAB 33.2, 37.11, -69.03

 

CMYK 92 / 75 / 0 / 18

HEX #1034D0

RGB 16 52 208

HSL 228.75, 0.86%, 0.44%

LAB 32.08, 49.23, -81.41

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 54 / 44 / 0 / 40

HEX #47569A

RGB 71 86 154

HSL 229.16, 0.37%, 0.44%

LAB 38.43, 14.55, -39.06

 

CMYK 34 / 27 / 0 / 47

HEX #596287

RGB 89 98 135

HSL 228.26, 0.21%, 0.44%

LAB 42.17, 5.97, -21.65

 

CMYK 9 / 7 / 0 / 54

HEX #6B6D75

RGB 107 109 117

HSL 228, 0.04%, 0.44%

LAB 46.11, 0.95, -4.71

 

CMYK 0 / 3 / 21 / 51

HEX #7D7963

RGB 125 121 99

HSL 50.77, 0.12%, 0.44%

LAB 50.61, -2.42, 12.63

 

CMYK 69 / 20 / 0 / 33

HEX #358AAC

RGB 53 138 172

HSL 197.14, 0.53%, 0.44%

LAB 53.93, -14.29, -25.37

 

CMYK 69 / 38 / 0 / 33

HEX #356AAC

RGB 53 106 172

HSL 213.28, 0.53%, 0.44%

LAB 44.3, 4.6, -40.46

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 63 / 69 / 0 / 33

HEX #3F35AC

RGB 63 53 172

HSL 245.04, 0.53%, 0.44%

LAB 30.83, 40.07, -62.17

 

CMYK 45 / 69 / 0 / 33

HEX #5E35AC

RGB 94 53 172

HSL 260.67, 0.53%, 0.44%

LAB 33.78, 45.23, -57.23

 

CMYK 70 / 57 / 0 / 57

HEX #212F6D

RGB 33 47 109

HSL 228.95, 0.54%, 0.28%

LAB 21.8, 16.65, -37.9

 

CMYK 69 / 56 / 0 / 45

HEX #2B3D8C

RGB 43 61 140

HSL 228.87, 0.53%, 0.36%

LAB 28.76, 20.56, -46.16

 

CMYK 69 / 56 / 0 / 33

HEX #354BAC

RGB 53 75 172

HSL 228.91, 0.53%, 0.44%

LAB 35.53, 24.68, -54.53

 

CMYK 66 / 54 / 0 / 22

HEX #445CC6

RGB 68 92 198

HSL 228.92, 0.53%, 0.52%

LAB 42.7, 25.35, -58.13

 

CMYK 52 / 43 / 0 / 19

HEX #6477CF

RGB 100 119 207

HSL 229.35, 0.53%, 0.6%

LAB 52.3, 17.72, -47.8

 

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

CMYK 0 / 69 / 1 / 33

HEX #AC35AA

RGB 172 53 170

HSL 301.01, 0.53%, 0.44%

LAB 44.55, 61.69, -38.17

 

CMYK 29 / 0 / 69 / 33

HEX #7AAC35

RGB 122 172 53

HSL 85.21, 0.53%, 0.44%

LAB 64.88, -35.16, 53.39

 

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

CMYK 0 / 69 / 56 / 33

HEX #AC354B

RGB 172 53 75

HSL 348.91, 0.53%, 0.44%

LAB 40.94, 49.76, 14.72

 

CMYK 56 / 0 / 69 / 33

HEX #4BAC35

RGB 75 172 53

HSL 108.91, 0.53%, 0.44%

LAB 62.72, -50.63, 50.47

 

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

CMYK 0 / 69 / 1 / 33

HEX #AC35AA

RGB 172 53 170

HSL 301.01, 0.53%, 0.44%

LAB 44.55, 61.69, -38.17

 

CMYK 0 / 13 / 69 / 33

HEX #AC9635

RGB 172 150 53

HSL 48.91, 0.53%, 0.44%

LAB 62.37, -2.91, 52.01

 

CMYK 69 / 0 / 68 / 33

HEX #35AC37

RGB 53 172 55

HSL 121.01, 0.53%, 0.44%

LAB 62.12, -55.49, 48.81

 

CMYK 69 / 57 / 0 / 32

HEX #354BAD

RGB 53 75 173

HSL 229, 0.53%, 0.44%

LAB 35.61, 25.04, -55

 

CMYK 0 / 69 / 22 / 33

HEX #AC3586

RGB 172 53 134

HSL 319.16, 0.53%, 0.44%

LAB 42.82, 56.18, -19.2

 

CMYK 0 / 13 / 69 / 33

HEX #AC9635

RGB 172 150 53

HSL 48.91, 0.53%, 0.44%

LAB 62.37, -2.91, 52.01

 

CMYK 69 / 0 / 48 / 33

HEX #35AC5A

RGB 53 172 90

HSL 138.66, 0.53%, 0.44%

LAB 62.51, -50.91, 32.75

 

Description

Color code: RGB 53 75 173 | qconv.com Color code: RGB 53 75 173 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 75 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 75 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 57 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 57% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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