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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 70 108 it is the complementary color RGB 202 185 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 70 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 70 108 shade: RGB 58 70 103, RGB 75 88 122, RGB 92 106 141, RGB 109 124 160 and RGB 126 142 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 70 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 70 108 shade: RGB 53 70 108, RGB 36 52 89, RGB 19 34 70, RGB 2 16 51 and RGB 0 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 70 108 shade: RGB 54 71 109, RGB 54 56 109, RGB 67 54 109, RGB 82 54 109 and RGB 97 54 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 70 108 shade: RGB 54 71 109, RGB 54 56 109 and RGB 54 54 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 70 108 shade matches the following richer shades: RGB 54 71 109, RGB 41 66 123, RGB 27 61 136, RGB 14 56 149 and RGB 1 51 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 70 108 shade: RGB 54 71 109, RGB 67 76 96, RGB 80 81 83, RGB 93 86 70 and RGB 107 91 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 70 108 shade: RGB 54 101 109, RGB 54 86 109, RGB 54 71 109, RGB 54 57 109 and RGB 66 54 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 70 108 shade: RGB 27 35 54, RGB 40 53 82, RGB 54 71 109, RGB 67 89 137 and RGB 81 107 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 70 108 shade: RGB 53 70 108, RGB 103 54 109 and RGB 94 109 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 70 108 shade: RGB 53 70 108, RGB 109 54 71 and RGB 71 109 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 70 108 shade: RGB 53 70 108, RGB 103 54 109, RGB 109 92 54 and RGB 60 109 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 70 108 shade: RGB 53 70 108, RGB 109 54 99, RGB 109 92 54 and RGB 54 109 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

Complementary color

CMYK 0 / 8 / 27 / 21

HEX #CAB993

RGB 202 185 147

HSL 41.45, 0.34%, 0.68%

LAB 75.68, 0.16, 21.51

 

CMYK 44 / 32 / 0 / 60

HEX #3A4667

RGB 58 70 103

HSL 224, 0.28%, 0.32%

LAB 30.06, 4.72, -20.82

 

CMYK 39 / 28 / 0 / 52

HEX #4B587A

RGB 75 88 122

HSL 223.4, 0.24%, 0.39%

LAB 37.63, 4.14, -20.84

 

CMYK 35 / 25 / 0 / 45

HEX #5C6A8D

RGB 92 106 141

HSL 222.86, 0.21%, 0.46%

LAB 44.95, 3.68, -20.94

 

CMYK 32 / 23 / 0 / 37

HEX #6D7CA0

RGB 109 124 160

HSL 222.35, 0.21%, 0.53%

LAB 52.07, 3.3, -21.08

 

CMYK 30 / 21 / 0 / 30

HEX #7E8EB3

RGB 126 142 179

HSL 221.89, 0.26%, 0.6%

LAB 59.01, 2.98, -21.26

 

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

CMYK 60 / 42 / 0 / 65

HEX #243459

RGB 36 52 89

HSL 221.89, 0.42%, 0.25%

LAB 22.13, 5.98, -24.31

 

CMYK 73 / 51 / 0 / 73

HEX #132246

RGB 19 34 70

HSL 222.35, 0.57%, 0.17%

LAB 13.97, 7.6, -24.54

 

CMYK 96 / 69 / 0 / 80

HEX #021033

RGB 2 16 51

HSL 222.86, 0.92%, 0.1%

LAB 5.62, 8.86, -24.5

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 50 / 49 / 0 / 57

HEX #36386D

RGB 54 56 109

HSL 237.82, 0.34%, 0.32%

LAB 25.91, 15.01, -31.21

 

CMYK 39 / 50 / 0 / 57

HEX #43366D

RGB 67 54 109

HSL 254.18, 0.34%, 0.32%

LAB 26.55, 19.94, -30.12

 

CMYK 25 / 50 / 0 / 57

HEX #52366D

RGB 82 54 109

HSL 270.55, 0.34%, 0.32%

LAB 28.21, 24.46, -27.38

 

CMYK 11 / 50 / 0 / 57

HEX #61366D

RGB 97 54 109

HSL 286.91, 0.34%, 0.32%

LAB 30.12, 29.19, -24.25

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 50 / 49 / 0 / 57

HEX #36386D

RGB 54 56 109

HSL 237.82, 0.34%, 0.32%

LAB 25.91, 15.01, -31.21

 

CMYK 50 / 50 / 0 / 57

HEX #36366D

RGB 54 54 109

HSL 240, 0.34%, 0.32%

LAB 25.34, 16.37, -32.12

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 67 / 46 / 0 / 52

HEX #29427B

RGB 41 66 123

HSL 221.71, 0.5%, 0.32%

LAB 28.9, 10.29, -35.36

 

CMYK 80 / 55 / 0 / 47

HEX #1B3D88

RGB 27 61 136

HSL 221.28, 0.67%, 0.32%

LAB 27.7, 16.76, -45.43

 

CMYK 91 / 62 / 0 / 42

HEX #0E3895

RGB 14 56 149

HSL 221.33, 0.83%, 0.32%

LAB 26.99, 24.46, -54.62

 

CMYK 99 / 69 / 0 / 36

HEX #0133A2

RGB 1 51 162

HSL 221.37, 0.99%, 0.32%

LAB 26.69, 32.53, -63.06

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 30 / 21 / 0 / 62

HEX #434C60

RGB 67 76 96

HSL 221.38, 0.18%, 0.32%

LAB 32.27, 1.62, -12.89

 

CMYK 4 / 2 / 0 / 67

HEX #505153

RGB 80 81 83

HSL 220, 0.02%, 0.32%

LAB 34.43, 0.04, -1.32

 

CMYK 0 / 8 / 25 / 64

HEX #5D5646

RGB 93 86 70

HSL 41.74, 0.14%, 0.32%

LAB 36.79, -0.09, 10.36

 

CMYK 0 / 15 / 47 / 58

HEX #6B5B39

RGB 107 91 57

HSL 40.8, 0.3%, 0.32%

LAB 39.42, 1.37, 21.98

 

CMYK 50 / 7 / 0 / 57

HEX #36656D

RGB 54 101 109

HSL 188.73, 0.34%, 0.32%

LAB 39.91, -13.63, -9.49

 

CMYK 50 / 21 / 0 / 57

HEX #36566D

RGB 54 86 109

HSL 205.09, 0.34%, 0.32%

LAB 35.09, -4.72, -16.82

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 50 / 48 / 0 / 57

HEX #36396D

RGB 54 57 109

HSL 236.73, 0.34%, 0.32%

LAB 26.2, 14.33, -30.75

 

CMYK 39 / 50 / 0 / 57

HEX #42366D

RGB 66 54 109

HSL 253.09, 0.34%, 0.32%

LAB 26.45, 19.66, -30.29

 

CMYK 50 / 35 / 0 / 79

HEX #1B2336

RGB 27 35 54

HSL 222.22, 0.33%, 0.16%

LAB 13.84, 2.64, -13.5

 

CMYK 51 / 35 / 0 / 68

HEX #283552

RGB 40 53 82

HSL 221.43, 0.34%, 0.24%

LAB 22.33, 3.82, -19.35

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 51 / 35 / 0 / 46

HEX #435989

RGB 67 89 137

HSL 221.14, 0.34%, 0.4%

LAB 38.1, 5.98, -29.32

 

CMYK 51 / 35 / 0 / 35

HEX #516BA5

RGB 81 107 165

HSL 221.43, 0.34%, 0.48%

LAB 45.61, 7.28, -34.19

 

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

CMYK 6 / 50 / 0 / 57

HEX #67366D

RGB 103 54 109

HSL 293.45, 0.34%, 0.32%

LAB 30.94, 31.11, -22.9

 

CMYK 14 / 0 / 50 / 57

HEX #5E6D36

RGB 94 109 54

HSL 76.36, 0.34%, 0.32%

LAB 43.63, -15.22, 28.68

 

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

CMYK 0 / 50 / 35 / 57

HEX #6D3647

RGB 109 54 71

HSL 341.45, 0.34%, 0.32%

LAB 30.27, 26.46, 0.71

 

CMYK 35 / 0 / 50 / 57

HEX #476D36

RGB 71 109 54

HSL 101.45, 0.34%, 0.32%

LAB 42.07, -24.67, 26.4

 

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

CMYK 6 / 50 / 0 / 57

HEX #67366D

RGB 103 54 109

HSL 293.45, 0.34%, 0.32%

LAB 30.94, 31.11, -22.9

 

CMYK 0 / 16 / 50 / 57

HEX #6D5C36

RGB 109 92 54

HSL 41.45, 0.34%, 0.32%

LAB 39.87, 1.36, 24.34

 

CMYK 45 / 0 / 50 / 57

HEX #3C6D36

RGB 60 109 54

HSL 113.45, 0.34%, 0.32%

LAB 41.48, -28.64, 25.54

 

CMYK 51 / 35 / 0 / 58

HEX #35466C

RGB 53 70 108

HSL 221.45, 0.34%, 0.32%

LAB 29.96, 4.94, -24.17

 

CMYK 0 / 50 / 9 / 57

HEX #6D3663

RGB 109 54 99

HSL 310.91, 0.34%, 0.32%

LAB 31.32, 31.09, -15.85

 

CMYK 0 / 16 / 50 / 57

HEX #6D5C36

RGB 109 92 54

HSL 41.45, 0.34%, 0.32%

LAB 39.87, 1.36, 24.34

 

CMYK 50 / 0 / 41 / 57

HEX #366D40

RGB 54 109 64

HSL 130.91, 0.34%, 0.32%

LAB 41.36, -28.9, 19.68

 

Description

Color code: RGB 53 70 108 | qconv.com Color code: RGB 53 70 108 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 70 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 70 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 35 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 35% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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