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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 65 29 it is the complementary color RGB 202 190 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 65 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 65 29 shade: RGB 58 65 24, RGB 75 83 43, RGB 92 101 62, RGB 109 119 81 and RGB 126 137 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 65 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 65 29 shade: RGB 53 65 29, RGB 36 47 10, RGB 19 29 0, RGB 2 11 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 65 29 shade: RGB 52 63 28, RGB 61 63 28, RGB 63 56 28, RGB 63 47 28 and RGB 63 37 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 65 29 shade: RGB 52 63 28, RGB 42 63 28, RGB 33 63 28, RGB 28 63 33 and RGB 28 63 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 65 29 shade matches the following richer shades: RGB 52 63 28, RGB 54 71 21, RGB 57 78 14 and RGB 59 86 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 65 29 shade: RGB 52 63 28, RGB 49 56 36, RGB 47 48 43, RGB 44 41 51 and RGB 42 34 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 65 29 shade: RGB 63 56 28, RGB 61 63 28, RGB 52 63 28, RGB 42 63 28 and RGB 33 63 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 65 29 shade: RGB 5 6 3, RGB 28 35 16, RGB 52 63 28, RGB 75 92 41 and RGB 98 120 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 65 29 shade: RGB 53 65 29, RGB 28 63 47 and RGB 61 28 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 65 29 shade: RGB 53 65 29, RGB 28 52 63 and RGB 63 28 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 65 29 shade: RGB 53 65 29, RGB 28 63 47, RGB 40 28 63 and RGB 63 28 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 65 29 shade: RGB 53 65 29, RGB 28 63 58, RGB 40 28 63 and RGB 63 28 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

Complementary color

CMYK 11 / 16 / 0 / 11

HEX #CABEE2

RGB 202 190 226

HSL 260, 0.38%, 0.82%

LAB 78.97, 11.06, -16.4

 

CMYK 11 / 0 / 63 / 75

HEX #3A4118

RGB 58 65 24

HSL 70.24, 0.46%, 0.17%

LAB 26, -10.06, 23.63

 

CMYK 10 / 0 / 48 / 67

HEX #4B532B

RGB 75 83 43

HSL 72, 0.32%, 0.25%

LAB 33.68, -10.41, 22.29

 

CMYK 9 / 0 / 39 / 60

HEX #5C653E

RGB 92 101 62

HSL 73.85, 0.24%, 0.32%

LAB 41.11, -10.6, 20.95

 

CMYK 8 / 0 / 32 / 53

HEX #6D7751

RGB 109 119 81

HSL 75.79, 0.19%, 0.39%

LAB 48.31, -10.71, 19.7

 

CMYK 8 / 0 / 27 / 46

HEX #7E8964

RGB 126 137 100

HSL 77.84, 0.16%, 0.46%

LAB 55.33, -10.79, 18.55

 

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

CMYK 23 / 0 / 79 / 82

HEX #242F0A

RGB 36 47 10

HSL 77.84, 0.65%, 0.11%

LAB 17.6, -11.58, 20.88

 

CMYK 34 / 0 / 100 / 89

HEX #131D00

RGB 19 29 0

HSL 80.69, 1%, 0.06%

LAB 9.13, -10.37, 13.47

 

CMYK 82 / 0 / 100 / 96

HEX #020B00

RGB 2 11 0

HSL 109.09, 1%, 0.02%

LAB 2.28, -3.89, 3.34

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 3 / 0 / 56 / 75

HEX #3D3F1C

RGB 61 63 28

HSL 63.43, 0.38%, 0.18%

LAB 25.66, -6.93, 21

 

CMYK 0 / 11 / 56 / 75

HEX #3F381C

RGB 63 56 28

HSL 48, 0.38%, 0.18%

LAB 23.57, -1.5, 18.52

 

CMYK 0 / 25 / 56 / 75

HEX #3F2F1C

RGB 63 47 28

HSL 32.57, 0.38%, 0.18%

LAB 20.73, 4.42, 14.97

 

CMYK 0 / 41 / 56 / 75

HEX #3F251C

RGB 63 37 28

HSL 15.43, 0.38%, 0.18%

LAB 17.75, 11.13, 11.12

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 33 / 0 / 56 / 75

HEX #2A3F1C

RGB 42 63 28

HSL 96, 0.38%, 0.18%

LAB 24.1, -15.86, 18.75

 

CMYK 48 / 0 / 56 / 75

HEX #213F1C

RGB 33 63 28

HSL 111.43, 0.38%, 0.18%

LAB 23.55, -19.53, 17.95

 

CMYK 56 / 0 / 48 / 75

HEX #1C3F21

RGB 28 63 33

HSL 128.57, 0.38%, 0.18%

LAB 23.38, -20.42, 14.6

 

CMYK 56 / 0 / 32 / 75

HEX #1C3F2B

RGB 28 63 43

HSL 145.71, 0.38%, 0.18%

LAB 23.59, -18.24, 8.46

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 24 / 0 / 70 / 72

HEX #364715

RGB 54 71 21

HSL 80.4, 0.54%, 0.18%

LAB 27.7, -15.74, 27.02

 

CMYK 27 / 0 / 82 / 69

HEX #394E0E

RGB 57 78 14

HSL 79.69, 0.7%, 0.18%

LAB 30.28, -18.72, 32.89

 

CMYK 31 / 0 / 93 / 66

HEX #3B5606

RGB 59 86 6

HSL 80.25, 0.87%, 0.18%

LAB 33.13, -22.4, 38.23

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 13 / 0 / 36 / 78

HEX #313824

RGB 49 56 36

HSL 81, 0.22%, 0.18%

LAB 22.33, -7.23, 11.56

 

CMYK 2 / 0 / 10 / 81

HEX #2F302B

RGB 47 48 43

HSL 72, 0.05%, 0.18%

LAB 19.61, -1.58, 3.05

 

CMYK 14 / 20 / 0 / 80

HEX #2C2933

RGB 44 41 51

HSL 258, 0.11%, 0.18%

LAB 17.27, 3.85, -5.97

 

CMYK 28 / 41 / 0 / 77

HEX #2A223A

RGB 42 34 58

HSL 260, 0.26%, 0.18%

LAB 15.18, 10.03, -14.12

 

CMYK 0 / 11 / 56 / 75

HEX #3F381C

RGB 63 56 28

HSL 48, 0.38%, 0.18%

LAB 23.57, -1.5, 18.52

 

CMYK 3 / 0 / 56 / 75

HEX #3D3F1C

RGB 61 63 28

HSL 63.43, 0.38%, 0.18%

LAB 25.66, -6.93, 21

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 33 / 0 / 56 / 75

HEX #2A3F1C

RGB 42 63 28

HSL 96, 0.38%, 0.18%

LAB 24.1, -15.86, 18.75

 

CMYK 48 / 0 / 56 / 75

HEX #213F1C

RGB 33 63 28

HSL 111.43, 0.38%, 0.18%

LAB 23.55, -19.53, 17.95

 

CMYK 17 / 0 / 50 / 98

HEX #050603

RGB 5 6 3

HSL 80, 0.33%, 0.02%

LAB 1.53, -0.68, 1.04

 

CMYK 20 / 0 / 54 / 86

HEX #1C2310

RGB 28 35 16

HSL 82.11, 0.37%, 0.1%

LAB 12.52, -7.37, 11.36

 

CMYK 17 / 0 / 56 / 75

HEX #343F1C

RGB 52 63 28

HSL 78.86, 0.38%, 0.18%

LAB 24.86, -11.3, 19.85

 

CMYK 18 / 0 / 55 / 64

HEX #4B5C29

RGB 75 92 41

HSL 80, 0.38%, 0.26%

LAB 36.57, -15.75, 26.94

 

CMYK 18 / 0 / 55 / 53

HEX #627836

RGB 98 120 54

HSL 80, 0.38%, 0.34%

LAB 47.36, -19.38, 33.22

 

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

CMYK 56 / 0 / 25 / 75

HEX #1C3F2F

RGB 28 63 47

HSL 152.57, 0.38%, 0.18%

LAB 23.69, -17.24, 5.98

 

CMYK 3 / 56 / 0 / 75

HEX #3D1C3F

RGB 61 28 63

HSL 296.57, 0.38%, 0.18%

LAB 16.41, 22.36, -15.51

 

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

CMYK 56 / 17 / 0 / 75

HEX #1C343F

RGB 28 52 63

HSL 198.86, 0.38%, 0.18%

LAB 20.29, -5.69, -9.79

 

CMYK 0 / 56 / 17 / 75

HEX #3F1C34

RGB 63 28 52

HSL 318.86, 0.38%, 0.18%

LAB 16.18, 20.78, -8.1

 

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

CMYK 56 / 0 / 25 / 75

HEX #1C3F2F

RGB 28 63 47

HSL 152.57, 0.38%, 0.18%

LAB 23.69, -17.24, 5.98

 

CMYK 37 / 56 / 0 / 75

HEX #281C3F

RGB 40 28 63

HSL 260.57, 0.38%, 0.18%

LAB 13.47, 15.18, -20.34

 

CMYK 0 / 56 / 29 / 75

HEX #3F1C2D

RGB 63 28 45

HSL 330.86, 0.38%, 0.18%

LAB 15.88, 19.5, -3.55

 

CMYK 18 / 0 / 55 / 75

HEX #35411D

RGB 53 65 29

HSL 80, 0.38%, 0.18%

LAB 25.64, -11.88, 20.23

 

CMYK 56 / 0 / 8 / 75

HEX #1C3F3A

RGB 28 63 58

HSL 171.43, 0.38%, 0.18%

LAB 24.02, -14.15, -0.84

 

CMYK 37 / 56 / 0 / 75

HEX #281C3F

RGB 40 28 63

HSL 260.57, 0.38%, 0.18%

LAB 13.47, 15.18, -20.34

 

CMYK 0 / 56 / 46 / 75

HEX #3F1C22

RGB 63 28 34

HSL 349.71, 0.38%, 0.18%

LAB 15.5, 17.79, 3.79

 

Description

Color code: RGB 53 65 29 | qconv.com Color code: RGB 53 65 29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 65 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 65 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 55 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 55% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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