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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 63 232 it is the complementary color RGB 202 192 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 63 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 63 232 shade: RGB 58 63 227, RGB 75 81 246, RGB 92 99 255, RGB 109 117 255 and RGB 126 135 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 63 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 63 232 shade: RGB 53 63 232, RGB 36 45 213, RGB 19 27 194, RGB 2 9 175 and RGB 0 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 63 232 shade: RGB 53 63 233, RGB 91 53 233, RGB 140 53 233, RGB 188 53 233 and RGB 233 53 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 63 232 shade: RGB 53 63 233 and RGB 53 53 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 63 232 shade matches the following richer shades: RGB 53 63 233 and RGB 35 47 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 63 232 shade: RGB 53 63 233, RGB 71 79 214, RGB 89 95 196, RGB 108 111 178 and RGB 126 128 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 63 232 shade: RGB 53 161 233, RGB 53 113 233, RGB 53 65 233, RGB 89 53 233 and RGB 137 53 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 63 232 shade: RGB 20 29 183, RGB 24 35 220, RGB 53 63 233, RGB 90 98 237 and RGB 127 134 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 63 232 shade: RGB 53 63 232, RGB 233 53 209 and RGB 137 233 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 63 232 shade: RGB 53 63 232, RGB 233 53 65 and RGB 65 233 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 63 232 shade: RGB 53 63 232, RGB 233 53 209, RGB 233 221 53 and RGB 53 233 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 63 232 shade: RGB 53 63 232, RGB 233 53 155, RGB 233 221 53 and RGB 53 233 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

Complementary color

CMYK 0 / 5 / 89 / 21

HEX #CAC017

RGB 202 192 23

HSL 56.65, 0.8%, 0.44%

LAB 76.26, -12.78, 74.49

 

CMYK 74 / 72 / 0 / 11

HEX #3A3FE3

RGB 58 63 227

HSL 238.22, 0.75%, 0.56%

LAB 37.84, 51.75, -82.76

 

CMYK 70 / 67 / 0 / 4

HEX #4B51F6

RGB 75 81 246

HSL 237.89, 0.9%, 0.63%

LAB 44.28, 49.37, -82.86

 

CMYK 64 / 61 / 0 / 0

HEX #5C63FF

RGB 92 99 255

HSL 237.42, 1%, 0.68%

LAB 50, 43.9, -78.48

 

CMYK 57 / 54 / 0 / 0

HEX #6D75FF

RGB 109 117 255

HSL 236.71, 1%, 0.71%

LAB 55.27, 35.92, -69.87

 

CMYK 51 / 47 / 0 / 0

HEX #7E87FF

RGB 126 135 255

HSL 235.81, 1%, 0.75%

LAB 60.77, 28.57, -60.97

 

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

CMYK 83 / 79 / 0 / 16

HEX #242DD5

RGB 36 45 213

HSL 236.95, 0.71%, 0.49%

LAB 31.93, 55.39, -84.53

 

CMYK 90 / 86 / 0 / 24

HEX #131BC2

RGB 19 27 194

HSL 237.26, 0.82%, 0.42%

LAB 26.21, 57.2, -82.98

 

CMYK 99 / 95 / 0 / 31

HEX #0209AF

RGB 2 9 175

HSL 237.57, 0.98%, 0.35%

LAB 21.22, 57.41, -79.99

 

CMYK 100 / 100 / 0 / 39

HEX #00009C

RGB 0 0 156

HSL 240, 1%, 0.31%

LAB 17.46, 54.86, -74.72

 

CMYK 77 / 73 / 0 / 9

HEX #353FE9

RGB 53 63 233

HSL 236.67, 0.8%, 0.56%

LAB 38.19, 53.31, -85.61

 

CMYK 61 / 77 / 0 / 9

HEX #5B35E9

RGB 91 53 233

HSL 252.67, 0.8%, 0.56%

LAB 38.99, 61.82, -84.2

 

CMYK 40 / 77 / 0 / 9

HEX #8C35E9

RGB 140 53 233

HSL 269, 0.8%, 0.56%

LAB 44.24, 68.2, -75.38

 

CMYK 19 / 77 / 0 / 9

HEX #BC35E9

RGB 188 53 233

HSL 285, 0.8%, 0.56%

LAB 50.83, 76.11, -64.38

 

CMYK 0 / 77 / 2 / 9

HEX #E935E4

RGB 233 53 228

HSL 301.67, 0.8%, 0.56%

LAB 57.53, 83.65, -50.43

 

CMYK 77 / 73 / 0 / 9

HEX #353FE9

RGB 53 63 233

HSL 236.67, 0.8%, 0.56%

LAB 38.19, 53.31, -85.61

 

CMYK 77 / 77 / 0 / 9

HEX #3535E9

RGB 53 53 233

HSL 240, 0.8%, 0.56%

LAB 36.34, 58.57, -88.67

 

CMYK 77 / 73 / 0 / 9

HEX #353FE9

RGB 53 63 233

HSL 236.67, 0.8%, 0.56%

LAB 38.19, 53.31, -85.61

 

CMYK 86 / 81 / 0 / 2

HEX #232FFB

RGB 35 47 251

HSL 236.67, 0.96%, 0.56%

LAB 36.66, 66, -98.33

 

CMYK 77 / 73 / 0 / 9

HEX #353FE9

RGB 53 63 233

HSL 236.67, 0.8%, 0.56%

LAB 38.19, 53.31, -85.61

 

CMYK 67 / 63 / 0 / 16

HEX #474FD6

RGB 71 79 214

HSL 236.64, 0.64%, 0.56%

LAB 40.87, 39.47, -70.32

 

CMYK 55 / 52 / 0 / 23

HEX #595FC4

RGB 89 95 196

HSL 236.64, 0.48%, 0.56%

LAB 44.65, 26.64, -53.76

 

CMYK 39 / 38 / 0 / 30

HEX #6C6FB2

RGB 108 111 178

HSL 237.43, 0.31%, 0.56%

LAB 49.22, 15.81, -35.98

 

CMYK 21 / 20 / 0 / 37

HEX #7E80A0

RGB 126 128 160

HSL 236.47, 0.15%, 0.56%

LAB 54.46, 6.36, -17.31

 

CMYK 77 / 31 / 0 / 9

HEX #35A1E9

RGB 53 161 233

HSL 204, 0.8%, 0.56%

LAB 63.45, -6.16, -44.81

 

CMYK 77 / 52 / 0 / 9

HEX #3571E9

RGB 53 113 233

HSL 220, 0.8%, 0.56%

LAB 50.04, 22.73, -66.23

 

CMYK 77 / 72 / 0 / 9

HEX #3541E9

RGB 53 65 233

HSL 236, 0.8%, 0.56%

LAB 38.59, 52.2, -84.95

 

CMYK 62 / 77 / 0 / 9

HEX #5935E9

RGB 89 53 233

HSL 252, 0.8%, 0.56%

LAB 38.82, 61.61, -84.49

 

CMYK 41 / 77 / 0 / 9

HEX #8935E9

RGB 137 53 233

HSL 268, 0.8%, 0.56%

LAB 43.87, 67.75, -76.01

 

CMYK 89 / 84 / 0 / 28

HEX #141DB7

RGB 20 29 183

HSL 236.69, 0.8%, 0.4%

LAB 25.1, 53.06, -78.31

 

CMYK 89 / 84 / 0 / 14

HEX #1823DC

RGB 24 35 220

HSL 236.63, 0.8%, 0.48%

LAB 30.79, 61.71, -90.48

 

CMYK 77 / 73 / 0 / 9

HEX #353FE9

RGB 53 63 233

HSL 236.67, 0.8%, 0.56%

LAB 38.19, 53.31, -85.61

 

CMYK 62 / 59 / 0 / 7

HEX #5A62ED

RGB 90 98 237

HSL 236.73, 0.8%, 0.64%

LAB 48.29, 38.35, -71.23

 

CMYK 47 / 44 / 0 / 5

HEX #7F86F1

RGB 127 134 241

HSL 236.32, 0.8%, 0.72%

LAB 59.81, 25.2, -54.78

 

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

CMYK 0 / 77 / 10 / 9

HEX #E935D1

RGB 233 53 209

HSL 308, 0.8%, 0.56%

LAB 56.56, 80.91, -41.2

 

CMYK 41 / 0 / 77 / 9

HEX #89E935

RGB 137 233 53

HSL 92, 0.8%, 0.56%

LAB 83.89, -55.56, 72.3

 

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

CMYK 0 / 77 / 72 / 9

HEX #E93541

RGB 233 53 65

HSL 356, 0.8%, 0.56%

LAB 52.12, 67.58, 37.25

 

CMYK 72 / 0 / 77 / 9

HEX #41E935

RGB 65 233 53

HSL 116, 0.8%, 0.56%

LAB 81.65, -73.22, 69.38

 

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

CMYK 0 / 77 / 10 / 9

HEX #E935D1

RGB 233 53 209

HSL 308, 0.8%, 0.56%

LAB 56.56, 80.91, -41.2

 

CMYK 0 / 5 / 77 / 9

HEX #E9DD35

RGB 233 221 53

HSL 56, 0.8%, 0.56%

LAB 86.65, -13.29, 77.07

 

CMYK 77 / 0 / 67 / 9

HEX #35E94D

RGB 53 233 77

HSL 128, 0.8%, 0.56%

LAB 81.6, -73.07, 60.94

 

CMYK 77 / 73 / 0 / 9

HEX #353FE8

RGB 53 63 232

HSL 236.65, 0.8%, 0.56%

LAB 38.09, 52.98, -85.21

 

CMYK 0 / 77 / 33 / 9

HEX #E9359B

RGB 233 53 155

HSL 326, 0.8%, 0.56%

LAB 54.28, 74.24, -13.38

 

CMYK 0 / 5 / 77 / 9

HEX #E9DD35

RGB 233 221 53

HSL 56, 0.8%, 0.56%

LAB 86.65, -13.29, 77.07

 

CMYK 77 / 0 / 44 / 9

HEX #35E983

RGB 53 233 131

HSL 146, 0.8%, 0.56%

LAB 82.2, -65.92, 37.24

 

Description

Color code: RGB 53 63 232 | qconv.com Color code: RGB 53 63 232 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 63 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 63 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 73 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 73% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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