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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 62 72 it is the complementary color RGB 202 193 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 62 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 62 72 shade: RGB 58 62 67, RGB 75 80 86, RGB 92 98 105, RGB 109 116 124 and RGB 126 134 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 62 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 62 72 shade: RGB 53 62 72, RGB 36 44 53, RGB 19 26 34 and RGB 2 8 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 62 72 shade: RGB 54 63 73, RGB 54 58 73, RGB 55 54 73, RGB 60 54 73 and RGB 65 54 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 62 72 shade: RGB 54 63 73, RGB 54 58 73 and RGB 54 54 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 62 72 shade matches the following richer shades: RGB 54 63 73, RGB 43 62 83, RGB 33 62 93, RGB 23 61 104 and RGB 12 61 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 62 72 shade: RGB 54 63 73, RGB 64 63 62, RGB 74 64 52, RGB 85 64 42 and RGB 95 65 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 62 72 shade: RGB 54 73 72, RGB 54 68 73, RGB 54 63 73, RGB 54 58 73 and RGB 55 54 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 62 72 shade: RGB 19 22 25, RGB 36 42 49, RGB 54 63 73, RGB 71 83 97 and RGB 89 104 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 62 72 shade: RGB 53 62 72, RGB 67 54 73 and RGB 71 73 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 62 72 shade: RGB 53 62 72, RGB 73 54 63 and RGB 63 73 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 62 72 shade: RGB 53 62 72, RGB 67 54 73, RGB 73 64 54 and RGB 59 73 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 62 72 shade: RGB 53 62 72, RGB 73 54 72, RGB 73 64 54 and RGB 54 73 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

Complementary color

CMYK 0 / 4 / 9 / 21

HEX #CAC1B7

RGB 202 193 183

HSL 31.58, 0.15%, 0.75%

LAB 78.53, 1.42, 6.15

 

CMYK 13 / 7 / 0 / 74

HEX #3A3E43

RGB 58 62 67

HSL 213.33, 0.07%, 0.25%

LAB 26.01, -0.46, -3.64

 

CMYK 13 / 7 / 0 / 66

HEX #4B5056

RGB 75 80 86

HSL 212.73, 0.07%, 0.32%

LAB 33.78, -0.61, -4.21

 

CMYK 12 / 7 / 0 / 59

HEX #5C6269

RGB 92 98 105

HSL 212.31, 0.07%, 0.39%

LAB 41.26, -0.75, -4.77

 

CMYK 12 / 6 / 0 / 51

HEX #6D747C

RGB 109 116 124

HSL 212, 0.06%, 0.46%

LAB 48.51, -0.88, -5.31

 

CMYK 12 / 6 / 0 / 44

HEX #7E868F

RGB 126 134 143

HSL 211.76, 0.07%, 0.53%

LAB 55.55, -1.01, -5.83

 

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

CMYK 32 / 17 / 0 / 79

HEX #242C35

RGB 36 44 53

HSL 211.76, 0.19%, 0.17%

LAB 17.62, -0.88, -6.93

 

CMYK 44 / 24 / 0 / 87

HEX #131A22

RGB 19 26 34

HSL 212, 0.28%, 0.1%

LAB 8.93, -0.64, -6.57

 

CMYK 87 / 47 / 0 / 94

HEX #02080F

RGB 2 8 15

HSL 212.31, 0.76%, 0.03%

LAB 2, -0.49, -3.48

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 26 / 21 / 0 / 71

HEX #363A49

RGB 54 58 73

HSL 227.37, 0.15%, 0.25%

LAB 24.61, 2.23, -9.75

 

CMYK 25 / 26 / 0 / 71

HEX #373649

RGB 55 54 73

HSL 243.16, 0.15%, 0.25%

LAB 23.44, 5.3, -11.52

 

CMYK 18 / 26 / 0 / 71

HEX #3C3649

RGB 60 54 73

HSL 258.95, 0.15%, 0.25%

LAB 23.93, 7.2, -10.73

 

CMYK 11 / 26 / 0 / 71

HEX #413649

RGB 65 54 73

HSL 274.74, 0.15%, 0.25%

LAB 24.46, 9.15, -9.88

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 26 / 21 / 0 / 71

HEX #363A49

RGB 54 58 73

HSL 227.37, 0.15%, 0.25%

LAB 24.61, 2.23, -9.75

 

CMYK 26 / 26 / 0 / 71

HEX #363649

RGB 54 54 73

HSL 240, 0.15%, 0.25%

LAB 23.35, 4.93, -11.67

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 48 / 25 / 0 / 67

HEX #2B3E53

RGB 43 62 83

HSL 211.5, 0.32%, 0.25%

LAB 25.51, -1.05, -15.04

 

CMYK 65 / 33 / 0 / 64

HEX #213E5D

RGB 33 62 93

HSL 211, 0.48%, 0.25%

LAB 25.44, -0.1, -21.72

 

CMYK 78 / 41 / 0 / 59

HEX #173D68

RGB 23 61 104

HSL 211.85, 0.64%, 0.25%

LAB 25.32, 3.06, -29.06

 

CMYK 89 / 46 / 0 / 55

HEX #0C3D72

RGB 12 61 114

HSL 211.18, 0.81%, 0.25%

LAB 25.66, 6, -34.93

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 0 / 2 / 3 / 75

HEX #403F3E

RGB 64 63 62

HSL 30, 0.02%, 0.25%

LAB 26.71, 0.2, 0.76

 

CMYK 0 / 14 / 30 / 71

HEX #4A4034

RGB 74 64 52

HSL 32.73, 0.17%, 0.25%

LAB 27.77, 2.1, 8.93

 

CMYK 0 / 25 / 51 / 67

HEX #55402A

RGB 85 64 42

HSL 30.7, 0.34%, 0.25%

LAB 28.81, 5.9, 16.94

 

CMYK 0 / 32 / 66 / 63

HEX #5F4120

RGB 95 65 32

HSL 31.43, 0.5%, 0.25%

LAB 30.2, 9.14, 24.99

 

CMYK 26 / 0 / 1 / 71

HEX #364948

RGB 54 73 72

HSL 176.84, 0.15%, 0.25%

LAB 29.46, -7.67, -1.84

 

CMYK 26 / 7 / 0 / 71

HEX #364449

RGB 54 68 73

HSL 195.79, 0.15%, 0.25%

LAB 27.84, -4.28, -4.88

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 26 / 21 / 0 / 71

HEX #363A49

RGB 54 58 73

HSL 227.37, 0.15%, 0.25%

LAB 24.61, 2.23, -9.75

 

CMYK 25 / 26 / 0 / 71

HEX #373649

RGB 55 54 73

HSL 243.16, 0.15%, 0.25%

LAB 23.44, 5.3, -11.52

 

CMYK 24 / 12 / 0 / 90

HEX #131619

RGB 19 22 25

HSL 210, 0.14%, 0.09%

LAB 7.07, -0.52, -2.56

 

CMYK 27 / 14 / 0 / 81

HEX #242A31

RGB 36 42 49

HSL 212.31, 0.15%, 0.17%

LAB 16.76, -0.69, -5.42

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 27 / 14 / 0 / 62

HEX #475361

RGB 71 83 97

HSL 212.31, 0.15%, 0.33%

LAB 34.78, -1.14, -9.69

 

CMYK 26 / 13 / 0 / 53

HEX #596878

RGB 89 104 120

HSL 210.97, 0.15%, 0.41%

LAB 43.33, -1.74, -10.81

 

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

CMYK 8 / 26 / 0 / 71

HEX #433649

RGB 67 54 73

HSL 281.05, 0.15%, 0.25%

LAB 24.68, 9.94, -9.53

 

CMYK 3 / 0 / 26 / 71

HEX #474936

RGB 71 73 54

HSL 66.32, 0.15%, 0.25%

LAB 30.33, -4.6, 11.13

 

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

CMYK 0 / 26 / 14 / 71

HEX #49363F

RGB 73 54 63

HSL 331.58, 0.15%, 0.25%

LAB 24.99, 10.2, -2.31

 

CMYK 14 / 0 / 26 / 71

HEX #3F4936

RGB 63 73 54

HSL 91.58, 0.15%, 0.25%

LAB 29.63, -8.13, 10.07

 

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

CMYK 8 / 26 / 0 / 71

HEX #433649

RGB 67 54 73

HSL 281.05, 0.15%, 0.25%

LAB 24.68, 9.94, -9.53

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 19 / 0 / 26 / 71

HEX #3B4936

RGB 59 73 54

HSL 104.21, 0.15%, 0.25%

LAB 29.31, -9.84, 9.57

 

CMYK 26 / 14 / 0 / 72

HEX #353E48

RGB 53 62 72

HSL 211.58, 0.15%, 0.25%

LAB 25.77, -1.06, -7.34

 

CMYK 0 / 26 / 1 / 71

HEX #493648

RGB 73 54 72

HSL 303.16, 0.15%, 0.25%

LAB 25.33, 12.11, -7.81

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 26 / 0 / 26 / 71

HEX #364936

RGB 54 73 54

HSL 120, 0.15%, 0.25%

LAB 28.94, -11.91, 9

 

Description

Color code: RGB 53 62 72 | qconv.com Color code: RGB 53 62 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 62 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 62 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 14 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 14% 0% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Ressources.pro : Des...
Link: http://ressource.pro

55% - Specless | A Simple ...
Link: http://gospecless.com

67% - Professional Joomla,...
Link: http://www.webreinvent.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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