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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 59 99 it is the complementary color RGB 202 196 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 59 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 59 99 shade: RGB 58 59 94, RGB 75 77 113, RGB 92 95 132, RGB 109 113 151 and RGB 126 131 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 59 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 59 99 shade: RGB 53 59 99, RGB 36 41 80, RGB 19 23 61, RGB 2 5 42 and RGB 0 0 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 59 99 shade: RGB 54 60 99, RGB 60 54 99, RGB 72 54 99, RGB 85 54 99 and RGB 97 54 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 59 99 shade: RGB 54 60 99 and RGB 54 54 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 59 99 shade matches the following richer shades: RGB 54 60 99, RGB 41 50 112, RGB 29 41 124, RGB 16 32 137 and RGB 4 23 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 59 99 shade: RGB 54 60 99, RGB 66 69 87, RGB 78 78 75, RGB 91 87 62 and RGB 103 96 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 59 99 shade: RGB 54 84 99, RGB 54 72 99, RGB 54 60 99, RGB 60 54 99 and RGB 72 54 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 59 99 shade: RGB 25 27 46, RGB 39 43 73, RGB 54 60 99, RGB 68 76 126 and RGB 82 92 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 59 99 shade: RGB 53 59 99, RGB 99 54 96 and RGB 78 99 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 59 99 shade: RGB 53 59 99, RGB 99 54 60 and RGB 60 99 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 59 99 shade: RGB 53 59 99, RGB 99 54 96, RGB 99 93 54 and RGB 54 99 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 59 99 shade: RGB 53 59 99, RGB 99 54 83, RGB 99 93 54 and RGB 54 99 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

Complementary color

CMYK 0 / 3 / 23 / 21

HEX #CAC49C

RGB 202 196 156

HSL 52.17, 0.3%, 0.7%

LAB 78.72, -4.37, 20.88

 

CMYK 38 / 37 / 0 / 63

HEX #3A3B5E

RGB 58 59 94

HSL 238.33, 0.24%, 0.3%

LAB 26.26, 9.21, -20.96

 

CMYK 34 / 32 / 0 / 56

HEX #4B4D71

RGB 75 77 113

HSL 236.84, 0.2%, 0.37%

LAB 33.97, 8.51, -20.93

 

CMYK 30 / 28 / 0 / 48

HEX #5C5F84

RGB 92 95 132

HSL 235.5, 0.18%, 0.44%

LAB 41.42, 7.94, -20.98

 

CMYK 28 / 25 / 0 / 41

HEX #6D7197

RGB 109 113 151

HSL 234.29, 0.17%, 0.51%

LAB 48.63, 7.47, -21.09

 

CMYK 26 / 23 / 0 / 33

HEX #7E83AA

RGB 126 131 170

HSL 233.18, 0.21%, 0.58%

LAB 55.66, 7.07, -21.25

 

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

CMYK 55 / 49 / 0 / 69

HEX #242950

RGB 36 41 80

HSL 233.18, 0.38%, 0.23%

LAB 18.1, 10.48, -24.71

 

CMYK 69 / 62 / 0 / 76

HEX #13173D

RGB 19 23 61

HSL 234.29, 0.53%, 0.16%

LAB 9.71, 12.27, -25.08

 

CMYK 95 / 88 / 0 / 84

HEX #02052A

RGB 2 5 42

HSL 235.5, 0.91%, 0.09%

LAB 2.61, 9.13, -22.56

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 27 / 45 / 0 / 61

HEX #483663

RGB 72 54 99

HSL 264, 0.29%, 0.3%

LAB 26.5, 18.57, -23.74

 

CMYK 14 / 45 / 0 / 61

HEX #553663

RGB 85 54 99

HSL 281.33, 0.29%, 0.3%

LAB 28.04, 22.9, -21.21

 

CMYK 2 / 45 / 0 / 61

HEX #613663

RGB 97 54 99

HSL 297.33, 0.29%, 0.3%

LAB 29.61, 26.99, -18.63

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 45 / 45 / 0 / 61

HEX #363663

RGB 54 54 99

HSL 240, 0.29%, 0.3%

LAB 24.71, 13.01, -26.67

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 63 / 55 / 0 / 56

HEX #293270

RGB 41 50 112

HSL 232.39, 0.46%, 0.3%

LAB 23.41, 17.21, -37.2

 

CMYK 77 / 67 / 0 / 51

HEX #1D297C

RGB 29 41 124

HSL 232.42, 0.62%, 0.3%

LAB 21.22, 26.15, -48.46

 

CMYK 88 / 77 / 0 / 46

HEX #102089

RGB 16 32 137

HSL 232.07, 0.79%, 0.3%

LAB 19.84, 35.88, -58.95

 

CMYK 97 / 85 / 0 / 42

HEX #041795

RGB 4 23 149

HSL 232.14, 0.95%, 0.3%

LAB 19.26, 44.65, -67.4

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 24 / 21 / 0 / 66

HEX #424557

RGB 66 69 87

HSL 231.43, 0.14%, 0.3%

LAB 29.67, 3.28, -11.11

 

CMYK 0 / 0 / 4 / 69

HEX #4E4E4B

RGB 78 78 75

HSL 60, 0.02%, 0.3%

LAB 33.08, -0.64, 1.77

 

CMYK 0 / 4 / 32 / 64

HEX #5B573E

RGB 91 87 62

HSL 51.72, 0.19%, 0.3%

LAB 36.72, -2.85, 15.15

 

CMYK 0 / 7 / 51 / 60

HEX #676032

RGB 103 96 50

HSL 52.08, 0.35%, 0.3%

LAB 40.38, -4.22, 27.1

 

CMYK 45 / 15 / 0 / 61

HEX #365463

RGB 54 84 99

HSL 200, 0.29%, 0.3%

LAB 34.04, -6.65, -12.18

 

CMYK 45 / 27 / 0 / 61

HEX #364863

RGB 54 72 99

HSL 216, 0.29%, 0.3%

LAB 30.21, 0.92, -18.06

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 27 / 45 / 0 / 61

HEX #483663

RGB 72 54 99

HSL 264, 0.29%, 0.3%

LAB 26.5, 18.57, -23.74

 

CMYK 46 / 41 / 0 / 82

HEX #191B2E

RGB 25 27 46

HSL 234.29, 0.3%, 0.14%

LAB 10.47, 5.06, -13.02

 

CMYK 47 / 41 / 0 / 71

HEX #272B49

RGB 39 43 73

HSL 232.94, 0.3%, 0.22%

LAB 18.54, 7.41, -19.25

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 46 / 40 / 0 / 51

HEX #444C7E

RGB 68 76 126

HSL 231.72, 0.3%, 0.38%

LAB 33.78, 11.05, -29.36

 

CMYK 46 / 40 / 0 / 40

HEX #525C99

RGB 82 92 153

HSL 231.55, 0.3%, 0.46%

LAB 40.81, 13.11, -34.62

 

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

CMYK 0 / 45 / 3 / 61

HEX #633660

RGB 99 54 96

HSL 304, 0.29%, 0.3%

LAB 29.75, 27.05, -16.47

 

CMYK 21 / 0 / 45 / 61

HEX #4E6336

RGB 78 99 54

HSL 88, 0.29%, 0.3%

LAB 39.26, -16.62, 22.99

 

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

CMYK 0 / 45 / 39 / 61

HEX #63363C

RGB 99 54 60

HSL 352, 0.29%, 0.3%

LAB 28.43, 20.86, 5.09

 

CMYK 39 / 0 / 45 / 61

HEX #3C6336

RGB 60 99 54

HSL 112, 0.29%, 0.3%

LAB 38.11, -23.74, 21.29

 

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

CMYK 0 / 45 / 3 / 61

HEX #633660

RGB 99 54 96

HSL 304, 0.29%, 0.3%

LAB 29.75, 27.05, -16.47

 

CMYK 0 / 6 / 45 / 61

HEX #635D36

RGB 99 93 54

HSL 52, 0.29%, 0.3%

LAB 39.15, -3.86, 23.22

 

CMYK 45 / 0 / 42 / 61

HEX #366339

RGB 54 99 57

HSL 124, 0.29%, 0.3%

LAB 37.85, -25.34, 19.15

 

CMYK 46 / 40 / 0 / 61

HEX #353B63

RGB 53 59 99

HSL 232.17, 0.3%, 0.3%

LAB 26.12, 9.3, -24.46

 

CMYK 0 / 45 / 16 / 61

HEX #633653

RGB 99 54 83

HSL 321.33, 0.29%, 0.3%

LAB 29.2, 24.54, -8.88

 

CMYK 0 / 6 / 45 / 61

HEX #635D36

RGB 99 93 54

HSL 52, 0.29%, 0.3%

LAB 39.15, -3.86, 23.22

 

CMYK 45 / 0 / 29 / 61

HEX #366346

RGB 54 99 70

HSL 141.33, 0.29%, 0.3%

LAB 38.11, -22.77, 11.75

 

Description

Color code: RGB 53 59 99 | qconv.com Color code: RGB 53 59 99 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 59 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 59 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 40 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 40% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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