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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 59 224 it is the complementary color RGB 202 196 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 59 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 53 59 224: RGB 58 59 219, RGB 75 77 238, RGB 92 95 255, RGB 109 113 255 and RGB 126 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 59 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 53 59 224: RGB 53 59 224, RGB 36 41 205, RGB 19 23 186, RGB 2 5 167 and RGB 0 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

Complementary color

CMYK 0 / 3 / 85 / 21

HEX #CAC41F

RGB 202 196 31

HSL 57.89, 0.73%, 0.46%

LAB 77.36, -14.63, 73.78

 

CMYK 74 / 73 / 0 / 14

HEX #3A3BDB

RGB 58 59 219

HSL 239.63, 0.69%, 0.54%

LAB 36.26, 51.38, -80.8

 

CMYK 68 / 68 / 0 / 7

HEX #4B4DEE

RGB 75 77 238

HSL 239.26, 0.83%, 0.61%

LAB 42.73, 49.08, -80.92

 

CMYK 64 / 63 / 0 / 0

HEX #5C5FFF

RGB 92 95 255

HSL 238.9, 1%, 0.68%

LAB 49.11, 46.25, -79.94

 

CMYK 57 / 56 / 0 / 0

HEX #6D71FF

RGB 109 113 255

HSL 238.36, 1%, 0.71%

LAB 54.32, 38.3, -71.4

 

CMYK 51 / 49 / 0 / 0

HEX #7E83FF

RGB 126 131 255

HSL 237.67, 1%, 0.75%

LAB 59.79, 30.93, -62.54

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 82 / 80 / 0 / 20

HEX #2429CD

RGB 36 41 205

HSL 238.22, 0.7%, 0.47%

LAB 30.32, 54.87, -82.56

 

CMYK 90 / 88 / 0 / 27

HEX #1317BA

RGB 19 23 186

HSL 238.56, 0.81%, 0.4%

LAB 24.63, 56.41, -80.87

 

CMYK 99 / 97 / 0 / 35

HEX #0205A7

RGB 2 5 167

HSL 238.91, 0.98%, 0.33%

LAB 19.69, 56.31, -77.72

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 68 / 77 / 0 / 13

HEX #4834DF

RGB 72 52 223

HSL 247.02, 0.73%, 0.54%

LAB 36.29, 57.52, -83

 

CMYK 55 / 77 / 0 / 13

HEX #6434DF

RGB 100 52 223

HSL 256.84, 0.73%, 0.54%

LAB 38.71, 60.58, -78.93

 

CMYK 42 / 77 / 0 / 13

HEX #8134DF

RGB 129 52 223

HSL 267.02, 0.73%, 0.54%

LAB 41.92, 64.59, -73.54

 

CMYK 30 / 77 / 0 / 13

HEX #9D34DF

RGB 157 52 223

HSL 276.84, 0.73%, 0.54%

LAB 45.57, 69.09, -67.44

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 75 / 75 / 0 / 92

HEX #050514

RGB 5 5 20

HSL 240, 0.6%, 0.05%

LAB 1.73, 2.51, -6.83

 

CMYK 76 / 73 / 0 / 72

HEX #111347

RGB 17 19 71

HSL 237.78, 0.61%, 0.17%

LAB 9.32, 19.05, -32.78

 

CMYK 76 / 74 / 0 / 52

HEX #1D207A

RGB 29 32 122

HSL 238.06, 0.62%, 0.3%

LAB 18.8, 31.38, -51.16

 

CMYK 76 / 73 / 0 / 32

HEX #292EAD

RGB 41 46 173

HSL 237.73, 0.62%, 0.42%

LAB 27.96, 42.02, -67.55

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 0 / 77 / 12 / 13

HEX #DF34C5

RGB 223 52 197

HSL 309.12, 0.73%, 0.54%

LAB 54.21, 77.4, -38.13

 

CMYK 42 / 0 / 77 / 13

HEX #81DF34

RGB 129 223 52

HSL 92.98, 0.73%, 0.54%

LAB 80.57, -54.27, 69.33

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 0 / 77 / 73 / 13

HEX #DF343C

RGB 223 52 60

HSL 357.19, 0.73%, 0.54%

LAB 50.06, 64.8, 37.25

 

CMYK 73 / 0 / 77 / 13

HEX #3CDF34

RGB 60 223 52

HSL 117.19, 0.73%, 0.54%

LAB 78.45, -71.02, 66.57

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 0 / 77 / 12 / 13

HEX #DF34C5

RGB 223 52 197

HSL 309.12, 0.73%, 0.54%

LAB 54.21, 77.4, -38.13

 

CMYK 0 / 4 / 77 / 13

HEX #DFD634

RGB 223 214 52

HSL 56.84, 0.73%, 0.54%

LAB 83.98, -14.05, 74.65

 

CMYK 77 / 0 / 65 / 13

HEX #34DF4D

RGB 52 223 77

HSL 128.77, 0.73%, 0.54%

LAB 78.49, -70.11, 57.55

 

CMYK 76 / 74 / 0 / 12

HEX #353BE0

RGB 53 59 224

HSL 237.89, 0.73%, 0.54%

LAB 36.49, 52.59, -83.29

 

CMYK 0 / 77 / 35 / 13

HEX #DF3492

RGB 223 52 146

HSL 327.02, 0.73%, 0.54%

LAB 52.08, 71.11, -11.52

 

CMYK 0 / 4 / 77 / 13

HEX #DFD634

RGB 223 214 52

HSL 56.84, 0.73%, 0.54%

LAB 83.98, -14.05, 74.65

 

CMYK 77 / 0 / 42 / 13

HEX #34DF81

RGB 52 223 129

HSL 147.02, 0.73%, 0.54%

LAB 79.09, -62.9, 34.21

 

Description

Color code: RGB 53 59 224 | qconv.com Color code: RGB 53 59 224 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 59 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 59 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 74 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 74% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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