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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 59 101 it is the complementary color RGB 202 196 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 59 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 59 101 shade: RGB 58 59 96, RGB 75 77 115, RGB 92 95 134, RGB 109 113 153 and RGB 126 131 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 59 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 59 101 shade: RGB 53 59 101, RGB 36 41 82, RGB 19 23 63, RGB 2 5 44 and RGB 0 0 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 59 101 shade: RGB 53 59 100, RGB 60 53 100, RGB 72 53 100, RGB 85 53 100 and RGB 98 53 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 59 101 shade: RGB 53 59 100 and RGB 53 53 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 59 101 shade matches the following richer shades: RGB 53 59 100, RGB 40 49 113, RGB 28 40 125, RGB 16 31 137 and RGB 3 22 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 59 101 shade: RGB 53 59 100, RGB 65 68 88, RGB 78 77 75, RGB 90 87 63 and RGB 102 96 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 59 101 shade: RGB 53 84 100, RGB 53 72 100, RGB 53 59 100, RGB 59 53 100 and RGB 72 53 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 59 101 shade: RGB 24 27 46, RGB 39 43 73, RGB 53 59 100, RGB 67 75 127 and RGB 81 90 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 59 101 shade: RGB 53 59 101, RGB 100 53 97 and RGB 78 100 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 59 101 shade: RGB 53 59 101, RGB 100 53 59 and RGB 59 100 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 59 101 shade: RGB 53 59 101, RGB 100 53 97, RGB 100 94 53 and RGB 53 100 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 59 101 shade: RGB 53 59 101, RGB 100 53 83, RGB 100 94 53 and RGB 53 100 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

Complementary color

CMYK 0 / 3 / 24 / 21

HEX #CAC49A

RGB 202 196 154

HSL 52.5, 0.31%, 0.7%

LAB 78.68, -4.65, 21.89

 

CMYK 40 / 39 / 0 / 62

HEX #3A3B60

RGB 58 59 96

HSL 238.42, 0.25%, 0.3%

LAB 26.37, 9.84, -22.09

 

CMYK 35 / 33 / 0 / 55

HEX #4B4D73

RGB 75 77 115

HSL 237, 0.21%, 0.37%

LAB 34.07, 9.09, -22.03

 

CMYK 31 / 29 / 0 / 47

HEX #5C5F86

RGB 92 95 134

HSL 235.71, 0.19%, 0.44%

LAB 41.5, 8.49, -22.06

 

CMYK 29 / 26 / 0 / 40

HEX #6D7199

RGB 109 113 153

HSL 234.55, 0.18%, 0.51%

LAB 48.71, 8, -22.14

 

CMYK 27 / 24 / 0 / 33

HEX #7E83AC

RGB 126 131 172

HSL 233.48, 0.22%, 0.58%

LAB 55.73, 7.57, -22.28

 

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

CMYK 56 / 50 / 0 / 68

HEX #242952

RGB 36 41 82

HSL 233.48, 0.39%, 0.23%

LAB 18.23, 11.22, -25.84

 

CMYK 70 / 63 / 0 / 75

HEX #13173F

RGB 19 23 63

HSL 234.55, 0.54%, 0.16%

LAB 9.88, 13.1, -26.23

 

CMYK 95 / 89 / 0 / 83

HEX #02052C

RGB 2 5 44

HSL 235.71, 0.91%, 0.09%

LAB 2.74, 10.06, -23.87

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 40 / 47 / 0 / 61

HEX #3C3564

RGB 60 53 100

HSL 248.94, 0.31%, 0.3%

LAB 25.04, 15.77, -26.77

 

CMYK 28 / 47 / 0 / 61

HEX #483564

RGB 72 53 100

HSL 264.26, 0.31%, 0.3%

LAB 26.29, 19.5, -24.72

 

CMYK 15 / 47 / 0 / 61

HEX #553564

RGB 85 53 100

HSL 280.85, 0.31%, 0.3%

LAB 27.84, 23.77, -22.17

 

CMYK 2 / 47 / 0 / 61

HEX #623564

RGB 98 53 100

HSL 297.45, 0.31%, 0.3%

LAB 29.57, 28.13, -19.34

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 47 / 47 / 0 / 61

HEX #353564

RGB 53 53 100

HSL 240, 0.31%, 0.3%

LAB 24.4, 13.74, -27.83

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 65 / 57 / 0 / 56

HEX #283171

RGB 40 49 113

HSL 232.6, 0.48%, 0.3%

LAB 23.14, 18.08, -38.29

 

CMYK 78 / 68 / 0 / 51

HEX #1C287D

RGB 28 40 125

HSL 232.58, 0.63%, 0.3%

LAB 21, 27.1, -49.46

 

CMYK 88 / 77 / 0 / 46

HEX #101F89

RGB 16 31 137

HSL 232.56, 0.79%, 0.3%

LAB 19.62, 36.49, -59.31

 

CMYK 98 / 85 / 0 / 41

HEX #031696

RGB 3 22 150

HSL 232.24, 0.96%, 0.3%

LAB 19.2, 45.44, -68.11

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 26 / 23 / 0 / 65

HEX #414458

RGB 65 68 88

HSL 232.17, 0.15%, 0.3%

LAB 29.32, 3.84, -12.3

 

CMYK 0 / 1 / 4 / 69

HEX #4E4D4B

RGB 78 77 75

HSL 40, 0.02%, 0.3%

LAB 32.78, -0.01, 1.32

 

CMYK 0 / 3 / 30 / 65

HEX #5A573F

RGB 90 87 63

HSL 53.33, 0.18%, 0.3%

LAB 36.65, -3.14, 14.42

 

CMYK 0 / 6 / 50 / 60

HEX #666033

RGB 102 96 51

HSL 52.94, 0.33%, 0.3%

LAB 40.29, -4.58, 26.42

 

CMYK 47 / 16 / 0 / 61

HEX #355464

RGB 53 84 100

HSL 200.43, 0.31%, 0.3%

LAB 34.02, -6.63, -12.84

 

CMYK 47 / 28 / 0 / 61

HEX #354864

RGB 53 72 100

HSL 215.74, 0.31%, 0.3%

LAB 30.19, 0.95, -18.74

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 41 / 47 / 0 / 61

HEX #3B3564

RGB 59 53 100

HSL 247.66, 0.31%, 0.3%

LAB 24.94, 15.48, -26.93

 

CMYK 28 / 47 / 0 / 61

HEX #483564

RGB 72 53 100

HSL 264.26, 0.31%, 0.3%

LAB 26.29, 19.5, -24.72

 

CMYK 48 / 41 / 0 / 82

HEX #181B2E

RGB 24 27 46

HSL 231.82, 0.31%, 0.14%

LAB 10.37, 4.71, -13.17

 

CMYK 47 / 41 / 0 / 71

HEX #272B49

RGB 39 43 73

HSL 232.94, 0.3%, 0.22%

LAB 18.54, 7.41, -19.25

 

CMYK 47 / 41 / 0 / 61

HEX #353B64

RGB 53 59 100

HSL 232.34, 0.31%, 0.3%

LAB 26.17, 9.64, -25.02

 

CMYK 47 / 41 / 0 / 50

HEX #434B7F

RGB 67 75 127

HSL 232, 0.31%, 0.38%

LAB 33.47, 11.76, -30.47

 

CMYK 47 / 42 / 0 / 40

HEX #515A9A

RGB 81 90 154

HSL 232.6, 0.31%, 0.46%

LAB 40.24, 14.43, -36.14

 

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

CMYK 0 / 47 / 3 / 61

HEX #643561

RGB 100 53 97

HSL 303.83, 0.31%, 0.3%

LAB 29.71, 28.19, -17.17

 

CMYK 22 / 0 / 47 / 61

HEX #4E6435

RGB 78 100 53

HSL 88.09, 0.31%, 0.3%

LAB 39.57, -17.31, 23.94

 

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

CMYK 0 / 47 / 41 / 61

HEX #64353B

RGB 100 53 59

HSL 352.34, 0.31%, 0.3%

LAB 28.3, 21.74, 5.6

 

CMYK 41 / 0 / 47 / 61

HEX #3B6435

RGB 59 100 53

HSL 112.34, 0.31%, 0.3%

LAB 38.38, -24.77, 22.2

 

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

CMYK 0 / 47 / 3 / 61

HEX #643561

RGB 100 53 97

HSL 303.83, 0.31%, 0.3%

LAB 29.71, 28.19, -17.17

 

CMYK 0 / 6 / 47 / 61

HEX #645E35

RGB 100 94 53

HSL 52.34, 0.31%, 0.3%

LAB 39.53, -4.11, 24.3

 

CMYK 47 / 0 / 44 / 61

HEX #356438

RGB 53 100 56

HSL 123.83, 0.31%, 0.3%

LAB 38.12, -26.34, 20.08

 

CMYK 48 / 42 / 0 / 60

HEX #353B65

RGB 53 59 101

HSL 232.5, 0.31%, 0.3%

LAB 26.23, 9.97, -25.57

 

CMYK 0 / 47 / 17 / 61

HEX #643553

RGB 100 53 83

HSL 321.7, 0.31%, 0.3%

LAB 29.11, 25.51, -9

 

CMYK 0 / 6 / 47 / 61

HEX #645E35

RGB 100 94 53

HSL 52.34, 0.31%, 0.3%

LAB 39.53, -4.11, 24.3

 

CMYK 47 / 0 / 30 / 61

HEX #356446

RGB 53 100 70

HSL 141.7, 0.31%, 0.3%

LAB 38.4, -23.6, 12.14

 

Description

Color code: RGB 53 59 101 | qconv.com Color code: RGB 53 59 101 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 59 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 59 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 42 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 42% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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