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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 58 88 it is the complementary color RGB 202 197 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 58 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 58 88 shade: RGB 58 58 83, RGB 75 76 102, RGB 92 94 121, RGB 109 112 140 and RGB 126 130 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 58 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 58 88 shade: RGB 53 58 88, RGB 36 40 69, RGB 19 22 50, RGB 2 4 31 and RGB 0 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 58 88 shade: RGB 54 59 89, RGB 58 54 89, RGB 68 54 89, RGB 77 54 89 and RGB 87 54 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 58 88 shade: RGB 54 59 89 and RGB 54 54 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 58 88 shade matches the following richer shades: RGB 54 59 89, RGB 42 50 101, RGB 30 42 112, RGB 19 34 124 and RGB 7 26 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 58 88 shade: RGB 54 59 89, RGB 65 67 78, RGB 77 75 66, RGB 88 83 55 and RGB 100 92 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 58 88 shade: RGB 54 78 89, RGB 54 68 89, RGB 54 59 89, RGB 58 54 89 and RGB 67 54 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 58 88 shade: RGB 23 25 38, RGB 38 42 63, RGB 54 59 89, RGB 69 76 115 and RGB 84 93 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 58 88 shade: RGB 53 58 88, RGB 89 54 87 and RGB 73 89 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 58 88 shade: RGB 53 58 88, RGB 89 54 59 and RGB 59 89 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 58 88 shade: RGB 53 58 88, RGB 89 54 87, RGB 89 84 54 and RGB 54 89 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 58 88 shade: RGB 53 58 88, RGB 89 54 77, RGB 89 84 54 and RGB 54 89 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

Complementary color

CMYK 0 / 2 / 17 / 21

HEX #CAC5A7

RGB 202 197 167

HSL 51.43, 0.25%, 0.72%

LAB 79.2, -3.26, 15.69

 

CMYK 30 / 30 / 0 / 67

HEX #3A3A53

RGB 58 58 83

HSL 240, 0.18%, 0.28%

LAB 25.41, 6.56, -15.1

 

CMYK 26 / 25 / 0 / 60

HEX #4B4C66

RGB 75 76 102

HSL 237.78, 0.15%, 0.35%

LAB 33.19, 6.05, -15.23

 

CMYK 24 / 22 / 0 / 53

HEX #5C5E79

RGB 92 94 121

HSL 235.86, 0.14%, 0.42%

LAB 40.67, 5.63, -15.43

 

CMYK 22 / 20 / 0 / 45

HEX #6D708C

RGB 109 112 140

HSL 234.19, 0.12%, 0.49%

LAB 47.92, 5.27, -15.68

 

CMYK 21 / 18 / 0 / 38

HEX #7E829F

RGB 126 130 159

HSL 232.73, 0.15%, 0.56%

LAB 54.97, 4.96, -15.95

 

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

CMYK 48 / 42 / 0 / 73

HEX #242845

RGB 36 40 69

HSL 232.73, 0.31%, 0.21%

LAB 17.1, 7.24, -18.81

 

CMYK 62 / 56 / 0 / 80

HEX #131632

RGB 19 22 50

HSL 234.19, 0.45%, 0.14%

LAB 8.5, 8.54, -19.08

 

CMYK 94 / 87 / 0 / 88

HEX #02041F

RGB 2 4 31

HSL 235.86, 0.88%, 0.06%

LAB 1.79, 5.2, -15.24

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 35 / 39 / 0 / 65

HEX #3A3659

RGB 58 54 89

HSL 246.86, 0.24%, 0.28%

LAB 24.51, 11.06, -20.44

 

CMYK 24 / 39 / 0 / 65

HEX #443659

RGB 68 54 89

HSL 264, 0.24%, 0.28%

LAB 25.53, 14.46, -18.77

 

CMYK 13 / 39 / 0 / 65

HEX #4D3659

RGB 77 54 89

HSL 279.43, 0.24%, 0.28%

LAB 26.56, 17.66, -17.1

 

CMYK 2 / 39 / 0 / 65

HEX #573659

RGB 87 54 89

HSL 296.57, 0.24%, 0.28%

LAB 27.81, 21.29, -15.06

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 39 / 39 / 0 / 65

HEX #363659

RGB 54 54 89

HSL 240, 0.24%, 0.28%

LAB 24.14, 9.76, -21.04

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 58 / 50 / 0 / 60

HEX #2A3265

RGB 42 50 101

HSL 231.86, 0.41%, 0.28%

LAB 22.7, 13.33, -31.24

 

CMYK 73 / 63 / 0 / 56

HEX #1E2A70

RGB 30 42 112

HSL 231.22, 0.58%, 0.28%

LAB 20.45, 20.9, -42.04

 

CMYK 85 / 73 / 0 / 51

HEX #13227C

RGB 19 34 124

HSL 231.43, 0.73%, 0.28%

LAB 18.96, 29.9, -52.19

 

CMYK 95 / 81 / 0 / 47

HEX #071A87

RGB 7 26 135

HSL 231.09, 0.9%, 0.28%

LAB 18.07, 38.36, -60.64

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 17 / 14 / 0 / 69

HEX #41434E

RGB 65 67 78

HSL 230.77, 0.09%, 0.28%

LAB 28.61, 1.83, -6.89

 

CMYK 0 / 3 / 14 / 70

HEX #4D4B42

RGB 77 75 66

HSL 49.09, 0.08%, 0.28%

LAB 31.81, -1, 5.66

 

CMYK 0 / 6 / 38 / 65

HEX #585337

RGB 88 83 55

HSL 50.91, 0.23%, 0.28%

LAB 35.08, -2.81, 17.16

 

CMYK 0 / 8 / 57 / 61

HEX #645C2B

RGB 100 92 43

HSL 51.58, 0.4%, 0.28%

LAB 38.79, -3.98, 29.01

 

CMYK 39 / 12 / 0 / 65

HEX #364E59

RGB 54 78 89

HSL 198.86, 0.24%, 0.28%

LAB 31.7, -5.99, -9.4

 

CMYK 39 / 24 / 0 / 65

HEX #364459

RGB 54 68 89

HSL 216, 0.24%, 0.28%

LAB 28.48, 0.37, -14.3

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 35 / 39 / 0 / 65

HEX #3A3659

RGB 58 54 89

HSL 246.86, 0.24%, 0.28%

LAB 24.51, 11.06, -20.44

 

CMYK 25 / 39 / 0 / 65

HEX #433659

RGB 67 54 89

HSL 262.29, 0.24%, 0.28%

LAB 25.42, 14.12, -18.95

 

CMYK 39 / 34 / 0 / 85

HEX #171926

RGB 23 25 38

HSL 232, 0.25%, 0.12%

LAB 9.14, 3.05, -9.21

 

CMYK 40 / 33 / 0 / 75

HEX #262A3F

RGB 38 42 63

HSL 230.4, 0.25%, 0.2%

LAB 17.58, 4.42, -13.9

 

CMYK 39 / 34 / 0 / 65

HEX #363B59

RGB 54 59 89

HSL 231.43, 0.24%, 0.28%

LAB 25.66, 6.36, -18.66

 

CMYK 40 / 34 / 0 / 55

HEX #454C73

RGB 69 76 115

HSL 230.87, 0.25%, 0.36%

LAB 33.29, 7.88, -23.28

 

CMYK 40 / 34 / 0 / 45

HEX #545D8D

RGB 84 93 141

HSL 230.53, 0.25%, 0.44%

LAB 40.63, 9.33, -27.69

 

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

CMYK 0 / 39 / 2 / 65

HEX #593657

RGB 89 54 87

HSL 303.43, 0.24%, 0.28%

LAB 27.98, 21.59, -13.47

 

CMYK 18 / 0 / 39 / 65

HEX #495936

RGB 73 89 54

HSL 87.43, 0.24%, 0.28%

LAB 35.65, -13.19, 18.27

 

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

CMYK 0 / 39 / 34 / 65

HEX #59363B

RGB 89 54 59

HSL 351.43, 0.24%, 0.28%

LAB 26.96, 16.43, 3.46

 

CMYK 34 / 0 / 39 / 65

HEX #3B5936

RGB 59 89 54

HSL 111.43, 0.24%, 0.28%

LAB 34.68, -18.91, 16.82

 

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

CMYK 0 / 39 / 2 / 65

HEX #593657

RGB 89 54 87

HSL 303.43, 0.24%, 0.28%

LAB 27.98, 21.59, -13.47

 

CMYK 0 / 6 / 39 / 65

HEX #595436

RGB 89 84 54

HSL 51.43, 0.24%, 0.28%

LAB 35.46, -3.09, 18.29

 

CMYK 39 / 0 / 38 / 65

HEX #365937

RGB 54 89 55

HSL 121.71, 0.24%, 0.28%

LAB 34.41, -20.61, 15.8

 

CMYK 40 / 34 / 0 / 65

HEX #353A58

RGB 53 58 88

HSL 231.43, 0.25%, 0.28%

LAB 25.22, 6.4, -18.71

 

CMYK 0 / 39 / 13 / 65

HEX #59364D

RGB 89 54 77

HSL 320.57, 0.24%, 0.28%

LAB 27.57, 19.56, -7.54

 

CMYK 0 / 6 / 39 / 65

HEX #595436

RGB 89 84 54

HSL 51.43, 0.24%, 0.28%

LAB 35.46, -3.09, 18.29

 

CMYK 39 / 0 / 26 / 65

HEX #365942

RGB 54 89 66

HSL 140.57, 0.24%, 0.28%

LAB 34.65, -18.36, 9.39

 

Description

Color code: RGB 53 58 88 | qconv.com Color code: RGB 53 58 88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 58 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 58 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 34 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 34% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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