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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 58 194 it is the complementary color RGB 202 197 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 58 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 58 194 shade: RGB 58 58 189, RGB 75 76 208, RGB 92 94 227, RGB 109 112 246 and RGB 126 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 58 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 58 194 shade: RGB 53 58 194, RGB 36 40 175, RGB 19 22 156, RGB 2 4 137 and RGB 0 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 58 194 shade: RGB 53 58 192, RGB 85 53 192, RGB 123 53 192, RGB 161 53 192 and RGB 192 53 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 58 194 shade: RGB 53 58 192 and RGB 53 53 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 58 194 shade matches the following richer shades: RGB 53 58 192, RGB 33 39 212 and RGB 13 21 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 58 194 shade: RGB 53 58 192, RGB 72 76 172, RGB 92 94 153, RGB 112 113 133 and RGB 132 131 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 58 194 shade: RGB 53 134 192, RGB 53 97 192, RGB 53 60 192, RGB 83 53 192 and RGB 120 53 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 58 194 shade: RGB 35 38 127, RGB 44 48 160, RGB 53 58 192, RGB 79 84 207 and RGB 112 115 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 58 194 shade: RGB 53 58 194, RGB 192 53 171 and RGB 115 192 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 58 194 shade: RGB 53 58 194, RGB 192 53 60 and RGB 60 192 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 58 194 shade: RGB 53 58 194, RGB 192 53 171, RGB 192 185 53 and RGB 53 192 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 58 194 shade: RGB 53 58 194, RGB 192 53 129, RGB 192 185 53 and RGB 53 192 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

Complementary color

CMYK 0 / 2 / 70 / 21

HEX #CAC53D

RGB 202 197 61

HSL 57.87, 0.57%, 0.52%

LAB 77.77, -14.01, 65.18

 

CMYK 69 / 69 / 0 / 26

HEX #3A3ABD

RGB 58 58 189

HSL 240, 0.53%, 0.48%

LAB 33.14, 42.1, -68.5

 

CMYK 64 / 63 / 0 / 18

HEX #4B4CD0

RGB 75 76 208

HSL 239.55, 0.59%, 0.55%

LAB 39.95, 39.85, -68.37

 

CMYK 59 / 59 / 0 / 11

HEX #5C5EE3

RGB 92 94 227

HSL 239.11, 0.71%, 0.63%

LAB 46.75, 37.84, -68.1

 

CMYK 56 / 54 / 0 / 4

HEX #6D70F6

RGB 109 112 246

HSL 238.69, 0.88%, 0.7%

LAB 53.49, 36.07, -67.77

 

CMYK 51 / 49 / 0 / 0

HEX #7E82FF

RGB 126 130 255

HSL 238.14, 1%, 0.75%

LAB 59.54, 31.51, -62.93

 

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

CMYK 79 / 77 / 0 / 31

HEX #2428AF

RGB 36 40 175

HSL 238.27, 0.66%, 0.41%

LAB 26.7, 45.72, -70.84

 

CMYK 88 / 86 / 0 / 39

HEX #13169C

RGB 19 22 156

HSL 238.69, 0.78%, 0.34%

LAB 20.49, 47.78, -69.65

 

CMYK 99 / 97 / 0 / 46

HEX #020489

RGB 2 4 137

HSL 239.11, 0.97%, 0.27%

LAB 14.99, 48.44, -67.04

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 72 / 70 / 0 / 25

HEX #353AC0

RGB 53 58 192

HSL 237.84, 0.57%, 0.48%

LAB 33.11, 42.55, -70.32

 

CMYK 56 / 72 / 0 / 25

HEX #5535C0

RGB 85 53 192

HSL 253.81, 0.57%, 0.48%

LAB 34.57, 49.42, -67.84

 

CMYK 36 / 72 / 0 / 25

HEX #7B35C0

RGB 123 53 192

HSL 270.22, 0.57%, 0.48%

LAB 38.83, 55.77, -60.69

 

CMYK 16 / 72 / 0 / 25

HEX #A135C0

RGB 161 53 192

HSL 286.62, 0.57%, 0.48%

LAB 44.13, 63.23, -51.87

 

CMYK 0 / 72 / 3 / 25

HEX #C035BA

RGB 192 53 186

HSL 302.59, 0.57%, 0.48%

LAB 48.63, 68.79, -40.9

 

CMYK 72 / 70 / 0 / 25

HEX #353AC0

RGB 53 58 192

HSL 237.84, 0.57%, 0.48%

LAB 33.11, 42.55, -70.32

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 72 / 70 / 0 / 25

HEX #353AC0

RGB 53 58 192

HSL 237.84, 0.57%, 0.48%

LAB 33.11, 42.55, -70.32

 

CMYK 84 / 82 / 0 / 17

HEX #2127D4

RGB 33 39 212

HSL 237.99, 0.73%, 0.48%

LAB 30.71, 57.84, -86

 

CMYK 94 / 91 / 0 / 9

HEX #0D15E8

RGB 13 21 232

HSL 237.81, 0.89%, 0.48%

LAB 30.52, 69.7, -97.83

 

CMYK 72 / 70 / 0 / 25

HEX #353AC0

RGB 53 58 192

HSL 237.84, 0.57%, 0.48%

LAB 33.11, 42.55, -70.32

 

CMYK 58 / 56 / 0 / 33

HEX #484CAC

RGB 72 76 172

HSL 237.6, 0.41%, 0.48%

LAB 36.98, 27.29, -52.14

 

CMYK 40 / 39 / 0 / 40

HEX #5C5E99

RGB 92 94 153

HSL 238.03, 0.25%, 0.48%

LAB 42.12, 14.56, -32.51

 

CMYK 16 / 15 / 0 / 48

HEX #707185

RGB 112 113 133

HSL 237.14, 0.09%, 0.48%

LAB 48.2, 4.02, -11.09

 

CMYK 0 / 1 / 14 / 48

HEX #848371

RGB 132 131 113

HSL 56.84, 0.08%, 0.48%

LAB 54.38, -2.94, 9.88

 

CMYK 72 / 30 / 0 / 25

HEX #3586C0

RGB 53 134 192

HSL 205.04, 0.57%, 0.48%

LAB 53.61, -5.12, -37.32

 

CMYK 72 / 49 / 0 / 25

HEX #3561C0

RGB 53 97 192

HSL 221.01, 0.57%, 0.48%

LAB 42.93, 17.72, -54.32

 

CMYK 72 / 69 / 0 / 25

HEX #353CC0

RGB 53 60 192

HSL 236.98, 0.57%, 0.48%

LAB 33.55, 41.35, -69.59

 

CMYK 57 / 72 / 0 / 25

HEX #5335C0

RGB 83 53 192

HSL 252.95, 0.57%, 0.48%

LAB 34.38, 49.13, -68.15

 

CMYK 38 / 72 / 0 / 25

HEX #7835C0

RGB 120 53 192

HSL 268.92, 0.57%, 0.48%

LAB 38.45, 55.22, -61.32

 

CMYK 72 / 70 / 0 / 50

HEX #23267F

RGB 35 38 127

HSL 238.04, 0.57%, 0.32%

LAB 21.12, 30.03, -50.52

 

CMYK 73 / 70 / 0 / 37

HEX #2C30A0

RGB 44 48 160

HSL 237.93, 0.57%, 0.4%

LAB 27.26, 36.6, -60.85

 

CMYK 72 / 70 / 0 / 25

HEX #353AC0

RGB 53 58 192

HSL 237.84, 0.57%, 0.48%

LAB 33.11, 42.55, -70.32

 

CMYK 62 / 59 / 0 / 19

HEX #4F54CF

RGB 79 84 207

HSL 237.66, 0.57%, 0.56%

LAB 42.01, 35.25, -64.42

 

CMYK 48 / 47 / 0 / 15

HEX #7073D8

RGB 112 115 216

HSL 238.27, 0.57%, 0.64%

LAB 52.58, 25.64, -52.4

 

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

CMYK 0 / 72 / 11 / 25

HEX #C035AB

RGB 192 53 171

HSL 309.06, 0.57%, 0.48%

LAB 47.87, 66.49, -33.3

 

CMYK 40 / 0 / 72 / 25

HEX #73C035

RGB 115 192 53

HSL 93.24, 0.57%, 0.48%

LAB 70.6, -46.36, 59.07

 

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

CMYK 0 / 72 / 69 / 25

HEX #C0353C

RGB 192 53 60

HSL 356.98, 0.57%, 0.48%

LAB 44.35, 55.16, 29.07

 

CMYK 69 / 0 / 72 / 25

HEX #3CC035

RGB 60 192 53

HSL 116.98, 0.57%, 0.48%

LAB 68.69, -61.08, 56.53

 

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

CMYK 0 / 72 / 11 / 25

HEX #C035AB

RGB 192 53 171

HSL 309.06, 0.57%, 0.48%

LAB 47.87, 66.49, -33.3

 

CMYK 0 / 4 / 72 / 25

HEX #C0B935

RGB 192 185 53

HSL 56.98, 0.57%, 0.48%

LAB 73.65, -12.57, 63.78

 

CMYK 72 / 0 / 61 / 25

HEX #35C04A

RGB 53 192 74

HSL 129.06, 0.57%, 0.48%

LAB 68.72, -60.25, 47.93

 

CMYK 73 / 70 / 0 / 24

HEX #353AC2

RGB 53 58 194

HSL 237.87, 0.57%, 0.48%

LAB 33.3, 43.23, -71.18

 

CMYK 0 / 72 / 33 / 25

HEX #C03581

RGB 192 53 129

HSL 327.19, 0.57%, 0.48%

LAB 46.09, 60.93, -10.85

 

CMYK 0 / 4 / 72 / 25

HEX #C0B935

RGB 192 185 53

HSL 56.98, 0.57%, 0.48%

LAB 73.65, -12.57, 63.78

 

CMYK 72 / 0 / 40 / 25

HEX #35C073

RGB 53 192 115

HSL 146.76, 0.57%, 0.48%

LAB 69.25, -54.03, 28.49

 

Description

Color code: RGB 53 58 194 | qconv.com Color code: RGB 53 58 194 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 58 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 58 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 70 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 70% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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