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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 50 28 it is the complementary color RGB 202 205 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 50 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 50 28 shade: RGB 58 50 23, RGB 75 68 42, RGB 92 86 61, RGB 109 104 80 and RGB 126 122 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 50 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 36 32 9, RGB 19 14 0, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 53 44 28, RGB 53 37 28, RGB 53 30 28 and RGB 53 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 50 53 28, RGB 43 53 28, RGB 36 53 28 and RGB 29 53 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 50 28 shade matches the following richer shades: RGB 53 50 28, RGB 60 55 22, RGB 67 60 15, RGB 73 65 8 and RGB 80 70 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 47 45 35, RGB 40 40 41, RGB 34 35 48 and RGB 27 30 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 50 28 shade: RGB 53 37 28, RGB 53 43 28, RGB 53 50 28, RGB 50 53 28 and RGB 43 53 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 50 28 shade: RGB 0 0 0, RGB 26 25 14, RGB 53 50 28, RGB 80 76 42 and RGB 107 101 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 28 53 30 and RGB 40 28 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 28 53 50 and RGB 50 28 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 28 53 30, RGB 28 32 53 and RGB 53 28 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 50 28 shade: RGB 53 50 28, RGB 28 53 37, RGB 28 32 53 and RGB 53 28 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

Complementary color

CMYK 11 / 10 / 0 / 11

HEX #CACDE3

RGB 202 205 227

HSL 232.8, 0.31%, 0.84%

LAB 82.79, 3.23, -11.21

 

CMYK 0 / 14 / 60 / 77

HEX #3A3217

RGB 58 50 23

HSL 46.29, 0.43%, 0.16%

LAB 20.99, -0.72, 18.35

 

CMYK 0 / 9 / 44 / 71

HEX #4B442A

RGB 75 68 42

HSL 47.27, 0.28%, 0.23%

LAB 28.9, -1.46, 16.83

 

CMYK 0 / 7 / 34 / 64

HEX #5C563D

RGB 92 86 61

HSL 48.39, 0.2%, 0.3%

LAB 36.49, -1.94, 15.47

 

CMYK 0 / 5 / 27 / 57

HEX #6D6850

RGB 109 104 80

HSL 49.66, 0.15%, 0.37%

LAB 43.84, -2.3, 14.26

 

CMYK 0 / 3 / 21 / 51

HEX #7E7A63

RGB 126 122 99

HSL 51.11, 0.12%, 0.44%

LAB 50.98, -2.58, 13.17

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 0 / 11 / 75 / 86

HEX #242009

RGB 36 32 9

HSL 51.11, 0.6%, 0.09%

LAB 12.14, -1.93, 14.27

 

CMYK 0 / 26 / 100 / 93

HEX #130E00

RGB 19 14 0

HSL 44.21, 1%, 0.04%

LAB 4.09, -0.18, 6.12

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 0 / 17 / 47 / 79

HEX #352C1C

RGB 53 44 28

HSL 38.4, 0.31%, 0.16%

LAB 18.55, 1.32, 11.92

 

CMYK 0 / 30 / 47 / 79

HEX #35251C

RGB 53 37 28

HSL 21.6, 0.31%, 0.16%

LAB 16.32, 6.11, 8.96

 

CMYK 0 / 43 / 47 / 79

HEX #351E1C

RGB 53 30 28

HSL 4.8, 0.31%, 0.16%

LAB 14.23, 10.95, 6.09

 

CMYK 0 / 47 / 47 / 79

HEX #351C1C

RGB 53 28 28

HSL 0, 0.31%, 0.16%

LAB 13.66, 12.31, 5.3

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 6 / 0 / 47 / 79

HEX #32351C

RGB 50 53 28

HSL 67.2, 0.31%, 0.16%

LAB 21.24, -6.12, 15.32

 

CMYK 19 / 0 / 47 / 79

HEX #2B351C

RGB 43 53 28

HSL 84, 0.31%, 0.16%

LAB 20.61, -9.52, 14.39

 

CMYK 32 / 0 / 47 / 79

HEX #24351C

RGB 36 53 28

HSL 100.8, 0.31%, 0.16%

LAB 20.06, -12.73, 13.58

 

CMYK 45 / 0 / 47 / 79

HEX #1D351C

RGB 29 53 28

HSL 117.6, 0.31%, 0.16%

LAB 19.6, -15.67, 12.89

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 0 / 8 / 63 / 76

HEX #3C3716

RGB 60 55 22

HSL 52.11, 0.46%, 0.16%

LAB 22.83, -3.04, 21.18

 

CMYK 0 / 10 / 78 / 74

HEX #433C0F

RGB 67 60 15

HSL 51.92, 0.63%, 0.16%

LAB 25.14, -3.15, 27.68

 

CMYK 0 / 11 / 89 / 71

HEX #494108

RGB 73 65 8

HSL 52.62, 0.8%, 0.16%

LAB 27.34, -3.51, 32.98

 

CMYK 0 / 13 / 98 / 69

HEX #504602

RGB 80 70 2

HSL 52.31, 0.95%, 0.16%

LAB 29.64, -3.21, 37.62

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 0 / 4 / 26 / 82

HEX #2F2D23

RGB 47 45 35

HSL 50, 0.15%, 0.16%

LAB 18.38, -1.2, 6.81

 

CMYK 2 / 2 / 0 / 84

HEX #282829

RGB 40 40 41

HSL 240, 0.01%, 0.16%

LAB 16.15, 0.24, -0.66

 

CMYK 29 / 27 / 0 / 81

HEX #222330

RGB 34 35 48

HSL 235.71, 0.17%, 0.16%

LAB 14.15, 3.18, -8.7

 

CMYK 51 / 45 / 0 / 78

HEX #1B1E37

RGB 27 30 55

HSL 233.57, 0.34%, 0.16%

LAB 12.2, 6.73, -16.77

 

CMYK 0 / 30 / 47 / 79

HEX #35251C

RGB 53 37 28

HSL 21.6, 0.31%, 0.16%

LAB 16.32, 6.11, 8.96

 

CMYK 0 / 19 / 47 / 79

HEX #352B1C

RGB 53 43 28

HSL 36, 0.31%, 0.16%

LAB 18.23, 2, 11.49

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 6 / 0 / 47 / 79

HEX #32351C

RGB 50 53 28

HSL 67.2, 0.31%, 0.16%

LAB 21.24, -6.12, 15.32

 

CMYK 19 / 0 / 47 / 79

HEX #2B351C

RGB 43 53 28

HSL 84, 0.31%, 0.16%

LAB 20.61, -9.52, 14.39

 

CMYK 0 / 4 / 46 / 90

HEX #1A190E

RGB 26 25 14

HSL 55, 0.3%, 0.08%

LAB 8.54, -1.87, 6.81

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 0 / 5 / 48 / 69

HEX #504C2A

RGB 80 76 42

HSL 53.68, 0.31%, 0.24%

LAB 31.9, -4.01, 20.76

 

CMYK 0 / 6 / 47 / 58

HEX #6B6539

RGB 107 101 57

HSL 52.8, 0.3%, 0.32%

LAB 42.35, -4.53, 25.68

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 47 / 0 / 43 / 79

HEX #1C351E

RGB 28 53 30

HSL 124.8, 0.31%, 0.16%

LAB 19.58, -15.66, 11.55

 

CMYK 25 / 47 / 0 / 79

HEX #281C35

RGB 40 28 53

HSL 268.8, 0.31%, 0.16%

LAB 12.85, 12.12, -14.23

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 47 / 0 / 6 / 79

HEX #1C3532

RGB 28 53 50

HSL 172.8, 0.31%, 0.16%

LAB 20.14, -10.56, -1.16

 

CMYK 6 / 47 / 0 / 79

HEX #321C35

RGB 50 28 53

HSL 292.8, 0.31%, 0.16%

LAB 14.21, 15.94, -12.02

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 47 / 0 / 43 / 79

HEX #1C351E

RGB 28 53 30

HSL 124.8, 0.31%, 0.16%

LAB 19.58, -15.66, 11.55

 

CMYK 47 / 40 / 0 / 79

HEX #1C2035

RGB 28 32 53

HSL 230.4, 0.31%, 0.16%

LAB 12.84, 4.84, -14.34

 

CMYK 0 / 47 / 2 / 79

HEX #351C34

RGB 53 28 52

HSL 302.4, 0.31%, 0.16%

LAB 14.6, 16.87, -10.66

 

CMYK 0 / 6 / 47 / 79

HEX #35321C

RGB 53 50 28

HSL 52.8, 0.31%, 0.16%

LAB 20.53, -2.68, 14.48

 

CMYK 47 / 0 / 30 / 79

HEX #1C3525

RGB 28 53 37

HSL 141.6, 0.31%, 0.16%

LAB 19.75, -14.1, 7.12

 

CMYK 47 / 40 / 0 / 79

HEX #1C2035

RGB 28 32 53

HSL 230.4, 0.31%, 0.16%

LAB 12.84, 4.84, -14.34

 

CMYK 0 / 47 / 17 / 79

HEX #351C2C

RGB 53 28 44

HSL 321.6, 0.31%, 0.16%

LAB 14.23, 15.13, -5.49

 

Description

Color code: RGB 53 50 28 | qconv.com Color code: RGB 53 50 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 50 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 50 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 47 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 47% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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