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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 48 37 it is the complementary color RGB 202 207 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 48 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 48 37 shade: RGB 58 48 32, RGB 75 66 51, RGB 92 84 70, RGB 109 102 89 and RGB 126 120 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 48 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 48 37 shade: RGB 53 48 37, RGB 36 30 18, RGB 19 12 0, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 48 37 shade: RGB 54 49 38, RGB 54 45 38, RGB 54 40 38 and RGB 54 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 48 37 shade: RGB 54 49 38, RGB 54 53 38, RGB 50 54 38, RGB 46 54 38 and RGB 42 54 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 48 37 shade matches the following richer shades: RGB 54 49 38, RGB 62 52 30, RGB 69 55 23, RGB 76 57 15 and RGB 84 60 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 48 37 shade: RGB 54 49 38, RGB 47 46 45, RGB 39 43 52, RGB 32 41 60 and RGB 24 38 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 48 37 shade: RGB 54 40 38, RGB 54 45 38, RGB 54 49 38, RGB 54 53 38 and RGB 51 54 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 48 37 shade: RGB 5 5 4, RGB 30 27 21, RGB 54 49 38, RGB 79 71 55 and RGB 103 93 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 48 37 shade: RGB 53 48 37, RGB 40 54 38 and RGB 42 38 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 48 37 shade: RGB 53 48 37, RGB 38 54 49 and RGB 49 38 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 48 37 shade: RGB 53 48 37, RGB 40 54 38, RGB 38 43 54 and RGB 52 38 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 48 37 shade: RGB 53 48 37, RGB 38 54 41, RGB 38 43 54 and RGB 54 38 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

Complementary color

CMYK 7 / 5 / 0 / 15

HEX #CACFDA

RGB 202 207 218

HSL 221.25, 0.18%, 0.82%

LAB 83.04, 0.39, -6.04

 

CMYK 0 / 17 / 45 / 77

HEX #3A3020

RGB 58 48 32

HSL 36.92, 0.29%, 0.18%

LAB 20.51, 1.74, 11.93

 

CMYK 0 / 12 / 32 / 71

HEX #4B4233

RGB 75 66 51

HSL 37.5, 0.19%, 0.25%

LAB 28.46, 1.13, 10.55

 

CMYK 0 / 9 / 24 / 64

HEX #5C5446

RGB 92 84 70

HSL 38.18, 0.14%, 0.32%

LAB 36.1, 0.69, 9.38

 

CMYK 0 / 6 / 18 / 57

HEX #6D6659

RGB 109 102 89

HSL 39, 0.1%, 0.39%

LAB 43.47, 0.36, 8.34

 

CMYK 0 / 5 / 14 / 51

HEX #7E786C

RGB 126 120 108

HSL 40, 0.08%, 0.46%

LAB 50.63, 0.08, 7.41

 

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

CMYK 0 / 17 / 50 / 86

HEX #241E12

RGB 36 30 18

HSL 40, 0.33%, 0.11%

LAB 11.6, 0.63, 9.08

 

CMYK 0 / 37 / 100 / 93

HEX #130C00

RGB 19 12 0

HSL 37.89, 1%, 0.04%

LAB 3.63, 0.76, 5.44

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 17 / 30 / 79

HEX #362D26

RGB 54 45 38

HSL 26.25, 0.17%, 0.18%

LAB 19.23, 2.75, 6.05

 

CMYK 0 / 26 / 30 / 79

HEX #362826

RGB 54 40 38

HSL 7.5, 0.17%, 0.18%

LAB 17.65, 6.17, 3.83

 

CMYK 0 / 30 / 30 / 79

HEX #362626

RGB 54 38 38

HSL 0, 0.17%, 0.18%

LAB 17.04, 7.55, 2.95

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 2 / 30 / 79

HEX #363526

RGB 54 53 38

HSL 56.25, 0.17%, 0.18%

LAB 21.84, -2.58, 9.65

 

CMYK 7 / 0 / 30 / 79

HEX #323626

RGB 50 54 38

HSL 75, 0.17%, 0.18%

LAB 21.79, -5.13, 9.51

 

CMYK 15 / 0 / 30 / 79

HEX #2E3626

RGB 46 54 38

HSL 90, 0.17%, 0.18%

LAB 21.43, -6.98, 8.97

 

CMYK 22 / 0 / 30 / 79

HEX #2A3626

RGB 42 54 38

HSL 105, 0.17%, 0.18%

LAB 21.1, -8.78, 8.46

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 16 / 52 / 76

HEX #3E341E

RGB 62 52 30

HSL 41.25, 0.35%, 0.18%

LAB 22.21, 0.84, 15.54

 

CMYK 0 / 20 / 67 / 73

HEX #453717

RGB 69 55 23

HSL 41.74, 0.5%, 0.18%

LAB 23.87, 1.72, 22.05

 

CMYK 0 / 25 / 80 / 70

HEX #4C390F

RGB 76 57 15

HSL 41.31, 0.67%, 0.18%

LAB 25.25, 3.47, 28.13

 

CMYK 0 / 29 / 90 / 67

HEX #543C08

RGB 84 60 8

HSL 41.05, 0.83%, 0.18%

LAB 27.11, 5.38, 33.29

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 2 / 4 / 82

HEX #2F2E2D

RGB 47 46 45

HSL 30, 0.02%, 0.18%

LAB 19, 0.22, 0.8

 

CMYK 25 / 17 / 0 / 80

HEX #272B34

RGB 39 43 52

HSL 221.54, 0.14%, 0.18%

LAB 17.49, 0.68, -6.39

 

CMYK 47 / 32 / 0 / 76

HEX #20293C

RGB 32 41 60

HSL 220.71, 0.3%, 0.18%

LAB 16.6, 2.08, -13.39

 

CMYK 64 / 43 / 0 / 74

HEX #182643

RGB 24 38 67

HSL 220.47, 0.47%, 0.18%

LAB 15.41, 4.52, -20.15

 

CMYK 0 / 26 / 30 / 79

HEX #362826

RGB 54 40 38

HSL 7.5, 0.17%, 0.18%

LAB 17.65, 6.17, 3.83

 

CMYK 0 / 17 / 30 / 79

HEX #362D26

RGB 54 45 38

HSL 26.25, 0.17%, 0.18%

LAB 19.23, 2.75, 6.05

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 2 / 30 / 79

HEX #363526

RGB 54 53 38

HSL 56.25, 0.17%, 0.18%

LAB 21.84, -2.58, 9.65

 

CMYK 6 / 0 / 30 / 79

HEX #333626

RGB 51 54 38

HSL 71.25, 0.17%, 0.18%

LAB 21.88, -4.66, 9.66

 

CMYK 0 / 0 / 20 / 98

HEX #050504

RGB 5 5 4

HSL 60, 0.11%, 0.02%

LAB 1.35, -0.14, 0.38

 

CMYK 0 / 10 / 30 / 88

HEX #1E1B15

RGB 30 27 21

HSL 40, 0.18%, 0.1%

LAB 9.91, 0.14, 4.66

 

CMYK 0 / 9 / 30 / 79

HEX #363126

RGB 54 49 38

HSL 41.25, 0.17%, 0.18%

LAB 20.52, 0.06, 7.85

 

CMYK 0 / 10 / 30 / 69

HEX #4F4737

RGB 79 71 55

HSL 40, 0.18%, 0.26%

LAB 30.51, 0.46, 10.87

 

CMYK 0 / 10 / 31 / 60

HEX #675D47

RGB 103 93 71

HSL 41.25, 0.18%, 0.34%

LAB 39.86, 0.24, 14.12

 

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

CMYK 26 / 0 / 30 / 79

HEX #283626

RGB 40 54 38

HSL 112.5, 0.17%, 0.18%

LAB 20.94, -9.66, 8.22

 

CMYK 22 / 30 / 0 / 79

HEX #2A2636

RGB 42 38 54

HSL 255, 0.17%, 0.18%

LAB 16.23, 5.99, -9.69

 

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

CMYK 30 / 0 / 9 / 79

HEX #263631

RGB 38 54 49

HSL 161.25, 0.17%, 0.18%

LAB 21.1, -7.88, 1.01

 

CMYK 9 / 30 / 0 / 79

HEX #312636

RGB 49 38 54

HSL 281.25, 0.17%, 0.18%

LAB 17.02, 8.84, -8.42

 

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

CMYK 26 / 0 / 30 / 79

HEX #283626

RGB 40 54 38

HSL 112.5, 0.17%, 0.18%

LAB 20.94, -9.66, 8.22

 

CMYK 30 / 20 / 0 / 79

HEX #262B36

RGB 38 43 54

HSL 221.25, 0.17%, 0.18%

LAB 17.49, 0.88, -7.8

 

CMYK 4 / 30 / 0 / 79

HEX #342636

RGB 52 38 54

HSL 292.5, 0.17%, 0.18%

LAB 17.38, 10.09, -7.83

 

CMYK 0 / 9 / 30 / 79

HEX #353025

RGB 53 48 37

HSL 41.25, 0.18%, 0.18%

LAB 20.06, 0.06, 7.87

 

CMYK 30 / 0 / 24 / 79

HEX #263629

RGB 38 54 41

HSL 131.25, 0.17%, 0.18%

LAB 20.87, -9.85, 6.09

 

CMYK 30 / 20 / 0 / 79

HEX #262B36

RGB 38 43 54

HSL 221.25, 0.17%, 0.18%

LAB 17.49, 0.88, -7.8

 

CMYK 0 / 30 / 6 / 79

HEX #362633

RGB 54 38 51

HSL 311.25, 0.17%, 0.18%

LAB 17.5, 10.23, -5.51

 

Description

Color code: RGB 53 48 37 | qconv.com Color code: RGB 53 48 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 48 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 48 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 30 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 30% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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