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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 46 205 it is the complementary color RGB 202 209 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 46 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 46 205 shade: RGB 58 46 200, RGB 75 64 219, RGB 92 82 238, RGB 109 100 255 and RGB 126 118 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 46 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 46 205 shade: RGB 53 46 205, RGB 36 28 186, RGB 19 10 167, RGB 2 0 148 and RGB 0 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 46 205 shade: RGB 53 46 204, RGB 96 46 204, RGB 138 46 204, RGB 181 46 204 and RGB 204 46 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 46 205 shade: RGB 53 46 204 and RGB 46 46 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 46 205 shade matches the following richer shades: RGB 53 46 204, RGB 35 26 224 and RGB 16 6 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 46 205 shade: RGB 53 46 204, RGB 72 66 183, RGB 90 87 163, RGB 108 107 143 and RGB 127 127 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 46 205 shade: RGB 46 125 204, RGB 46 83 204, RGB 51 46 204, RGB 93 46 204 and RGB 135 46 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 46 205 shade: RGB 36 31 136, RGB 44 39 170, RGB 53 46 204, RGB 83 77 215 and RGB 115 110 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 46 205 shade: RGB 53 46 205, RGB 204 46 167 and RGB 104 204 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 46 205 shade: RGB 53 46 205, RGB 204 51 46 and RGB 46 204 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 46 205 shade: RGB 53 46 205, RGB 204 46 167, RGB 198 204 46 and RGB 46 204 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 46 205 shade: RGB 53 46 205, RGB 204 46 120, RGB 198 204 46 and RGB 46 204 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

Complementary color

CMYK 3 / 0 / 76 / 18

HEX #CAD132

RGB 202 209 50

HSL 62.64, 0.63%, 0.51%

LAB 80.95, -20.47, 71.88

 

CMYK 71 / 77 / 0 / 22

HEX #3A2EC8

RGB 58 46 200

HSL 244.68, 0.63%, 0.48%

LAB 31.86, 52.29, -77.06

 

CMYK 66 / 71 / 0 / 14

HEX #4B40DB

RGB 75 64 219

HSL 244.26, 0.68%, 0.55%

LAB 38.34, 50.36, -77.34

 

CMYK 61 / 66 / 0 / 7

HEX #5C52EE

RGB 92 82 238

HSL 243.85, 0.82%, 0.63%

LAB 44.92, 48.38, -77.29

 

CMYK 57 / 61 / 0 / 0

HEX #6D64FF

RGB 109 100 255

HSL 243.48, 1%, 0.7%

LAB 51.37, 45.91, -76.21

 

CMYK 51 / 54 / 0 / 0

HEX #7E76FF

RGB 126 118 255

HSL 243.5, 1%, 0.73%

LAB 56.7, 38.55, -67.51

 

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

CMYK 81 / 85 / 0 / 27

HEX #241CBA

RGB 36 28 186

HSL 243.04, 0.74%, 0.42%

LAB 26.01, 55, -78.55

 

CMYK 89 / 94 / 0 / 35

HEX #130AA7

RGB 19 10 167

HSL 243.44, 0.89%, 0.35%

LAB 20.62, 55.21, -76.15

 

CMYK 99 / 100 / 0 / 42

HEX #020094

RGB 2 0 148

HSL 240.81, 1%, 0.29%

LAB 16.26, 52.81, -71.79

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 74 / 77 / 0 / 20

HEX #352ECC

RGB 53 46 204

HSL 242.66, 0.63%, 0.49%

LAB 31.97, 53.12, -79.23

 

CMYK 53 / 77 / 0 / 20

HEX #602ECC

RGB 96 46 204

HSL 258.99, 0.63%, 0.49%

LAB 35.6, 57.64, -73.11

 

CMYK 32 / 77 / 0 / 20

HEX #8A2ECC

RGB 138 46 204

HSL 274.94, 0.63%, 0.49%

LAB 40.76, 63.98, -64.45

 

CMYK 11 / 77 / 0 / 20

HEX #B52ECC

RGB 181 46 204

HSL 291.27, 0.63%, 0.49%

LAB 47.15, 71.71, -53.81

 

CMYK 0 / 77 / 10 / 20

HEX #CC2EB8

RGB 204 46 184

HSL 307.59, 0.63%, 0.49%

LAB 49.8, 73.15, -37.76

 

CMYK 74 / 77 / 0 / 20

HEX #352ECC

RGB 53 46 204

HSL 242.66, 0.63%, 0.49%

LAB 31.97, 53.12, -79.23

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECC

RGB 46 46 204

HSL 240, 0.63%, 0.49%

LAB 31.57, 52.61, -79.9

 

CMYK 74 / 77 / 0 / 20

HEX #352ECC

RGB 53 46 204

HSL 242.66, 0.63%, 0.49%

LAB 31.97, 53.12, -79.23

 

CMYK 84 / 88 / 0 / 12

HEX #231AE0

RGB 35 26 224

HSL 242.73, 0.79%, 0.49%

LAB 30.59, 66.46, -93.11

 

CMYK 93 / 98 / 0 / 4

HEX #1006F4

RGB 16 6 244

HSL 242.52, 0.95%, 0.49%

LAB 31.28, 75.73, -103.37

 

CMYK 74 / 77 / 0 / 20

HEX #352ECC

RGB 53 46 204

HSL 242.66, 0.63%, 0.49%

LAB 31.97, 53.12, -79.23

 

CMYK 61 / 64 / 0 / 28

HEX #4842B7

RGB 72 66 183

HSL 243.08, 0.47%, 0.49%

LAB 35.39, 37.23, -61.24

 

CMYK 45 / 47 / 0 / 36

HEX #5A57A3

RGB 90 87 163

HSL 242.37, 0.3%, 0.49%

LAB 40.63, 21.44, -40.85

 

CMYK 24 / 25 / 0 / 44

HEX #6C6B8F

RGB 108 107 143

HSL 241.67, 0.14%, 0.49%

LAB 46.56, 8.7, -19.55

 

CMYK 0 / 0 / 3 / 50

HEX #7F7F7B

RGB 127 127 123

HSL 60, 0.02%, 0.49%

LAB 53.08, -0.78, 2.16

 

CMYK 77 / 39 / 0 / 20

HEX #2E7DCC

RGB 46 125 204

HSL 210, 0.63%, 0.49%

LAB 51.39, 3.71, -47.68

 

CMYK 77 / 59 / 0 / 20

HEX #2E53CC

RGB 46 83 204

HSL 225.95, 0.63%, 0.49%

LAB 39.79, 30.43, -66.37

 

CMYK 75 / 77 / 0 / 20

HEX #332ECC

RGB 51 46 204

HSL 241.9, 0.63%, 0.49%

LAB 31.85, 52.96, -79.43

 

CMYK 54 / 77 / 0 / 20

HEX #5D2ECC

RGB 93 46 204

HSL 257.85, 0.63%, 0.49%

LAB 35.28, 57.26, -73.64

 

CMYK 34 / 77 / 0 / 20

HEX #872ECC

RGB 135 46 204

HSL 273.8, 0.63%, 0.49%

LAB 40.35, 63.48, -65.14

 

CMYK 74 / 77 / 0 / 47

HEX #241F88

RGB 36 31 136

HSL 242.86, 0.63%, 0.33%

LAB 20.57, 37.65, -57.09

 

CMYK 74 / 77 / 0 / 33

HEX #2C27AA

RGB 44 39 170

HSL 242.29, 0.63%, 0.41%

LAB 26.42, 45.24, -68.29

 

CMYK 74 / 77 / 0 / 20

HEX #352ECC

RGB 53 46 204

HSL 242.66, 0.63%, 0.49%

LAB 31.97, 53.12, -79.23

 

CMYK 61 / 64 / 0 / 16

HEX #534DD7

RGB 83 77 215

HSL 242.61, 0.63%, 0.57%

LAB 41.3, 42.71, -70.16

 

CMYK 48 / 50 / 0 / 13

HEX #736EDE

RGB 115 110 222

HSL 242.68, 0.63%, 0.65%

LAB 51.92, 31.12, -56.84

 

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

CMYK 0 / 77 / 18 / 20

HEX #CC2EA7

RGB 204 46 167

HSL 314.05, 0.63%, 0.49%

LAB 48.98, 70.8, -29.04

 

CMYK 49 / 0 / 77 / 20

HEX #68CC2E

RGB 104 204 46

HSL 97.97, 0.63%, 0.49%

LAB 73.76, -55, 64.33

 

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

CMYK 0 / 75 / 77 / 20

HEX #CC332E

RGB 204 51 46

HSL 1.9, 0.63%, 0.49%

LAB 46.18, 58.95, 39.86

 

CMYK 77 / 0 / 75 / 20

HEX #2ECC33

RGB 46 204 51

HSL 121.9, 0.63%, 0.49%

LAB 72.23, -67.31, 60.71

 

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

CMYK 0 / 77 / 18 / 20

HEX #CC2EA7

RGB 204 46 167

HSL 314.05, 0.63%, 0.49%

LAB 48.98, 70.8, -29.04

 

CMYK 3 / 0 / 77 / 20

HEX #C6CC2E

RGB 198 204 46

HSL 62.28, 0.63%, 0.49%

LAB 79.26, -19.85, 71.43

 

CMYK 77 / 0 / 59 / 20

HEX #2ECC53

RGB 46 204 83

HSL 134.05, 0.63%, 0.49%

LAB 72.49, -64.16, 48.2

 

CMYK 74 / 78 / 0 / 20

HEX #352ECD

RGB 53 46 205

HSL 242.64, 0.63%, 0.49%

LAB 32.08, 53.43, -79.63

 

CMYK 0 / 77 / 41 / 20

HEX #CC2E78

RGB 204 46 120

HSL 331.9, 0.63%, 0.49%

LAB 47.17, 65.37, -3.52

 

CMYK 3 / 0 / 77 / 20

HEX #C6CC2E

RGB 198 204 46

HSL 62.28, 0.63%, 0.49%

LAB 79.26, -19.85, 71.43

 

CMYK 77 / 0 / 36 / 20

HEX #2ECC82

RGB 46 204 130

HSL 151.9, 0.63%, 0.49%

LAB 73.14, -56.56, 25.8

 

Description

Color code: RGB 53 46 205 | qconv.com Color code: RGB 53 46 205 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 46 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 46 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 78 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 78% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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