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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 44 69 it is the complementary color RGB 202 211 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 44 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 44 69 shade: RGB 58 44 64, RGB 75 62 83, RGB 92 80 102, RGB 109 98 121 and RGB 126 116 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 44 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 44 69 shade: RGB 53 44 69, RGB 36 26 50, RGB 19 8 31, RGB 2 0 12 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 44 69 shade: RGB 53 44 68, RGB 59 44 68, RGB 66 44 68, RGB 68 44 64 and RGB 68 44 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 44 69 shade: RGB 53 44 68, RGB 46 44 68 and RGB 44 44 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 44 69 shade matches the following richer shades: RGB 53 44 68, RGB 50 35 78, RGB 48 26 87, RGB 45 17 96 and RGB 42 7 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 44 69 shade: RGB 53 44 68, RGB 55 53 59, RGB 58 62 50, RGB 60 71 41 and RGB 63 80 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 44 69 shade: RGB 44 48 68, RGB 46 44 68, RGB 52 44 68, RGB 59 44 68 and RGB 66 44 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 44 69 shade: RGB 14 12 18, RGB 33 28 43, RGB 53 44 68, RGB 72 60 94 and RGB 91 76 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 44 69 shade: RGB 53 44 69, RGB 68 44 55 and RGB 45 68 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 44 69 shade: RGB 53 44 69, RGB 68 52 44 and RGB 44 68 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 44 69 shade: RGB 53 44 69, RGB 68 44 55, RGB 60 68 44 and RGB 44 68 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 44 69 shade: RGB 53 44 69, RGB 68 44 47, RGB 60 68 44 and RGB 44 68 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

Complementary color

CMYK 4 / 0 / 12 / 17

HEX #CAD3BA

RGB 202 211 186

HSL 81.6, 0.22%, 0.78%

LAB 83.28, -7.48, 11.34

 

CMYK 9 / 31 / 0 / 75

HEX #3A2C40

RGB 58 44 64

HSL 282, 0.19%, 0.21%

LAB 20.33, 10.89, -10.19

 

CMYK 10 / 25 / 0 / 67

HEX #4B3E53

RGB 75 62 83

HSL 277.14, 0.14%, 0.28%

LAB 28.29, 10.22, -10.54

 

CMYK 10 / 22 / 0 / 60

HEX #5C5066

RGB 92 80 102

HSL 272.73, 0.12%, 0.36%

LAB 35.93, 9.66, -10.91

 

CMYK 10 / 19 / 0 / 53

HEX #6D6279

RGB 109 98 121

HSL 268.7, 0.11%, 0.43%

LAB 43.31, 9.19, -11.29

 

CMYK 10 / 17 / 0 / 45

HEX #7E748C

RGB 126 116 140

HSL 265, 0.09%, 0.5%

LAB 50.48, 8.78, -11.67

 

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

CMYK 28 / 48 / 0 / 80

HEX #241A32

RGB 36 26 50

HSL 265, 0.32%, 0.15%

LAB 11.58, 11.17, -14.1

 

CMYK 39 / 74 / 0 / 88

HEX #13081F

RGB 19 8 31

HSL 268.7, 0.59%, 0.08%

LAB 3.71, 8.69, -12.23

 

CMYK 83 / 100 / 0 / 95

HEX #02000C

RGB 2 0 12

HSL 250, 1%, 0.02%

LAB 0.36, 2.21, -4.4

 

CMYK 22 / 35 / 0 / 73

HEX #352C44

RGB 53 44 68

HSL 262.5, 0.21%, 0.22%

LAB 19.95, 10.01, -13.55

 

CMYK 13 / 35 / 0 / 73

HEX #3B2C44

RGB 59 44 68

HSL 277.5, 0.21%, 0.22%

LAB 20.63, 12.3, -12.44

 

CMYK 3 / 35 / 0 / 73

HEX #422C44

RGB 66 44 68

HSL 295, 0.21%, 0.22%

LAB 21.49, 15.03, -11.04

 

CMYK 0 / 35 / 6 / 73

HEX #442C40

RGB 68 44 64

HSL 310, 0.21%, 0.22%

LAB 21.58, 14.92, -8.16

 

CMYK 0 / 35 / 15 / 73

HEX #442C3A

RGB 68 44 58

HSL 325, 0.21%, 0.22%

LAB 21.34, 13.66, -4.42

 

CMYK 22 / 35 / 0 / 73

HEX #352C44

RGB 53 44 68

HSL 262.5, 0.21%, 0.22%

LAB 19.95, 10.01, -13.55

 

CMYK 32 / 35 / 0 / 73

HEX #2E2C44

RGB 46 44 68

HSL 245, 0.21%, 0.22%

LAB 19.22, 7.43, -14.73

 

CMYK 35 / 35 / 0 / 73

HEX #2C2C44

RGB 44 44 68

HSL 240, 0.21%, 0.22%

LAB 19.03, 6.71, -15.04

 

CMYK 22 / 35 / 0 / 73

HEX #352C44

RGB 53 44 68

HSL 262.5, 0.21%, 0.22%

LAB 19.95, 10.01, -13.55

 

CMYK 36 / 55 / 0 / 69

HEX #32234E

RGB 50 35 78

HSL 260.93, 0.38%, 0.22%

LAB 17.6, 18.15, -24.07

 

CMYK 45 / 70 / 0 / 66

HEX #301A57

RGB 48 26 87

HSL 261.64, 0.54%, 0.22%

LAB 15.77, 26.3, -33.1

 

CMYK 53 / 82 / 0 / 62

HEX #2D1160

RGB 45 17 96

HSL 261.27, 0.7%, 0.22%

LAB 14.42, 33.53, -41.36

 

CMYK 60 / 93 / 0 / 59

HEX #2A0769

RGB 42 7 105

HSL 261.43, 0.88%, 0.22%

LAB 13.62, 39.96, -48.66

 

CMYK 22 / 35 / 0 / 73

HEX #352C44

RGB 53 44 68

HSL 262.5, 0.21%, 0.22%

LAB 19.95, 10.01, -13.55

 

CMYK 7 / 10 / 0 / 77

HEX #37353B

RGB 55 53 59

HSL 260, 0.05%, 0.22%

LAB 22.56, 2.28, -3.44

 

CMYK 6 / 0 / 19 / 76

HEX #3A3E32

RGB 58 62 50

HSL 80, 0.11%, 0.22%

LAB 25.49, -4.29, 6.82

 

CMYK 15 / 0 / 42 / 72

HEX #3C4729

RGB 60 71 41

HSL 82, 0.27%, 0.22%

LAB 28.45, -10.49, 16.6

 

CMYK 21 / 0 / 60 / 69

HEX #3F5020

RGB 63 80 32

HSL 81.25, 0.43%, 0.22%

LAB 31.57, -15.5, 25.75

 

CMYK 35 / 29 / 0 / 73

HEX #2C3044

RGB 44 48 68

HSL 230, 0.21%, 0.22%

LAB 20.31, 3.91, -13.06

 

CMYK 32 / 35 / 0 / 73

HEX #2E2C44

RGB 46 44 68

HSL 245, 0.21%, 0.22%

LAB 19.22, 7.43, -14.73

 

CMYK 24 / 35 / 0 / 73

HEX #342C44

RGB 52 44 68

HSL 260, 0.21%, 0.22%

LAB 19.84, 9.63, -13.73

 

CMYK 13 / 35 / 0 / 73

HEX #3B2C44

RGB 59 44 68

HSL 277.5, 0.21%, 0.22%

LAB 20.63, 12.3, -12.44

 

CMYK 3 / 35 / 0 / 73

HEX #422C44

RGB 66 44 68

HSL 295, 0.21%, 0.22%

LAB 21.49, 15.03, -11.04

 

CMYK 22 / 33 / 0 / 93

HEX #0E0C12

RGB 14 12 18

HSL 260, 0.2%, 0.06%

LAB 3.61, 1.7, -2.74

 

CMYK 23 / 35 / 0 / 83

HEX #211C2B

RGB 33 28 43

HSL 260, 0.21%, 0.14%

LAB 11.47, 6.4, -9.21

 

CMYK 22 / 35 / 0 / 73

HEX #352C44

RGB 53 44 68

HSL 262.5, 0.21%, 0.22%

LAB 19.95, 10.01, -13.55

 

CMYK 23 / 36 / 0 / 63

HEX #483C5E

RGB 72 60 94

HSL 261.18, 0.22%, 0.3%

LAB 27.89, 13.25, -18.32

 

CMYK 24 / 36 / 0 / 53

HEX #5B4C77

RGB 91 76 119

HSL 260.93, 0.22%, 0.38%

LAB 35.45, 16.06, -22.26

 

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

CMYK 0 / 35 / 19 / 73

HEX #442C37

RGB 68 44 55

HSL 332.5, 0.21%, 0.22%

LAB 21.23, 13.07, -2.53

 

CMYK 34 / 0 / 35 / 73

HEX #2D442C

RGB 45 68 44

HSL 117.5, 0.21%, 0.22%

LAB 26.37, -14.66, 11.77

 

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

CMYK 0 / 24 / 35 / 73

HEX #44342C

RGB 68 52 44

HSL 20, 0.21%, 0.22%

LAB 23.23, 5.8, 7.8

 

CMYK 35 / 0 / 24 / 73

HEX #2C4434

RGB 44 68 52

HSL 140, 0.21%, 0.22%

LAB 26.5, -13.34, 6.78

 

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

CMYK 0 / 35 / 19 / 73

HEX #442C37

RGB 68 44 55

HSL 332.5, 0.21%, 0.22%

LAB 21.23, 13.07, -2.53

 

CMYK 12 / 0 / 35 / 73

HEX #3C442C

RGB 60 68 44

HSL 80, 0.21%, 0.22%

LAB 27.51, -8.21, 13.49

 

CMYK 35 / 0 / 16 / 73

HEX #2C4439

RGB 44 68 57

HSL 152.5, 0.21%, 0.22%

LAB 26.64, -12.14, 3.72

 

CMYK 23 / 36 / 0 / 73

HEX #352C45

RGB 53 44 69

HSL 261.6, 0.22%, 0.22%

LAB 20, 10.29, -14.15

 

CMYK 0 / 35 / 31 / 73

HEX #442C2F

RGB 68 44 47

HSL 352.5, 0.21%, 0.22%

LAB 20.96, 11.61, 2.57

 

CMYK 12 / 0 / 35 / 73

HEX #3C442C

RGB 60 68 44

HSL 80, 0.21%, 0.22%

LAB 27.51, -8.21, 13.49

 

CMYK 35 / 0 / 4 / 73

HEX #2C4441

RGB 44 68 65

HSL 172.5, 0.21%, 0.22%

LAB 26.88, -10.05, -1.16

 

Description

Color code: RGB 53 44 69 | qconv.com Color code: RGB 53 44 69 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 44 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 44 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 36 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 36% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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