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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 43 65 it is the complementary color RGB 202 212 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 43 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 43 65 shade: RGB 58 43 60, RGB 75 61 79, RGB 92 79 98, RGB 109 97 117 and RGB 126 115 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 43 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 43 65 shade: RGB 53 43 65, RGB 36 25 46, RGB 19 7 27, RGB 2 0 8 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 43 65 shade: RGB 53 43 64, RGB 58 43 64, RGB 64 43 64, RGB 64 43 59 and RGB 64 43 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 43 65 shade: RGB 53 43 64, RGB 47 43 64 and RGB 43 43 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 43 65 shade matches the following richer shades: RGB 53 43 64, RGB 52 34 73, RGB 51 26 82, RGB 50 17 90 and RGB 49 8 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 43 65 shade: RGB 53 43 64, RGB 53 52 56, RGB 54 60 47, RGB 55 69 38 and RGB 56 77 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 43 65 shade: RGB 43 45 64, RGB 47 43 64, RGB 52 43 64, RGB 58 43 64 and RGB 64 43 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 43 65 shade: RGB 12 10 15, RGB 32 26 40, RGB 53 43 64, RGB 73 59 89 and RGB 93 76 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 43 65 shade: RGB 53 43 65, RGB 64 43 50 and RGB 43 64 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 43 65 shade: RGB 53 43 65, RGB 64 52 43 and RGB 43 64 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 43 65 shade: RGB 53 43 65, RGB 64 43 50, RGB 55 64 43 and RGB 43 64 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 43 65 shade: RGB 53 43 65, RGB 64 43 44, RGB 55 64 43 and RGB 43 64 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

Complementary color

CMYK 5 / 0 / 10 / 17

HEX #CAD4BE

RGB 202 212 190

HSL 87.27, 0.2%, 0.79%

LAB 83.63, -7.32, 9.72

 

CMYK 3 / 28 / 0 / 76

HEX #3A2B3C

RGB 58 43 60

HSL 292.94, 0.17%, 0.2%

LAB 19.86, 10.58, -8.16

 

CMYK 5 / 23 / 0 / 69

HEX #4B3D4F

RGB 75 61 79

HSL 286.67, 0.13%, 0.27%

LAB 27.84, 9.92, -8.61

 

CMYK 6 / 19 / 0 / 62

HEX #5C4F62

RGB 92 79 98

HSL 281.05, 0.11%, 0.35%

LAB 35.5, 9.37, -9.05

 

CMYK 7 / 17 / 0 / 54

HEX #6D6175

RGB 109 97 117

HSL 276, 0.09%, 0.42%

LAB 42.89, 8.91, -9.49

 

CMYK 7 / 15 / 0 / 47

HEX #7E7388

RGB 126 115 136

HSL 271.43, 0.08%, 0.49%

LAB 50.07, 8.5, -9.93

 

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

CMYK 22 / 46 / 0 / 82

HEX #24192E

RGB 36 25 46

HSL 271.43, 0.3%, 0.14%

LAB 11.05, 10.71, -12.02

 

CMYK 30 / 74 / 0 / 89

HEX #13071B

RGB 19 7 27

HSL 276, 0.59%, 0.07%

LAB 3.34, 7.83, -9.63

 

CMYK 75 / 100 / 0 / 97

HEX #020008

RGB 2 0 8

HSL 255, 1%, 0.02%

LAB 0.27, 1.64, -2.84

 

CMYK 17 / 33 / 0 / 75

HEX #352B40

RGB 53 43 64

HSL 268.57, 0.2%, 0.21%

LAB 19.45, 9.6, -11.58

 

CMYK 9 / 33 / 0 / 75

HEX #3A2B40

RGB 58 43 64

HSL 282.86, 0.2%, 0.21%

LAB 20.03, 11.57, -10.63

 

CMYK 0 / 33 / 0 / 75

HEX #402B40

RGB 64 43 64

HSL 300, 0.2%, 0.21%

LAB 20.78, 13.97, -9.42

 

CMYK 0 / 33 / 8 / 75

HEX #402B3B

RGB 64 43 59

HSL 314.29, 0.2%, 0.21%

LAB 20.57, 12.85, -6.32

 

CMYK 0 / 33 / 17 / 75

HEX #402B35

RGB 64 43 53

HSL 331.43, 0.2%, 0.21%

LAB 20.34, 11.6, -2.53

 

CMYK 17 / 33 / 0 / 75

HEX #352B40

RGB 53 43 64

HSL 268.57, 0.2%, 0.21%

LAB 19.45, 9.6, -11.58

 

CMYK 27 / 33 / 0 / 75

HEX #2F2B40

RGB 47 43 64

HSL 251.43, 0.2%, 0.21%

LAB 18.81, 7.3, -12.62

 

CMYK 33 / 33 / 0 / 75

HEX #2B2B40

RGB 43 43 64

HSL 240, 0.2%, 0.21%

LAB 18.42, 5.81, -13.26

 

CMYK 17 / 33 / 0 / 75

HEX #352B40

RGB 53 43 64

HSL 268.57, 0.2%, 0.21%

LAB 19.45, 9.6, -11.58

 

CMYK 29 / 53 / 0 / 71

HEX #342249

RGB 52 34 73

HSL 267.69, 0.36%, 0.21%

LAB 17.25, 17.97, -21.2

 

CMYK 38 / 68 / 0 / 68

HEX #331A52

RGB 51 26 82

HSL 266.79, 0.52%, 0.21%

LAB 15.76, 25.53, -29.73

 

CMYK 44 / 81 / 0 / 65

HEX #32115A

RGB 50 17 90

HSL 267.12, 0.68%, 0.21%

LAB 14.5, 32.67, -37.19

 

CMYK 51 / 92 / 0 / 61

HEX #310863

RGB 49 8 99

HSL 267.03, 0.85%, 0.21%

LAB 13.99, 38.75, -44.05

 

CMYK 17 / 33 / 0 / 75

HEX #352B40

RGB 53 43 64

HSL 268.57, 0.2%, 0.21%

LAB 19.45, 9.6, -11.58

 

CMYK 5 / 7 / 0 / 78

HEX #353438

RGB 53 52 56

HSL 255, 0.04%, 0.21%

LAB 21.94, 1.38, -2.36

 

CMYK 10 / 0 / 22 / 76

HEX #363C2F

RGB 54 60 47

HSL 87.69, 0.12%, 0.21%

LAB 24.39, -5.4, 7.21

 

CMYK 20 / 0 / 45 / 73

HEX #374526

RGB 55 69 38

HSL 87.1, 0.29%, 0.21%

LAB 27.32, -12.04, 16.91

 

CMYK 27 / 0 / 61 / 70

HEX #384D1E

RGB 56 77 30

HSL 86.81, 0.44%, 0.21%

LAB 30.02, -17.21, 24.91

 

CMYK 33 / 30 / 0 / 75

HEX #2B2D40

RGB 43 45 64

HSL 234.29, 0.2%, 0.21%

LAB 19.06, 4.41, -12.27

 

CMYK 27 / 33 / 0 / 75

HEX #2F2B40

RGB 47 43 64

HSL 251.43, 0.2%, 0.21%

LAB 18.81, 7.3, -12.62

 

CMYK 19 / 33 / 0 / 75

HEX #342B40

RGB 52 43 64

HSL 265.71, 0.2%, 0.21%

LAB 19.34, 9.21, -11.76

 

CMYK 9 / 33 / 0 / 75

HEX #3A2B40

RGB 58 43 64

HSL 282.86, 0.2%, 0.21%

LAB 20.03, 11.57, -10.63

 

CMYK 0 / 33 / 0 / 75

HEX #402B40

RGB 64 43 64

HSL 300, 0.2%, 0.21%

LAB 20.78, 13.97, -9.42

 

CMYK 20 / 33 / 0 / 94

HEX #0C0A0F

RGB 12 10 15

HSL 264, 0.2%, 0.05%

LAB 2.98, 1.35, -1.98

 

CMYK 20 / 35 / 0 / 84

HEX #201A28

RGB 32 26 40

HSL 265.71, 0.21%, 0.13%

LAB 10.55, 6.59, -8.43

 

CMYK 17 / 33 / 0 / 75

HEX #352B40

RGB 53 43 64

HSL 268.57, 0.2%, 0.21%

LAB 19.45, 9.6, -11.58

 

CMYK 18 / 34 / 0 / 65

HEX #493B59

RGB 73 59 89

HSL 268, 0.2%, 0.29%

LAB 27.48, 12.94, -15.71

 

CMYK 18 / 33 / 0 / 55

HEX #5D4C72

RGB 93 76 114

HSL 266.84, 0.2%, 0.37%

LAB 35.42, 15.46, -19.18

 

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

CMYK 0 / 33 / 22 / 75

HEX #402B32

RGB 64 43 50

HSL 340, 0.2%, 0.21%

LAB 20.24, 11.01, -0.62

 

CMYK 33 / 0 / 31 / 75

HEX #2B402C

RGB 43 64 44

HSL 122.86, 0.2%, 0.21%

LAB 24.83, -13.15, 9.65

 

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

CMYK 0 / 19 / 33 / 75

HEX #40342B

RGB 64 52 43

HSL 25.71, 0.2%, 0.21%

LAB 22.72, 3.73, 7.7

 

CMYK 33 / 0 / 19 / 75

HEX #2B4034

RGB 43 64 52

HSL 145.71, 0.2%, 0.21%

LAB 25.04, -11.35, 4.71

 

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

CMYK 0 / 33 / 22 / 75

HEX #402B32

RGB 64 43 50

HSL 340, 0.2%, 0.21%

LAB 20.24, 11.01, -0.62

 

CMYK 14 / 0 / 33 / 75

HEX #37402B

RGB 55 64 43

HSL 85.71, 0.2%, 0.21%

LAB 25.72, -8.2, 11.66

 

CMYK 33 / 0 / 11 / 75

HEX #2B4039

RGB 43 64 57

HSL 160, 0.2%, 0.21%

LAB 25.19, -10.11, 1.62

 

CMYK 18 / 34 / 0 / 75

HEX #352B41

RGB 53 43 65

HSL 267.27, 0.2%, 0.21%

LAB 19.5, 9.87, -12.19

 

CMYK 0 / 33 / 31 / 75

HEX #402B2C

RGB 64 43 44

HSL 357.14, 0.2%, 0.21%

LAB 20.04, 9.92, 3.24

 

CMYK 14 / 0 / 33 / 75

HEX #37402B

RGB 55 64 43

HSL 85.71, 0.2%, 0.21%

LAB 25.72, -8.2, 11.66

 

CMYK 33 / 0 / 2 / 75

HEX #2B403F

RGB 43 64 63

HSL 177.14, 0.2%, 0.21%

LAB 25.38, -8.5, -2.06

 

Description

Color code: RGB 53 43 65 | qconv.com Color code: RGB 53 43 65 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 43 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 43 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 34 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 34% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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