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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 42 180 it is the complementary color RGB 202 213 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 42 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 42 180 shade: RGB 58 42 175, RGB 75 60 194, RGB 92 78 213, RGB 109 96 232 and RGB 126 114 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 42 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 42 180 shade: RGB 53 42 180, RGB 36 24 161, RGB 19 6 142, RGB 2 0 123 and RGB 0 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 42 180 shade: RGB 54 43 182, RGB 91 43 182, RGB 129 43 182, RGB 166 43 182 and RGB 182 43 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 42 180 shade: RGB 54 43 182 and RGB 43 43 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 42 180 shade matches the following richer shades: RGB 54 43 182, RGB 38 24 200 and RGB 23 6 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 42 180 shade: RGB 54 43 182, RGB 69 61 164, RGB 84 79 145, RGB 100 97 127 and RGB 115 115 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 42 180 shade: RGB 43 108 182, RGB 43 70 182, RGB 52 43 182, RGB 89 43 182 and RGB 126 43 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 42 180 shade: RGB 34 27 115, RGB 44 35 148, RGB 54 43 182, RGB 69 57 209 and RGB 101 91 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 42 180 shade: RGB 53 42 180, RGB 182 43 145 and RGB 89 182 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 42 180 shade: RGB 53 42 180, RGB 182 52 43 and RGB 43 182 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 42 180 shade: RGB 53 42 180, RGB 182 43 145, RGB 172 182 43 and RGB 43 182 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 42 180 shade: RGB 53 42 180, RGB 182 43 103, RGB 172 182 43 and RGB 43 182 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

Complementary color

CMYK 5 / 0 / 65 / 16

HEX #CAD54B

RGB 202 213 75

HSL 64.78, 0.62%, 0.56%

LAB 82.19, -21.18, 64.29

 

CMYK 67 / 76 / 0 / 31

HEX #3A2AAF

RGB 58 42 175

HSL 247.22, 0.61%, 0.43%

LAB 28.51, 46.6, -67.8

 

CMYK 61 / 69 / 0 / 24

HEX #4B3CC2

RGB 75 60 194

HSL 246.72, 0.53%, 0.5%

LAB 35.25, 44.76, -67.93

 

CMYK 57 / 63 / 0 / 16

HEX #5C4ED5

RGB 92 78 213

HSL 246.22, 0.62%, 0.57%

LAB 42.04, 42.92, -67.77

 

CMYK 53 / 59 / 0 / 9

HEX #6D60E8

RGB 109 96 232

HSL 245.74, 0.75%, 0.64%

LAB 48.81, 41.23, -67.5

 

CMYK 50 / 55 / 0 / 2

HEX #7E72FB

RGB 126 114 251

HSL 245.26, 0.94%, 0.72%

LAB 55.52, 39.69, -67.2

 

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

CMYK 78 / 85 / 0 / 37

HEX #2418A1

RGB 36 24 161

HSL 245.26, 0.74%, 0.36%

LAB 22.31, 49.22, -69.66

 

CMYK 87 / 96 / 0 / 44

HEX #13068E

RGB 19 6 142

HSL 245.74, 0.92%, 0.29%

LAB 16.61, 49.45, -67.45

 

CMYK 98 / 100 / 0 / 52

HEX #02007B

RGB 2 0 123

HSL 240.98, 1%, 0.24%

LAB 12.24, 46.19, -62.73

 

CMYK 100 / 100 / 0 / 59

HEX #000068

RGB 0 0 104

HSL 240, 1%, 0.2%

LAB 8.99, 40.97, -55.8

 

CMYK 70 / 76 / 0 / 29

HEX #362BB6

RGB 54 43 182

HSL 244.75, 0.62%, 0.44%

LAB 29.13, 47.86, -70.97

 

CMYK 50 / 76 / 0 / 29

HEX #5B2BB6

RGB 91 43 182

HSL 260.72, 0.62%, 0.44%

LAB 32.55, 52.41, -65.22

 

CMYK 29 / 76 / 0 / 29

HEX #812BB6

RGB 129 43 182

HSL 277.12, 0.62%, 0.44%

LAB 37.43, 58.73, -57.05

 

CMYK 9 / 76 / 0 / 29

HEX #A62BB6

RGB 166 43 182

HSL 293.09, 0.62%, 0.44%

LAB 43.08, 65.84, -47.65

 

CMYK 0 / 76 / 12 / 29

HEX #B62BA0

RGB 182 43 160

HSL 309.5, 0.62%, 0.44%

LAB 44.53, 65.72, -32.12

 

CMYK 70 / 76 / 0 / 29

HEX #362BB6

RGB 54 43 182

HSL 244.75, 0.62%, 0.44%

LAB 29.13, 47.86, -70.97

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB6

RGB 43 43 182

HSL 240, 0.62%, 0.44%

LAB 28.43, 46.9, -72.15

 

CMYK 70 / 76 / 0 / 29

HEX #362BB6

RGB 54 43 182

HSL 244.75, 0.62%, 0.44%

LAB 29.13, 47.86, -70.97

 

CMYK 81 / 88 / 0 / 22

HEX #2618C8

RGB 38 24 200

HSL 244.77, 0.79%, 0.44%

LAB 27.4, 60.62, -84.51

 

CMYK 89 / 97 / 0 / 15

HEX #1706DA

RGB 23 6 218

HSL 244.81, 0.95%, 0.44%

LAB 27.78, 69.41, -94.36

 

CMYK 70 / 76 / 0 / 29

HEX #362BB6

RGB 54 43 182

HSL 244.75, 0.62%, 0.44%

LAB 29.13, 47.86, -70.97

 

CMYK 58 / 63 / 0 / 36

HEX #453DA4

RGB 69 61 164

HSL 244.66, 0.46%, 0.44%

LAB 32.44, 33.55, -54.72

 

CMYK 42 / 46 / 0 / 43

HEX #544F91

RGB 84 79 145

HSL 244.55, 0.29%, 0.44%

LAB 36.97, 19.44, -35.88

 

CMYK 21 / 24 / 0 / 50

HEX #64617F

RGB 100 97 127

HSL 246, 0.13%, 0.44%

LAB 42.45, 8.05, -16.31

 

CMYK 0 / 0 / 5 / 55

HEX #73736D

RGB 115 115 109

HSL 60, 0.03%, 0.44%

LAB 48.27, -1.19, 3.31

 

CMYK 76 / 41 / 0 / 29

HEX #2B6CB6

RGB 43 108 182

HSL 211.94, 0.62%, 0.44%

LAB 45.1, 5.63, -45.04

 

CMYK 76 / 62 / 0 / 29

HEX #2B46B6

RGB 43 70 182

HSL 228.35, 0.62%, 0.44%

LAB 34.54, 30.38, -62.1

 

CMYK 71 / 76 / 0 / 29

HEX #342BB6

RGB 52 43 182

HSL 243.88, 0.62%, 0.44%

LAB 28.99, 47.67, -71.2

 

CMYK 51 / 76 / 0 / 29

HEX #592BB6

RGB 89 43 182

HSL 259.86, 0.62%, 0.44%

LAB 32.32, 52.12, -65.6

 

CMYK 31 / 76 / 0 / 29

HEX #7E2BB6

RGB 126 43 182

HSL 275.83, 0.62%, 0.44%

LAB 37.01, 58.19, -57.76

 

CMYK 70 / 77 / 0 / 55

HEX #221B73

RGB 34 27 115

HSL 244.77, 0.62%, 0.28%

LAB 17.28, 32.56, -49.15

 

CMYK 70 / 76 / 0 / 42

HEX #2C2394

RGB 44 35 148

HSL 244.78, 0.62%, 0.36%

LAB 23.26, 40.23, -60.1

 

CMYK 70 / 76 / 0 / 29

HEX #362BB6

RGB 54 43 182

HSL 244.75, 0.62%, 0.44%

LAB 29.13, 47.86, -70.97

 

CMYK 67 / 73 / 0 / 18

HEX #4539D1

RGB 69 57 209

HSL 244.74, 0.62%, 0.52%

LAB 35.59, 50.38, -76.12

 

CMYK 53 / 58 / 0 / 15

HEX #655BD8

RGB 101 91 216

HSL 244.8, 0.62%, 0.6%

LAB 45.92, 37.78, -63.16

 

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

CMYK 0 / 76 / 20 / 29

HEX #B62B91

RGB 182 43 145

HSL 315.97, 0.62%, 0.44%

LAB 43.82, 63.63, -24.19

 

CMYK 51 / 0 / 76 / 29

HEX #59B62B

RGB 89 182 43

HSL 100.14, 0.62%, 0.44%

LAB 66.33, -51.25, 57.96

 

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

CMYK 0 / 71 / 76 / 29

HEX #B6342B

RGB 182 52 43

HSL 3.88, 0.62%, 0.44%

LAB 42.12, 51.56, 35.96

 

CMYK 76 / 0 / 71 / 29

HEX #2BB634

RGB 43 182 52

HSL 123.88, 0.62%, 0.44%

LAB 65.13, -60.77, 53.13

 

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

CMYK 0 / 76 / 20 / 29

HEX #B62B91

RGB 182 43 145

HSL 315.97, 0.62%, 0.44%

LAB 43.82, 63.63, -24.19

 

CMYK 5 / 0 / 76 / 29

HEX #ACB62B

RGB 172 182 43

HSL 64.32, 0.62%, 0.44%

LAB 71.15, -20.08, 64.21

 

CMYK 76 / 0 / 56 / 29

HEX #2BB650

RGB 43 182 80

HSL 135.97, 0.62%, 0.44%

LAB 65.4, -57.61, 41.23

 

CMYK 71 / 77 / 0 / 29

HEX #352AB4

RGB 53 42 180

HSL 244.78, 0.62%, 0.44%

LAB 28.66, 47.66, -70.55

 

CMYK 0 / 76 / 43 / 29

HEX #B62B67

RGB 182 43 103

HSL 334.1, 0.62%, 0.44%

LAB 42.23, 58.77, -0.74

 

CMYK 5 / 0 / 76 / 29

HEX #ACB62B

RGB 172 182 43

HSL 64.32, 0.62%, 0.44%

LAB 71.15, -20.08, 64.21

 

CMYK 76 / 0 / 34 / 29

HEX #2BB679

RGB 43 182 121

HSL 153.67, 0.62%, 0.44%

LAB 66.02, -50.42, 20.94

 

Description

Color code: RGB 53 42 180 | qconv.com Color code: RGB 53 42 180 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 42 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 42 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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