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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 39 44 it is the complementary color RGB 202 216 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 39 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 39 44 shade: RGB 58 39 39, RGB 75 57 58, RGB 92 75 77, RGB 109 93 96 and RGB 126 111 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 39 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 36 21 25, RGB 19 3 6, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 53 39 40 and RGB 53 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 53 39 48, RGB 53 39 51, RGB 50 39 53 and RGB 47 39 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 39 44 shade matches the following richer shades: RGB 53 39 44, RGB 60 32 42, RGB 68 24 40, RGB 75 17 38 and RGB 82 9 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 45 46 46, RGB 38 54 48, RGB 31 61 50 and RGB 23 69 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 39 44 shade: RGB 53 39 51, RGB 53 39 48, RGB 53 39 44, RGB 53 39 40 and RGB 53 41 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 39 44 shade: RGB 5 4 4, RGB 29 21 24, RGB 53 39 44, RGB 77 57 64 and RGB 100 74 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 53 50 39 and RGB 39 50 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 44 53 39 and RGB 39 44 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 53 50 39, RGB 39 53 48 and RGB 39 41 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 39 44 shade: RGB 53 39 44, RGB 51 53 39, RGB 39 53 48 and RGB 41 39 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

Complementary color

CMYK 6 / 0 / 2 / 15

HEX #CAD8D3

RGB 202 216 211

HSL 158.57, 0.15%, 0.82%

LAB 85.19, -5.63, 0.83

 

CMYK 0 / 33 / 33 / 77

HEX #3A2727

RGB 58 39 39

HSL 0, 0.2%, 0.19%

LAB 17.91, 8.95, 3.56

 

CMYK 0 / 24 / 23 / 71

HEX #4B393A

RGB 75 57 58

HSL 356.67, 0.14%, 0.26%

LAB 25.94, 8.14, 2.43

 

CMYK 0 / 18 / 16 / 64

HEX #5C4B4D

RGB 92 75 77

HSL 352.94, 0.1%, 0.33%

LAB 33.65, 7.53, 1.5

 

CMYK 0 / 15 / 12 / 57

HEX #6D5D60

RGB 109 93 96

HSL 348.75, 0.08%, 0.4%

LAB 41.1, 7.02, 0.68

 

CMYK 0 / 12 / 9 / 51

HEX #7E6F73

RGB 126 111 115

HSL 344, 0.06%, 0.46%

LAB 48.31, 6.6, -0.07

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 42 / 31 / 86

HEX #241519

RGB 36 21 25

HSL 344, 0.26%, 0.11%

LAB 8.84, 8.43, 0.29

 

CMYK 0 / 84 / 68 / 93

HEX #130306

RGB 19 3 6

HSL 348.75, 0.73%, 0.04%

LAB 1.96, 5.24, 0.56

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 26 / 25 / 79

HEX #352728

RGB 53 39 40

HSL 355.71, 0.15%, 0.18%

LAB 17.28, 6.76, 1.87

 

CMYK 0 / 26 / 26 / 79

HEX #352727

RGB 53 39 39

HSL 0, 0.15%, 0.18%

LAB 17.25, 6.57, 2.53

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 26 / 9 / 79

HEX #352730

RGB 53 39 48

HSL 321.43, 0.15%, 0.18%

LAB 17.56, 8.42, -3.34

 

CMYK 0 / 26 / 4 / 79

HEX #352733

RGB 53 39 51

HSL 308.57, 0.15%, 0.18%

LAB 17.68, 9.1, -5.27

 

CMYK 6 / 26 / 0 / 79

HEX #322735

RGB 50 39 53

HSL 287.14, 0.15%, 0.18%

LAB 17.4, 8.3, -7.13

 

CMYK 11 / 26 / 0 / 79

HEX #2F2735

RGB 47 39 53

HSL 274.29, 0.15%, 0.18%

LAB 17.05, 7.05, -7.69

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 47 / 30 / 76

HEX #3C202A

RGB 60 32 42

HSL 338.57, 0.3%, 0.18%

LAB 16.31, 15.12, -0.83

 

CMYK 0 / 65 / 41 / 73

HEX #441828

RGB 68 24 40

HSL 338.18, 0.48%, 0.18%

LAB 15.67, 23.12, -0.17

 

CMYK 0 / 77 / 49 / 71

HEX #4B1126

RGB 75 17 38

HSL 338.28, 0.63%, 0.18%

LAB 15.68, 29.04, 1.46

 

CMYK 0 / 89 / 57 / 68

HEX #520923

RGB 82 9 35

HSL 338.63, 0.8%, 0.18%

LAB 16.06, 33.99, 4.39

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 2 / 0 / 0 / 82

HEX #2D2E2E

RGB 45 46 46

HSL 180, 0.01%, 0.18%

LAB 18.84, -0.44, -0.16

 

CMYK 30 / 0 / 11 / 79

HEX #263630

RGB 38 54 48

HSL 157.5, 0.17%, 0.18%

LAB 21.07, -8.14, 1.64

 

CMYK 49 / 0 / 18 / 76

HEX #1F3D32

RGB 31 61 50

HSL 158, 0.33%, 0.18%

LAB 23.2, -14.37, 3.31

 

CMYK 67 / 0 / 25 / 73

HEX #174534

RGB 23 69 52

HSL 157.83, 0.5%, 0.18%

LAB 25.82, -20.49, 5.68

 

CMYK 0 / 26 / 4 / 79

HEX #352733

RGB 53 39 51

HSL 308.57, 0.15%, 0.18%

LAB 17.68, 9.1, -5.27

 

CMYK 0 / 26 / 9 / 79

HEX #352730

RGB 53 39 48

HSL 321.43, 0.15%, 0.18%

LAB 17.56, 8.42, -3.34

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 26 / 25 / 79

HEX #352728

RGB 53 39 40

HSL 355.71, 0.15%, 0.18%

LAB 17.28, 6.76, 1.87

 

CMYK 0 / 23 / 26 / 79

HEX #352927

RGB 53 41 39

HSL 8.57, 0.15%, 0.18%

LAB 17.87, 5.19, 3.42

 

CMYK 0 / 20 / 20 / 98

HEX #050404

RGB 5 4 4

HSL 0, 0.11%, 0.02%

LAB 1.15, 0.26, 0.09

 

CMYK 0 / 28 / 17 / 89

HEX #1D1518

RGB 29 21 24

HSL 337.5, 0.16%, 0.1%

LAB 7.8, 4.73, -0.59

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 26 / 17 / 70

HEX #4D3940

RGB 77 57 64

HSL 339, 0.15%, 0.26%

LAB 26.37, 10.15, -0.89

 

CMYK 0 / 26 / 17 / 61

HEX #644A53

RGB 100 74 83

HSL 339.23, 0.15%, 0.34%

LAB 34.46, 12.62, -1.03

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 6 / 26 / 79

HEX #353227

RGB 53 50 39

HSL 47.14, 0.15%, 0.18%

LAB 20.77, -0.91, 7.49

 

CMYK 26 / 6 / 0 / 79

HEX #273235

RGB 39 50 53

HSL 192.86, 0.15%, 0.18%

LAB 19.92, -3.8, -3.44

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 17 / 0 / 26 / 79

HEX #2C3527

RGB 44 53 39

HSL 98.57, 0.15%, 0.18%

LAB 20.94, -7.06, 7.59

 

CMYK 26 / 17 / 0 / 79

HEX #272C35

RGB 39 44 53

HSL 218.57, 0.15%, 0.18%

LAB 17.87, 0.28, -6.52

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 0 / 6 / 26 / 79

HEX #353227

RGB 53 50 39

HSL 47.14, 0.15%, 0.18%

LAB 20.77, -0.91, 7.49

 

CMYK 26 / 0 / 9 / 79

HEX #273530

RGB 39 53 48

HSL 158.57, 0.15%, 0.18%

LAB 20.79, -7.1, 1.25

 

CMYK 26 / 23 / 0 / 79

HEX #272935

RGB 39 41 53

HSL 231.43, 0.15%, 0.18%

LAB 16.87, 2.38, -8.04

 

CMYK 0 / 26 / 17 / 79

HEX #35272C

RGB 53 39 44

HSL 338.57, 0.15%, 0.18%

LAB 17.41, 7.56, -0.75

 

CMYK 4 / 0 / 26 / 79

HEX #333527

RGB 51 53 39

HSL 68.57, 0.15%, 0.18%

LAB 21.57, -3.83, 8.56

 

CMYK 26 / 0 / 9 / 79

HEX #273530

RGB 39 53 48

HSL 158.57, 0.15%, 0.18%

LAB 20.79, -7.1, 1.25

 

CMYK 23 / 26 / 0 / 79

HEX #292735

RGB 41 39 53

HSL 248.57, 0.15%, 0.18%

LAB 16.4, 4.59, -8.73

 

Description

Color code: RGB 53 39 44 | qconv.com Color code: RGB 53 39 44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 39 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 39 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 17 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 17% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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