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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 37 229 it is the complementary color RGB 202 218 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 37 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 37 229 shade: RGB 58 37 224, RGB 75 55 243, RGB 92 73 255, RGB 109 91 255 and RGB 126 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 37 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 37 229 shade: RGB 53 37 229, RGB 36 19 210, RGB 19 1 191, RGB 2 0 172 and RGB 0 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 37 229 shade: RGB 52 36 229, RGB 104 36 229, RGB 156 36 229, RGB 208 36 229 and RGB 229 36 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 37 229 shade: RGB 52 36 229 and RGB 36 36 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 37 229 shade matches the following richer shades: RGB 52 36 229 and RGB 36 16 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 37 229 shade: RGB 52 36 229, RGB 69 56 209, RGB 85 76 190, RGB 102 95 170 and RGB 118 115 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 37 229 shade: RGB 36 123 229, RGB 36 71 229, RGB 52 36 229, RGB 104 36 229 and RGB 155 36 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 37 229 shade: RGB 31 19 164, RGB 38 24 200, RGB 52 36 229, RGB 86 73 234 and RGB 120 110 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 37 229 shade: RGB 53 37 229, RGB 229 36 175 and RGB 97 229 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 37 229 shade: RGB 53 37 229, RGB 229 52 36 and RGB 36 229 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 37 229 shade: RGB 53 37 229, RGB 229 36 175, RGB 213 229 36 and RGB 36 229 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 37 229 shade: RGB 53 37 229, RGB 229 36 116, RGB 213 229 36 and RGB 36 229 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

Complementary color

CMYK 7 / 0 / 88 / 15

HEX #CADA1A

RGB 202 218 26

HSL 65, 0.79%, 0.48%

LAB 83.32, -25.53, 79.59

 

CMYK 74 / 83 / 0 / 12

HEX #3A25E0

RGB 58 37 224

HSL 246.74, 0.75%, 0.51%

LAB 33.15, 63.44, -88.82

 

CMYK 69 / 77 / 0 / 5

HEX #4B37F3

RGB 75 55 243

HSL 246.38, 0.89%, 0.58%

LAB 39.07, 62.22, -89.77

 

CMYK 64 / 71 / 0 / 0

HEX #5C49FF

RGB 92 73 255

HSL 246.26, 1%, 0.64%

LAB 44.6, 58.48, -87.32

 

CMYK 57 / 64 / 0 / 0

HEX #6D5BFF

RGB 109 91 255

HSL 246.59, 1%, 0.68%

LAB 49.44, 51.01, -79.35

 

CMYK 51 / 57 / 0 / 0

HEX #7E6DFF

RGB 126 109 255

HSL 246.99, 1%, 0.71%

LAB 54.65, 43.75, -70.81

 

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

CMYK 83 / 91 / 0 / 18

HEX #2413D2

RGB 36 19 210

HSL 245.34, 0.83%, 0.45%

LAB 28.1, 64.82, -89.18

 

CMYK 90 / 99 / 0 / 25

HEX #1301BF

RGB 19 1 191

HSL 245.68, 0.99%, 0.38%

LAB 23.41, 63.65, -85.87

 

CMYK 99 / 100 / 0 / 33

HEX #0200AC

RGB 2 0 172

HSL 240.7, 1%, 0.34%

LAB 20.01, 58.97, -80.21

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 55 / 84 / 0 / 10

HEX #6824E5

RGB 104 36 229

HSL 261.14, 0.79%, 0.52%

LAB 37.59, 68.76, -84.19

 

CMYK 32 / 84 / 0 / 10

HEX #9C24E5

RGB 156 36 229

HSL 277.31, 0.79%, 0.52%

LAB 44.21, 75.06, -73.07

 

CMYK 9 / 84 / 0 / 10

HEX #D024E5

RGB 208 36 229

HSL 293.47, 0.79%, 0.52%

LAB 52.21, 83.14, -59.74

 

CMYK 0 / 84 / 14 / 10

HEX #E524C6

RGB 229 36 198

HSL 309.64, 0.79%, 0.52%

LAB 54.02, 82.42, -38.93

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 84 / 84 / 0 / 10

HEX #2424E5

RGB 36 36 229

HSL 240, 0.79%, 0.52%

LAB 32.47, 64.27, -92.85

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 86 / 94 / 0 / 2

HEX #2410F9

RGB 36 16 249

HSL 245.15, 0.95%, 0.52%

LAB 33.1, 75.54, -103.13

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 67 / 73 / 0 / 18

HEX #4538D1

RGB 69 56 209

HSL 245.1, 0.62%, 0.52%

LAB 35.39, 50.92, -76.43

 

CMYK 55 / 60 / 0 / 25

HEX #554CBE

RGB 85 76 190

HSL 244.74, 0.47%, 0.52%

LAB 39.27, 35.66, -58.98

 

CMYK 40 / 44 / 0 / 33

HEX #665FAA

RGB 102 95 170

HSL 245.6, 0.31%, 0.52%

LAB 44.11, 21.68, -39.4

 

CMYK 21 / 23 / 0 / 41

HEX #767396

RGB 118 115 150

HSL 245.14, 0.14%, 0.52%

LAB 49.88, 8.95, -18.53

 

CMYK 84 / 46 / 0 / 10

HEX #247BE5

RGB 36 123 229

HSL 212.95, 0.79%, 0.52%

LAB 52.06, 13.41, -60.74

 

CMYK 84 / 69 / 0 / 10

HEX #2447E5

RGB 36 71 229

HSL 229.12, 0.79%, 0.52%

LAB 38.79, 46.22, -82.36

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 55 / 84 / 0 / 10

HEX #6824E5

RGB 104 36 229

HSL 261.14, 0.79%, 0.52%

LAB 37.59, 68.76, -84.19

 

CMYK 32 / 84 / 0 / 10

HEX #9B24E5

RGB 155 36 229

HSL 276.99, 0.79%, 0.52%

LAB 44.07, 74.92, -73.31

 

CMYK 81 / 88 / 0 / 36

HEX #1F13A4

RGB 31 19 164

HSL 244.97, 0.79%, 0.36%

LAB 21.72, 51.88, -72.48

 

CMYK 81 / 88 / 0 / 22

HEX #2618C8

RGB 38 24 200

HSL 244.77, 0.79%, 0.44%

LAB 27.4, 60.62, -84.51

 

CMYK 77 / 84 / 0 / 10

HEX #3424E5

RGB 52 36 229

HSL 244.97, 0.79%, 0.52%

LAB 33.24, 64.92, -91.54

 

CMYK 63 / 69 / 0 / 8

HEX #5649EA

RGB 86 73 234

HSL 244.84, 0.79%, 0.6%

LAB 42.28, 51.39, -79.36

 

CMYK 50 / 54 / 0 / 7

HEX #786EEE

RGB 120 110 238

HSL 244.69, 0.79%, 0.68%

LAB 53.3, 36.97, -63.58

 

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

CMYK 0 / 84 / 24 / 10

HEX #E524AF

RGB 229 36 175

HSL 316.79, 0.79%, 0.52%

LAB 52.97, 79.54, -27.22

 

CMYK 58 / 0 / 84 / 10

HEX #61E524

RGB 97 229 36

HSL 101.04, 0.79%, 0.52%

LAB 81.13, -66.3, 73.63

 

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

CMYK 0 / 77 / 84 / 10

HEX #E53424

RGB 229 52 36

HSL 4.97, 0.79%, 0.52%

LAB 50.97, 65.79, 51.28

 

CMYK 84 / 0 / 77 / 10

HEX #24E534

RGB 36 229 52

HSL 124.97, 0.79%, 0.52%

LAB 79.99, -75.73, 67.94

 

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

CMYK 0 / 84 / 24 / 10

HEX #E524AF

RGB 229 36 175

HSL 316.79, 0.79%, 0.52%

LAB 52.97, 79.54, -27.22

 

CMYK 7 / 0 / 84 / 10

HEX #D5E524

RGB 213 229 36

HSL 64.97, 0.79%, 0.52%

LAB 87.15, -26, 81.16

 

CMYK 84 / 0 / 60 / 10

HEX #24E55B

RGB 36 229 91

HSL 137.1, 0.79%, 0.52%

LAB 80.27, -72.16, 53.61

 

CMYK 77 / 84 / 0 / 10

HEX #3525E5

RGB 53 37 229

HSL 245, 0.79%, 0.52%

LAB 33.43, 64.58, -91.22

 

CMYK 0 / 84 / 49 / 10

HEX #E52474

RGB 229 36 116

HSL 335.13, 0.79%, 0.52%

LAB 50.9, 73.73, 4.92

 

CMYK 7 / 0 / 84 / 10

HEX #D5E524

RGB 213 229 36

HSL 64.97, 0.79%, 0.52%

LAB 87.15, -26, 81.16

 

CMYK 84 / 0 / 35 / 10

HEX #24E595

RGB 36 229 149

HSL 155.13, 0.79%, 0.52%

LAB 81.06, -62.84, 26.61

 

Description

Color code: RGB 53 37 229 | qconv.com Color code: RGB 53 37 229 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 37 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 37 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 84 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 84% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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