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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 36.8 28.4 it is the complementary color RGB 202 218.2 226.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 36.8 28.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 36.8 28.4 shade: RGB 58 36.8 23.4, RGB 75 54.8 42.4, RGB 92 72.8 61.4, RGB 109 90.8 80.4 and RGB 126 108.8 99.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 36.8 28.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 36.8 28.4 shade: RGB 53 36.8 28.4, RGB 36 18.8 9.4, RGB 19 0.8 0, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 36.8 28.4 shade: RGB 53 37 29, RGB 53 30 29 and RGB 53 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 36.8 28.4 shade: RGB 53 37 29, RGB 53 44 29, RGB 53 50 29, RGB 49 53 29 and RGB 43 53 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 36.8 28.4 shade matches the following richer shades: RGB 53 37 29, RGB 60 35 22, RGB 66 33 15, RGB 73 31 9 and RGB 79 29 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 36.8 28.4 shade: RGB 53 37 29, RGB 46 39 35, RGB 40 41 42, RGB 33 43 48 and RGB 27 45 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 36.8 28.4 shade: RGB 53 29 33, RGB 53 30 29, RGB 53 37 29, RGB 53 43 29 and RGB 53 50 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 36.8 28.4 shade: RGB 0 0 0, RGB 26 18 14, RGB 53 37 29, RGB 80 56 43 and RGB 107 74 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 36.8 28.4 shade: RGB 53 36.8 28.4, RGB 40 53 29 and RGB 29 30 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 36.8 28.4 shade: RGB 53 36.8 28.4, RGB 29 53 37 and RGB 37 29 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 36.8 28.4 shade: RGB 53 36.8 28.4, RGB 40 53 29, RGB 29 45 53 and RGB 42 29 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 36.8 28.4 shade: RGB 53 36.8 28.4, RGB 33 53 29, RGB 29 45 53 and RGB 49 29 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

Complementary color

CMYK 11 / 4 / 0 / 11

HEX #CADAE2

RGB 202 218.2 226.6

HSL 200.49, 0.3%, 0.84%

LAB 86.17, -3.77, -5.98

 

CMYK 0 / 37 / 60 / 77

HEX #3A2417

RGB 58 36.8 23.4

HSL 23.24, 0.43%, 0.16%

LAB 16.86, 8.21, 12.96

 

CMYK 0 / 27 / 43 / 71

HEX #4B362A

RGB 75 54.8 42.4

HSL 22.82, 0.28%, 0.23%

LAB 24.89, 7.07, 11.28

 

CMYK 0 / 21 / 33 / 64

HEX #5C483D

RGB 92 72.8 61.4

HSL 22.35, 0.2%, 0.3%

LAB 32.6, 6.25, 9.92

 

CMYK 0 / 17 / 26 / 57

HEX #6D5A50

RGB 109 90.8 80.4

HSL 21.82, 0.15%, 0.37%

LAB 40.06, 5.63, 8.76

 

CMYK 0 / 14 / 21 / 51

HEX #7E6C63

RGB 126 108.8 99.4

HSL 21.2, 0.12%, 0.44%

LAB 47.29, 5.14, 7.74

 

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

CMYK 0 / 48 / 74 / 86

HEX #241209

RGB 36 18.8 9.4

HSL 21.2, 0.59%, 0.09%

LAB 7.72, 7.63, 7.85

 

CMYK 0 / 96 / 100 / 93

HEX #130000

RGB 19 0.8 0

HSL 2.53, 1%, 0.04%

LAB 1.41, 5.29, 2.21

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 43 / 45 / 79

HEX #351E1D

RGB 53 30 29

HSL 2.5, 0.29%, 0.16%

LAB 14.25, 11.09, 5.41

 

CMYK 0 / 45 / 45 / 79

HEX #351D1D

RGB 53 29 29

HSL 0, 0.29%, 0.16%

LAB 13.97, 11.78, 5.01

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 17 / 45 / 79

HEX #352C1D

RGB 53 44 29

HSL 37.5, 0.29%, 0.16%

LAB 18.57, 1.46, 11.27

 

CMYK 0 / 6 / 45 / 79

HEX #35321D

RGB 53 50 29

HSL 52.5, 0.29%, 0.16%

LAB 20.54, -2.54, 13.85

 

CMYK 8 / 0 / 45 / 79

HEX #31351D

RGB 49 53 29

HSL 70, 0.29%, 0.16%

LAB 21.16, -6.47, 14.56

 

CMYK 19 / 0 / 45 / 79

HEX #2B351D

RGB 43 53 29

HSL 85, 0.29%, 0.16%

LAB 20.63, -9.36, 13.77

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 42 / 63 / 76

HEX #3C2316

RGB 60 35 22

HSL 20.53, 0.46%, 0.16%

LAB 16.61, 10.3, 13.64

 

CMYK 0 / 50 / 77 / 74

HEX #42210F

RGB 66 33 15

HSL 21.18, 0.63%, 0.16%

LAB 16.9, 14.03, 18.54

 

CMYK 0 / 58 / 88 / 71

HEX #491F09

RGB 73 31 9

HSL 20.63, 0.78%, 0.16%

LAB 17.54, 18.35, 22.34

 

CMYK 0 / 63 / 97 / 69

HEX #4F1D02

RGB 79 29 2

HSL 21.04, 0.95%, 0.16%

LAB 18.12, 21.99, 26.17

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 15 / 24 / 82

HEX #2E2723

RGB 46 39 35

HSL 21.82, 0.14%, 0.16%

LAB 16.27, 2.43, 3.84

 

CMYK 5 / 2 / 0 / 84

HEX #28292A

RGB 40 41 42

HSL 210, 0.02%, 0.16%

LAB 16.52, -0.2, -0.81

 

CMYK 31 / 10 / 0 / 81

HEX #212B30

RGB 33 43 48

HSL 200, 0.19%, 0.16%

LAB 16.82, -2.86, -4.66

 

CMYK 51 / 18 / 0 / 78

HEX #1B2D37

RGB 27 45 55

HSL 201.43, 0.34%, 0.16%

LAB 17.39, -4.08, -8.72

 

CMYK 0 / 45 / 38 / 79

HEX #351D21

RGB 53 29 33

HSL 350, 0.29%, 0.16%

LAB 14.09, 12.41, 2.28

 

CMYK 0 / 43 / 45 / 79

HEX #351E1D

RGB 53 30 29

HSL 2.5, 0.29%, 0.16%

LAB 14.25, 11.09, 5.41

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 19 / 45 / 79

HEX #352B1D

RGB 53 43 29

HSL 35, 0.29%, 0.16%

LAB 18.25, 2.14, 10.84

 

CMYK 0 / 6 / 45 / 79

HEX #35321D

RGB 53 50 29

HSL 52.5, 0.29%, 0.16%

LAB 20.54, -2.54, 13.85

 

CMYK 0 / 31 / 46 / 90

HEX #1A120E

RGB 26 18 14

HSL 20, 0.3%, 0.08%

LAB 6.18, 2.93, 3.36

 

CMYK 0 / 30 / 45 / 79

HEX #35251D

RGB 53 37 29

HSL 20, 0.29%, 0.16%

LAB 16.35, 6.26, 8.29

 

CMYK 0 / 30 / 46 / 69

HEX #50382B

RGB 80 56 43

HSL 21.08, 0.3%, 0.24%

LAB 25.89, 8.76, 12.34

 

CMYK 0 / 31 / 47 / 58

HEX #6B4A39

RGB 107 74 57

HSL 20.4, 0.3%, 0.32%

LAB 34.64, 11.73, 15.74

 

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

CMYK 25 / 0 / 45 / 79

HEX #28351D

RGB 40 53 29

HSL 92.5, 0.29%, 0.16%

LAB 20.39, -10.76, 13.41

 

CMYK 45 / 43 / 0 / 79

HEX #1D1E35

RGB 29 30 53

HSL 237.5, 0.29%, 0.16%

LAB 12.27, 6.67, -15.23

 

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

CMYK 45 / 0 / 30 / 79

HEX #1D3525

RGB 29 53 37

HSL 140, 0.29%, 0.16%

LAB 19.81, -13.73, 7.21

 

CMYK 30 / 45 / 0 / 79

HEX #251D35

RGB 37 29 53

HSL 260, 0.29%, 0.16%

LAB 12.79, 10.27, -14.35

 

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

CMYK 25 / 0 / 45 / 79

HEX #28351D

RGB 40 53 29

HSL 92.5, 0.29%, 0.16%

LAB 20.39, -10.76, 13.41

 

CMYK 45 / 15 / 0 / 79

HEX #1D2D35

RGB 29 45 53

HSL 200, 0.29%, 0.16%

LAB 17.44, -4.1, -7.25

 

CMYK 21 / 45 / 0 / 79

HEX #2A1D35

RGB 42 29 53

HSL 272.5, 0.29%, 0.16%

LAB 13.4, 12.16, -13.35

 

CMYK 0 / 31 / 46 / 79

HEX #35241C

RGB 53 36.8 28.4

HSL 20.49, 0.3%, 0.16%

LAB 16.27, 6.31, 8.61

 

CMYK 38 / 0 / 45 / 79

HEX #21351D

RGB 33 53 29

HSL 110, 0.29%, 0.16%

LAB 19.88, -13.85, 12.65

 

CMYK 45 / 15 / 0 / 79

HEX #1D2D35

RGB 29 45 53

HSL 200, 0.29%, 0.16%

LAB 17.44, -4.1, -7.25

 

CMYK 8 / 45 / 0 / 79

HEX #311D35

RGB 49 29 53

HSL 290, 0.29%, 0.16%

LAB 14.34, 14.87, -11.82

 

Description

Color code: RGB 53 36.8 28.4 | qconv.com Color code: RGB 53 36.8 28.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 36.8 green and 28.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 36.8 28.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 46 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 46% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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