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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 35 43 it is the complementary color RGB 202 220 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 35 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 35 43 shade: RGB 58 35 38, RGB 75 53 57, RGB 92 71 76, RGB 109 89 95 and RGB 126 107 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 35 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 35 43 shade: RGB 53 35 43, RGB 36 17 24, RGB 19 0 5, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 35 43 shade: RGB 52 35 42, RGB 52 35 38 and RGB 52 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 35 43 shade: RGB 52 35 42, RGB 52 35 47, RGB 52 35 52, RGB 48 35 52 and RGB 43 35 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 35 43 shade matches the following richer shades: RGB 52 35 42, RGB 59 28 42, RGB 66 21 41, RGB 73 14 40 and RGB 80 7 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 35 43 shade: RGB 52 35 42, RGB 45 42 43, RGB 38 49 44, RGB 31 56 45 and RGB 24 63 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 35 43 shade: RGB 52 35 52, RGB 52 35 47, RGB 52 35 42, RGB 52 35 38 and RGB 52 36 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 35 43 shade: RGB 3 2 2, RGB 27 18 22, RGB 52 35 42, RGB 77 51 63 and RGB 102 68 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 35 43 shade: RGB 53 35 43, RGB 52 48 35 and RGB 35 49 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 35 43 shade: RGB 53 35 43, RGB 42 52 35 and RGB 35 42 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 35 43 shade: RGB 53 35 43, RGB 52 48 35, RGB 35 52 44 and RGB 35 39 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 35 43 shade: RGB 53 35 43, RGB 51 52 35, RGB 35 52 44 and RGB 36 35 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

Complementary color

CMYK 8 / 0 / 4 / 14

HEX #CADCD4

RGB 202 220 212

HSL 153.33, 0.2%, 0.83%

LAB 86.25, -7.51, 1.86

 

CMYK 0 / 40 / 34 / 77

HEX #3A2326

RGB 58 35 38

HSL 352.17, 0.25%, 0.18%

LAB 16.71, 11.5, 2.55

 

CMYK 0 / 29 / 24 / 71

HEX #4B3539

RGB 75 53 57

HSL 349.09, 0.17%, 0.25%

LAB 24.76, 10.58, 1.38

 

CMYK 0 / 23 / 17 / 64

HEX #5C474C

RGB 92 71 76

HSL 345.71, 0.13%, 0.32%

LAB 32.49, 9.86, 0.44

 

CMYK 0 / 18 / 13 / 57

HEX #6D595F

RGB 109 89 95

HSL 342, 0.1%, 0.39%

LAB 39.95, 9.27, -0.38

 

CMYK 0 / 15 / 10 / 51

HEX #7E6B72

RGB 126 107 114

HSL 337.89, 0.08%, 0.46%

LAB 47.19, 8.78, -1.12

 

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

CMYK 0 / 53 / 33 / 86

HEX #241118

RGB 36 17 24

HSL 337.89, 0.36%, 0.1%

LAB 7.6, 11.11, -0.75

 

CMYK 0 / 100 / 74 / 93

HEX #130005

RGB 19 0 5

HSL 344.21, 1%, 0.04%

LAB 1.35, 6.31, 0.08

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 33 / 27 / 80

HEX #342326

RGB 52 35 38

HSL 349.41, 0.2%, 0.17%

LAB 15.86, 8.68, 1.22

 

CMYK 0 / 33 / 33 / 80

HEX #342323

RGB 52 35 35

HSL 0, 0.2%, 0.17%

LAB 15.77, 8.13, 3.22

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 33 / 10 / 80

HEX #34232F

RGB 52 35 47

HSL 317.65, 0.2%, 0.17%

LAB 16.19, 10.54, -4.69

 

CMYK 0 / 33 / 0 / 80

HEX #342334

RGB 52 35 52

HSL 300, 0.2%, 0.17%

LAB 16.41, 11.69, -7.91

 

CMYK 8 / 33 / 0 / 80

HEX #302334

RGB 48 35 52

HSL 285.88, 0.2%, 0.17%

LAB 15.89, 10.02, -8.73

 

CMYK 17 / 33 / 0 / 80

HEX #2B2334

RGB 43 35 52

HSL 268.24, 0.2%, 0.17%

LAB 15.29, 7.97, -9.7

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 53 / 29 / 77

HEX #3B1C2A

RGB 59 28 42

HSL 332.9, 0.36%, 0.17%

LAB 15.1, 17.3, -2.64

 

CMYK 0 / 68 / 38 / 74

HEX #421529

RGB 66 21 41

HSL 333.33, 0.52%, 0.17%

LAB 14.71, 24.16, -2.36

 

CMYK 0 / 81 / 45 / 71

HEX #490E28

RGB 73 14 40

HSL 333.56, 0.68%, 0.17%

LAB 14.86, 29.87, -1.24

 

CMYK 0 / 91 / 51 / 69

HEX #500727

RGB 80 7 39

HSL 333.7, 0.84%, 0.17%

LAB 15.51, 34.41, 0.62

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 7 / 4 / 82

HEX #2D2A2B

RGB 45 42 43

HSL 340, 0.03%, 0.17%

LAB 17.41, 1.59, -0.17

 

CMYK 22 / 0 / 10 / 81

HEX #26312C

RGB 38 49 44

HSL 152.73, 0.13%, 0.17%

LAB 19.18, -5.95, 1.65

 

CMYK 45 / 0 / 20 / 78

HEX #1F382D

RGB 31 56 45

HSL 153.6, 0.29%, 0.17%

LAB 21.24, -12.77, 3.86

 

CMYK 62 / 0 / 27 / 75

HEX #183F2E

RGB 24 63 46

HSL 153.85, 0.45%, 0.17%

LAB 23.49, -18.67, 6.33

 

CMYK 0 / 33 / 0 / 80

HEX #342334

RGB 52 35 52

HSL 300, 0.2%, 0.17%

LAB 16.41, 11.69, -7.91

 

CMYK 0 / 33 / 10 / 80

HEX #34232F

RGB 52 35 47

HSL 317.65, 0.2%, 0.17%

LAB 16.19, 10.54, -4.69

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 33 / 27 / 80

HEX #342326

RGB 52 35 38

HSL 349.41, 0.2%, 0.17%

LAB 15.86, 8.68, 1.22

 

CMYK 0 / 31 / 33 / 80

HEX #342423

RGB 52 36 35

HSL 3.53, 0.2%, 0.17%

LAB 16.07, 7.44, 3.65

 

CMYK 0 / 33 / 33 / 99

HEX #030202

RGB 3 2 2

HSL 0, 0.2%, 0.01%

LAB 0.61, 0.26, 0.09

 

CMYK 0 / 33 / 19 / 89

HEX #1B1216

RGB 27 18 22

HSL 333.33, 0.2%, 0.09%

LAB 6.54, 5.14, -0.97

 

CMYK 0 / 33 / 19 / 80

HEX #34232A

RGB 52 35 42

HSL 335.29, 0.2%, 0.17%

LAB 16, 9.47, -1.42

 

CMYK 0 / 34 / 18 / 70

HEX #4D333F

RGB 77 51 63

HSL 332.31, 0.2%, 0.25%

LAB 24.65, 13.87, -2.76

 

CMYK 0 / 33 / 19 / 60

HEX #664453

RGB 102 68 83

HSL 333.53, 0.2%, 0.33%

LAB 33.1, 17.17, -3

 

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

CMYK 0 / 8 / 33 / 80

HEX #343023

RGB 52 48 35

HSL 45.88, 0.2%, 0.17%

LAB 19.9, -0.77, 8.99

 

CMYK 33 / 6 / 0 / 80

HEX #233134

RGB 35 49 52

HSL 190.59, 0.2%, 0.17%

LAB 19.23, -4.95, -3.82

 

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

CMYK 19 / 0 / 33 / 80

HEX #2A3423

RGB 42 52 35

HSL 95.29, 0.2%, 0.17%

LAB 20.32, -8.13, 9.4

 

CMYK 33 / 19 / 0 / 80

HEX #232A34

RGB 35 42 52

HSL 215.29, 0.2%, 0.17%

LAB 16.8, -0.18, -7.47

 

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

CMYK 0 / 8 / 33 / 80

HEX #343023

RGB 52 48 35

HSL 45.88, 0.2%, 0.17%

LAB 19.9, -0.77, 8.99

 

CMYK 33 / 0 / 15 / 80

HEX #23342C

RGB 35 52 44

HSL 151.76, 0.2%, 0.17%

LAB 20.02, -9.09, 2.83

 

CMYK 33 / 25 / 0 / 80

HEX #232734

RGB 35 39 52

HSL 225.88, 0.2%, 0.17%

LAB 15.78, 1.94, -9.03

 

CMYK 0 / 34 / 19 / 79

HEX #35232B

RGB 53 35 43

HSL 333.33, 0.2%, 0.17%

LAB 16.17, 10.13, -1.87

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 33 / 0 / 15 / 80

HEX #23342C

RGB 35 52 44

HSL 151.76, 0.2%, 0.17%

LAB 20.02, -9.09, 2.83

 

CMYK 31 / 33 / 0 / 80

HEX #242334

RGB 36 35 52

HSL 243.53, 0.2%, 0.17%

LAB 14.54, 5.2, -10.92

 

Description

Color code: RGB 53 35 43 | qconv.com Color code: RGB 53 35 43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 35 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 35 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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